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Nicola LeFanu and Elizabeth Maconchy, 1977 (b/w photo)
Nicola LeFanu and Elizabeth Maconchy, 1977 (b/w photo)

MMV5948010: Nicola LeFanu and Elizabeth Maconchy, 1977 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5948010

Nicola LeFanu and Elizabeth Maconchy, 1977 (b/w photo)

Magnus, Mayotte (b.1934)

Iris Murdoch with mask, 1976 (b/w photo)
Iris Murdoch with mask, 1976 (b/w photo)

MMV5948016: Iris Murdoch with mask, 1976 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5948016

Iris Murdoch with mask, 1976 (b/w photo)

Magnus, Mayotte (b.1934)

Lady Plowden, 1976 (b/w photo)
Lady Plowden, 1976 (b/w photo)

MMV5948022: Lady Plowden, 1976 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5948022

Lady Plowden, 1976 (b/w photo)

Magnus, Mayotte (b.1934)

Glenys Barton, in doorway with masks, 1989 (b/w photo)
Glenys Barton, in doorway with masks, 1989 (b/w photo)

MMV5947907: Glenys Barton, in doorway with masks, 1989 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947907

Glenys Barton, in doorway with masks, 1989 (b/w photo)

Magnus, Mayotte (b.1934)

Joan Bakewell on sofa, 1978 (b/w photo)
Joan Bakewell on sofa, 1978 (b/w photo)

MMV5947916: Joan Bakewell on sofa, 1978 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947916

Joan Bakewell on sofa, 1978 (b/w photo)

Magnus, Mayotte (b.1934)

Margaret Atwood, 1980 (b/w photo)
Margaret Atwood, 1980 (b/w photo)

MMV5947930: Margaret Atwood, 1980 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947930

Margaret Atwood, 1980 (b/w photo)

Magnus, Mayotte (b.1934)

Sheila Scott, 1977 (b/w photo)
Sheila Scott, 1977 (b/w photo)

MMV5947967: Sheila Scott, 1977 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947967

Sheila Scott, 1977 (b/w photo)

Magnus, Mayotte (b.1934)

Tina Brown in her bedroom, 1977 (b/w photo)
Tina Brown in her bedroom, 1977 (b/w photo)

MMV5947976: Tina Brown in her bedroom, 1977 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947976

Tina Brown in her bedroom, 1977 (b/w photo)

Magnus, Mayotte (b.1934)

Patrick Procktor, 1972 (b/w photo)
Patrick Procktor, 1972 (b/w photo)

MMV5947954: Patrick Procktor, 1972 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947954

Patrick Procktor, 1972 (b/w photo)

Magnus, Mayotte (b.1934)

Sue Davies, 1977 (b/w photo)
Sue Davies, 1977 (b/w photo)

MMV5947997: Sue Davies, 1977 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947997

Sue Davies, 1977 (b/w photo)

Magnus, Mayotte (b.1934)

Stefan Knapp, 1976 (b/w photo)
Stefan Knapp, 1976 (b/w photo)

MMV5947972: Stefan Knapp, 1976 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5947972

Stefan Knapp, 1976 (b/w photo)

Magnus, Mayotte (b.1934)

Dame Barbara Ward, 1977 (b/w photo)
Dame Barbara Ward, 1977 (b/w photo)

MMV5948035: Dame Barbara Ward, 1977 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images

ID: MMV5948035

Dame Barbara Ward, 1977 (b/w photo)

Magnus, Mayotte (b.1934)

Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)
Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)

FDG5948255: Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images

ID: FDG5948255

Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)

Garolla, Federico

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)
Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

COU5948319: Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch), Cajes, Patrizio (c.1540-1612) / Bridgeman Images

ID: COU5948319

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

Cajes, Patrizio (c.1540-1612)

Pier Paolo Pasolini by night at Caffe Rosati in the Piazza del Popolo, Rome, 1960 (b/w photo)
Pier Paolo Pasolini by night at Caffe Rosati in the Piazza del Popolo, Rome, 1960 (b/w photo)

