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Sculpture of the bridge Alexandre III - 8th arrondissement- Paris (75) - Ile-de-France - Photo Patrice Cartier -
Sculpture of the bridge Alexandre III - 8th arrondissement- Paris (75) - Ile-de-France - Photo Patrice Cartier -

PCT4291025: Sculpture of the bridge Alexandre III - 8th arrondissement- Paris (75) - Ile-de-France - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291025

Sculpture of the bridge Alexandre III - 8th arrondissement- Paris (75) - Ile-de-France - Photo Patrice Cartier -

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -

PCT4291060: Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291060

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -

Paris, France - Butte Montmartre - 18th arrondissement - Place Jean-Baptiste Clement (1836-1903), heros of the Commune and author of the song “” Le Temps des cherises”” - Photo Patrice Cartier -
Paris, France - Butte Montmartre - 18th arrondissement - Place Jean-Baptiste Clement (1836-1903), heros of the Commune and author of the song “” Le Temps des cherises”” - Photo Patrice Cartier -

PCT4291107: Paris, France - Butte Montmartre - 18th arrondissement - Place Jean-Baptiste Clement (1836-1903), heros of the Commune and author of the song “” Le Temps des cherises”” - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291107

Paris, France - Butte Montmartre - 18th arrondissement - Place Jean-Baptiste Clement (1836-1903), heros of the Commune and author of the song “” Le Temps des cherises”” - Photo Patrice Cartier -

Paris, France 2011 - Butte Montmartre - street artist: the Guinean acrobatic footballer Iya Traore in front of the Sacre Coeur - agreement of the artist OK for dissemination of photos (http://www.iya.fr/iya_traore.php) - Photo Patrice Cartier -
Paris, France 2011 - Butte Montmartre - street artist: the Guinean acrobatic footballer Iya Traore in front of the Sacre Coeur - agreement of the artist OK for dissemination of photos (http://www.iya.fr/iya_traore.php) - Photo Patrice Cartier -

PCT4291128: Paris, France 2011 - Butte Montmartre - street artist: the Guinean acrobatic footballer Iya Traore in front of the Sacre Coeur - agreement of the artist OK for dissemination of photos (http://www.iya.fr/iya_traore.php) - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291128

Paris, France 2011 - Butte Montmartre - street artist: the Guinean acrobatic footballer Iya Traore in front of the Sacre Coeur - agreement of the artist OK for dissemination of photos (http://www.iya.fr/iya_traore.php) - Photo Patrice Cartier -

Greece defeated: “” loose! “” Drawing by Puppet in the newspaper “” Le Rire “” no. 134 of May 29, 1897 showing an allegory of the Greek defeat to Turkey during the Greek-Turkish War of 1897, also known as the Thirty Days War. It opposed the Greek Kingdom of George I and the Ottoman Empire of Sultan Abdulhamid II (Abd ul Hamid, Abd-ul-Hamid, Abdulhemit, Abdul Hamid, Abd al-Hamid, Abd al-Hamid, Abd al-Hamid) (1842-1918) - Greece was mounted as the Venus de Milo with its arms torn. In the background, fire: Athenes burns, the Acropolis is in flames.
Greece defeated: “” loose! “” Drawing by Puppet in the newspaper “” Le Rire “” no. 134 of May 29, 1897 showing an allegory of the Greek defeat to Turkey during the Greek-Turkish War of 1897, also known as the Thirty Days War. It opposed the Greek Kingdom of George I and the Ottoman Empire of Sultan Abdulhamid II (Abd ul Hamid, Abd-ul-Hamid, Abdulhemit, Abdul Hamid, Abd al-Hamid, Abd al-Hamid, Abd al-Hamid) (1842-1918) - Greece was mounted as the Venus de Milo with its arms torn. In the background, fire: Athenes burns, the Acropolis is in flames.

