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Bible of Royaumont, Old Testament: Triumph of Mardochee. Aman (Haman) is forced by the King to publish the triumph of Mardochee (or Mordekhai or Mordecai) his enemy throughout the city of Susan (better known as Susa). Illustration from 1811.
Bible of Royaumont, Old Testament: Triumph of Mardochee. Aman (Haman) is forced by the King to publish the triumph of Mardochee (or Mordekhai or Mordecai) his enemy throughout the city of Susan (better known as Susa). Illustration from 1811.

XEE4138499: Bible of Royaumont, Old Testament: Triumph of Mardochee. Aman (Haman) is forced by the King to publish the triumph of Mardochee (or Mordekhai or Mordecai) his enemy throughout the city of Susan (better known as Susa). Illustration from 1811., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138499

Bible of Royaumont, Old Testament: Triumph of Mardochee. Aman (Haman) is forced by the King to publish the triumph of Mardochee (or Mordekhai or Mordecai) his enemy throughout the city of Susan (better known as Susa). Illustration from 1811.

Unknown Artist, (19th century)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138519: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138519

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Portrait of Gabriele by Annunzio (1863-1938), Italian writer.
Portrait of Gabriele by Annunzio (1863-1938), Italian writer.

XEE4138779: Portrait of Gabriele by Annunzio (1863-1938), Italian writer., Unknown photographer, (19th century) / Bridgeman Images

ID: XEE4138779

Portrait of Gabriele by Annunzio (1863-1938), Italian writer.

Unknown photographer, (19th century)

Chromolithography of the end of the 19th century
Chromolithography of the end of the 19th century

XEE4141268: Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141268

Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

Late 19th century chromolithography
Late 19th century chromolithography

XEE4141274: Late 19th century chromolithography, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141274

Late 19th century chromolithography

Unknown Artist, (19th century)

Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving)
Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving)

XEE4141442: Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4141442

Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving)

Dore, Gustave (1832-83)

The Calvary of Lourdes (Way of the Cross) (carrying the cross) IV Station - Jesus meets his very Holy Mother. Photochrome from the beginning of the 20th century.
The Calvary of Lourdes (Way of the Cross) (carrying the cross) IV Station - Jesus meets his very Holy Mother. Photochrome from the beginning of the 20th century.

XEE4141583: The Calvary of Lourdes (Way of the Cross) (carrying the cross) IV Station - Jesus meets his very Holy Mother. Photochrome from the beginning of the 20th century. / Bridgeman Images

ID: XEE4141583

The Calvary of Lourdes (Way of the Cross) (carrying the cross) IV Station - Jesus meets his very Holy Mother. Photochrome from the beginning of the 20th century.

The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross.
The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross.

XEE4141607: The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross. / Bridgeman Images

ID: XEE4141607

The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross.

Notre-Dame (Notre Dame) de la Garde to Marseille, Bouches-du-Rhone (Bouches du Rhone), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur), France around 1920.
Notre-Dame (Notre Dame) de la Garde to Marseille, Bouches-du-Rhone (Bouches du Rhone), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur), France around 1920.

XEE4141632: Notre-Dame (Notre Dame) de la Garde to Marseille, Bouches-du-Rhone (Bouches du Rhone), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur), France around 1920., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4141632

Notre-Dame (Notre Dame) de la Garde to Marseille, Bouches-du-Rhone (Bouches du Rhone), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur), France around 1920.

Unknown photographer, (20th century)

Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government. Engraving by Linton in “” The Illustrous World”” n°92 of January 15, 1859.
Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government. Engraving by Linton in “” The Illustrous World”” n°92 of January 15, 1859.

XEE4141711: Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government. Engraving by Linton in “” The Illustrous World”” n°92 of January 15, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141711

Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government. Engraving by Linton in “” The Illustrous World”” n°92 of January 15, 1859.

French School, (19th century)

Sheet music for
Sheet music for

XEE4142851: Sheet music for "Ave Maria".Religious Melodie Adapted Au 1er Prelude By J.S. Bach. by Charles Gounod., Anonymous / Bridgeman Images

ID: XEE4142851

Sheet music for "Ave Maria".Religious Melodie Adapted Au 1er Prelude By J.S. Bach. by Charles Gounod.

Anonymous

Sheet music for
Sheet music for

XEE4142866: Sheet music for "chanson de printemps" lyrics by Eugene TOURNEUX music by charles GOUNOD., Anonymous / Bridgeman Images

ID: XEE4142866

Sheet music for "chanson de printemps" lyrics by Eugene TOURNEUX music by charles GOUNOD.

Anonymous

Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano.
Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano.

XEE4142923: Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. "La domenica del corriere" 03/01/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4142923

Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. "La domenica del corriere" 03/01/1937.

Beltrame, Achille (1871-1945)

Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century
Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century

XEE4143035: Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

ID: XEE4143035

Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century

French School, (19th century)

Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century
Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century

XEE4143049: Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

ID: XEE4143049

Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century

French School, (19th century)

The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)
The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)

XEE4143069: The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4143069

The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)

French School, (19th century)

Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859.
Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859.

XEE4142225: Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142225

Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859.

Unknown Artist, (19th century)

View of the City of Berlin (Berlino) in 1858.
View of the City of Berlin (Berlino) in 1858.

XEE4143139: View of the City of Berlin (Berlino) in 1858., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143139

View of the City of Berlin (Berlino) in 1858.

