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Portrait of Gautier Capucon cellist, Salle Pleyel, Paris. Photography October 2008.
Portrait of Gautier Capucon cellist, Salle Pleyel, Paris. Photography October 2008.

TOU4340768: Portrait of Gautier Capucon cellist, Salle Pleyel, Paris. Photography October 2008., Toulet, Frederique / Bridgeman Images

ID: TOU4340768

Portrait of Gautier Capucon cellist, Salle Pleyel, Paris. Photography October 2008.

Toulet, Frederique

The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008.
The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008.

TOU4340832: The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008., Toulet, Frederique / Bridgeman Images

ID: TOU4340832

The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008.

Toulet, Frederique

The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008.
The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008.

TOU4340846: The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008., Toulet, Frederique / Bridgeman Images

ID: TOU4340846

The orchestra of the opera national de Paris conducts by Pierre Bouez during the repetition for the concert at the hall pleyel on 06/08. Photography 2008.

Toulet, Frederique

The Academy of St Martin in the Fields is directed by Murray Perahia at Salle Pleyel, Paris. Photography 2009 (29/11/09).
The Academy of St Martin in the Fields is directed by Murray Perahia at Salle Pleyel, Paris. Photography 2009 (29/11/09).

TOU4340949: The Academy of St Martin in the Fields is directed by Murray Perahia at Salle Pleyel, Paris. Photography 2009 (29/11/09)., Toulet, Frederique / Bridgeman Images

ID: TOU4340949

The Academy of St Martin in the Fields is directed by Murray Perahia at Salle Pleyel, Paris. Photography 2009 (29/11/09).

Toulet, Frederique

Chamber orchestra of Europe directed by Simon Bychkov. Portrait of Denis Matsuev on the piano. Cite music, Paris. Photography 2009 (27/05/09).
Chamber orchestra of Europe directed by Simon Bychkov. Portrait of Denis Matsuev on the piano. Cite music, Paris. Photography 2009 (27/05/09).

TOU4341031: Chamber orchestra of Europe directed by Simon Bychkov. Portrait of Denis Matsuev on the piano. Cite music, Paris. Photography 2009 (27/05/09)., Toulet, Frederique / Bridgeman Images

ID: TOU4341031

Chamber orchestra of Europe directed by Simon Bychkov. Portrait of Denis Matsuev on the piano. Cite music, Paris. Photography 2009 (27/05/09).

Toulet, Frederique

Chamber orchestra of Europe directed by Simon Bychkov. Cite music, Paris. Photography 2009 (27/05/09).
Chamber orchestra of Europe directed by Simon Bychkov. Cite music, Paris. Photography 2009 (27/05/09).

TOU4341068: Chamber orchestra of Europe directed by Simon Bychkov. Cite music, Paris. Photography 2009 (27/05/09)., Toulet, Frederique / Bridgeman Images

ID: TOU4341068

Chamber orchestra of Europe directed by Simon Bychkov. Cite music, Paris. Photography 2009 (27/05/09).

Toulet, Frederique

Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009.
Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009.

TOU4341130: Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4341130

Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009.

Toulet, Frederique

Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009.
Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009.

TOU4341149: Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4341149

Chamber orchestra of Europe directed by Vladimir Jurowski. Portrait of Helene Grimaud, pianist. Cite music, Paris. Photograph January 2009.

Toulet, Frederique

The intercontemporary ensemble directed by Pierre Bouez. Salle Pleyel, Paris. Photography March 2009.
The intercontemporary ensemble directed by Pierre Bouez. Salle Pleyel, Paris. Photography March 2009.

TOU4341232: The intercontemporary ensemble directed by Pierre Bouez. Salle Pleyel, Paris. Photography March 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4341232

The intercontemporary ensemble directed by Pierre Bouez. Salle Pleyel, Paris. Photography March 2009.

Toulet, Frederique

The intercontemporary ensemble directed by Pierre Bouez with Maurizio Pollini, pianist. Salle Pleyel, Paris. Photography March 2009.
The intercontemporary ensemble directed by Pierre Bouez with Maurizio Pollini, pianist. Salle Pleyel, Paris. Photography March 2009.

TOU4341279: The intercontemporary ensemble directed by Pierre Bouez with Maurizio Pollini, pianist. Salle Pleyel, Paris. Photography March 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4341279

The intercontemporary ensemble directed by Pierre Bouez with Maurizio Pollini, pianist. Salle Pleyel, Paris. Photography March 2009.

