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Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)
Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)

FDG5948255: Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images

ID: FDG5948255

Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)

Garolla, Federico

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)
Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

COU5948319: Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch), Cajes, Patrizio (c.1540-1612) / Bridgeman Images

ID: COU5948319

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

Cajes, Patrizio (c.1540-1612)

Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)
Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)

COU5948331: Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper), Herrera Barnuevo, Sebastian de (1619-71) (attr.to) / Bridgeman Images

ID: COU5948331

Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)

Herrera Barnuevo, Sebastian de (1619-71) (attr.to)

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)
Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

COU5948343: Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper), Tovar, Alonso Miguel de (1678-1758) / Bridgeman Images

ID: COU5948343

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

Tovar, Alonso Miguel de (1678-1758)

King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948364: King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948364

King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948367: Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948367

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)
Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)

COU5948376: Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines), Brill or Bril, Paul (1554-1626) (circle of) / Bridgeman Images

ID: COU5948376

Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)

Brill or Bril, Paul (1554-1626) (circle of)

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]
Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

COU5948379: Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378], Poynter, Edward John (1836-1919) / Bridgeman Images

ID: COU5948379

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

Poynter, Edward John (1836-1919)

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)
Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

COU5948382: Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines), Valencia, Felipe Gómez de (c.1634-1679/94) / Bridgeman Images

ID: COU5948382

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

Valencia, Felipe Gómez de (c.1634-1679/94)

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)
Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

COU5948388: Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: COU5948388

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

Watts, George Frederic (1817-1904)

Magnanimity, 17th century (red chalk on laid paper)
Magnanimity, 17th century (red chalk on laid paper)

COU5948412: Magnanimity, 17th century (red chalk on laid paper), Thornhill, James (1675-1734) / Bridgeman Images

ID: COU5948412

Magnanimity, 17th century (red chalk on laid paper)

Thornhill, James (1675-1734)

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]
Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

COU5948418: Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417], Caravaggio, Polidoro da (1490/1500-1543) / Bridgeman Images

ID: COU5948418

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

Caravaggio, Polidoro da (1490/1500-1543)

The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)
The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)

COU5948421: The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper), Hunt, William Holman (1827-1910) / Bridgeman Images

ID: COU5948421

The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)

Hunt, William Holman (1827-1910)

Terrace in an Italian Garden, c.1760 (red chalk on paper)
Terrace in an Italian Garden, c.1760 (red chalk on paper)

COU5948424: Terrace in an Italian Garden, c.1760 (red chalk on paper), Robert, Hubert (1733-1808) / Bridgeman Images

ID: COU5948424

Terrace in an Italian Garden, c.1760 (red chalk on paper)

Robert, Hubert (1733-1808)

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)
Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

COU5948433: Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: COU5948433

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

Tintoretto, Jacopo Robusti (1518-94)

altamura, bari, puglia, italy, monastery of santa chiara, exterior
altamura, bari, puglia, italy, monastery of santa chiara, exterior

RTG5952070: altamura, bari, puglia, italy, monastery of santa chiara, exterior / Bridgeman Images

ID: RTG5952070

altamura, bari, puglia, italy, monastery of santa chiara, exterior

Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, Chapel of San Riccardo
Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, Chapel of San Riccardo

RTG5952088: Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, Chapel of San Riccardo / Bridgeman Images

ID: RTG5952088

Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, Chapel of San Riccardo

Andria, Puglia, Italy, The Cathedral of the Most Holy Assumption in Heaven, Crypt
Andria, Puglia, Italy, The Cathedral of the Most Holy Assumption in Heaven, Crypt

RTG5952097: Andria, Puglia, Italy, The Cathedral of the Most Holy Assumption in Heaven, Crypt / Bridgeman Images

ID: RTG5952097

Andria, Puglia, Italy, The Cathedral of the Most Holy Assumption in Heaven, Crypt

andria, appulia, italy, church of Sant'agostino, lunette of the portal, christ blessing
andria, appulia, italy, church of Sant'agostino, lunette of the portal, christ blessing

RTG5952115: andria, appulia, italy, church of Sant'agostino, lunette of the portal, christ blessing / Bridgeman Images

ID: RTG5952115

andria, appulia, italy, church of Sant'agostino, lunette of the portal, christ blessing

Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, head of Putto. recovered top altar of the altar that was destroyed in the fire of 1916
Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, head of Putto. recovered top altar of the altar that was destroyed in the fire of 1916

RTG5952130: Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, head of Putto. recovered top altar of the altar that was destroyed in the fire of 1916 / Bridgeman Images

ID: RTG5952130

Andria, Puglia, Italy, The Cathedral of Mary Most Holy Assumption in Heaven, head of Putto. recovered top altar of the altar that was destroyed in the fire of 1916

San Vito dei Normanni, Brindisi, Puglia, Italy, Crypt of San Biagio, interior, fresco, detail
San Vito dei Normanni, Brindisi, Puglia, Italy, Crypt of San Biagio, interior, fresco, detail

