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Page 48. Black Cockatoo. at lower left in different hand Reduced by scale to 1/3 the natural size. Glossy Black Cockatoo Calyptorhynchus lathami, female, 1791-92 (w/c)
Page 48. Black Cockatoo. at lower left in different hand Reduced by scale to 1/3 the natural size. Glossy Black Cockatoo Calyptorhynchus lathami, female, 1791-92 (w/c)

NSW5670682: Page 48. Black Cockatoo. at lower left in different hand Reduced by scale to 1/3 the natural size. Glossy Black Cockatoo Calyptorhynchus lathami, female, 1791-92 (w/c), Unknown artist, (18th century) / Bridgeman Images

Page 51. Natural size Little Lorikeet Glossopsitta pusilla, 1791-92 (w/c)
Page 51. Natural size Little Lorikeet Glossopsitta pusilla, 1791-92 (w/c)

NSW5670686: Page 51. Natural size Little Lorikeet Glossopsitta pusilla, 1791-92 (w/c), Unknown artist, (18th century) / Bridgeman Images

Page 87. Hematopus. at lower right in different hand September. along lower edge in third hand The male & female are always seen together on the rocks & low points but have entirely left the Harbour from being frequently disturbed, the iris is very bright. above sketch at right natural size of the toe Pied Oyster, Catcher Haematopus Longirostris, 1791-92 (w/c)
Page 87. Hematopus. at lower right in different hand September. along lower edge in third hand The male & female are always seen together on the rocks & low points but have entirely left the Harbour from being frequently disturbed, the iris is very bright. above sketch at right natural size of the toe Pied Oyster, Catcher Haematopus Longirostris, 1791-92 (w/c)

NSW5670730: Page 87. Hematopus. at lower right in different hand September. along lower edge in third hand The male & female are always seen together on the rocks & low points but have entirely left the Harbour from being frequently disturbed, the iris is very bright. above sketch at right natural size of the toe Pied Oyster, Catcher Haematopus Longirostris, 1791-92 (w/c), Unknown artist, (18th century) / Bridgeman Images

Page 99. Phaeton. in different hand A young Tropic Bird 1/2 of the natural size Red, Tailed Tropicbird Phaethon rubricauda, 1791-92 (w/c)
Page 99. Phaeton. in different hand A young Tropic Bird 1/2 of the natural size Red, Tailed Tropicbird Phaethon rubricauda, 1791-92 (w/c)

NSW5670744: Page 99. Phaeton. in different hand A young Tropic Bird 1/2 of the natural size Red, Tailed Tropicbird Phaethon rubricauda, 1791-92 (w/c), Unknown artist, (18th century) / Bridgeman Images

L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas)
L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas)

CH5673167: L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas), Martino, Eduardo de (1838-1912) / Bridgeman Images

Opp. p. 39. `View of a Fortified Bay on the E side the entrance of Rio Janeiro', c.1802 (w/c)
Opp. p. 39. `View of a Fortified Bay on the E side the entrance of Rio Janeiro', c.1802 (w/c)

NSW5670845: Opp. p. 39. `View of a Fortified Bay on the E side the entrance of Rio Janeiro', c.1802 (w/c), Bradley, William (1757-1833) / Bridgeman Images

Portrait of a Man, c.1615 (w/c on card in a later silver gilt frame)
Portrait of a Man, c.1615 (w/c on card in a later silver gilt frame)

XCL5670865: Portrait of a Man, c.1615 (w/c on card in a later silver gilt frame), Oliver, Isaac (c.1565-1617) (after) / Bridgeman Images

Portrait of Charles Howard, 2nd Baron Howard of Effingham, 1576 (w/c on vellum in a gilt metal frame)
Portrait of Charles Howard, 2nd Baron Howard of Effingham, 1576 (w/c on vellum in a gilt metal frame)

XCL5670889: Portrait of Charles Howard, 2nd Baron Howard of Effingham, 1576 (w/c on vellum in a gilt metal frame), Hilliard, Nicholas (1547-1619) / Bridgeman Images

Page 33. Tawny Frogmouth. Gracile Goatsucker (Watling 297/222) (w/c on paper)
Page 33. Tawny Frogmouth. Gracile Goatsucker (Watling 297/222) (w/c on paper)

