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The White Horse (oil on canvas)
The White Horse (oil on canvas)

SAD103870: The White Horse (oil on canvas), Pissarro, Paul Emile, (1884-1972) / Bridgeman Images

ID: SAD103870

The White Horse (oil on canvas)

Pissarro, Paul Emile, (1884-1972)

Bank Holiday, Portobello Beach (oil on canvas)
Bank Holiday, Portobello Beach (oil on canvas)

FLE104109: Bank Holiday, Portobello Beach (oil on canvas), Sutherland, David Macbeth (1883-1973) / Bridgeman Images

ID: FLE104109

Bank Holiday, Portobello Beach (oil on canvas)

Sutherland, David Macbeth (1883-1973)

Figure in an Interior (oil on canvas)
Figure in an Interior (oil on canvas)

FLE104151: Figure in an Interior (oil on canvas), McClure, David (1926-1998) / Bridgeman Images

ID: FLE104151

Figure in an Interior (oil on canvas)

McClure, David (1926-1998)

Voland
Voland

GJE51011: Voland, Jerosimic, Gordana / Bridgeman Images

ID: GJE51011

Voland

Jerosimic, Gordana

Daphne (w/c on paper)
Daphne (w/c on paper)

BLW105229: Daphne (w/c on paper), Grant, Duncan (1885-1978) / Bridgeman Images

ID: BLW105229

Daphne (w/c on paper)

Grant, Duncan (1885-1978)

Ms 213/1148 fol.78 Page of text from the 'Dalail al Khairat', a collection of prayers and litanies (vellum)
Ms 213/1148 fol.78 Page of text from the 'Dalail al Khairat', a collection of prayers and litanies (vellum)

CND52708: Ms 213/1148 fol.78 Page of text from the 'Dalail al Khairat', a collection of prayers and litanies (vellum), Islamic School / Bridgeman Images

ID: CND52708

Ms 213/1148 fol.78 Page of text from the 'Dalail al Khairat', a collection of prayers and litanies (vellum)

Islamic School

Boulevard Edgar Quinet, 1921 (oil on canvas)
Boulevard Edgar Quinet, 1921 (oil on canvas)

XKH141481: Boulevard Edgar Quinet, 1921 (oil on canvas), Linnquist, Hilding (1891-1984) / Bridgeman Images

ID: XKH141481

Boulevard Edgar Quinet, 1921 (oil on canvas)

Linnquist, Hilding (1891-1984)

A Girl making a wreath of Cornflowers, 1903 (oil on canvas)
A Girl making a wreath of Cornflowers, 1903 (oil on canvas)

XKH141693: A Girl making a wreath of Cornflowers, 1903 (oil on canvas), Ahlers-Hestermann, Friedrich (1883-1973) / Bridgeman Images

ID: XKH141693

A Girl making a wreath of Cornflowers, 1903 (oil on canvas)

Ahlers-Hestermann, Friedrich (1883-1973)

Canopus canal with a nude sculpture, AD 118-128 (photo)
Canopus canal with a nude sculpture, AD 118-128 (photo)

JB141858: Canopus canal with a nude sculpture, AD 118-128 (photo), Roman, (2nd century) / Bridgeman Images

ID: JB141858

Canopus canal with a nude sculpture, AD 118-128 (photo)

Roman, (2nd century)

Piazza Santa Marta Fountain (photo)
Piazza Santa Marta Fountain (photo)

JB141872: Piazza Santa Marta Fountain (photo), Italian School / Bridgeman Images

ID: JB141872

Piazza Santa Marta Fountain (photo)

Italian School

Eagle Fountain, designed by Giovanni Vesanzio (photo)
Eagle Fountain, designed by Giovanni Vesanzio (photo)

JB141878: Eagle Fountain, designed by Giovanni Vesanzio (photo), Italian School / Bridgeman Images

ID: JB141878

Eagle Fountain, designed by Giovanni Vesanzio (photo)

Italian School

Garden of the Vatican City (photo)
Garden of the Vatican City (photo)

JB141881: Garden of the Vatican City (photo), Bethell, John / Bridgeman Images

ID: JB141881

Garden of the Vatican City (photo)

Bethell, John

Fol.104r Christ having prayed on the Mount of Olives returns to find the disciples asleep (vellum)
Fol.104r Christ having prayed on the Mount of Olives returns to find the disciples asleep (vellum)

FAF142179: Fol.104r Christ having prayed on the Mount of Olives returns to find the disciples asleep (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142179

Fol.104r Christ having prayed on the Mount of Olives returns to find the disciples asleep (vellum)

Italian School, (15th century)

Fol.100r Christ breaks the bread and the wine saying 'This is my body, this is my blood' (vellum)
Fol.100r Christ breaks the bread and the wine saying 'This is my body, this is my blood' (vellum)

FAF142185: Fol.100r Christ breaks the bread and the wine saying 'This is my body, this is my blood' (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142185

Fol.100r Christ breaks the bread and the wine saying 'This is my body, this is my blood' (vellum)

Italian School, (15th century)

Fol.99r Christ goes with the disciples to the Last Supper (vellum)
Fol.99r Christ goes with the disciples to the Last Supper (vellum)