PCT4291153: Greece defeated: “” loose! “” Drawing by Puppet in the newspaper “” Le Rire “” no. 134 of May 29, 1897 showing an allegory of the Greek defeat to Turkey during the Greek-Turkish War of 1897, also known as the Thirty Days War. It opposed the Greek Kingdom of George I and the Ottoman Empire of Sultan Abdulhamid II (Abd ul Hamid, Abd-ul-Hamid, Abdulhemit, Abdul Hamid, Abd al-Hamid, Abd al-Hamid, Abd al-Hamid) (1842-1918) - Greece was mounted as the Venus de Milo with its arms torn. In the background, fire: Athenes burns, the Acropolis is in flames. / Bridgeman Images

ID: PCT4291153

Greece defeated: “” loose! “” Drawing by Puppet in the newspaper “” Le Rire “” no. 134 of May 29, 1897 showing an allegory of the Greek defeat to Turkey during the Greek-Turkish War of 1897, also known as the Thirty Days War. It opposed the Greek Kingdom of George I and the Ottoman Empire of Sultan Abdulhamid II (Abd ul Hamid, Abd-ul-Hamid, Abdulhemit, Abdul Hamid, Abd al-Hamid, Abd al-Hamid, Abd al-Hamid) (1842-1918) - Greece was mounted as the Venus de Milo with its arms torn. In the background, fire: Athenes burns, the Acropolis is in flames.

Three old trunks (suitcases) filled with old books (old books), mark hell, purgatory and paradise. Only Paradise is open - reading, library, censorship - Photo Samuel Gusman -
Three old trunks (suitcases) filled with old books (old books), mark hell, purgatory and paradise. Only Paradise is open - reading, library, censorship - Photo Samuel Gusman -

PCT4291154: Three old trunks (suitcases) filled with old books (old books), mark hell, purgatory and paradise. Only Paradise is open - reading, library, censorship - Photo Samuel Gusman - / Bridgeman Images

ID: PCT4291154

Three old trunks (suitcases) filled with old books (old books), mark hell, purgatory and paradise. Only Paradise is open - reading, library, censorship - Photo Samuel Gusman -

Anonymous portrait of Victoire Leodile Bera-Champseix (Bera Champseix) (1824 - 1900) French woman writer (writer) under the name (pseudonym) Andre Leo. A novelist, a feminist journalist between socialism and anarchism, she was a member of the Premiere Internationale.
Anonymous portrait of Victoire Leodile Bera-Champseix (Bera Champseix) (1824 - 1900) French woman writer (writer) under the name (pseudonym) Andre Leo. A novelist, a feminist journalist between socialism and anarchism, she was a member of the Premiere Internationale.

PCT4291161: Anonymous portrait of Victoire Leodile Bera-Champseix (Bera Champseix) (1824 - 1900) French woman writer (writer) under the name (pseudonym) Andre Leo. A novelist, a feminist journalist between socialism and anarchism, she was a member of the Premiere Internationale. / Bridgeman Images

ID: PCT4291161

Anonymous portrait of Victoire Leodile Bera-Champseix (Bera Champseix) (1824 - 1900) French woman writer (writer) under the name (pseudonym) Andre Leo. A novelist, a feminist journalist between socialism and anarchism, she was a member of the Premiere Internationale.

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -

PCT4291270: Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291270

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -

PCT4291281: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4291281

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -

Bayard, Emile Antoine (1837-91)

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -

PCT4291283: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4291283

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -

Bayard, Emile Antoine (1837-91)

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -

PCT4291286: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4291286

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -

Bayard, Emile Antoine (1837-91)

Portrait of the French cyclist Jean Robic (1921-1980) winner of the Tour de France in 1947 - postcard advertising for the aperitive drink at the quinquina St Raphael (Saint Raphael, Saint Raphalel) - sport and alcohol, aperitif, publicity, champion, cycling -
Portrait of the French cyclist Jean Robic (1921-1980) winner of the Tour de France in 1947 - postcard advertising for the aperitive drink at the quinquina St Raphael (Saint Raphael, Saint Raphalel) - sport and alcohol, aperitif, publicity, champion, cycling -