NSW5670916: Page 33. Tawny Frogmouth. Gracile Goatsucker (Watling 297/222) (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 48. Yellow-tailed Black Cockatoo. Banksian Parrot (Watling 140/56) (w/c on paper)
Page 48. Yellow-tailed Black Cockatoo. Banksian Parrot (Watling 140/56) (w/c on paper)

NSW5670936: Page 48. Yellow-tailed Black Cockatoo. Banksian Parrot (Watling 140/56) (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 58. Unidentified bird. Turdus. 59. Unidentified bird. Turdus (w/c on paper)
Page 58. Unidentified bird. Turdus. 59. Unidentified bird. Turdus (w/c on paper)

NSW5670951: Page 58. Unidentified bird. Turdus. 59. Unidentified bird. Turdus (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 79. Black-fronted Dotterel. Charadrius Hiaticula (w/c on paper)
Page 79. Black-fronted Dotterel. Charadrius Hiaticula (w/c on paper)

NSW5670973: Page 79. Black-fronted Dotterel. Charadrius Hiaticula (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 85. Sooty Tern. Sterna novae Hollandae. New Holland Tern (Watling 342/274) (w/c on paper)
Page 85. Sooty Tern. Sterna novae Hollandae. New Holland Tern (Watling 342/274) (w/c on paper)

NSW5670981: Page 85. Sooty Tern. Sterna novae Hollandae. New Holland Tern (Watling 342/274) (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 91. Unidentified bird. Pel. borssanus (w/c on paper)
Page 91. Unidentified bird. Pel. borssanus (w/c on paper)

NSW5670989: Page 91. Unidentified bird. Pel. borssanus (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 110. Unidentified Bird (w/c on paper)
Page 110. Unidentified Bird (w/c on paper)

NSW5671007: Page 110. Unidentified Bird (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 133. Unidentified Bird. 134. Unidentified Bird (w/c on paper)
Page 133. Unidentified Bird. 134. Unidentified Bird (w/c on paper)

NSW5671019: Page 133. Unidentified Bird. 134. Unidentified Bird (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 138. Unidentified Bird. 139. Unidentified Bird (w/c on paper)
Page 138. Unidentified Bird. 139. Unidentified Bird (w/c on paper)

NSW5671022: Page 138. Unidentified Bird. 139. Unidentified Bird (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

Page 142. Unidentified Bird. 143. Unidentified Bird (w/c on paper)
Page 142. Unidentified Bird. 143. Unidentified Bird (w/c on paper)

NSW5671026: Page 142. Unidentified Bird. 143. Unidentified Bird (w/c on paper), Unknown artist, (18th century) / Bridgeman Images

F.18 The Inside of the House, in the Morai, in Atooi, c.1773-84 (w/c)
F.18 The Inside of the House, in the Morai, in Atooi, c.1773-84 (w/c)

NSW5671388: F.18 The Inside of the House, in the Morai, in Atooi, c.1773-84 (w/c), Webber, John (1750-93) / Bridgeman Images

James I of England and VI of Scotland, c.1610 (w/c, gouache and gold, pen and black ink on vellum)
James I of England and VI of Scotland, c.1610 (w/c, gouache and gold, pen and black ink on vellum)

XOS5671984: James I of England and VI of Scotland, c.1610 (w/c, gouache and gold, pen and black ink on vellum), Hilliard, Nicholas (1547-1619) / Bridgeman Images

Portrait of Maria of Orange with Hendrik van Zuijlestein and a Servant, 1665 (oil on canvas)
Portrait of Maria of Orange with Hendrik van Zuijlestein and a Servant, 1665 (oil on canvas)

XOS5672000: Portrait of Maria of Orange with Hendrik van Zuijlestein and a Servant, 1665 (oil on canvas), Mytens or Mijtens, Jan (1614-70) / Bridgeman Images

Queen Mary II (1662-1694), 1703 (engraving)
Queen Mary II (1662-1694), 1703 (engraving)

XOS5846110: Queen Mary II (1662-1694), 1703 (engraving), Mortier, Pierre (Pieter) (1661-1711) / Bridgeman Images

Munich Town Hall, 1890-90 (photomechanical print)
Munich Town Hall, 1890-90 (photomechanical print)

