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Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century
Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century

SYC4194899: Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century / Bridgeman Images

ID: SYC4194899

Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century

Detail of the National Archives portal. Cour d'honneur en hemicycle and its colonnade (occupying the grounds of the former manege des Guise), Paris
Detail of the National Archives portal. Cour d'honneur en hemicycle and its colonnade (occupying the grounds of the former manege des Guise), Paris

SYC4194976: Detail of the National Archives portal. Cour d'honneur en hemicycle and its colonnade (occupying the grounds of the former manege des Guise), Paris / Bridgeman Images

ID: SYC4194976

Detail of the National Archives portal. Cour d'honneur en hemicycle and its colonnade (occupying the grounds of the former manege des Guise), Paris

Illustration for
Illustration for

XEE4192502: Illustration for "The Sleeping beauty", tale by Charles Perrault, c.1930 (print), Thiriet, Henri (1873-1946) / Bridgeman Images

ID: XEE4192502

Illustration for "The Sleeping beauty", tale by Charles Perrault, c.1930 (print)

Thiriet, Henri (1873-1946)

Gabrielle de Vergy disputes her fiance, Eudes de Fayel, who is jealous of the friendship she has with her cousin, Albert de Nozereau. Scene of a 12th century legend. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
Gabrielle de Vergy disputes her fiance, Eudes de Fayel, who is jealous of the friendship she has with her cousin, Albert de Nozereau. Scene of a 12th century legend. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192611: Gabrielle de Vergy disputes her fiance, Eudes de Fayel, who is jealous of the friendship she has with her cousin, Albert de Nozereau. Scene of a 12th century legend. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

ID: XEE4192611

Gabrielle de Vergy disputes her fiance, Eudes de Fayel, who is jealous of the friendship she has with her cousin, Albert de Nozereau. Scene of a 12th century legend. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

French School, (19th century)

The Duchess of Cleves, Mary von Julich Duchess of Juliers and Berg (1491-1543), learns of the dissolution of the marriage between her daughter, Anne of Cleves (1515-1557), and the King of England Henry VIII (1491-1547) in 1540. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
The Duchess of Cleves, Mary von Julich Duchess of Juliers and Berg (1491-1543), learns of the dissolution of the marriage between her daughter, Anne of Cleves (1515-1557), and the King of England Henry VIII (1491-1547) in 1540. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192676: The Duchess of Cleves, Mary von Julich Duchess of Juliers and Berg (1491-1543), learns of the dissolution of the marriage between her daughter, Anne of Cleves (1515-1557), and the King of England Henry VIII (1491-1547) in 1540. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

ID: XEE4192676

The Duchess of Cleves, Mary von Julich Duchess of Juliers and Berg (1491-1543), learns of the dissolution of the marriage between her daughter, Anne of Cleves (1515-1557), and the King of England Henry VIII (1491-1547) in 1540. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

French School, (19th century)

Viewed outside the casino of Monte Carlo (Monte-Carlo).
Viewed outside the casino of Monte Carlo (Monte-Carlo).

XEE4192796: Viewed outside the casino of Monte Carlo (Monte-Carlo)., French School, (19th century) / Bridgeman Images

ID: XEE4192796

Viewed outside the casino of Monte Carlo (Monte-Carlo).

French School, (19th century)

Portrait of Hyacinthe Laurent Theophile Aube (1826-1890), French admiral and politician. Engraving in “” Le Monde Illustré””, January 16, 1886.
Portrait of Hyacinthe Laurent Theophile Aube (1826-1890), French admiral and politician. Engraving in “” Le Monde Illustré””, January 16, 1886.

XEE4192804: Portrait of Hyacinthe Laurent Theophile Aube (1826-1890), French admiral and politician. Engraving in “” Le Monde Illustré””, January 16, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192804

Portrait of Hyacinthe Laurent Theophile Aube (1826-1890), French admiral and politician. Engraving in “” Le Monde Illustré””, January 16, 1886.

French School, (19th century)

Portrait of Robert d'Orleans, Duke of Chartres (1840-1910). Engraving in “” Le Monde Illustré””, 26 June 1886.
Portrait of Robert d'Orleans, Duke of Chartres (1840-1910). Engraving in “” Le Monde Illustré””, 26 June 1886.

