DRE133895:
The Parade, 1873 (oil on canvas), Ribera Ciara, Roman (1849-1935) / Bridgeman Images
ID: DRE133895
The Parade, 1873 (oil on canvas)
Ribera Ciara, Roman (1849-1935)
FIT133904:
Ms 1058-1975 f2v Cutting Trees and Binding Faggots, from a Book of Hours, c.1500 (vellum), Flemish School, (16th century) / Bridgeman Images
ID: FIT133904
Ms 1058-1975 f2v Cutting Trees and Binding Faggots, from a Book of Hours, c.1500 (vellum)
Flemish School, (16th century)
FIT133916:
Ms 1058-1975 f9r Gathering Grapes, illuminated calendar page for September, from a Book of Hours, c.1500 (vellum), Flemish School, (16th century) / Bridgeman Images
ID: FIT133916
Ms 1058-1975 f9r Gathering Grapes, illuminated calendar page for September, from a Book of Hours, c.1500 (vellum)
Flemish School, (16th century)
CHT163052:
The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper), Desnos, Robert (1900-45) / Bridgeman Images
ID: CHT163052
The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper)
Desnos, Robert (1900-45)
CHT163070:
First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707), Eluard, Paul (1895-1952) / Bridgeman Images
ID: CHT163070
First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707)
Eluard, Paul (1895-1952)
CHT163201:
The Ancient theatre of Orange (Vaucluse, France), main facade, 1876 (w/c on paper), French School, (19th century) / Bridgeman Images
ID: CHT163201
The Ancient theatre of Orange (Vaucluse, France), main facade, 1876 (w/c on paper)
French School, (19th century)
STC156091:
Design for an Ecclesiastical wallpaper print (ink on paper), Pugin, Augustus Welby (1812-52) / Bridgeman Images
ID: STC156091
Design for an Ecclesiastical wallpaper print (ink on paper)
Pugin, Augustus Welby (1812-52)
ANC156123:
Philip of Macedon on Horseback, 340 BC (silver), Greek school, (4th century BC) / Bridgeman Images
ID: ANC156123
Philip of Macedon on Horseback, 340 BC (silver)
Greek school, (4th century BC)
XIR156160:
Church of the Invalides, built 1679-1708 (photo), Mansart, Jules Hardouin (1646-1708) / Bridgeman Images
ID: XIR156160
Church of the Invalides, built 1679-1708 (photo)
Mansart, Jules Hardouin (1646-1708)
STC156404:
Gothic cabinet and a highly decorated chimney piece from part of a room set by Cox & Sons for Philadelphia, 1876 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: STC156404
Gothic cabinet and a highly decorated chimney piece from part of a room set by Cox & Sons for Philadelphia, 1876 (engraving) (b/w photo)
English School, (19th century)
STC156444:
Illustration of 13th century ceramic patterns from a decoration source book (colour litho), French School, (19th century) / Bridgeman Images
ID: STC156444
Illustration of 13th century ceramic patterns from a decoration source book (colour litho)
French School, (19th century)
XYC156451:
Reconstruction of the Second Theatre at Laodicea, c.1750 (pen and ink and wash over graphite on laid paper), Borra, Giovanni Battista (Giambattista) (1712-86) / Bridgeman Images
ID: XYC156451
Reconstruction of the Second Theatre at Laodicea, c.1750 (pen and ink and wash over graphite on laid paper)
Borra, Giovanni Battista (Giambattista) (1712-86)
XIR119412:
The Crucifixion and Stoning of SS. Cosmas and Damian, detail of their tormentors, predella from the Annalena Altarpiece, 1434 (tempera on panel), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images
ID: XIR119412
The Crucifixion and Stoning of SS. Cosmas and Damian, detail of their tormentors, predella from the Annalena Altarpiece, 1434 (tempera on panel)
Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)
STC119588:
Kitley, from Ackermann's 'Repository of Arts', 1826 (coloured litho), English School, (19th century) / Bridgeman Images
ID: STC119588
Kitley, from Ackermann's 'Repository of Arts', 1826 (coloured litho)
English School, (19th century)
XJF119754:
Victoria, the Princess Royal (1840-1901) with her son, Prince Frederick William Victor Albert, May 1859, from a photograph (engraving), English School, (19th century) / Bridgeman Images
ID: XJF119754
Victoria, the Princess Royal (1840-1901) with her son, Prince Frederick William Victor Albert, May 1859, from a photograph (engraving)
English School, (19th century)
XJF119857:
A Sunday Parade in Tipperary (engraving), English School, (19th century) / Bridgeman Images
ID: XJF119857
A Sunday Parade in Tipperary (engraving)
English School, (19th century)
XJF119880:
View of Roxborough Church, Kings Arms and the chimneys of Browns House, from an embrasure between the sally port and the right hand bastion of the lines, 1776 (pen & ink on paper), English School / Bridgeman Images
ID: XJF119880
View of Roxborough Church, Kings Arms and the chimneys of Browns House, from an embrasure between the sally port and the right hand bastion of the lines, 1776 (pen & ink on paper)
English School
STC119932:
Taking up the Eel Net, c.1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images
ID: STC119932
Taking up the Eel Net, c.1886 (photo)
Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)
SGS119964:
Master Page, Anne Page and Slender (oil on canvas), Dowman, John (1750-1824) / Bridgeman Images
ID: SGS119964
Master Page, Anne Page and Slender (oil on canvas)
XKH156609:
Night (preparatory study), 1803 (pen and black ink over pencil on paper), Runge, Philipp Otto (1777-1810) / Bridgeman Images
ID: XKH156609
Night (preparatory study), 1803 (pen and black ink over pencil on paper)
Runge, Philipp Otto (1777-1810)
BI156639:
A hilly landscape, c.1775-80 (black chalk, stump and white chalk on blue paper), Gainsborough, Thomas (1727-88) / Bridgeman Images
ID: BI156639
A hilly landscape, c.1775-80 (black chalk, stump and white chalk on blue paper)
Gainsborough, Thomas (1727-88)
XJF156775:
Dividend Office, Bank of England (engraving), English School, (19th century) / Bridgeman Images
ID: XJF156775
Dividend Office, Bank of England (engraving)
English School, (19th century)
FFA156923:
Girl with Doll, 1910 (oil on cardboard), Jawlensky, Alexej von (1864-1941) / Bridgeman Images
ID: FFA156923
Girl with Doll, 1910 (oil on cardboard)
Jawlensky, Alexej von (1864-1941)
LRS163660:
The Ship 'Le Pourquoi Pas?' anchored in Angmagssalik (Greenland), c. 1925-1935 (b/w photo), Grandidier (1850-1950) / Bridgeman Images
ID: LRS163660
The Ship 'Le Pourquoi Pas?' anchored in Angmagssalik (Greenland), c. 1925-1935 (b/w photo)
Grandidier (1850-1950)
XIR163666:
Improvements for Paris, study for a low relief, early 19th century (pencil on paper), Lafitte, Louis (1770-1828) / Bridgeman Images
ID: XIR163666
Improvements for Paris, study for a low relief, early 19th century (pencil on paper)
Lafitte, Louis (1770-1828)
CHT163796:
In Prison for Debt at Clichy, c.1830-40 (litho) (b/w photo), Gavarni, Paul (1804-66) / Bridgeman Images
ID: CHT163796
In Prison for Debt at Clichy, c.1830-40 (litho) (b/w photo)
Gavarni, Paul (1804-66)
CHT163863:
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo), Bellenger, Albert (b. 1846) / Bridgeman Images
ID: CHT163863
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)