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Flower Girl from 'London Types' published by William Heinemann, 1898 (colour litho)
Flower Girl from 'London Types' published by William Heinemann, 1898 (colour litho)

CSM73859: Flower Girl from 'London Types' published by William Heinemann, 1898 (colour litho), Nicholson, William (1872-1949) / Bridgeman Images

ID: CSM73859

Flower Girl from 'London Types' published by William Heinemann, 1898 (colour litho)

Nicholson, William (1872-1949)

NA/9/2668 Survivors in the sea from the wreck of the 'Jacob Jones'
NA/9/2668 Survivors in the sea from the wreck of the 'Jacob Jones'

TOP74035: NA/9/2668 Survivors in the sea from the wreck of the 'Jacob Jones', Mora, Francis Luis (1874-1940) / Bridgeman Images

ID: TOP74035

NA/9/2668 Survivors in the sea from the wreck of the 'Jacob Jones'

Mora, Francis Luis (1874-1940)

T1226 The north-west entrance to the Straits of Messina, Sicily (w/c)
T1226 The north-west entrance to the Straits of Messina, Sicily (w/c)

RGS84774: T1226 The north-west entrance to the Straits of Messina, Sicily (w/c), Bennett, William (1811-71) / Bridgeman Images

ID: RGS84774

T1226 The north-west entrance to the Straits of Messina, Sicily (w/c)

Bennett, William (1811-71)

T1241 Indians on a Plantation, engraved by Victor Adam (1801-66) c.1835 (litho)
T1241 Indians on a Plantation, engraved by Victor Adam (1801-66) c.1835 (litho)

RGS84788: T1241 Indians on a Plantation, engraved by Victor Adam (1801-66) c.1835 (litho), Rugendas, Johann Moritz (1802-58) (after) / Bridgeman Images

ID: RGS84788

T1241 Indians on a Plantation, engraved by Victor Adam (1801-66) c.1835 (litho)

Rugendas, Johann Moritz (1802-58) (after)

Study for 'The Hour Glass': portrait of Mrs. William Morris. c.1904-05 (pastel on paper) (study of 28828)
Study for 'The Hour Glass': portrait of Mrs. William Morris. c.1904-05 (pastel on paper) (study of 28828)

WDM84798: Study for 'The Hour Glass': portrait of Mrs. William Morris. c.1904-05 (pastel on paper) (study of 28828), Morgan, Evelyn De (1855-1919) / Bridgeman Images

ID: WDM84798

Study for 'The Hour Glass': portrait of Mrs. William Morris. c.1904-05 (pastel on paper) (study of 28828)

Morgan, Evelyn De (1855-1919)

Watermeadows near Amberley (pastel)
Watermeadows near Amberley (pastel)

CKG84799: Watermeadows near Amberley (pastel), Palmer, Henry Sutton (1854-1933) / Bridgeman Images

ID: CKG84799

Watermeadows near Amberley (pastel)

Palmer, Henry Sutton (1854-1933)

View of the gardens at Chatsworth, Derbyshire, c.1820 (w/c) (pair of 85760)
View of the gardens at Chatsworth, Derbyshire, c.1820 (w/c) (pair of 85760)

MAL85759: View of the gardens at Chatsworth, Derbyshire, c.1820 (w/c) (pair of 85760), Swinburne, Frances Elizabeth (1799-1821) / Bridgeman Images

ID: MAL85759

View of the gardens at Chatsworth, Derbyshire, c.1820 (w/c) (pair of 85760)

Swinburne, Frances Elizabeth (1799-1821)

Lion and Lioness, 1875 (charcoal and sanguine)
Lion and Lioness, 1875 (charcoal and sanguine)

PWG85884: Lion and Lioness, 1875 (charcoal and sanguine), Huggins, William (1820-84) / Bridgeman Images

ID: PWG85884

Lion and Lioness, 1875 (charcoal and sanguine)

Huggins, William (1820-84)

The Bathers
The Bathers

PWG85886: The Bathers, Lelong, Rene (1871-1933) / Bridgeman Images

ID: PWG85886

The Bathers

Lelong, Rene (1871-1933)

The Bass Rock, East Lothian, 1870 (w/c on paper)
The Bass Rock, East Lothian, 1870 (w/c on paper)

MAL85973: The Bass Rock, East Lothian, 1870 (w/c on paper), Leitch, William Leighton (1803-83) / Bridgeman Images

ID: MAL85973

The Bass Rock, East Lothian, 1870 (w/c on paper)

Leitch, William Leighton (1803-83)

'They Toil not, Neither do they Spin', 1903 (w/c)
'They Toil not, Neither do they Spin', 1903 (w/c)

MAL85982: 'They Toil not, Neither do they Spin', 1903 (w/c), Fortescue-Brickdale, Eleanor (1871-1945) / Bridgeman Images

ID: MAL85982

'They Toil not, Neither do they Spin', 1903 (w/c)

Fortescue-Brickdale, Eleanor (1871-1945)