XEE4192915: Portrait of Robert d'Orleans, Duke of Chartres (1840-1910). Engraving in “” Le Monde Illustré””, 26 June 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192915

Portrait of Robert d'Orleans, Duke of Chartres (1840-1910). Engraving in “” Le Monde Illustré””, 26 June 1886.

French School, (19th century)

The Gypsies of Granada. Chromotypography by Ludovico Marchetti 1889
The Gypsies of Granada. Chromotypography by Ludovico Marchetti 1889

XEE4192940: The Gypsies of Granada. Chromotypography by Ludovico Marchetti 1889, Marchetti, Ludovico (1853-1909) / Bridgeman Images

ID: XEE4192940

The Gypsies of Granada. Chromotypography by Ludovico Marchetti 1889

Marchetti, Ludovico (1853-1909)

Vespasian (in Latin Titus Flavius Vespasianus) (9-79) was proclaimed emperor by his soldiers. Chromolithography around 1890.
Vespasian (in Latin Titus Flavius Vespasianus) (9-79) was proclaimed emperor by his soldiers. Chromolithography around 1890.

XEE4192976: Vespasian (in Latin Titus Flavius Vespasianus) (9-79) was proclaimed emperor by his soldiers. Chromolithography around 1890., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4192976

Vespasian (in Latin Titus Flavius Vespasianus) (9-79) was proclaimed emperor by his soldiers. Chromolithography around 1890.

Unknown Artist, (19th century)

First World War 1914-1918: nurse (Therese Pavillou?) in a blouse on the grave of French pilot sergeant Roux, who died at the age of 21, at Couville, Manche, Basse-Normandie (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella.
First World War 1914-1918: nurse (Therese Pavillou?) in a blouse on the grave of French pilot sergeant Roux, who died at the age of 21, at Couville, Manche, Basse-Normandie (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella.

XEE4193018: First World War 1914-1918: nurse (Therese Pavillou?) in a blouse on the grave of French pilot sergeant Roux, who died at the age of 21, at Couville, Manche, Basse-Normandie (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella., Anonymous / Bridgeman Images

ID: XEE4193018

First World War 1914-1918: nurse (Therese Pavillou?) in a blouse on the grave of French pilot sergeant Roux, who died at the age of 21, at Couville, Manche, Basse-Normandie (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella.

Anonymous

La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193111: La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193111

La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193131: La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193131

La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193172: Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193172

Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193181: Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193181

Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193205: Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193205

Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193244: La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193244

La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

Buddha and his students. Fresco in Yongju Temple, Suwon region, Korea.
Buddha and his students. Fresco in Yongju Temple, Suwon region, Korea.

LSE4193319: Buddha and his students. Fresco in Yongju Temple, Suwon region, Korea., Korean School / Bridgeman Images

ID: LSE4193319

Buddha and his students. Fresco in Yongju Temple, Suwon region, Korea.

Korean School

Egyptian antiquite: Stele de Neferrenpet, guardian of the Tresor Around 1300 BC (late 18th-early 19th dynasty), limestone Paris musee du Louvre
Egyptian antiquite: Stele de Neferrenpet, guardian of the Tresor Around 1300 BC (late 18th-early 19th dynasty), limestone Paris musee du Louvre

SYC4193633: Egyptian antiquite: Stele de Neferrenpet, guardian of the Tresor Around 1300 BC (late 18th-early 19th dynasty), limestone Paris musee du Louvre / Bridgeman Images

ID: SYC4193633

Egyptian antiquite: Stele de Neferrenpet, guardian of the Tresor Around 1300 BC (late 18th-early 19th dynasty), limestone Paris musee du Louvre

Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum
Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum

SYC4193686: Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum / Bridgeman Images

ID: SYC4193686

Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum

Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre
Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre

SYC4193849: Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre / Bridgeman Images

ID: SYC4193849

Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre

Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum
Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum

SYC4193882: Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum / Bridgeman Images

ID: SYC4193882

Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum

Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum
Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum

SYC4193906: Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum / Bridgeman Images