Toulet, Frederique

Gewandhausorchester Leipzig directed by Riccardo Chailly. Lang Lang on the piano. Salle Pleyel, Paris. Photography 2009 (12/02/09).
Gewandhausorchester Leipzig directed by Riccardo Chailly. Lang Lang on the piano. Salle Pleyel, Paris. Photography 2009 (12/02/09).

TOU4341314: Gewandhausorchester Leipzig directed by Riccardo Chailly. Lang Lang on the piano. Salle Pleyel, Paris. Photography 2009 (12/02/09)., Toulet, Frederique / Bridgeman Images

ID: TOU4341314

Gewandhausorchester Leipzig directed by Riccardo Chailly. Lang Lang on the piano. Salle Pleyel, Paris. Photography 2009 (12/02/09).

Toulet, Frederique

Etruscan - Roman temple built between the 4th and the 2nd century BC. Fiesole Archeological site. Tuscany, Italy - Roman Etruscano Temple from the 4th to the 2nd centuries before Christ. Archaeological site of Fiesole, Tuscany, Italy.
Etruscan - Roman temple built between the 4th and the 2nd century BC. Fiesole Archeological site. Tuscany, Italy - Roman Etruscano Temple from the 4th to the 2nd centuries before Christ. Archaeological site of Fiesole, Tuscany, Italy.

FBU4249148: Etruscan - Roman temple built between the 4th and the 2nd century BC. Fiesole Archeological site. Tuscany, Italy - Roman Etruscano Temple from the 4th to the 2nd centuries before Christ. Archaeological site of Fiesole, Tuscany, Italy. / Bridgeman Images

ID: FBU4249148

Etruscan - Roman temple built between the 4th and the 2nd century BC. Fiesole Archeological site. Tuscany, Italy - Roman Etruscano Temple from the 4th to the 2nd centuries before Christ. Archaeological site of Fiesole, Tuscany, Italy.

Landscape in Tuscany. Siena Outskirts - Country Landscape in Tuscany. Siena Region. Italy.
Landscape in Tuscany. Siena Outskirts - Country Landscape in Tuscany. Siena Region. Italy.

FBU4249442: Landscape in Tuscany. Siena Outskirts - Country Landscape in Tuscany. Siena Region. Italy. / Bridgeman Images

ID: FBU4249442

Landscape in Tuscany. Siena Outskirts - Country Landscape in Tuscany. Siena Region. Italy.

Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa.Tuscany, Italy - Inclination of the tower of Pisa (1173). Campanile of the Cathedral of Our Lady of the Assumption, Tuscany, Italy.
Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa.Tuscany, Italy - Inclination of the tower of Pisa (1173). Campanile of the Cathedral of Our Lady of the Assumption, Tuscany, Italy.

FBU4249593: Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa.Tuscany, Italy - Inclination of the tower of Pisa (1173). Campanile of the Cathedral of Our Lady of the Assumption, Tuscany, Italy. / Bridgeman Images

ID: FBU4249593

Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa.Tuscany, Italy - Inclination of the tower of Pisa (1173). Campanile of the Cathedral of Our Lady of the Assumption, Tuscany, Italy.

View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany, Italy.
View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany, Italy.

FBU4249701: View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany, Italy. / Bridgeman Images

ID: FBU4249701

View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany, Italy.

View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany; Italy.
View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany; Italy.

FBU4249710: View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany; Italy. / Bridgeman Images

ID: FBU4249710

View over Florence historic town and the Cathedral of Saint Mary of the Flower (Il Duomo di Firenze). Giotto's bell tower (campanile), Faade and dome, Florence, Tuscany; Italy.

Villa Medici. Villa from the italian renaissance. World Heritage (UNESCO). Classical garden in Renaissance style. Fiesole, Florence, Firenze, Tuscany, Italy - Italian Garden. Classic garden, House, Italian Renaissance style, lawn, potees. Trimmed hedges. Collection, citrus, Citrus silt (lemon tree), terracotta pots. Villa Medici, Fiesole, UNESCO Site. Florence, Firenze, Tuscany, Tuscany, Italy.
Villa Medici. Villa from the italian renaissance. World Heritage (UNESCO). Classical garden in Renaissance style. Fiesole, Florence, Firenze, Tuscany, Italy - Italian Garden. Classic garden, House, Italian Renaissance style, lawn, potees. Trimmed hedges. Collection, citrus, Citrus silt (lemon tree), terracotta pots. Villa Medici, Fiesole, UNESCO Site. Florence, Firenze, Tuscany, Tuscany, Italy.

