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The Royal Observatory or Flamsteed House, Greenwich Park, 1823 (engraving)
The Royal Observatory or Flamsteed House, Greenwich Park, 1823 (engraving)

FLO5912737: The Royal Observatory or Flamsteed House, Greenwich Park, 1823 (engraving), British School, (19th century) / Bridgeman Images

Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving)
Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving)

FLO5912749: Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman and staff fishing in a river, 1817 (engraving)
English gentleman and staff fishing in a river, 1817 (engraving)

FLO5912755: English gentleman and staff fishing in a river, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman, wife and children relaxing in the parlour, 1817 (engraving)
English gentleman, wife and children relaxing in the parlour, 1817 (engraving)

FLO5912758: English gentleman, wife and children relaxing in the parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen playing a game of billiards, 1817 (engraving)
Young English gentlemen playing a game of billiards, 1817 (engraving)

FLO5912764: Young English gentlemen playing a game of billiards, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Nun of the Order of the Annunciation of the Blessed Virgin Mary. Religieuse Annonciade. Handcoloured woodblock engraving by L. Lisbet after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Nun of the Order of the Annunciation of the Blessed Virgin Mary. Religieuse Annonciade. Handcoloured woodblock engraving by L. Lisbet after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912773: Nun of the Order of the Annunciation of the Blessed Virgin Mary. Religieuse Annonciade. Handcoloured woodblock engraving by L. Lisbet after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Hospitaller nun of the Hotel-Dieu a Paris. Hospitalier de l’Hotel-Dieu a Paris. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Hospitaller nun of the Hotel-Dieu a Paris. Hospitalier de l’Hotel-Dieu a Paris. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912779: Hospitaller nun of the Hotel-Dieu a Paris. Hospitalier de l’Hotel-Dieu a Paris. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Trappist monk reading a Bible, Order of Cistercians of the Strict Observance, Trappiste, L'ordre cistercien de la Stricte Observance. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Trappist monk reading a Bible, Order of Cistercians of the Strict Observance, Trappiste, L'ordre cistercien de la Stricte Observance. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912803: Trappist monk reading a Bible, Order of Cistercians of the Strict Observance, Trappiste, L'ordre cistercien de la Stricte Observance. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Knight of the Knights Templar in house habit, Templier en habit de maison. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Knight of the Knights Templar in house habit, Templier en habit de maison. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912809: Knight of the Knights Templar in house habit, Templier en habit de maison. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Grand Master of the Teutonic Order, Order of Brothers of the German House of Saint Mary in Jerusalem, Grand Maitre de l’Ordre Teutonique. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Grand Master of the Teutonic Order, Order of Brothers of the German House of Saint Mary in Jerusalem, Grand Maitre de l’Ordre Teutonique. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912812: Grand Master of the Teutonic Order, Order of Brothers of the German House of Saint Mary in Jerusalem, Grand Maitre de l’Ordre Teutonique. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.
Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

FLO5912842: Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837., Lewis, Frederick Christian (1779-1856) / Bridgeman Images

White-faced black Spanish, 1890 (chromolithograph)
White-faced black Spanish, 1890 (chromolithograph)

FLO5912896: White-faced black Spanish, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

The Venetian courtesan of the 17th century (chromolithography)
The Venetian courtesan of the 17th century (chromolithography)

FLO5912935: The Venetian courtesan of the 17th century (chromolithography), Letronne, Louis Rene (1790-1842) / Bridgeman Images

Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912953: Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912968: Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912977: Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912980: A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)

FLO5912995: Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving), British School, (19th century) / Bridgeman Images

St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)
St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)

FLO5912998: St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving), British School, (19th century) / Bridgeman Images

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1826 (engraving)
Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1826 (engraving)

FLO5913009: Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1826 (engraving), British School, (19th century) / Bridgeman Images

