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Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594631: Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594631

Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594736: Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594736

Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594844: Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594844

Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594915: Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594915

Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594962: Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594962

Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595089: Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595089

Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595092: Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595092

Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595214: Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595214

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti
Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti

LRI4595422: Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti, Belli, Valerio (c.1468-1546) / Bridgeman Images

ID: LRI4595422

Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti

Belli, Valerio (c.1468-1546)

Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting)
Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting)

LRI4595497: Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595497

Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting)

Danti, Egnazio (1536-86)

Map of Persia (Iran), c.1567. (mural painting)
Map of Persia (Iran), c.1567. (mural painting)

LRI4595554: Map of Persia (Iran), c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595554

Map of Persia (Iran), c.1567. (mural painting)

Danti, Egnazio (1536-86)

Map of Peru, c.1567. (mural painting)
Map of Peru, c.1567. (mural painting)

LRI4595671: Map of Peru, c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595671

Map of Peru, c.1567. (mural painting)

Danti, Egnazio (1536-86)

Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591962: Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591962

Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Electrometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Electrometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4592325: Electrometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

ID: FLO4592325

Electrometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4592303: Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

ID: FLO4592303

Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592222: Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592222

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4592322: Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

ID: FLO4592322

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592425: Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

ID: FLO4592425

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592439: Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

ID: FLO4592439

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

Steam engines: Jonathan Hornblower's compound steam engine, Edmund Cartwright's alcohol engine and Arthur Woolf's high-pressure compound steam engine, 18th and 19th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.
Steam engines: Jonathan Hornblower's compound steam engine, Edmund Cartwright's alcohol engine and Arthur Woolf's high-pressure compound steam engine, 18th and 19th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.

FLO4593271: Steam engines: Jonathan Hornblower's compound steam engine, Edmund Cartwright's alcohol engine and Arthur Woolf's high-pressure compound steam engine, 18th and 19th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818. / Bridgeman Images

ID: FLO4593271

Steam engines: Jonathan Hornblower's compound steam engine, Edmund Cartwright's alcohol engine and Arthur Woolf's high-pressure compound steam engine, 18th and 19th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.

Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593300: Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593300

Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.
Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

FLO4593204: Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815. / Bridgeman Images

ID: FLO4593204

Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC
The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC

LRI4593378: The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4593378

The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC

Etruscan, (5th century BC)

Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593803: Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593803

Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD
Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

LRI4593835: Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593835

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

Roman

Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593876: Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593876

Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

View of a street, 5th century BC - 1st century AD
View of a street, 5th century BC - 1st century AD

LRI4593901: View of a street, 5th century BC - 1st century AD, Roman / Bridgeman Images

ID: LRI4593901

View of a street, 5th century BC - 1st century AD

Roman

View of cardo III, 5th century BC-1st century AD
View of cardo III, 5th century BC-1st century AD

LRI4593895: View of cardo III, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593895

View of cardo III, 5th century BC-1st century AD

Roman

Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593957: Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593957

Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593969: The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593969

The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594202: Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594202

Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594255: Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594255

Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

The Ficoide d'Affrique or the Mesenbryantheme. Rosy dewplant, Lampranthus roseus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Ficoide d'Affrique or the Mesenbryantheme. Rosy dewplant, Lampranthus roseus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596540: The Ficoide d'Affrique or the Mesenbryantheme. Rosy dewplant, Lampranthus roseus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596540

The Ficoide d'Affrique or the Mesenbryantheme. Rosy dewplant, Lampranthus roseus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Bagard. Sacred bamboo, Nandina domestica. Named for Bagard, Prof. of the College Royal des Medecins, Nancy. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Bagard. Sacred bamboo, Nandina domestica. Named for Bagard, Prof. of the College Royal des Medecins, Nancy. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596710: The Bagard. Sacred bamboo, Nandina domestica. Named for Bagard, Prof. of the College Royal des Medecins, Nancy. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596710

The Bagard. Sacred bamboo, Nandina domestica. Named for Bagard, Prof. of the College Royal des Medecins, Nancy. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The small rose from China has 5 leaves and has double flowers. Double Chinese hibiscus, Hibiscus rosa-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The small rose from China has 5 leaves and has double flowers. Double Chinese hibiscus, Hibiscus rosa-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596838: The small rose from China has 5 leaves and has double flowers. Double Chinese hibiscus, Hibiscus rosa-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596838

The small rose from China has 5 leaves and has double flowers. Double Chinese hibiscus, Hibiscus rosa-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596782: The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596782

The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.


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