FBU4249841: Villa Medici. Villa from the italian renaissance. World Heritage (UNESCO). Classical garden in Renaissance style. Fiesole, Florence, Firenze, Tuscany, Italy - Italian Garden. Classic garden, House, Italian Renaissance style, lawn, potees. Trimmed hedges. Collection, citrus, Citrus silt (lemon tree), terracotta pots. Villa Medici, Fiesole, UNESCO Site. Florence, Firenze, Tuscany, Tuscany, Italy. / Bridgeman Images

ID: FBU4249841

Villa Medici. Villa from the italian renaissance. World Heritage (UNESCO). Classical garden in Renaissance style. Fiesole, Florence, Firenze, Tuscany, Italy - Italian Garden. Classic garden, House, Italian Renaissance style, lawn, potees. Trimmed hedges. Collection, citrus, Citrus silt (lemon tree), terracotta pots. Villa Medici, Fiesole, UNESCO Site. Florence, Firenze, Tuscany, Tuscany, Italy.

Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals.
Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals.

FBU4250202: Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals., Minoan / Bridgeman Images

ID: FBU4250202

Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals.

Minoan

Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals.
Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals.

FBU4250290: Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals., Minoan / Bridgeman Images

ID: FBU4250290

Minoan archeological site of Phaistos. General view of the west wing shrines along the central court from the north wing. There were two types of shrine: “Bench shrine” and “Lutral Basin””. The “” bench Shrine”” was a small and rectangular room with low benches running round the walls to support cult objects and figurine of the deity. On some of them were found female figurine, ritual vessels, and “” offering tables”” (small altar). The “” Lustral Basin”” type was a room lower than the founding structures, with a few steps leading down into them. It was used for purification rituals.

Minoan

Minoan archeological site of Phaistos. Staircase starting in the west court and leadind to The Propylaea, the principal and the most impressive entrance to the new palace (1700-1450 BC). Phaistos, Crete.
Minoan archeological site of Phaistos. Staircase starting in the west court and leadind to The Propylaea, the principal and the most impressive entrance to the new palace (1700-1450 BC). Phaistos, Crete.

FBU4250330: Minoan archeological site of Phaistos. Staircase starting in the west court and leadind to The Propylaea, the principal and the most impressive entrance to the new palace (1700-1450 BC). Phaistos, Crete., Minoan / Bridgeman Images

ID: FBU4250330

Minoan archeological site of Phaistos. Staircase starting in the west court and leadind to The Propylaea, the principal and the most impressive entrance to the new palace (1700-1450 BC). Phaistos, Crete.

Minoan

View over the old tonw and the port of Chania, Crete.
View over the old tonw and the port of Chania, Crete.

FBU4250409: View over the old tonw and the port of Chania, Crete. / Bridgeman Images

ID: FBU4250409

View over the old tonw and the port of Chania, Crete.

Remains of the harbour of the Ancient City of Phalasarna. West coast of Crete. The harbour was built aroud a lagoon and link to the sea via two channels.The city was inhabited, in the Minoan period, in the archaic and the classical years. At its peak between the middle of the 4th century BC and 67 BC., it was destroyed by the Romans, because it turned to piracy and its harbour went out of use.
Remains of the harbour of the Ancient City of Phalasarna. West coast of Crete. The harbour was built aroud a lagoon and link to the sea via two channels.The city was inhabited, in the Minoan period, in the archaic and the classical years. At its peak between the middle of the 4th century BC and 67 BC., it was destroyed by the Romans, because it turned to piracy and its harbour went out of use.

FBU4250437: Remains of the harbour of the Ancient City of Phalasarna. West coast of Crete. The harbour was built aroud a lagoon and link to the sea via two channels.The city was inhabited, in the Minoan period, in the archaic and the classical years. At its peak between the middle of the 4th century BC and 67 BC., it was destroyed by the Romans, because it turned to piracy and its harbour went out of use. / Bridgeman Images

ID: FBU4250437

Remains of the harbour of the Ancient City of Phalasarna. West coast of Crete. The harbour was built aroud a lagoon and link to the sea via two channels.The city was inhabited, in the Minoan period, in the archaic and the classical years. At its peak between the middle of the 4th century BC and 67 BC., it was destroyed by the Romans, because it turned to piracy and its harbour went out of use.