XOS5848229: Munich Town Hall, 1890-90 (photomechanical print) / Bridgeman Images

Peasants Dancing outside a Bohemian Inn, c.1610 (oil on panel)
Peasants Dancing outside a Bohemian Inn, c.1610 (oil on panel)

XOS5672044: Peasants Dancing outside a Bohemian Inn, c.1610 (oil on panel), Savery, Roelandt Jacobsz. (1576-1639) / Bridgeman Images

An American family out for a stroll at Yokohama, 1861 (woodblock print)
An American family out for a stroll at Yokohama, 1861 (woodblock print)

XOS5672311: An American family out for a stroll at Yokohama, 1861 (woodblock print), Yoshifuji, Utagawa (1828-1887) / Bridgeman Images

Portrait of My Daughter Alice, c.1895 (oil on canvas)
Portrait of My Daughter Alice, c.1895 (oil on canvas)

XCL5672875: Portrait of My Daughter Alice, c.1895 (oil on canvas), Chase, William Merritt (1849-1916) / Bridgeman Images

The Beggars, 1880 (etching and drypoint)
The Beggars, 1880 (etching and drypoint)

XCL5672885: The Beggars, 1880 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Symbolic Head, c.1890 (oil on paper mounted on canvas)
Symbolic Head, c.1890 (oil on paper mounted on canvas)

XCL5672897: Symbolic Head, c.1890 (oil on paper mounted on canvas), Redon, Odilon (1840-1916) / Bridgeman Images

The Annunciation, c.1480 (oil on wood)
The Annunciation, c.1480 (oil on wood)

XCL5672963: The Annunciation, c.1480 (oil on wood), Bouts, Albrecht (1450-1549) / Bridgeman Images

The great East River bridge: to connect the cities of New York & Brooklyn, c.1872 (lithograph)
The great East River bridge: to connect the cities of New York & Brooklyn, c.1872 (lithograph)

XOS5854254: The great East River bridge: to connect the cities of New York & Brooklyn, c.1872 (lithograph), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

Modes of War: the “National Costume”. Women reading a newspaper entitled
Modes of War: the “National Costume”. Women reading a newspaper entitled

XEE4113477: Modes of War: the “National Costume”. Women reading a newspaper entitled "restrictions", 1918 (print), Unknown Artist, (20th century) / Bridgeman Images

France, Auvergne, Haute-Loire (43), Le Puy en Velay (Le- Puy-en-Velay) - engraving in “La France illustree: geographie, histoire, administration statistique” by V.A. Malt-Brown. 1884
France, Auvergne, Haute-Loire (43), Le Puy en Velay (Le- Puy-en-Velay) - engraving in “La France illustree: geographie, histoire, administration statistique” by V.A. Malt-Brown. 1884

XEE4160346: France, Auvergne, Haute-Loire (43), Le Puy en Velay (Le- Puy-en-Velay) - engraving in “La France illustree: geographie, histoire, administration statistique” by V.A. Malt-Brown. 1884, French School, (19th century) / Bridgeman Images

Portrait of Philippe Egalite, Louis Philippe II Joseph d'Orleans, 1863 (engraving)
Portrait of Philippe Egalite, Louis Philippe II Joseph d'Orleans, 1863 (engraving)

XEE4160398: Portrait of Philippe Egalite, Louis Philippe II Joseph d'Orleans, 1863 (engraving), Anonymous / Bridgeman Images

Robinson and his companions are sinking (engraving)
Robinson and his companions are sinking (engraving)

XEE4171191: Robinson and his companions are sinking (engraving), Thiriet, Henri (1873-1946) / Bridgeman Images

French Revolution: 'a vandalist, destroyer of works of art on the left, mocking the costumes of two nobles and an abbe carrying a small dog (gouache)
French Revolution: 'a vandalist, destroyer of works of art on the left, mocking the costumes of two nobles and an abbe carrying a small dog (gouache)

JLJ4586164: French Revolution: 'a vandalist, destroyer of works of art on the left, mocking the costumes of two nobles and an abbe carrying a small dog (gouache), Lesueur Brothers, (18th century) / Bridgeman Images

An Allegory of the Eucharist: An Angel bearing grain (oil on canvas)
An Allegory of the Eucharist: An Angel bearing grain (oil on canvas)

CH4583554: An Allegory of the Eucharist: An Angel bearing grain (oil on canvas), Polanco, Francisco (c.1610-51) / Bridgeman Images


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