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EVC5967694: Clash of the Titans by Desmond Davis, 1981 / Bridgeman Images
ID: EVC5967694
Clash of the Titans by Desmond Davis, 1981
EVC5967659: CLEOPATRA, Warren William (in chariot), 1934 / Bridgeman Images
ID: EVC5967659
CLEOPATRA, Warren William (in chariot), 1934
EVC5967674: THE CLIMAX, from left: Susanna Foster, cinematographer Hal Mohr on set, 1944 / Bridgeman Images
ID: EVC5967674
THE CLIMAX, from left: Susanna Foster, cinematographer Hal Mohr on set, 1944
EVC5967680: CLOTHES MAKE THE WOMAN, from left, Walter Pidgeon, Eve Southern, 1928 / Bridgeman Images
ID: EVC5967680
CLOTHES MAKE THE WOMAN, from left, Walter Pidgeon, Eve Southern, 1928
EVC5967754: THE COBWEB, John Kerr, 1955 / Bridgeman Images
ID: EVC5967754
THE COBWEB, John Kerr, 1955
EVC5967689: Class of 1984 by Mark L. Lester, 1982 / Bridgeman Images
ID: EVC5967689
Class of 1984 by Mark L. Lester, 1982
EVC5967778: COLLEGE CONFIDENTIAL, from left: Kirk Douglas visiting Jayne Meadows, Steve Allen on set, 1960 / Bridgeman Images
ID: EVC5967778
COLLEGE CONFIDENTIAL, from left: Kirk Douglas visiting Jayne Meadows, Steve Allen on set, 1960
EVC5967716: CONFIDENTIAL AGENT, Charles Boyer (right), 1945 / Bridgeman Images
ID: EVC5967716
CONFIDENTIAL AGENT, Charles Boyer (right), 1945
EVC5967790: CONGO CROSSING, Peter Lorre, 1956 / Bridgeman Images
ID: EVC5967790
CONGO CROSSING, Peter Lorre, 1956
EVC5967728: COME AND GET IT, Frances Farmer, 1936 / Bridgeman Images
ID: EVC5967728
COME AND GET IT, Frances Farmer, 1936
EVC5967805: Continental Divide by Michael Apted, 1981 / Bridgeman Images
ID: EVC5967805
Continental Divide by Michael Apted, 1981
EVC5967737: THE COWBOY AND THE BLONDE, from left, Fuzzy Knight, Mary Beth Hughes, George Montgomery, 1941 / Bridgeman Images
ID: EVC5967737
THE COWBOY AND THE BLONDE, from left, Fuzzy Knight, Mary Beth Hughes, George Montgomery, 1941
EVC5967814: COLD FEET, from left: Viora Daniel, Henry Murdock, 1922 / Bridgeman Images
ID: EVC5967814
COLD FEET, from left: Viora Daniel, Henry Murdock, 1922
EVC5967749: CONGO BILL, from left, Jack Ingram, Don McGuire, I. Stanford Jolley, Cleo Moore, 1948 / Bridgeman Images
ID: EVC5967749
CONGO BILL, from left, Jack Ingram, Don McGuire, I. Stanford Jolley, Cleo Moore, 1948
EVC5967817: COME FILL THE CUP, James Cagney, 1951 / Bridgeman Images
ID: EVC5967817
COME FILL THE CUP, James Cagney, 1951
EVC5967779: COLLEGE CONFIDENTIAL, from left: Steve Allen, Jayne Meadows, producer/director Albert Zugsmith on set, 1960 / Bridgeman Images
ID: EVC5967779
COLLEGE CONFIDENTIAL, from left: Steve Allen, Jayne Meadows, producer/director Albert Zugsmith on set, 1960
EVC5965780: A BILL OF DIVORCEMENT, from left: David Manners, Katharine Hepburn, 1932 / Bridgeman Images
ID: EVC5965780
A BILL OF DIVORCEMENT, from left: David Manners, Katharine Hepburn, 1932