Archaeological site of Gournia. Street system, storage and workshop houses of the palace from the west aera. Upright unworked stone slab deliberately set into the pavement of the street interpreted as a sacred stone. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete
Archaeological site of Gournia. Street system, storage and workshop houses of the palace from the west aera. Upright unworked stone slab deliberately set into the pavement of the street interpreted as a sacred stone. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete

FBU4250582: Archaeological site of Gournia. Street system, storage and workshop houses of the palace from the west aera. Upright unworked stone slab deliberately set into the pavement of the street interpreted as a sacred stone. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete / Bridgeman Images

ID: FBU4250582

Archaeological site of Gournia. Street system, storage and workshop houses of the palace from the west aera. Upright unworked stone slab deliberately set into the pavement of the street interpreted as a sacred stone. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete

Archaeological site of Gournia. South complex. Characteristic street of Gournia, stepped because of the inclination of the ground with remains of houses used as Workshop and storage room. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete
Archaeological site of Gournia. South complex. Characteristic street of Gournia, stepped because of the inclination of the ground with remains of houses used as Workshop and storage room. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete

FBU4250617: Archaeological site of Gournia. South complex. Characteristic street of Gournia, stepped because of the inclination of the ground with remains of houses used as Workshop and storage room. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete / Bridgeman Images

ID: FBU4250617

Archaeological site of Gournia. South complex. Characteristic street of Gournia, stepped because of the inclination of the ground with remains of houses used as Workshop and storage room. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The cities has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. Crete

Archaeological site of Gournia. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The city has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement.
Archaeological site of Gournia. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The city has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement.

FBU4250636: Archaeological site of Gournia. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The city has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement. / Bridgeman Images

ID: FBU4250636

Archaeological site of Gournia. Gournia is the best preserved of all Minoan cities, and has been characterized as the “” Pompei Minoan Crete””. The city has been found as it is now and has never been rebuilt. Gournia offers a picture of the daily life of the Minoan, who were engaged in agricultural, animal husbandry, fishing and vase-making as shown by the tools discovered in the settlement.

Russian National Orchestra conducted by Pletnev Mikhail. Sergey Khachatryan on the violin. Salle Pleyel, Paris. Photography 2009 (24/01/09).
Russian National Orchestra conducted by Pletnev Mikhail. Sergey Khachatryan on the violin. Salle Pleyel, Paris. Photography 2009 (24/01/09).

TOU4341550: Russian National Orchestra conducted by Pletnev Mikhail. Sergey Khachatryan on the violin. Salle Pleyel, Paris. Photography 2009 (24/01/09)., Toulet, Frederique / Bridgeman Images

ID: TOU4341550

Russian National Orchestra conducted by Pletnev Mikhail. Sergey Khachatryan on the violin. Salle Pleyel, Paris. Photography 2009 (24/01/09).

Toulet, Frederique

Martha Argerich and Lilya Zilberstein, pianists. Lugano Festival, Salle Pleyel, Paris. Photography March 2010
Martha Argerich and Lilya Zilberstein, pianists. Lugano Festival, Salle Pleyel, Paris. Photography March 2010

TOU4341805: Martha Argerich and Lilya Zilberstein, pianists. Lugano Festival, Salle Pleyel, Paris. Photography March 2010, Toulet, Frederique / Bridgeman Images

ID: TOU4341805

Martha Argerich and Lilya Zilberstein, pianists. Lugano Festival, Salle Pleyel, Paris. Photography March 2010

Toulet, Frederique

Nelson Goerner at the piano. Lugano Festival, Salle Pleyel, Paris. Photography March 2010
Nelson Goerner at the piano. Lugano Festival, Salle Pleyel, Paris. Photography March 2010

TOU4341820: Nelson Goerner at the piano. Lugano Festival, Salle Pleyel, Paris. Photography March 2010, Toulet, Frederique / Bridgeman Images

ID: TOU4341820

Nelson Goerner at the piano. Lugano Festival, Salle Pleyel, Paris. Photography March 2010

Toulet, Frederique

The Simon Bolivar Youth Orchestra of Venezuela (SBYOV) conducts by Gustavo Dudamel, Salle Pleyel, Paris. Photograph October 2009.
The Simon Bolivar Youth Orchestra of Venezuela (SBYOV) conducts by Gustavo Dudamel, Salle Pleyel, Paris. Photograph October 2009.

TOU4341838: The Simon Bolivar Youth Orchestra of Venezuela (SBYOV) conducts by Gustavo Dudamel, Salle Pleyel, Paris. Photograph October 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4341838

The Simon Bolivar Youth Orchestra of Venezuela (SBYOV) conducts by Gustavo Dudamel, Salle Pleyel, Paris. Photograph October 2009.

