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Comedie Francaise: view of the artists' foyer with comedians Francois-Joseph (Francois Joseph) Talma (1763-1826) and Anne Boutet, dit Mademoiselle Mars (1779 - 1847), French comedian. Engraving from 1867-1868.
Comedie Francaise: view of the artists' foyer with comedians Francois-Joseph (Francois Joseph) Talma (1763-1826) and Anne Boutet, dit Mademoiselle Mars (1779 - 1847), French comedian. Engraving from 1867-1868.

XEE4167981: Comedie Francaise: view of the artists' foyer with comedians Francois-Joseph (Francois Joseph) Talma (1763-1826) and Anne Boutet, dit Mademoiselle Mars (1779 - 1847), French comedian. Engraving from 1867-1868., French School, (19th century) / Bridgeman Images

The baptism of John (Jehan) Ango (1488-1551), future navigator, in the Church of Saint Remi in Dieppe. Engraving from 1865-1866.
The baptism of John (Jehan) Ango (1488-1551), future navigator, in the Church of Saint Remi in Dieppe. Engraving from 1865-1866.

XEE4167975: The baptism of John (Jehan) Ango (1488-1551), future navigator, in the Church of Saint Remi in Dieppe. Engraving from 1865-1866., French School, (19th century) / Bridgeman Images

Pierre Corneille at the saver. Engraving by Jules Duvaux, 1860.
Pierre Corneille at the saver. Engraving by Jules Duvaux, 1860.

XEE4168046: Pierre Corneille at the saver. Engraving by Jules Duvaux, 1860., Duvaux, Jules Antoine (1818-84) (after) / Bridgeman Images

Portrait of Gustave I Wasa, King of Sweden. Engraving by Foulquier, 1864-1865.
Portrait of Gustave I Wasa, King of Sweden. Engraving by Foulquier, 1864-1865.

XEE4168056: Portrait of Gustave I Wasa, King of Sweden. Engraving by Foulquier, 1864-1865., Foulquier, Jean Antoine Valentin (1822-1896) / Bridgeman Images

Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.
Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.

XEE4150989: Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861., French School, (19th century) / Bridgeman Images

Presentation to Napoleon III (1808-1873) and to the Impress Eugenie (1826-1920) of twelve Maconnaises in country costume. Macon, Saone and Loire (71), 1860. Engraving in “” Le Monde Illustré”” n°177 of 1 September 1860.
Presentation to Napoleon III (1808-1873) and to the Impress Eugenie (1826-1920) of twelve Maconnaises in country costume. Macon, Saone and Loire (71), 1860. Engraving in “” Le Monde Illustré”” n°177 of 1 September 1860.

XEE4154613: Presentation to Napoleon III (1808-1873) and to the Impress Eugenie (1826-1920) of twelve Maconnaises in country costume. Macon, Saone and Loire (71), 1860. Engraving in “” Le Monde Illustré”” n°177 of 1 September 1860., French School, (19th century) / Bridgeman Images

Cartoon of Guillaume Leon Margue 1828-1888, 1880 (engraving)
Cartoon of Guillaume Leon Margue 1828-1888, 1880 (engraving)

XEE4154654: Cartoon of Guillaume Leon Margue 1828-1888, 1880 (engraving), Demare, Henri (1846-88) / Bridgeman Images

Cartoon of Alphonse Peyrat English journalist, 1880 (engraving)
Cartoon of Alphonse Peyrat English journalist, 1880 (engraving)

XEE4154682: Cartoon of Alphonse Peyrat English journalist, 1880 (engraving), Gill, Andre (1840-85) / Bridgeman Images

Abbey Saint-Victor (Saint Victor) of Paris, founded in the 12th century, 1882 (engraving)
Abbey Saint-Victor (Saint Victor) of Paris, founded in the 12th century, 1882 (engraving)

XEE4154732: Abbey Saint-Victor (Saint Victor) of Paris, founded in the 12th century, 1882 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Heinrich von Stephan (1831-1897) a general post director for the German Empire who reorganized the German postal service
Portrait of Heinrich von Stephan (1831-1897) a general post director for the German Empire who reorganized the German postal service

