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Ruyi sceptre (white stone)
Ruyi sceptre (white stone)

PFR194442: Ruyi sceptre (white stone), Chinese School / Bridgeman Images

Autumn Morning, Cloudy, Eragny, 1900 (oil on canvas)
Autumn Morning, Cloudy, Eragny, 1900 (oil on canvas)

TFJ194558: Autumn Morning, Cloudy, Eragny, 1900 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

Sliding doors depicting a thunder god, Late Edo Period
Sliding doors depicting a thunder god, Late Edo Period

TFJ194565: Sliding doors depicting a thunder god, Late Edo Period, Kiitsu, Suzuki (1796-1858) / Bridgeman Images

Figure, Lega culture, from Democratic Republic of Congo (wood)
Figure, Lega culture, from Democratic Republic of Congo (wood)

HSC194605: Figure, Lega culture, from Democratic Republic of Congo (wood), African School / Bridgeman Images

Standing Figure (wood)
Standing Figure (wood)

HSC194634: Standing Figure (wood), Melanesian / Bridgeman Images

Waiting, from 'L'Estampe Moderne', published Paris 1897-99, 1896 (colour litho)
Waiting, from 'L'Estampe Moderne', published Paris 1897-99, 1896 (colour litho)

STC194677: Waiting, from 'L'Estampe Moderne', published Paris 1897-99, 1896 (colour litho), Collin, Louis Joseph Raphael (1850-1916) / Bridgeman Images

'Les Caricatures a la Porte', c.1814 (coloured engraving)
'Les Caricatures a la Porte', c.1814 (coloured engraving)

XIR194778: 'Les Caricatures a la Porte', c.1814 (coloured engraving), French School, (19th century) / Bridgeman Images

'Eat Less Meat to Spare our Livestock' (colour litho)
'Eat Less Meat to Spare our Livestock' (colour litho)

MTL194784: 'Eat Less Meat to Spare our Livestock' (colour litho), French School, (20th century) / Bridgeman Images

Medallion from the monument to Heinrich von Kleist (1771-1811) (bronze)
Medallion from the monument to Heinrich von Kleist (1771-1811) (bronze)

LAD194930: Medallion from the monument to Heinrich von Kleist (1771-1811) (bronze), German School, (19th century) / Bridgeman Images

View of Heinrich Schutz's house (photo)
View of Heinrich Schutz's house (photo)

LAD194943: View of Heinrich Schutz's house (photo), German School, (16th century) / Bridgeman Images

Sketch of the attack on Koonja, 3rd October 1824 (w/c on paper)
Sketch of the attack on Koonja, 3rd October 1824 (w/c on paper)

GKH194952: Sketch of the attack on Koonja, 3rd October 1824 (w/c on paper), Shore, The Hon. Frederick (fl.1824) / Bridgeman Images

South East View of the Fakeers Rock on the River Ganges, near Sultaungunge, plate X from 'Oriental Scenery', published 1800 (coloured aquatint) (see also 86311)
South East View of the Fakeers Rock on the River Ganges, near Sultaungunge, plate X from 'Oriental Scenery', published 1800 (coloured aquatint) (see also 86311)

STC195042: South East View of the Fakeers Rock on the River Ganges, near Sultaungunge, plate X from 'Oriental Scenery', published 1800 (coloured aquatint) (see also 86311), Daniell, Thomas (1749-1840) & William (1769-1837) / Bridgeman Images

Negro with Boy Holding Flowers (w/c on paper)
Negro with Boy Holding Flowers (w/c on paper)

BRN195076: Negro with Boy Holding Flowers (w/c on paper), Pascin, Jules (1885-1930) / Bridgeman Images

Negro Dancing (w/c on paper)
Negro Dancing (w/c on paper)

BRN195093: Negro Dancing (w/c on paper), Demuth, Charles (1883-1935) / Bridgeman Images

Bowl with Human Figures (lustreware)
Bowl with Human Figures (lustreware)

TFJ195130: Bowl with Human Figures (lustreware), Persian School, (13th century) / Bridgeman Images

France Crowning the Arts and Industry with Laurel Wreaths at the Exposition Universelle of 1878 in Paris (lithograph)
France Crowning the Arts and Industry with Laurel Wreaths at the Exposition Universelle of 1878 in Paris (lithograph)

XIR195240: France Crowning the Arts and Industry with Laurel Wreaths at the Exposition Universelle of 1878 in Paris (lithograph), French School, (19th century) / Bridgeman Images

Humpty Dumpty, illustration from 'Alice Throught the Looking-Glass' by Lewis Carroll (1832-98) published in London, 1910 (colour litho)
Humpty Dumpty, illustration from 'Alice Throught the Looking-Glass' by Lewis Carroll (1832-98) published in London, 1910 (colour litho)