Toulet, Frederique

Chamber Orchestra of Europe directed by Vladimir Jurowski. To the piano, Helene Grimaud. Photograph January 2009.
Chamber Orchestra of Europe directed by Vladimir Jurowski. To the piano, Helene Grimaud. Photograph January 2009.

TOU4341940: Chamber Orchestra of Europe directed by Vladimir Jurowski. To the piano, Helene Grimaud. Photograph January 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4341940

Chamber Orchestra of Europe directed by Vladimir Jurowski. To the piano, Helene Grimaud. Photograph January 2009.

Toulet, Frederique

The Concert des Nations is directed by Jordi Savall, Salle Pleyel, Paris. Photography 2009 (12/06/2009)
The Concert des Nations is directed by Jordi Savall, Salle Pleyel, Paris. Photography 2009 (12/06/2009)

TOU4342099: The Concert des Nations is directed by Jordi Savall, Salle Pleyel, Paris. Photography 2009 (12/06/2009), Toulet, Frederique / Bridgeman Images

ID: TOU4342099

The Concert des Nations is directed by Jordi Savall, Salle Pleyel, Paris. Photography 2009 (12/06/2009)

Toulet, Frederique

Background photography at the Cite de la musique during the Journee Satie, Paris. Photography February 2009.
Background photography at the Cite de la musique during the Journee Satie, Paris. Photography February 2009.

TOU4342236: Background photography at the Cite de la musique during the Journee Satie, Paris. Photography February 2009., Toulet, Frederique / Bridgeman Images

ID: TOU4342236

Background photography at the Cite de la musique during the Journee Satie, Paris. Photography February 2009.

Toulet, Frederique

Salvia officinalis 'Tricolor' (officinale tricolor sage), Ornamental plant. Tricolor Sage. Aromatic plant. Mint family, Lamiaceae.
Salvia officinalis 'Tricolor' (officinale tricolor sage), Ornamental plant. Tricolor Sage. Aromatic plant. Mint family, Lamiaceae.

FBU4237514: Salvia officinalis 'Tricolor' (officinale tricolor sage), Ornamental plant. Tricolor Sage. Aromatic plant. Mint family, Lamiaceae. / Bridgeman Images

ID: FBU4237514

Salvia officinalis 'Tricolor' (officinale tricolor sage), Ornamental plant. Tricolor Sage. Aromatic plant. Mint family, Lamiaceae.

Advertising poster for the Lager Beer. 19th century (poster)
Advertising poster for the Lager Beer. 19th century (poster)

XEE4410766: Advertising poster for the Lager Beer. 19th century (poster), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4410766

Advertising poster for the Lager Beer. 19th century (poster)

Unknown Artist, (19th century)

Achillea 'the beacon', 'Fanal' (Achillee), Asteraceae, Persistent perennial, Stolonifere, Rustic, Leaf, Fine leaf, Flowering June - September, Light red flower, Capitulus, Corymbe, Horticultural origin
Achillea 'the beacon', 'Fanal' (Achillee), Asteraceae, Persistent perennial, Stolonifere, Rustic, Leaf, Fine leaf, Flowering June - September, Light red flower, Capitulus, Corymbe, Horticultural origin

FBU4237625: Achillea 'the beacon', 'Fanal' (Achillee), Asteraceae, Persistent perennial, Stolonifere, Rustic, Leaf, Fine leaf, Flowering June - September, Light red flower, Capitulus, Corymbe, Horticultural origin / Bridgeman Images

ID: FBU4237625

Achillea 'the beacon', 'Fanal' (Achillee), Asteraceae, Persistent perennial, Stolonifere, Rustic, Leaf, Fine leaf, Flowering June - September, Light red flower, Capitulus, Corymbe, Horticultural origin

Tiki Fau Poe, supposed wife of Tiki Takaii (1,80m)/Archaeological site of Iipona in Puamau/Pre-European period/island of Hiva Oa/Archipelago of the Marquises/French Polynesia
Tiki Fau Poe, supposed wife of Tiki Takaii (1,80m)/Archaeological site of Iipona in Puamau/Pre-European period/island of Hiva Oa/Archipelago of the Marquises/French Polynesia

FBU4237714: Tiki Fau Poe, supposed wife of Tiki Takaii (1,80m)/Archaeological site of Iipona in Puamau/Pre-European period/island of Hiva Oa/Archipelago of the Marquises/French Polynesia / Bridgeman Images

ID: FBU4237714

Tiki Fau Poe, supposed wife of Tiki Takaii (1,80m)/Archaeological site of Iipona in Puamau/Pre-European period/island of Hiva Oa/Archipelago of the Marquises/French Polynesia


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