PCT4291294: Portrait of the French cyclist Jean Robic (1921-1980) winner of the Tour de France in 1947 - postcard advertising for the aperitive drink at the quinquina St Raphael (Saint Raphael, Saint Raphalel) - sport and alcohol, aperitif, publicity, champion, cycling - / Bridgeman Images

ID: PCT4291294

Portrait of the French cyclist Jean Robic (1921-1980) winner of the Tour de France in 1947 - postcard advertising for the aperitive drink at the quinquina St Raphael (Saint Raphael, Saint Raphalel) - sport and alcohol, aperitif, publicity, champion, cycling -

Illustration of a book of tales (of fees) by Charles Perrault and Mme d'Aulnoy, 19th century. Engraving illustrating the story of Baboole (Madame d'Aulnoy), a little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature -
Illustration of a book of tales (of fees) by Charles Perrault and Mme d'Aulnoy, 19th century. Engraving illustrating the story of Baboole (Madame d'Aulnoy), a little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature -

PCT4291344: Illustration of a book of tales (of fees) by Charles Perrault and Mme d'Aulnoy, 19th century. Engraving illustrating the story of Baboole (Madame d'Aulnoy), a little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature - / Bridgeman Images

ID: PCT4291344

Illustration of a book of tales (of fees) by Charles Perrault and Mme d'Aulnoy, 19th century. Engraving illustrating the story of Baboole (Madame d'Aulnoy), a little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature -

Title page of a book of tales by Charles Perrault, Mme d'Aulnoy, etc. “” Tales des Fees “”, edition Garnier et freres 19th century. In vignette, engraving illustrating the story of Baboole (Madame d'Aulnoy), little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature -
Title page of a book of tales by Charles Perrault, Mme d'Aulnoy, etc. “” Tales des Fees “”, edition Garnier et freres 19th century. In vignette, engraving illustrating the story of Baboole (Madame d'Aulnoy), little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature -

PCT4291350: Title page of a book of tales by Charles Perrault, Mme d'Aulnoy, etc. “” Tales des Fees “”, edition Garnier et freres 19th century. In vignette, engraving illustrating the story of Baboole (Madame d'Aulnoy), little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature - / Bridgeman Images

ID: PCT4291350

Title page of a book of tales by Charles Perrault, Mme d'Aulnoy, etc. “” Tales des Fees “”, edition Garnier et freres 19th century. In vignette, engraving illustrating the story of Baboole (Madame d'Aulnoy), little princess transformed into a monkey. Bauole meets Biroqua, father of Biroquie - the monkey in the literature -

Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature -
Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature -

PCT4291359: Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature - / Bridgeman Images

ID: PCT4291359

Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature -

Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature -
Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature -

PCT4291370: Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature - / Bridgeman Images

ID: PCT4291370

Excerpt from the book “Les emotions de Polydore Marasquin au kingdom des apes” (l'île des apes, 1857) by the French writer Leon Gozlan (1803 - 1866) illustrated by Gustave Dore - This assembly of civilized monkeys prefigures the society of humanises monkeys in the novel by Perre Boulle “” The Planete of the Monkeys “” (1963) - it is that the Boulle's story draws part of his inspiration from Gozlan's text and illustrations by Dore - the monkey in literature -

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -

PCT4291377: Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291377

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Piazza I Quattro Canti (place des 4 chants) - Photo Patrice Cartier -

Paris (France) at the beginning of the twentieth century (20th century, around 1900) 19th arrondissement (19th century) the warehouses of the Villette, peniches on the Seine, factory chiminees - period postcard - The Sacre-Coeur and Montmartre in the distance -
Paris (France) at the beginning of the twentieth century (20th century, around 1900) 19th arrondissement (19th century) the warehouses of the Villette, peniches on the Seine, factory chiminees - period postcard - The Sacre-Coeur and Montmartre in the distance -

PCT4291444: Paris (France) at the beginning of the twentieth century (20th century, around 1900) 19th arrondissement (19th century) the warehouses of the Villette, peniches on the Seine, factory chiminees - period postcard - The Sacre-Coeur and Montmartre in the distance - / Bridgeman Images