FDG5948247: Pier Paolo Pasolini by night at Caffe Rosati in the Piazza del Popolo, Rome, 1960 (b/w photo), Garolla, Federico / Bridgeman Images

ID: FDG5948247

Pier Paolo Pasolini by night at Caffe Rosati in the Piazza del Popolo, Rome, 1960 (b/w photo)

Garolla, Federico

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)
Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

COU5948343: Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper), Tovar, Alonso Miguel de (1678-1758) / Bridgeman Images

ID: COU5948343

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

Tovar, Alonso Miguel de (1678-1758)

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948367: Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948367

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)
Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

COU5948323: Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines), March, Esteban (c.1590-d.c.1660) (circle of) / Bridgeman Images

ID: COU5948323

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

March, Esteban (c.1590-d.c.1660) (circle of)

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]
Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

COU5948379: Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378], Poynter, Edward John (1836-1919) / Bridgeman Images

ID: COU5948379

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

Poynter, Edward John (1836-1919)

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)
Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

COU5948377: Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper), Clerck, Hendrik de (1570-1629) / Bridgeman Images

ID: COU5948377

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

Clerck, Hendrik de (1570-1629)

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)
Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

COU5948388: Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: COU5948388

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

Watts, George Frederic (1817-1904)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948398: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948398

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]
Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

COU5948418: Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417], Caravaggio, Polidoro da (1490/1500-1543) / Bridgeman Images

ID: COU5948418

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

Caravaggio, Polidoro da (1490/1500-1543)

The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)
The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)

COU5948421: The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper), Hunt, William Holman (1827-1910) / Bridgeman Images

ID: COU5948421

The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)

Hunt, William Holman (1827-1910)

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)
Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

COU5948433: Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: COU5948433

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

Tintoretto, Jacopo Robusti (1518-94)

Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)
Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)

COU5948457: Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours), Omega Workshops (20th century) / Bridgeman Images

ID: COU5948457

Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)

Omega Workshops (20th century)

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)
The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

COU5948475: The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding), French School, (14th century) / Bridgeman Images

ID: COU5948475

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

French School, (14th century)

Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours)
Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours)

COU5948455: Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours), Grant, Duncan (1885-1978) / Bridgeman Images

ID: COU5948455

Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours)

Grant, Duncan (1885-1978)

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)
Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

COU5948518: Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing), Mamluk Sultanate school, (15th-16th century) / Bridgeman Images

ID: COU5948518

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

Mamluk Sultanate school, (15th-16th century)

Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)
Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)

COU5948484: Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl), Embriachi workshop (14th-15th century) / Bridgeman Images

ID: COU5948484

Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)

Embriachi workshop (14th-15th century)

Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)
Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)

COU5948312: Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines), Pereda y Salgado, Antonio (1611-78) (attr.to) / Bridgeman Images

ID: COU5948312

Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)

Pereda y Salgado, Antonio (1611-78) (attr.to)

Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)
Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)

COU5948502: Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay), Venetian School, (16th century) / Bridgeman Images

ID: COU5948502

Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)

Venetian School, (16th century)

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)
View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

COU5948372: View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom), Bazzicaluva, Ercole Frigoni (1607-after c.1661) / Bridgeman Images

ID: COU5948372

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

Bazzicaluva, Ercole Frigoni (1607-after c.1661)

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)
Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

COU5948384: Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue), Keuninck, Kerstiaen de (c.1560-1633) / Bridgeman Images

ID: COU5948384

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

Keuninck, Kerstiaen de (c.1560-1633)

Candlestick base, 1342 (metalworked engraved brass with traces of silver inlay)
Candlestick base, 1342 (metalworked engraved brass with traces of silver inlay)

COU5948529: Candlestick base, 1342 (metalworked engraved brass with traces of silver inlay), Mamluk Sultanate school, (14th century) / Bridgeman Images

ID: COU5948529

Candlestick base, 1342 (metalworked engraved brass with traces of silver inlay)

Mamluk Sultanate school, (14th century)

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)
Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

COU5948528: Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding), Venetian School, (16th century) / Bridgeman Images

ID: COU5948528

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

Venetian School, (16th century)


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