The Tower of Trinity Church, Richmond, 1867 (w/c on paper)
The Tower of Trinity Church, Richmond, 1867 (w/c on paper)

MAL85989: The Tower of Trinity Church, Richmond, 1867 (w/c on paper), Ruskin, John (1819-1900) / Bridgeman Images

ID: MAL85989

The Tower of Trinity Church, Richmond, 1867 (w/c on paper)

Ruskin, John (1819-1900)

Design for Carlisle Bridge, now O'Connell Bridge, Dublin, attributed to the office of Messrs Turner and Page (w/c)
Design for Carlisle Bridge, now O'Connell Bridge, Dublin, attributed to the office of Messrs Turner and Page (w/c)

MAL85990: Design for Carlisle Bridge, now O'Connell Bridge, Dublin, attributed to the office of Messrs Turner and Page (w/c), Irish School, (19th century) / Bridgeman Images

ID: MAL85990

Design for Carlisle Bridge, now O'Connell Bridge, Dublin, attributed to the office of Messrs Turner and Page (w/c)

Irish School, (19th century)

P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83120: P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83120

P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83124: P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83124

P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83139: P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83139

P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

The Bund, Shanghai
The Bund, Shanghai

TAY84081: The Bund, Shanghai, Chinese School (19th century) / Bridgeman Images

ID: TAY84081

The Bund, Shanghai

Chinese School (19th century)

Portrait of Richard Leveridge (1670/1-1758), bass vocalist
Portrait of Richard Leveridge (1670/1-1758), bass vocalist

DEC84529: Portrait of Richard Leveridge (1670/1-1758), bass vocalist, Frye, Thomas (1710-62) / Bridgeman Images

ID: DEC84529

Portrait of Richard Leveridge (1670/1-1758), bass vocalist

Frye, Thomas (1710-62)

Dr Thomas Augustine Arne (1710-78), engraved by James Heath (1757-1834), 1793 (engraving) (see also 84546)
Dr Thomas Augustine Arne (1710-78), engraved by James Heath (1757-1834), 1793 (engraving) (see also 84546)

DEC84540: Dr Thomas Augustine Arne (1710-78), engraved by James Heath (1757-1834), 1793 (engraving) (see also 84546), Burney, Edward Francis (1760-1848) (after) / Bridgeman Images

ID: DEC84540

Dr Thomas Augustine Arne (1710-78), engraved by James Heath (1757-1834), 1793 (engraving) (see also 84546)

Burney, Edward Francis (1760-1848) (after)

Portrait of Michael Arne (1740-86), c.1762-83 (oil on canvas)
Portrait of Michael Arne (1740-86), c.1762-83 (oil on canvas)

DEC84583: Portrait of Michael Arne (1740-86), c.1762-83 (oil on canvas), Zoffany, Johann (1733-1810) / Bridgeman Images

ID: DEC84583

Portrait of Michael Arne (1740-86), c.1762-83 (oil on canvas)

Zoffany, Johann (1733-1810)

The Yorkshire Rose, engraved by C. Turner (fl.1773 -1857) 1838
The Yorkshire Rose, engraved by C. Turner (fl.1773 -1857) 1838

AJ84606: The Yorkshire Rose, engraved by C. Turner (fl.1773 -1857) 1838, Horner, G. (1829-1881) after / Bridgeman Images

ID: AJ84606

The Yorkshire Rose, engraved by C. Turner (fl.1773 -1857) 1838

Horner, G. (1829-1881) after

T1211 Approach to Mount Sinai, Wady Barah, February 17th 1839, plate 122 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)
T1211 Approach to Mount Sinai, Wady Barah, February 17th 1839, plate 122 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)

RGS84764: T1211 Approach to Mount Sinai, Wady Barah, February 17th 1839, plate 122 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images

ID: RGS84764

T1211 Approach to Mount Sinai, Wady Barah, February 17th 1839, plate 122 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)

Roberts, David (1796-1864) (after)

Study for a figure of the Virgin (w/c)
Study for a figure of the Virgin (w/c)

MAK87455: Study for a figure of the Virgin (w/c), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: MAK87455

Study for a figure of the Virgin (w/c)

Burne-Jones, Edward Coley (1833-98)

No.3146 Diana and Callisto, illustration from Ovid's `Metamorphosis`, II, p.442-53, c.1595 (pen & ink)
No.3146 Diana and Callisto, illustration from Ovid's `Metamorphosis`, II, p.442-53, c.1595 (pen & ink)

FIT88879: No.3146 Diana and Callisto, illustration from Ovid's `Metamorphosis`, II, p.442-53, c.1595 (pen & ink), Bloemaert, Abraham (1566-1651) (attr. to) / Bridgeman Images

ID: FIT88879

No.3146 Diana and Callisto, illustration from Ovid's `Metamorphosis`, II, p.442-53, c.1595 (pen & ink)

Bloemaert, Abraham (1566-1651) (attr. to)