CHT195294: Humpty Dumpty, illustration from 'Alice Throught the Looking-Glass' by Lewis Carroll (1832-98) published in London, 1910 (colour litho), Brooke, Leonard Leslie (1862-1940) / Bridgeman Images

A small alms bowl, c.1880-1900 (wood inlaid with stag-antler, metal & laquer) (see also 195423)
A small alms bowl, c.1880-1900 (wood inlaid with stag-antler, metal & laquer) (see also 195423)

PFR195423: A small alms bowl, c.1880-1900 (wood inlaid with stag-antler, metal & laquer) (see also 195423), Tokuku, Suzuki (1846-1913) / Bridgeman Images

Netsuke, c.1870 (ivory) (see 195483)
Netsuke, c.1870 (ivory) (see 195483)

PFR195484: Netsuke, c.1870 (ivory) (see 195483), Kokusai, Ozaki (19th century) (attr. to) / Bridgeman Images

Netsuke with openwork design, c.1870 (stag-antler) (obverse of 208395)
Netsuke with openwork design, c.1870 (stag-antler) (obverse of 208395)

PFR195487: Netsuke with openwork design, c.1870 (stag-antler) (obverse of 208395), Kokusai, Ozaki (19th century) / Bridgeman Images

Rouen (w/c on paper)
Rouen (w/c on paper)

BRN195612: Rouen (w/c on paper), Signac, Paul (1863-1935) / Bridgeman Images

The Swan at Pangbourne (oil on canvas)
The Swan at Pangbourne (oil on canvas)

PFA195716: The Swan at Pangbourne (oil on canvas), Cole, George Vicat (1833-93) / Bridgeman Images

The Sweetheart, 1890 (oil on panel)
The Sweetheart, 1890 (oil on panel)

PFA195721: The Sweetheart, 1890 (oil on panel), Kauffmann, Hugo (1844-1915) / Bridgeman Images

Pitti Palace, Florence (oil on canvas)
Pitti Palace, Florence (oil on canvas)

PFA195730: Pitti Palace, Florence (oil on canvas), Costa, Oreste (b.1851) / Bridgeman Images

Aristide Briand dans son Bureau (w/c on paper)
Aristide Briand dans son Bureau (w/c on paper)

PFA195743: Aristide Briand dans son Bureau (w/c on paper), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum)
Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

XJL195849: Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum), English School, (13th century) / Bridgeman Images

Shakespeare's Cliff, Dover, at Sunset, 1827 (watercolour on paper)
Shakespeare's Cliff, Dover, at Sunset, 1827 (watercolour on paper)

PFA196007: Shakespeare's Cliff, Dover, at Sunset, 1827 (watercolour on paper), Cox, David (1783-1859) / Bridgeman Images

Scene from the Boer War, from a sketchbook, 1896 (w/c on paper)
Scene from the Boer War, from a sketchbook, 1896 (w/c on paper)

PFA196032: Scene from the Boer War, from a sketchbook, 1896 (w/c on paper), English School, (19th century) / Bridgeman Images

Thomas Wolsey (c.1475-1530), from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)
Thomas Wolsey (c.1475-1530), from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)

STC196050: Thomas Wolsey (c.1475-1530), from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

Victor Amadeus II (1666-1732) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)
Victor Amadeus II (1666-1732) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)

STC196062: Victor Amadeus II (1666-1732) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

Passion's flower, anis and coriander, 1807-22 (watercolour & pencil on paper)
Passion's flower, anis and coriander, 1807-22 (watercolour & pencil on paper)

NYH191536: Passion's flower, anis and coriander, 1807-22 (watercolour & pencil on paper), Hyde de Neuville, Anne Marguerite (c.1749-1849) / Bridgeman Images

The Bootblack, 1852 (oil on canvas)
The Bootblack, 1852 (oil on canvas)

NYH191542: The Bootblack, 1852 (oil on canvas), Yewell, George Henry (1830-1923) / Bridgeman Images

Amy Robsart and Wayland Smith, illustration for 'Kenilworth' in 'Children's Stories from Scott' by Doris Ashley (colour litho)
Amy Robsart and Wayland Smith, illustration for 'Kenilworth' in 'Children's Stories from Scott' by Doris Ashley (colour litho)

IL191580: Amy Robsart and Wayland Smith, illustration for 'Kenilworth' in 'Children's Stories from Scott' by Doris Ashley (colour litho), Earnshaw, Harold C. (1886-1937) / Bridgeman Images

The Artist's Wife (oil on canvas)
The Artist's Wife (oil on canvas)

XKH191627: The Artist's Wife (oil on canvas), Faber, Joachim (1778-1846) / Bridgeman Images

Sitting Room in Finkenwerder (oil on canvas)
Sitting Room in Finkenwerder (oil on canvas)

XKH191664: Sitting Room in Finkenwerder (oil on canvas), Ehren, Julius August Friedrich Theodor von (1864-1944) / Bridgeman Images

Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)
Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)

NCO191728: Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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