EVC5966045: Blood of Ghastly Horror by Al Adamson, 1967 / Bridgeman Images
ID: EVC5966045
Blood of Ghastly Horror by Al Adamson, 1967
EVC5965795: BIRD OF PARADISE, from left: Debra Paget, Louis Jourdan, 1951 / Bridgeman Images
ID: EVC5965795
BIRD OF PARADISE, from left: Debra Paget, Louis Jourdan, 1951
EVC5965801: THE BIG PARADE, from left: John Gilbert, Claire Adams, 1925 / Bridgeman Images
ID: EVC5965801
THE BIG PARADE, from left: John Gilbert, Claire Adams, 1925
EVC5965807: The Birds by Alfred Hitchcock, 1963 / Bridgeman Images
ID: EVC5965807
The Birds by Alfred Hitchcock, 1963
EVC5966066: THE BLACK ORCHID, Sophia Loren, 1959 / Bridgeman Images
ID: EVC5966066
THE BLACK ORCHID, Sophia Loren, 1959
EVC5965840: THE BIG STORE, from left, Douglass Dumbrille, Margaret Dumont, Groucho Marx, 1941 / Bridgeman Images
ID: EVC5965840
THE BIG STORE, from left, Douglass Dumbrille, Margaret Dumont, Groucho Marx, 1941
EVC5965852: BIG TOP PEE-WEE, director Randal Kleiser, on-set, 1988 / Bridgeman Images
ID: EVC5965852
BIG TOP PEE-WEE, director Randal Kleiser, on-set, 1988
EVC5965855: THE BIG TREES, Patrice Wymore, 1952 / Bridgeman Images
ID: EVC5965855
THE BIG TREES, Patrice Wymore, 1952
EVC5965858: THE BIG TRAIL, John Wayne, 1930 / Bridgeman Images
ID: EVC5965858
THE BIG TRAIL, John Wayne, 1930
EVC5965861: BIG WEDNESDAY, from left, director John Milius, screenwriter Dennis Aaberg, on location, 1978 / Bridgeman Images
ID: EVC5965861
BIG WEDNESDAY, from left, director John Milius, screenwriter Dennis Aaberg, on location, 1978
EVC5965903: The Black Bird by David Giler, 1975 / Bridgeman Images
ID: EVC5965903
The Black Bird by David Giler, 1975
EVC5965915: THE BLACK CASTLE, Richard Greene, 1952 / Bridgeman Images
ID: EVC5965915
THE BLACK CASTLE, Richard Greene, 1952
EVC5965945: BLONDE FEVER, from left: director Richard Whorf, Mary Astor, Keenan Wynn having some fun on set, 1944 / Bridgeman Images
ID: EVC5965945
BLONDE FEVER, from left: director Richard Whorf, Mary Astor, Keenan Wynn having some fun on set, 1944
EVC5965978: BLOCK-HEADS, from left: Stan Laurel, Oliver Hardy, 1938 / Bridgeman Images
ID: EVC5965978
BLOCK-HEADS, from left: Stan Laurel, Oliver Hardy, 1938
EVC5966002: Blindfold by Philip Dunne, 1966 / Bridgeman Images
ID: EVC5966002
Blindfold by Philip Dunne, 1966
EVC5966011: THE BLACK KNIGHT, Patricia Medina, 1954 / Bridgeman Images
ID: EVC5966011
THE BLACK KNIGHT, Patricia Medina, 1954
EVC5966023: THE BLUE MAX, Pery King, 1966 / Bridgeman Images
ID: EVC5966023
THE BLUE MAX, Pery King, 1966
EVC5966026: Cannon for Cordoba by Paul Wendkos, 1970 / Bridgeman Images
ID: EVC5966026
Cannon for Cordoba by Paul Wendkos, 1970
EVC5966065: Bloomfield by Richard Harris and Uri Zohar, 1970 / Bridgeman Images
ID: EVC5966065
Bloomfield by Richard Harris and Uri Zohar, 1970