XEE4151054: Portrait of Heinrich von Stephan (1831-1897) a general post director for the German Empire who reorganized the German postal service, Unknown Artist, (19th century) / Bridgeman Images

Le cafe -  “La Physiologie du gout
Le cafe -  “La Physiologie du gout

XEE4151232: Le cafe - “La Physiologie du gout" by Jean Anthelme Brillat Savarin French gastronome illustrated by Bertall 1851, Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

Church of Saint-Jacques-du-Haut-Pas (Saint Jacques du Haut Pas) and the seminary of Saint Magloire, Veme arrondissement de Paris - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853
Church of Saint-Jacques-du-Haut-Pas (Saint Jacques du Haut Pas) and the seminary of Saint Magloire, Veme arrondissement de Paris - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853

XEE4151245: Church of Saint-Jacques-du-Haut-Pas (Saint Jacques du Haut Pas) and the seminary of Saint Magloire, Veme arrondissement de Paris - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853
L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853

XEE4151266: L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)
Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)

XEE4151294: Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

Rage - treatment of bites made by an enrage animal - washing with large water - engraving in “La Sante Universelle - Guide Medical des Familles” 1852
Rage - treatment of bites made by an enrage animal - washing with large water - engraving in “La Sante Universelle - Guide Medical des Familles” 1852

XEE4151328: Rage - treatment of bites made by an enrage animal - washing with large water - engraving in “La Sante Universelle - Guide Medical des Familles” 1852, Unknown Artist, (19th century) / Bridgeman Images

The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852
The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

XEE4151337: The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852, Unknown Artist, (19th century) / Bridgeman Images

Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151467: Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151531: Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Speech by August Bebel during the Socialist Congress of Breslau in GERMANY in 1895 -  “Le Monde Illustré” of 1895 - Drawing by Bombled.
Speech by August Bebel during the Socialist Congress of Breslau in GERMANY in 1895 -  “Le Monde Illustré” of 1895 - Drawing by Bombled.

XEE4151650: Speech by August Bebel during the Socialist Congress of Breslau in GERMANY in 1895 - “Le Monde Illustré” of 1895 - Drawing by Bombled., Bombled, Louis Charles (1862-1927) / Bridgeman Images

Portrait of Charles Garnier, 1882 (engraving)
Portrait of Charles Garnier, 1882 (engraving)

XEE4151658: Portrait of Charles Garnier, 1882 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)
Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)

XEE4151754: Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving), Drouais, Francois-Hubert (1727-75) / Bridgeman Images

Festivities of the Tarasque in the streets of Tarascon (Bouches du Rhone, 13), Pentecote 1861. Engraving in “” Le Monde Illustré”” n°217 of 8 June 1861.
Festivities of the Tarasque in the streets of Tarascon (Bouches du Rhone, 13), Pentecote 1861. Engraving in “” Le Monde Illustré”” n°217 of 8 June 1861.

XEE4151793: Festivities of the Tarasque in the streets of Tarascon (Bouches du Rhone, 13), Pentecote 1861. Engraving in “” Le Monde Illustré”” n°217 of 8 June 1861., French School, (19th century) / Bridgeman Images

The painter Puvis de Chavannes (1824-1898) occupies painting - allegory by M. Merwart with a poesy by Clovis Hugues, 1895
The painter Puvis de Chavannes (1824-1898) occupies painting - allegory by M. Merwart with a poesy by Clovis Hugues, 1895

XEE4151814: The painter Puvis de Chavannes (1824-1898) occupies painting - allegory by M. Merwart with a poesy by Clovis Hugues, 1895, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Ludwig van Beethoven (1770-1827), German composer and pianist - engraving in “” La musique populaire””” illustrious weekly newspaper - 1882
Portrait of Ludwig van Beethoven (1770-1827), German composer and pianist - engraving in “” La musique populaire””” illustrious weekly newspaper - 1882

XEE4151838: Portrait of Ludwig van Beethoven (1770-1827), German composer and pianist - engraving in “” La musique populaire””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882
The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882

XEE4151855: The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

An English traveler Lloyd discovers the Pygmees while exploring Africa - in
An English traveler Lloyd discovers the Pygmees while exploring Africa - in