ID: PCT4291444

Paris (France) at the beginning of the twentieth century (20th century, around 1900) 19th arrondissement (19th century) the warehouses of the Villette, peniches on the Seine, factory chiminees - period postcard - The Sacre-Coeur and Montmartre in the distance -

Romanesque Abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): bedside (apse) first Romanesque art eleventh century (construction first half 11th century) with half columns and rubble in limestone (marble) and gres, white embossed joints enhanced by an ochre-red line - capitals, religious architecture - Photo Patrice Cartier
Romanesque Abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): bedside (apse) first Romanesque art eleventh century (construction first half 11th century) with half columns and rubble in limestone (marble) and gres, white embossed joints enhanced by an ochre-red line - capitals, religious architecture - Photo Patrice Cartier

PCT4291455: Romanesque Abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): bedside (apse) first Romanesque art eleventh century (construction first half 11th century) with half columns and rubble in limestone (marble) and gres, white embossed joints enhanced by an ochre-red line - capitals, religious architecture - Photo Patrice Cartier / Bridgeman Images

ID: PCT4291455

Romanesque Abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): bedside (apse) first Romanesque art eleventh century (construction first half 11th century) with half columns and rubble in limestone (marble) and gres, white embossed joints enhanced by an ochre-red line - capitals, religious architecture - Photo Patrice Cartier

See Mr. Mayeux, this animal holds the middle ground between man and monkey - God's sake! He can flatter himself to be ugly!
See Mr. Mayeux, this animal holds the middle ground between man and monkey - God's sake! He can flatter himself to be ugly!

PCT4291477: See Mr. Mayeux, this animal holds the middle ground between man and monkey - God's sake! He can flatter himself to be ugly!"Cartoon depicting the similarities between an orangutan and a man - drawing by Honore Daumier (1808 - 1879) from "Charivari", 1836 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

ID: PCT4291477

See Mr. Mayeux, this animal holds the middle ground between man and monkey - God's sake! He can flatter himself to be ugly!"Cartoon depicting the similarities between an orangutan and a man - drawing by Honore Daumier (1808 - 1879) from "Charivari", 1836 (lithograph)

Daumier, Honore (1808-79)

Romanesque abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): Romanesque bedside and towers (bell tower) - Photo Patrice Cartier
Romanesque abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): Romanesque bedside and towers (bell tower) - Photo Patrice Cartier

PCT4291489: Romanesque abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): Romanesque bedside and towers (bell tower) - Photo Patrice Cartier / Bridgeman Images

ID: PCT4291489

Romanesque abbey of Caunes-Minervois (Caunes Minervois, Aude, 11, Pays Cathare): Romanesque bedside and towers (bell tower) - Photo Patrice Cartier

French Equatorial Africa, Middle Congo (French Congo) route from Brazzaville to Pointe-Noire: a baobab - colonization, settlers - France, Africa, France-Africa, Francafrique - postcard between 1940 and 1950 -
French Equatorial Africa, Middle Congo (French Congo) route from Brazzaville to Pointe-Noire: a baobab - colonization, settlers - France, Africa, France-Africa, Francafrique - postcard between 1940 and 1950 -

PCT4291543: French Equatorial Africa, Middle Congo (French Congo) route from Brazzaville to Pointe-Noire: a baobab - colonization, settlers - France, Africa, France-Africa, Francafrique - postcard between 1940 and 1950 - / Bridgeman Images

ID: PCT4291543

French Equatorial Africa, Middle Congo (French Congo) route from Brazzaville to Pointe-Noire: a baobab - colonization, settlers - France, Africa, France-Africa, Francafrique - postcard between 1940 and 1950 -

Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee of temples) - tempio di Ercole - columns of the temple of Heracles (of Hercules) at night - Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee of temples) - tempio di Ercole - columns of the temple of Heracles (of Hercules) at night - Photo Patrice Cartier -

PCT4289384: Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee of temples) - tempio di Ercole - columns of the temple of Heracles (of Hercules) at night - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4289384

Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee of temples) - tempio di Ercole - columns of the temple of Heracles (of Hercules) at night - Photo Patrice Cartier -