FAF142188: Fol.99r Christ goes with the disciples to the Last Supper (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142188

Fol.99r Christ goes with the disciples to the Last Supper (vellum)

Italian School, (15th century)

Fol.104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum)
Fol.104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum)

FAF142332: Fol.104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142332

Fol.104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum)

Italian School, (15th century)

Fol.97r Christ is annointed with a precious ointment whilst at a feast at Betania (vellum)
Fol.97r Christ is annointed with a precious ointment whilst at a feast at Betania (vellum)

FAF142335: Fol.97r Christ is annointed with a precious ointment whilst at a feast at Betania (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142335

Fol.97r Christ is annointed with a precious ointment whilst at a feast at Betania (vellum)

Italian School, (15th century)

Fol.109v Judas goes to the priests saying that he has betrayed the innocent blood of Christ (vellum)
Fol.109v Judas goes to the priests saying that he has betrayed the innocent blood of Christ (vellum)

FAF142353: Fol.109v Judas goes to the priests saying that he has betrayed the innocent blood of Christ (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142353

Fol.109v Judas goes to the priests saying that he has betrayed the innocent blood of Christ (vellum)

Italian School, (15th century)

Fol.74v Jesus Revives a Dead Child (vellum)
Fol.74v Jesus Revives a Dead Child (vellum)

FAF142375: Fol.74v Jesus Revives a Dead Child (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142375

Fol.74v Jesus Revives a Dead Child (vellum)

Italian School, (15th century)

Self Portrait, 1928 (oil on canvas)
Self Portrait, 1928 (oil on canvas)

XIR142493: Self Portrait, 1928 (oil on canvas), Villon, Jacques (1875-1963) / Bridgeman Images

ID: XIR142493

Self Portrait, 1928 (oil on canvas)

Villon, Jacques (1875-1963)

Fol.117v Crucifixion, illustration from the 'Codex de Predis' (vellum)
Fol.117v Crucifixion, illustration from the 'Codex de Predis' (vellum)

FAF142852: Fol.117v Crucifixion, illustration from the 'Codex de Predis' (vellum), Italian School, (15th century) / Bridgeman Images

ID: FAF142852

Fol.117v Crucifixion, illustration from the 'Codex de Predis' (vellum)

Italian School, (15th century)

Crucifixion with St. Jerome and St. Francis (panel)
Crucifixion with St. Jerome and St. Francis (panel)

AII78376: Crucifixion with St. Jerome and St. Francis (panel), Bianchi Ferrari, Francesco (c.1460-1510) / Bridgeman Images

ID: AII78376

Crucifixion with St. Jerome and St. Francis (panel)

Bianchi Ferrari, Francesco (c.1460-1510)

The Spanish Riding School, six equestrian paintings
The Spanish Riding School, six equestrian paintings

WLN1662: The Spanish Riding School, six equestrian paintings, Eisenberg, Baron Reis d' (fl.1730-60) / Bridgeman Images

ID: WLN1662

The Spanish Riding School, six equestrian paintings

Eisenberg, Baron Reis d' (fl.1730-60)

The Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo)
The Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo)

BEN78414: The Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo), Sebregondi, Nicolò (1582-1652) / Bridgeman Images

ID: BEN78414

The Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo)

Sebregondi, Nicolò (1582-1652)

Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche, 1528 (oil on stucco)
Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche, 1528 (oil on stucco)

BEN78444: Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche, 1528 (oil on stucco), Romano, Giulio (1492-1546) / Bridgeman Images

ID: BEN78444

Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche, 1528 (oil on stucco)

Romano, Giulio (1492-1546)

Scene showing that those born under the sign of Libra in conjunction with the constellation of Sagitta or the Arrow will be skilled at archery, symbolised by a hunt with archers shooting ducks with cross-bows and men fishing with bows and arrows, from the Camera dei Venti, 1528 (fresco)
Scene showing that those born under the sign of Libra in conjunction with the constellation of Sagitta or the Arrow will be skilled at archery, symbolised by a hunt with archers shooting ducks with cross-bows and men fishing with bows and arrows, from the Camera dei Venti, 1528 (fresco)

BEN78474: Scene showing that those born under the sign of Libra in conjunction with the constellation of Sagitta or the Arrow will be skilled at archery, symbolised by a hunt with archers shooting ducks with cross-bows and men fishing with bows and arrows, from the Camera dei Venti, 1528 (fresco), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78474

Scene showing that those born under the sign of Libra in conjunction with the constellation of Sagitta or the Arrow will be skilled at archery, symbolised by a hunt with archers shooting ducks with cross-bows and men fishing with bows and arrows, from the Camera dei Venti, 1528 (fresco)

Romano, Giulio (1492-1546) (and workshop)

Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)

BEN78486: Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482), Romano, Giulio (1492-1546) (workshop of) / Bridgeman Images

ID: BEN78486

Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)

Romano, Giulio (1492-1546) (workshop of)

1:20 scale rigged model of the 'Santa Maria' (wood) (see also 260972)
1:20 scale rigged model of the 'Santa Maria' (wood) (see also 260972)