RTG5952190: San Vito dei Normanni, Brindisi, Puglia, Italy, Crypt of San Biagio, interior, fresco, detail / Bridgeman Images

ID: RTG5952190

San Vito dei Normanni, Brindisi, Puglia, Italy, Crypt of San Biagio, interior, fresco, detail

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Episcopal throne, work of 1587, by master carver Colantonio Bonafida
Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Episcopal throne, work of 1587, by master carver Colantonio Bonafida

RTG5952199: Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Episcopal throne, work of 1587, by master carver Colantonio Bonafida / Bridgeman Images

ID: RTG5952199

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Episcopal throne, work of 1587, by master carver Colantonio Bonafida

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position
Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position

RTG5952202: Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position / Bridgeman Images

ID: RTG5952202

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position

Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, exterior, portal carved by Mastro Antonio da Andria in 1533
Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, exterior, portal carved by Mastro Antonio da Andria in 1533

RTG5952214: Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, exterior, portal carved by Mastro Antonio da Andria in 1533 / Bridgeman Images

ID: RTG5952214

Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, exterior, portal carved by Mastro Antonio da Andria in 1533

Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position, particular
Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position, particular

RTG5952224: Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position, particular / Bridgeman Images

ID: RTG5952224

Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Ambo of the 500, placed in 1969 in the current position, particular

Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Interior, Wooden Choir of the master carver Colantonio Bonafida, 1587, detail
Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Interior, Wooden Choir of the master carver Colantonio Bonafida, 1587, detail

RTG5952239: Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Interior, Wooden Choir of the master carver Colantonio Bonafida, 1587, detail / Bridgeman Images

ID: RTG5952239

Altamura, Bari, Apulia, Italy, The Cathedral of Santa Maria Assunta, Interior, Wooden Choir of the master carver Colantonio Bonafida, 1587, detail

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior, Rosette with a radial of 15 rays (1300)
Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior, Rosette with a radial of 15 rays (1300)

RTG5952257: Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior, Rosette with a radial of 15 rays (1300) / Bridgeman Images

ID: RTG5952257

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior, Rosette with a radial of 15 rays (1300)

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior
Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior

RTG5952266: Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior / Bridgeman Images

ID: RTG5952266

Altamura, Bari, Puglia, Italy, The Cathedral of Santa Maria Assunta, exterior

Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)
Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)

COU5948457: Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours), Omega Workshops (20th century) / Bridgeman Images

ID: COU5948457

Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)

Omega Workshops (20th century)

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)
The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

COU5948475: The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding), French School, (14th century) / Bridgeman Images

ID: COU5948475

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

French School, (14th century)

Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)
Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)

COU5948478: Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory), Northern French school, (14th century) / Bridgeman Images

ID: COU5948478

Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)

Northern French school, (14th century)

Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)
Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)

COU5948484: Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl), Embriachi workshop (14th-15th century) / Bridgeman Images

ID: COU5948484

Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)

Embriachi workshop (14th-15th century)

Relief depicting the adoration of the Shepherds, c.1700 (carved ivory)
Relief depicting the adoration of the Shepherds, c.1700 (carved ivory)

COU5948490: Relief depicting the adoration of the Shepherds, c.1700 (carved ivory), Stainhart, Dominicus (1655-1712) & Stainhart, Franz (1651-95) (circle of) / Bridgeman Images

ID: COU5948490

Relief depicting the adoration of the Shepherds, c.1700 (carved ivory)

Stainhart, Dominicus (1655-1712) & Stainhart, Franz (1651-95) (circle of)

Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)
Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)

COU5948502: Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay), Venetian School, (16th century) / Bridgeman Images

ID: COU5948502

Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)

Venetian School, (16th century)

Box or inkwell, missing cover, 1300-c.1330 (metalworked brass and silver inlay) [see 5948512]
Box or inkwell, missing cover, 1300-c.1330 (metalworked brass and silver inlay) [see 5948512]

COU5948508: Box or inkwell, missing cover, 1300-c.1330 (metalworked brass and silver inlay) [see 5948512], Mamluk Sultanate school, (14th century) / Bridgeman Images

ID: COU5948508

Box or inkwell, missing cover, 1300-c.1330 (metalworked brass and silver inlay) [see 5948512]

Mamluk Sultanate school, (14th century)

Engraved brass bowl with missing cover, 1500-25 (metalworked engraved brass with silver inlay and some gold inlay remains)
Engraved brass bowl with missing cover, 1500-25 (metalworked engraved brass with silver inlay and some gold inlay remains)

COU5948520: Engraved brass bowl with missing cover, 1500-25 (metalworked engraved brass with silver inlay and some gold inlay remains), Mamluk Sultanate school, (16th century) / Bridgeman Images

ID: COU5948520

Engraved brass bowl with missing cover, 1500-25 (metalworked engraved brass with silver inlay and some gold inlay remains)

Mamluk Sultanate school, (16th century)


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