A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork on a plate - meal - cuisine - Midi - photo Patrice Cartier -
A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork on a plate - meal - cuisine - Midi - photo Patrice Cartier -

PCT4289423: A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork on a plate - meal - cuisine - Midi - photo Patrice Cartier - / Bridgeman Images

ID: PCT4289423

A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork on a plate - meal - cuisine - Midi - photo Patrice Cartier -

A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork meat, served on a plate - meal - cuisine - Midi - photo Patrice Cartier -
A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork meat, served on a plate - meal - cuisine - Midi - photo Patrice Cartier -

PCT4289429: A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork meat, served on a plate - meal - cuisine - Midi - photo Patrice Cartier - / Bridgeman Images

ID: PCT4289429

A dish from the south of France: Cassoulet, a recipe for stew from the south west (Languedoc-Roussillon (Languedoc) and Midi-Pyrenees) - beans (white bean), Toulouse sausage, poultry confit and pork meat, served on a plate - meal - cuisine - Midi - photo Patrice Cartier -

it is this one, the criminal who humiliated life - excerpt from “L'Assiette au beurre””, number 292, number antichretien (anti chretien) of November 3, 1906 by Jules Grandjouan (1875-1968). The philosopher Nietzche apostrophe Jesus Christ who carries his cross - anticlericalism - blaspheme -
it is this one, the criminal who humiliated life - excerpt from “L'Assiette au beurre””, number 292, number antichretien (anti chretien) of November 3, 1906 by Jules Grandjouan (1875-1968). The philosopher Nietzche apostrophe Jesus Christ who carries his cross - anticlericalism - blaspheme -

PCT4289443: it is this one, the criminal who humiliated life - excerpt from “L'Assiette au beurre””, number 292, number antichretien (anti chretien) of November 3, 1906 by Jules Grandjouan (1875-1968). The philosopher Nietzche apostrophe Jesus Christ who carries his cross - anticlericalism - blaspheme -, Grandjouan, Jules (1875-1968) / Bridgeman Images

ID: PCT4289443

it is this one, the criminal who humiliated life - excerpt from “L'Assiette au beurre””, number 292, number antichretien (anti chretien) of November 3, 1906 by Jules Grandjouan (1875-1968). The philosopher Nietzche apostrophe Jesus Christ who carries his cross - anticlericalism - blaspheme -

Grandjouan, Jules (1875-1968)

The seven. This term is derived from the Protestant tradition, or it refers to the seven-year period during which a pastor exercises his mandate. In France, in constitutional law, since its inception by the monarchist president Patrice de Mac Mahon during the Third Republic (Third Republic), he designated the term of office of the President of the Republic (Act of 20 November 1873). It ended in 2002 at the end of President Jacques Chirac's first term, after 129 years of application, except for the parentheses of the Vichy regime, to be replaced by the five-year term. The septennate I is here caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope as a fetus in a jar (late 19th century) -
The seven. This term is derived from the Protestant tradition, or it refers to the seven-year period during which a pastor exercises his mandate. In France, in constitutional law, since its inception by the monarchist president Patrice de Mac Mahon during the Third Republic (Third Republic), he designated the term of office of the President of the Republic (Act of 20 November 1873). It ended in 2002 at the end of President Jacques Chirac's first term, after 129 years of application, except for the parentheses of the Vichy regime, to be replaced by the five-year term. The septennate I is here caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope as a fetus in a jar (late 19th century) -

PCT4289463: The seven. This term is derived from the Protestant tradition, or it refers to the seven-year period during which a pastor exercises his mandate. In France, in constitutional law, since its inception by the monarchist president Patrice de Mac Mahon during the Third Republic (Third Republic), he designated the term of office of the President of the Republic (Act of 20 November 1873). It ended in 2002 at the end of President Jacques Chirac's first term, after 129 years of application, except for the parentheses of the Vichy regime, to be replaced by the five-year term. The septennate I is here caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope as a fetus in a jar (late 19th century) - / Bridgeman Images