XEE4155349: An English traveler Lloyd discovers the Pygmees while exploring Africa - in"Le Pelerin"8/04/1899, French School, (19th century) / Bridgeman Images

Swiss costumes, 19th Century - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Swiss costumes, 19th Century - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155804: Swiss costumes, 19th Century - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Elephant hunting in Africa. The elephant falls into a pit before being finished with arrows - in
Elephant hunting in Africa. The elephant falls into a pit before being finished with arrows - in

XEE4155874: Elephant hunting in Africa. The elephant falls into a pit before being finished with arrows - in"Le Pelerin"22/01/1899, French School, (19th century) / Bridgeman Images

The Oyster and the Litigants - from 'Fables' by Jean de La Fontaine - engraving after Gustave Dore -
The Oyster and the Litigants - from 'Fables' by Jean de La Fontaine - engraving after Gustave Dore -

XEE4156044: The Oyster and the Litigants - from 'Fables' by Jean de La Fontaine - engraving after Gustave Dore -, Dore, Gustave (1832-83) (after) / Bridgeman Images

The wolf who played shepherd - from 'Fables' by Jean de La Fontaine - engraving after Gustave Dore -
The wolf who played shepherd - from 'Fables' by Jean de La Fontaine - engraving after Gustave Dore -

XEE4155930: The wolf who played shepherd - from 'Fables' by Jean de La Fontaine - engraving after Gustave Dore -, Dore, Gustave (1832-83) (after) / Bridgeman Images

The Cobbler and the Financier - from 'Fables' by Jean de La Fontaine, 19th century (engraving)
The Cobbler and the Financier - from 'Fables' by Jean de La Fontaine, 19th century (engraving)

XEE4156074: The Cobbler and the Financier - from 'Fables' by Jean de La Fontaine, 19th century (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

The Old Woman And Her Two Servants - from 'Fables' by Jean de La Fontaine, 19th century (engraving)
The Old Woman And Her Two Servants - from 'Fables' by Jean de La Fontaine, 19th century (engraving)

XEE4156126: The Old Woman And Her Two Servants - from 'Fables' by Jean de La Fontaine, 19th century (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Portrait of General Leonard Mathurin Duphot 1769-1797
Portrait of General Leonard Mathurin Duphot 1769-1797

XEE4156149: Portrait of General Leonard Mathurin Duphot 1769-1797, Unknown Artist, (19th century) / Bridgeman Images

Illustration for
Illustration for

XEE4156279: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156179: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ENGLISH REVOLUTION. Heroic act of Desilles - French Revolution: the case of Nancy. On 31 August 1790, the Marquis de Bouille (Francois Claude Amour du Chariol, Marquis de Bouille) (1739-1800) launched a repression against the soldiers of the garrison of Nancy, in rebellion against their officers. The battle took place in front of the guard post at the Stainville Gate, during which Lieutenant Andre Desilles (or Antoine Joseph Marc Desilles) (1767-1790) was wounded while intervening. Engraving from 1860
ENGLISH REVOLUTION. Heroic act of Desilles - French Revolution: the case of Nancy. On 31 August 1790, the Marquis de Bouille (Francois Claude Amour du Chariol, Marquis de Bouille) (1739-1800) launched a repression against the soldiers of the garrison of Nancy, in rebellion against their officers. The battle took place in front of the guard post at the Stainville Gate, during which Lieutenant Andre Desilles (or Antoine Joseph Marc Desilles) (1767-1790) was wounded while intervening. Engraving from 1860

XEE4156410: ENGLISH REVOLUTION. Heroic act of Desilles - French Revolution: the case of Nancy. On 31 August 1790, the Marquis de Bouille (Francois Claude Amour du Chariol, Marquis de Bouille) (1739-1800) launched a repression against the soldiers of the garrison of Nancy, in rebellion against their officers. The battle took place in front of the guard post at the Stainville Gate, during which Lieutenant Andre Desilles (or Antoine Joseph Marc Desilles) (1767-1790) was wounded while intervening. Engraving from 1860, Unknown Artist, (19th century) / Bridgeman Images


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