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Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.
Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

FLO5912842: Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837., Lewis, Frederick Christian (1779-1856) / Bridgeman Images

ID: FLO5912842

Portrait of Sir Thomas Lawrence’s mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

Lewis, Frederick Christian (1779-1856)

White-faced black Spanish, 1890 (chromolithograph)
White-faced black Spanish, 1890 (chromolithograph)

FLO5912896: White-faced black Spanish, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912896

White-faced black Spanish, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

The Venetian courtesan of the 17th century (chromolithography)
The Venetian courtesan of the 17th century (chromolithography)

FLO5912935: The Venetian courtesan of the 17th century (chromolithography), Letronne, Louis Rene (1790-1842) / Bridgeman Images

ID: FLO5912935

The Venetian courtesan of the 17th century (chromolithography)

Letronne, Louis Rene (1790-1842)

Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912953: Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

ID: FLO5912953

Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836. Color print after an engraving by R.G. Reeve from a painting by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912968: Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

ID: FLO5912968

Mail coach in a flood. Royal mail four-horse coach with liveried guard driving through a flooded riverside road, 1820s. Color print after an engraving by F. Rosenbourg from an illustration by James Pollard in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912977: Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

ID: FLO5912977

Hermit, winner of the Epsom Derby 1867. Winner of eight races and later a stud horse. Portrait of the chestnut thoroughbred horse in the stables. Color print after an engraving by W. Summers from a painting by Harry Hall in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912980: A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

ID: FLO5912980

A first rate workman of Melton. Fox hunter in scarlet jacket on horseback jumping over a fence, while fox hounds run alongside, 1837. Color print after a drawing by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)

FLO5912995: Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912995

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)

British School, (19th century)

St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)
St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)

FLO5912998: St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912998

St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)

British School, (19th century)

East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)
East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)

FLO5913001: East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5913001

East Cowes Castle, Isle of Wight, the seat of architect John Nas, 1825 (engraving)

British School, (19th century)

Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

FLO5913025: Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898., Courboin, François (1865-1926) / Bridgeman Images

ID: FLO5913025

Woman and child in front of the Fountain of Leda, Fontaine de Leda, in the Rue du Regard, Paris, Year VII, 1799. (Designed by Francois-Jean Bralle and built in 1807.) Woman in scarlet spencer jacket over white dress. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

Courboin, François (1865-1926)

Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

FLO5913037: Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898., Courboin, François (1865-1926) / Bridgeman Images

ID: FLO5913037

Fashionable woman strolling through the gallery of the Palais Royal, Paris, Year VIII, 1800. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

Courboin, François (1865-1926)

Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho)
Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho)

FLO5913064: Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho), Courboin, François (1865-1926) / Bridgeman Images

ID: FLO5913064

Dandyism in the Romantic Period, A ballroom in 1834, 1898 (litho)

Courboin, François (1865-1926)

Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)
Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)

JLD5909286: Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909286

Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)

Lloyd, Julian

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)
John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

JLD5909307: John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909307

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

Lloyd, Julian

Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)
Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)

JLD5909310: Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909310

Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)

Lloyd, Julian

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)
John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

JLD5909328: John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909328

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

Lloyd, Julian

Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)
Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)

JLD5909334: Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909334

Ken Tynan, National Theatre Company offices at Old Vic, London, 1966 (b/w photo)

Lloyd, Julian

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)
John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

JLD5909352: John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909352

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

Lloyd, Julian

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)
John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

JLD5909388: John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909388

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

Lloyd, Julian

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)
John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

JLD5909394: John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909394

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

Lloyd, Julian

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)
John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

JLD5909403: John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909403

John Boorman, Marcello Mastroianni and Billie Whitelaw on set of Leo the Last, London, 1968-9 (b/w photo)

Lloyd, Julian

Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo)
Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909433: Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909433

Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Sherapalden Beru, Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)
Sherapalden Beru, Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909445: Sherapalden Beru, Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909445

Sherapalden Beru, Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)
Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909454: Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909454

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)
Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909457: Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909457

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)
Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909460: Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909460

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)
Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909463: Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909463

Akong Tulku Rinpoche, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo)
Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo)

JLD5909487: Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909487

Chogyam Trungpa Rinpoche, Samye Ling, Tibetan monastery, Dumfries, 1968 (b/w photo)

Lloyd, Julian

Eric Clapton and Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)
Eric Clapton and Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

JLD5909505: Eric Clapton and Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909505

Eric Clapton and Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

Lloyd, Julian

Bonnie Bramlett, Rita Coolidge and Delaney Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)
Bonnie Bramlett, Rita Coolidge and Delaney Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

JLD5909550: Bonnie Bramlett, Rita Coolidge and Delaney Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909550

Bonnie Bramlett, Rita Coolidge and Delaney Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

Lloyd, Julian

Eric Clapton in the Olimpic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)
Eric Clapton in the Olimpic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

JLD5909553: Eric Clapton in the Olimpic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909553

Eric Clapton in the Olimpic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

Lloyd, Julian

Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)
Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

JLD5909562: Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909562

Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

Lloyd, Julian

Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)
Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

JLD5909565: Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909565

Bonnie Bramlett in the Olympic studio with Delaney and Bonnie and Friends, London, 1969-70 (b/w photo)

Lloyd, Julian

Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo)
Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo)

JLD5909577: Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909577

Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo)

Lloyd, Julian

Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo)
Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo)

JLD5909595: Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo), Lloyd, Julian / Bridgeman Images

ID: JLD5909595

Group of people including Eric Clapton, Rita Coolidge and Jim Gordon, at the Olympic studio, London, 1969-70 (b/w photo)

Lloyd, Julian


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