ID: SYC4193906

Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum

Flat to the standard holder. Iraq, 10th century. Clayey paste, monochrome chandeliers reflections. Louvre Museum
Flat to the standard holder. Iraq, 10th century. Clayey paste, monochrome chandeliers reflections. Louvre Museum

SYC4193982: Flat to the standard holder. Iraq, 10th century. Clayey paste, monochrome chandeliers reflections. Louvre Museum / Bridgeman Images

ID: SYC4193982

Flat to the standard holder. Iraq, 10th century. Clayey paste, monochrome chandeliers reflections. Louvre Museum

Lam-Aleph dish. Iran or Iraq, 9th-10th century. Clay ceramic painted on glaze. Louvre Museum
Lam-Aleph dish. Iran or Iraq, 9th-10th century. Clay ceramic painted on glaze. Louvre Museum

SYC4193991: Lam-Aleph dish. Iran or Iraq, 9th-10th century. Clay ceramic painted on glaze. Louvre Museum / Bridgeman Images

ID: SYC4193991

Lam-Aleph dish. Iran or Iraq, 9th-10th century. Clay ceramic painted on glaze. Louvre Museum

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -
The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

SYC4194148: The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France - / Bridgeman Images

ID: SYC4194148

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -
The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

SYC4194306: The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France - / Bridgeman Images

ID: SYC4194306

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)
Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)

SYC4194469: Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise) / Bridgeman Images

ID: SYC4194469

Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)

Holy Crowned Wood sculpture, 16th century (Crowned saint, 16th century) Cistercian monastere of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)
Holy Crowned Wood sculpture, 16th century (Crowned saint, 16th century) Cistercian monastere of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)

SYC4194536: Holy Crowned Wood sculpture, 16th century (Crowned saint, 16th century) Cistercian monastere of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise) / Bridgeman Images

ID: SYC4194536

Holy Crowned Wood sculpture, 16th century (Crowned saint, 16th century) Cistercian monastere of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)

The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017
The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017

SYC4194853: The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017 / Bridgeman Images

ID: SYC4194853

The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017

Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris
Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris

SYC4194876: Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris / Bridgeman Images

ID: SYC4194876

Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris

Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850
Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850

SYC4194963: Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850 / Bridgeman Images

ID: SYC4194963

Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850

Arithmetic (right) and astronomy. Ecoincons of arcades adorned with high plaster reliefs, sculpture by Jean Baptiste Lemoyne (1704-1778). Prince's Salon, in grey and green camaeu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century
Arithmetic (right) and astronomy. Ecoincons of arcades adorned with high plaster reliefs, sculpture by Jean Baptiste Lemoyne (1704-1778). Prince's Salon, in grey and green camaeu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century

SYC4195034: Arithmetic (right) and astronomy. Ecoincons of arcades adorned with high plaster reliefs, sculpture by Jean Baptiste Lemoyne (1704-1778). Prince's Salon, in grey and green camaeu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century / Bridgeman Images

ID: SYC4195034

Arithmetic (right) and astronomy. Ecoincons of arcades adorned with high plaster reliefs, sculpture by Jean Baptiste Lemoyne (1704-1778). Prince's Salon, in grey and green camaeu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century

The ermine between two lions, heraldic motif of the Rohan Soubise family, with the motto “Malo mori quam foedari”” (Better to die than to be dishonored). Prince's room. Hotel de Soubise, Paris, 18th century
The ermine between two lions, heraldic motif of the Rohan Soubise family, with the motto “Malo mori quam foedari”” (Better to die than to be dishonored). Prince's room. Hotel de Soubise, Paris, 18th century

SYC4195058: The ermine between two lions, heraldic motif of the Rohan Soubise family, with the motto “Malo mori quam foedari”” (Better to die than to be dishonored). Prince's room. Hotel de Soubise, Paris, 18th century / Bridgeman Images

ID: SYC4195058

The ermine between two lions, heraldic motif of the Rohan Soubise family, with the motto “Malo mori quam foedari”” (Better to die than to be dishonored). Prince's room. Hotel de Soubise, Paris, 18th century

The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century
The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century

SYC4195113: The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century / Bridgeman Images

ID: SYC4195113

The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century

Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century
Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century

SYC4195012: Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century / Bridgeman Images

ID: SYC4195012

Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century


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