ID: PCT4289463

The seven. This term is derived from the Protestant tradition, or it refers to the seven-year period during which a pastor exercises his mandate. In France, in constitutional law, since its inception by the monarchist president Patrice de Mac Mahon during the Third Republic (Third Republic), he designated the term of office of the President of the Republic (Act of 20 November 1873). It ended in 2002 at the end of President Jacques Chirac's first term, after 129 years of application, except for the parentheses of the Vichy regime, to be replaced by the five-year term. The septennate I is here caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope as a fetus in a jar (late 19th century) -

Allegory of the humorous newspaper Le Tintamarre, founded in 1843 by Jules Lovy, caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope in the form of a crazy man orchestra (man orchestra) (late 19th century) - satirical press - satire - humor drawing - music - noise -
Allegory of the humorous newspaper Le Tintamarre, founded in 1843 by Jules Lovy, caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope in the form of a crazy man orchestra (man orchestra) (late 19th century) - satirical press - satire - humor drawing - music - noise -

PCT4289467: Allegory of the humorous newspaper Le Tintamarre, founded in 1843 by Jules Lovy, caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope in the form of a crazy man orchestra (man orchestra) (late 19th century) - satirical press - satire - humor drawing - music - noise - / Bridgeman Images

ID: PCT4289467

Allegory of the humorous newspaper Le Tintamarre, founded in 1843 by Jules Lovy, caricature by B. Moloch (1849-1909) in Touchatout's Trombinoscope in the form of a crazy man orchestra (man orchestra) (late 19th century) - satirical press - satire - humor drawing - music - noise -

Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest two resinieres collect the gem (resine) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) before pouring it into a wooden bucket (squad) door on the head - postcard sent from Sustons in 1919
Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest two resinieres collect the gem (resine) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) before pouring it into a wooden bucket (squad) door on the head - postcard sent from Sustons in 1919

PCT4289543: Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest two resinieres collect the gem (resine) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) before pouring it into a wooden bucket (squad) door on the head - postcard sent from Sustons in 1919 / Bridgeman Images

ID: PCT4289543

Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest two resinieres collect the gem (resine) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) before pouring it into a wooden bucket (squad) door on the head - postcard sent from Sustons in 1919

Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest a group of resiners (including a child) collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in earthen pots (bucket) - colorisee postcard F. Bernede before 1914 -
Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest a group of resiners (including a child) collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in earthen pots (bucket) - colorisee postcard F. Bernede before 1914 -

PCT4289583: Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest a group of resiners (including a child) collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in earthen pots (bucket) - colorisee postcard F. Bernede before 1914 - / Bridgeman Images

ID: PCT4289583

Pine gemmage in France in the Landes at the beginning of the 20th century: in the forest a group of resiners (including a child) collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in earthen pots (bucket) - colorisee postcard F. Bernede before 1914 -

The human eye, the sight - vision - firm eye, eyelid, eyelash, eyebrow, nose, mouth, face - sleep - anatomical board from the atlas of anatomy of the human body, edition Jules Tallandier 1909 -
The human eye, the sight - vision - firm eye, eyelid, eyelash, eyebrow, nose, mouth, face - sleep - anatomical board from the atlas of anatomy of the human body, edition Jules Tallandier 1909 -

PCT4289669: The human eye, the sight - vision - firm eye, eyelid, eyelash, eyebrow, nose, mouth, face - sleep - anatomical board from the atlas of anatomy of the human body, edition Jules Tallandier 1909 - / Bridgeman Images

ID: PCT4289669

The human eye, the sight - vision - firm eye, eyelid, eyelash, eyebrow, nose, mouth, face - sleep - anatomical board from the atlas of anatomy of the human body, edition Jules Tallandier 1909 -

Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee or hill of temples) - necropoli paleocristiana - necropolis paleochretian: tombs a arcosolium (arcosolia) dug in the rock between the 4th and 7th century ap. BC - tomb, tomb - Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee or hill of temples) - necropoli paleocristiana - necropolis paleochretian: tombs a arcosolium (arcosolia) dug in the rock between the 4th and 7th century ap. BC - tomb, tomb - Photo Patrice Cartier -