NRM3225: 1:20 scale rigged model of the 'Santa Maria' (wood) (see also 260972), English School / Bridgeman Images

ID: NRM3225

1:20 scale rigged model of the 'Santa Maria' (wood) (see also 260972)

English School

The main salon, view of the ceiling decoration depicting the Gods on Olympus with Eros and Pysche, 1550 (fresco)
The main salon, view of the ceiling decoration depicting the Gods on Olympus with Eros and Pysche, 1550 (fresco)

BEN110082: The main salon, view of the ceiling decoration depicting the Gods on Olympus with Eros and Pysche, 1550 (fresco), Agresti, Livio (c.1508-1580) / Bridgeman Images

ID: BEN110082

The main salon, view of the ceiling decoration depicting the Gods on Olympus with Eros and Pysche, 1550 (fresco)

Agresti, Livio (c.1508-1580)

Alec Victor Bedser (b.1918) 1953 (bronze) (for detail see 110393)
Alec Victor Bedser (b.1918) 1953 (bronze) (for detail see 110393)

MCC110392: Alec Victor Bedser (b.1918) 1953 (bronze) (for detail see 110393), Wynne, David (1926-2014) / Bridgeman Images

ID: MCC110392

Alec Victor Bedser (b.1918) 1953 (bronze) (for detail see 110393)

Wynne, David (1926-2014)

The Trapeze Artist and the Lion (charcoal and w/c on paper)
The Trapeze Artist and the Lion (charcoal and w/c on paper)

BNM110540: The Trapeze Artist and the Lion (charcoal and w/c on paper), Knight, Laura (1877-1970) / Bridgeman Images

ID: BNM110540

The Trapeze Artist and the Lion (charcoal and w/c on paper)

Knight, Laura (1877-1970)

Top Pier of Inner Harbour Looking Inward, May 1829 (oil on board)
Top Pier of Inner Harbour Looking Inward, May 1829 (oil on board)

FAS110958: Top Pier of Inner Harbour Looking Inward, May 1829 (oil on board), Mackreth, Robert (1766-1860) / Bridgeman Images

ID: FAS110958

Top Pier of Inner Harbour Looking Inward, May 1829 (oil on board)

Mackreth, Robert (1766-1860)

Five Cranes with White Feathers in Various Poses on a Spit of Sand, from Three Petals series, c.1816 (ink)
Five Cranes with White Feathers in Various Poses on a Spit of Sand, from Three Petals series, c.1816 (ink)

CBL111103: Five Cranes with White Feathers in Various Poses on a Spit of Sand, from Three Petals series, c.1816 (ink), Shumman, Kubo (1757-1820) / Bridgeman Images

ID: CBL111103

Five Cranes with White Feathers in Various Poses on a Spit of Sand, from Three Petals series, c.1816 (ink)

Shumman, Kubo (1757-1820)

Two Dancers Perform on Stage, from The Dance at Furuichi for the Hisakataya Group series, c.1822 (ink)
Two Dancers Perform on Stage, from The Dance at Furuichi for the Hisakataya Group series, c.1822 (ink)

CBL111109: Two Dancers Perform on Stage, from The Dance at Furuichi for the Hisakataya Group series, c.1822 (ink), Gakutei, Yashima (c.1786-1868) / Bridgeman Images

ID: CBL111109

Two Dancers Perform on Stage, from The Dance at Furuichi for the Hisakataya Group series, c.1822 (ink)

Gakutei, Yashima (c.1786-1868)

The Twenty-Seventh Night: Zarir and two other weavers sell cloth to a man holding a purse, from Tuti Nama (Tutiname) c.1580 (vellum)
The Twenty-Seventh Night: Zarir and two other weavers sell cloth to a man holding a purse, from Tuti Nama (Tutiname) c.1580 (vellum)

CBL111115: The Twenty-Seventh Night: Zarir and two other weavers sell cloth to a man holding a purse, from Tuti Nama (Tutiname) c.1580 (vellum) / Bridgeman Images

ID: CBL111115

The Twenty-Seventh Night: Zarir and two other weavers sell cloth to a man holding a purse, from Tuti Nama (Tutiname) c.1580 (vellum)

An Angel Descends on Yusuf Seated on his Prayer Mat with Zulaykha before Him, from Joseph and Potiphar's Wife (Yusuf and Zulaykha), Jami, 1540 (947 Hijra) (vellum)
An Angel Descends on Yusuf Seated on his Prayer Mat with Zulaykha before Him, from Joseph and Potiphar's Wife (Yusuf and Zulaykha), Jami, 1540 (947 Hijra) (vellum)

CBL111124: An Angel Descends on Yusuf Seated on his Prayer Mat with Zulaykha before Him, from Joseph and Potiphar's Wife (Yusuf and Zulaykha), Jami, 1540 (947 Hijra) (vellum) / Bridgeman Images

ID: CBL111124

An Angel Descends on Yusuf Seated on his Prayer Mat with Zulaykha before Him, from Joseph and Potiphar's Wife (Yusuf and Zulaykha), Jami, 1540 (947 Hijra) (vellum)


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