No.889-6 Morning Amusements before a Trip to Tivoli (pen and wash, pencil)
No.889-6 Morning Amusements before a Trip to Tivoli (pen and wash, pencil)

FIT88898: No.889-6 Morning Amusements before a Trip to Tivoli (pen and wash, pencil), Dance, George (1741-1825) / Bridgeman Images

ID: FIT88898

No.889-6 Morning Amusements before a Trip to Tivoli (pen and wash, pencil)

Dance, George (1741-1825)

Fruit and Flowers on a Marble Table, 1794 (oil on canvas)
Fruit and Flowers on a Marble Table, 1794 (oil on canvas)

THA100404: Fruit and Flowers on a Marble Table, 1794 (oil on canvas), Brussel, Paul Theodor van (1754-95) / Bridgeman Images

ID: THA100404

Fruit and Flowers on a Marble Table, 1794 (oil on canvas)

Brussel, Paul Theodor van (1754-95)

A Venetian Christening Party, 1896 (oil on canvas)
A Venetian Christening Party, 1896 (oil on canvas)

THA100426: A Venetian Christening Party, 1896 (oil on canvas), Woods, Henry (1846-1921) / Bridgeman Images

ID: THA100426

A Venetian Christening Party, 1896 (oil on canvas)

Woods, Henry (1846-1921)

Flowers in a Vase, 1927 (oil on canvas)
Flowers in a Vase, 1927 (oil on canvas)

THA100435: Flowers in a Vase, 1927 (oil on canvas), Procter, Ernest (1886-1935) / Bridgeman Images

ID: THA100435

Flowers in a Vase, 1927 (oil on canvas)

Procter, Ernest (1886-1935)

Mont St. Michel, Normandy, 1906 (w/c on paper)
Mont St. Michel, Normandy, 1906 (w/c on paper)

BKB100448: Mont St. Michel, Normandy, 1906 (w/c on paper), Goodwin, Albert (1845-1932) / Bridgeman Images

ID: BKB100448

Mont St. Michel, Normandy, 1906 (w/c on paper)

Goodwin, Albert (1845-1932)

The Rustic Artist (w/c on paper)
The Rustic Artist (w/c on paper)

BKB100456: The Rustic Artist (w/c on paper), Hunt, William Henry (1790-1864) / Bridgeman Images

ID: BKB100456

The Rustic Artist (w/c on paper)

Hunt, William Henry (1790-1864)

Shimonoseki harbour with boats, Nagato Province from 'Famous Places of the Sixty Provinces', 1856 (colour woodblock print)
Shimonoseki harbour with boats, Nagato Province from 'Famous Places of the Sixty Provinces', 1856 (colour woodblock print)

BKB100503: Shimonoseki harbour with boats, Nagato Province from 'Famous Places of the Sixty Provinces', 1856 (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: BKB100503

Shimonoseki harbour with boats, Nagato Province from 'Famous Places of the Sixty Provinces', 1856 (colour woodblock print)

Hiroshige, Ando or Utagawa (1797-1858)

Girl Reading a Letter (sanguine on paper)
Girl Reading a Letter (sanguine on paper)

CMY100629: Girl Reading a Letter (sanguine on paper), Meteyard, Sidney (1868-1947) / Bridgeman Images

ID: CMY100629

Girl Reading a Letter (sanguine on paper)

Meteyard, Sidney (1868-1947)

Signora Barilli in the Role of Countess Almaviva in 'The Marriage of Figaro' (engraving)
Signora Barilli in the Role of Countess Almaviva in 'The Marriage of Figaro' (engraving)

MHE100888: Signora Barilli in the Role of Countess Almaviva in 'The Marriage of Figaro' (engraving), French School, (19th century) / Bridgeman Images

ID: MHE100888

Signora Barilli in the Role of Countess Almaviva in 'The Marriage of Figaro' (engraving)

French School, (19th century)

Girl in Red (w/c on paper)
Girl in Red (w/c on paper)

MIG97770: Girl in Red (w/c on paper), Hankey, William Lee (1869-1952) / Bridgeman Images

ID: MIG97770

Girl in Red (w/c on paper)

Hankey, William Lee (1869-1952)

Master's Hat (oil on canvas)
Master's Hat (oil on canvas)

MIG97799: Master's Hat (oil on canvas), Wardle, Arthur (1864-1949) / Bridgeman Images

ID: MIG97799

Master's Hat (oil on canvas)

Wardle, Arthur (1864-1949)

Two tall plain communion flagons, with cylindrical bodies, presented to New College, Oxford by Warden Ryves (1569-1613) 1602
Two tall plain communion flagons, with cylindrical bodies, presented to New College, Oxford by Warden Ryves (1569-1613) 1602

NCO98514: Two tall plain communion flagons, with cylindrical bodies, presented to New College, Oxford by Warden Ryves (1569-1613) 1602 / Bridgeman Images

ID: NCO98514

Two tall plain communion flagons, with cylindrical bodies, presented to New College, Oxford by Warden Ryves (1569-1613) 1602


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