PCT4289721: Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee or hill of temples) - necropoli paleocristiana - necropolis paleochretian: tombs a arcosolium (arcosolia) dug in the rock between the 4th and 7th century ap. BC - tomb, tomb - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4289721

Sicilia, Italia (Sicily, Italy): Agrigento (Agrigento) - Valle dei Templi (vallee or hill of temples) - necropoli paleocristiana - necropolis paleochretian: tombs a arcosolium (arcosolia) dug in the rock between the 4th and 7th century ap. BC - tomb, tomb - Photo Patrice Cartier -

Artisan butcher decoupting a side of beef (side to the bone) on a wooden log - master artisan, butcher's shop, cutting a piece of red meat - food, food - Photo Patrice Cartier -
Artisan butcher decoupting a side of beef (side to the bone) on a wooden log - master artisan, butcher's shop, cutting a piece of red meat - food, food - Photo Patrice Cartier -

PCT4289763: Artisan butcher decoupting a side of beef (side to the bone) on a wooden log - master artisan, butcher's shop, cutting a piece of red meat - food, food - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4289763

Artisan butcher decoupting a side of beef (side to the bone) on a wooden log - master artisan, butcher's shop, cutting a piece of red meat - food, food - Photo Patrice Cartier -

Illustration of the 19th century for Madame d'Aulnoy's tale “” Finette Cendron”: a giant ogre with one eye (cyclops) carries in a basket small children he has caught and will eat -
Illustration of the 19th century for Madame d'Aulnoy's tale “” Finette Cendron”: a giant ogre with one eye (cyclops) carries in a basket small children he has caught and will eat -

PCT4289766: Illustration of the 19th century for Madame d'Aulnoy's tale “” Finette Cendron”: a giant ogre with one eye (cyclops) carries in a basket small children he has caught and will eat - / Bridgeman Images

ID: PCT4289766

Illustration of the 19th century for Madame d'Aulnoy's tale “” Finette Cendron”: a giant ogre with one eye (cyclops) carries in a basket small children he has caught and will eat -

Cover of the feminine magazine (weekly newspaper) Le Petit Echo de la Mode, n28 of July 12, 1903: young elegante woman and children on holiday by the sea with summer clothes (engraving)
Cover of the feminine magazine (weekly newspaper) Le Petit Echo de la Mode, n28 of July 12, 1903: young elegante woman and children on holiday by the sea with summer clothes (engraving)

PCT4289797: Cover of the feminine magazine (weekly newspaper) Le Petit Echo de la Mode, n28 of July 12, 1903: young elegante woman and children on holiday by the sea with summer clothes (engraving), French School, (20th century) / Bridgeman Images

ID: PCT4289797

Cover of the feminine magazine (weekly newspaper) Le Petit Echo de la Mode, n28 of July 12, 1903: young elegante woman and children on holiday by the sea with summer clothes (engraving)

French School, (20th century)

Grande route des Alpes or Route des Grandes Alpes Francaises - Col de la Madeleine - shepherd, cart and cyclists - tourist a bike - Alpine tourism by bicycle - cycling at the beginning of the 20th century - postcard sent in 1926 -
Grande route des Alpes or Route des Grandes Alpes Francaises - Col de la Madeleine - shepherd, cart and cyclists - tourist a bike - Alpine tourism by bicycle - cycling at the beginning of the 20th century - postcard sent in 1926 -

PCT4289851: Grande route des Alpes or Route des Grandes Alpes Francaises - Col de la Madeleine - shepherd, cart and cyclists - tourist a bike - Alpine tourism by bicycle - cycling at the beginning of the 20th century - postcard sent in 1926 - / Bridgeman Images

ID: PCT4289851

Grande route des Alpes or Route des Grandes Alpes Francaises - Col de la Madeleine - shepherd, cart and cyclists - tourist a bike - Alpine tourism by bicycle - cycling at the beginning of the 20th century - postcard sent in 1926 -


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