Member of the Society of Jesus or Jesuit. Jesuite. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Member of the Society of Jesus or Jesuit. Jesuite. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912780: Member of the Society of Jesus or Jesuit. Jesuite. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Knight of the Order of Alcantara, Knights of St. Julian, a Spanish miliary order, Chevalier de l’Ordre d’Alcantara. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Knight of the Order of Alcantara, Knights of St. Julian, a Spanish miliary order, Chevalier de l’Ordre d’Alcantara. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912816: Knight of the Order of Alcantara, Knights of St. Julian, a Spanish miliary order, Chevalier de l’Ordre d’Alcantara. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Gerhard Douw or Gerrit Dou, Dutch artist, 1827 (lithograph)
Gerhard Douw or Gerrit Dou, Dutch artist, 1827 (lithograph)

FLO5912831: Gerhard Douw or Gerrit Dou, Dutch artist, 1827 (lithograph) / Bridgeman Images

Portrait of two children. The elder holding a reluctant younger child in bonnet and dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.
Portrait of two children. The elder holding a reluctant younger child in bonnet and dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

FLO5912849: Portrait of two children. The elder holding a reluctant younger child in bonnet and dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837., Lewis, Frederick Christian (1779-1856) / Bridgeman Images

Single-combed Dorking hen, 1890 (chromolithograph)
Single-combed Dorking hen, 1890 (chromolithograph)

FLO5912870: Single-combed Dorking hen, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

Portrait of a woman in Persian costume. She wears a turban, her hair in ringlets, dress with embroidered sleeves. Steel stipple engraving by H. Robinson after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Portrait of a woman in Persian costume. She wears a turban, her hair in ringlets, dress with embroidered sleeves. Steel stipple engraving by H. Robinson after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.

FLO5912918: Portrait of a woman in Persian costume. She wears a turban, her hair in ringlets, dress with embroidered sleeves. Steel stipple engraving by H. Robinson after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843., Mote, William Henry (1803-1871) / Bridgeman Images

Title page with calligraphy and decorative design with foliage, birds., angel and mythical creature with lance and shield. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.
Title page with calligraphy and decorative design with foliage, birds., angel and mythical creature with lance and shield. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.

FLO5912936: Title page with calligraphy and decorative design with foliage, birds., angel and mythical creature with lance and shield. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846. / Bridgeman Images

Horses and jockeys racing in the Great St. Leger Stakes at Doncaster Racecourse, 1836. Approbation off in good style. Won by the thoroughbred Elis. Color print after an engraving by Harris from an  illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Horses and jockeys racing in the Great St. Leger Stakes at Doncaster Racecourse, 1836. Approbation off in good style. Won by the thoroughbred Elis. Color print after an engraving by Harris from an  illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912954: Horses and jockeys racing in the Great St. Leger Stakes at Doncaster Racecourse, 1836. Approbation off in good style. Won by the thoroughbred Elis. Color print after an engraving by Harris from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

The last hour of a contested election for MP, 1817. Two four-horse stage coaches carrying candidates race toward town. Color print after an engraving by R. Havell from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
The last hour of a contested election for MP, 1817. Two four-horse stage coaches carrying candidates race toward town. Color print after an engraving by R. Havell from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912972: The last hour of a contested election for MP, 1817. Two four-horse stage coaches carrying candidates race toward town. Color print after an engraving by R. Havell from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)
East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)

FLO5912987: East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving), British School, (19th century) / Bridgeman Images

Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving)
Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving)

FLO5912999: Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving), British School, (19th century) / Bridgeman Images

East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)
East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)

FLO5913001: East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving), British School, (19th century) / Bridgeman Images

Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

FLO5913025: Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898., Courboin, François (1865-1926) / Bridgeman Images

Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

FLO5913037: Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898., Courboin, François (1865-1926) / Bridgeman Images

Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho)
Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho)

FLO5913064: Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho), Courboin, François (1865-1926) / Bridgeman Images

Portrait of Rowland Bloxam, nephew to Sir Thomas Lawrence. Chubby boy in dress tied with blue ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.
Portrait of Rowland Bloxam, nephew to Sir Thomas Lawrence. Chubby boy in dress tied with blue ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

FLO5912844: Portrait of Rowland Bloxam, nephew to Sir Thomas Lawrence. Chubby boy in dress tied with blue ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837., Lewis, Frederick Christian (1779-1856) / Bridgeman Images


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