Unknown Artist, (19th century)

Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.
Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.

XEE4143167: Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist., French School, (19th century) / Bridgeman Images

ID: XEE4143167

Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.

French School, (19th century)

Allegory relating to the Treaty of Aachen on 1668 between France and Spain, 1884 (chromo)
Allegory relating to the Treaty of Aachen on 1668 between France and Spain, 1884 (chromo)

XEE4142425: Allegory relating to the Treaty of Aachen on 1668 between France and Spain, 1884 (chromo), Anonymous / Bridgeman Images

ID: XEE4142425

Allegory relating to the Treaty of Aachen on 1668 between France and Spain, 1884 (chromo)

Anonymous

Journey of Sadi Carnot to Savoy: the President of the Republic is welcomed in Chambery by young girls offering him a bouquet of flowers, 1892 (engraving)
Journey of Sadi Carnot to Savoy: the President of the Republic is welcomed in Chambery by young girls offering him a bouquet of flowers, 1892 (engraving)

XEE4142741: Journey of Sadi Carnot to Savoy: the President of the Republic is welcomed in Chambery by young girls offering him a bouquet of flowers, 1892 (engraving), Anonymous / Bridgeman Images

ID: XEE4142741

Journey of Sadi Carnot to Savoy: the President of the Republic is welcomed in Chambery by young girls offering him a bouquet of flowers, 1892 (engraving)

Anonymous

Risorgimento, 1859; the Italian army crosses the Buffalora Bridge (built in 1810) partly destroyed by the Austrian army. According to Mr. Durand Brager's sketches. Engraving by Felix Thorigny in “” Le Monde Illustré”” n°114 of 18 June 1859.
Risorgimento, 1859; the Italian army crosses the Buffalora Bridge (built in 1810) partly destroyed by the Austrian army. According to Mr. Durand Brager's sketches. Engraving by Felix Thorigny in “” Le Monde Illustré”” n°114 of 18 June 1859.

XEE4141935: Risorgimento, 1859; the Italian army crosses the Buffalora Bridge (built in 1810) partly destroyed by the Austrian army. According to Mr. Durand Brager's sketches. Engraving by Felix Thorigny in “” Le Monde Illustré”” n°114 of 18 June 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141935

Risorgimento, 1859; the Italian army crosses the Buffalora Bridge (built in 1810) partly destroyed by the Austrian army. According to Mr. Durand Brager's sketches. Engraving by Felix Thorigny in “” Le Monde Illustré”” n°114 of 18 June 1859.

French School, (19th century)

The Grand Duche of Luxembourg, c.1930s (photo)
The Grand Duche of Luxembourg, c.1930s (photo)

XEE4141982: The Grand Duche of Luxembourg, c.1930s (photo) / Bridgeman Images

ID: XEE4141982

The Grand Duche of Luxembourg, c.1930s (photo)

The Grand Duche of Luxembourg, the Adolphe Bridge and the Viaduc Boulevard. Photography years 1930.
The Grand Duche of Luxembourg, the Adolphe Bridge and the Viaduc Boulevard. Photography years 1930.

XEE4141983: The Grand Duche of Luxembourg, the Adolphe Bridge and the Viaduc Boulevard. Photography years 1930. / Bridgeman Images

ID: XEE4141983

The Grand Duche of Luxembourg, the Adolphe Bridge and the Viaduc Boulevard. Photography years 1930.

Charles said “The Gros”, the Carolingian dynasty, regained from 884 to 887. Not daring to attack the Normans who besieged Paris, he bought Peace from them. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.
Charles said “The Gros”, the Carolingian dynasty, regained from 884 to 887. Not daring to attack the Normans who besieged Paris, he bought Peace from them. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.

XEE4142141: Charles said “The Gros”, the Carolingian dynasty, regained from 884 to 887. Not daring to attack the Normans who besieged Paris, he bought Peace from them. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection., Anonymous / Bridgeman Images

ID: XEE4142141

Charles said “The Gros”, the Carolingian dynasty, regained from 884 to 887. Not daring to attack the Normans who besieged Paris, he bought Peace from them. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.

Anonymous

Portrait of the French writer Victor Hugo (1802 - 1885).
Portrait of the French writer Victor Hugo (1802 - 1885).

XEE4142673: Portrait of the French writer Victor Hugo (1802 - 1885)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142673

Portrait of the French writer Victor Hugo (1802 - 1885).

Unknown Artist, (19th century)

Coinage workshop at the Monnaie de Paris. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Coinage workshop at the Monnaie de Paris. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143607: Coinage workshop at the Monnaie de Paris. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143607

Coinage workshop at the Monnaie de Paris. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143653: Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143653

Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143663: The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143663

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143670: A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143670

A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143695: The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143695

The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143703: Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143703

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.
Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

XEE4143780: Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving., Anonymous / Bridgeman Images

ID: XEE4143780

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

Anonymous

The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143846: The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143846

The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

Unknown Artist, (19th century)

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)
Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)

XEE4143864: Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)"Le petit Parisien" from 1891., Anonymous / Bridgeman Images

ID: XEE4143864

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)"Le petit Parisien" from 1891.

Anonymous

Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving)
Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving)

XEE4143898: Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving), Anonymous / Bridgeman Images

ID: XEE4143898

Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving)

Anonymous


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