2518063 Search Results
FLO4684510: Woman in medieval costume for a fancy dress ball, old manor or or vieux manoir, with tall hat with long veils, two-tone dress lined with ermine. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images
FLO4684556: Woman in fancy dress costume as Native American, Indian, in feather headdress, embroidered dress, holding a bow and arrow. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images
FLO4684560: Woman in fancy dress costume as a pink carnation of Nice, nice carnation, in green dress with pink collar and skirt. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images
FLO4684564: Woman in fancy dress costume as a lotus flower, Fleur de lotus, with dress and hat in the form of the flower. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images
FLO4684605: Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images
FLO4685681: Lazy tridactyl or ai and marmot - Three-toed sloth, Bradypus tridactylus, and Alpine marmot, Marmota marmota (Arctonys marmota). Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4685686: Pompe a beer - Views and elevations of an 18th century beer pump with levers, taps and pipes contained in a cabinet. Copperplate engraving by Mutlow after an illustration by J. Farey Jr. from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images
FLO4685694: Elastic bula, Bulla resiliens, and pale or cylindric bulla, Bulla pallida. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4685710: Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4685735: An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images
FLO4685762: Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4685764: American cockroach, Oriental cockroach, Blatta orientalis, bumble bee, Bombylius major, early humble bee, Bombylius medius, and leathery cerambyx beetle, Cerambyx coriarius, with eggs. Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images
FLO4685769: Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4685775: Zebu and bison - Zebu humped cattle, Bos indicus, and European bison, Bison bonasus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4685797: Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685834: Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685841: Shepherdess, reign of Charles VIII, 1491. Handcoloured steel engraving by Polidor Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685859: Bongare fascie, Bongare annele or bungare - Banded krait, Bungarus fasciatus (Fasciated boa, Boa fasciata). Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images
FLO4685862: Anne of Bretagne, second wife to Louis XII, 1500. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685867: Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685895: Henri d'Albret, grandfather to Henri IV, 1527. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685904: Francois (1518-1536), dauphin of Viennese, son of King Francois I, 1534. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4685964: Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Hippolyte Pauquet after Jacques Collet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4669470: The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669534: The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669563: Dinosaur fossils and zoological skeletons at the Hunterian Museum, Royal College of Surgeons. Steel engraving by E. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669588: Lawyers question a lady witness before judge and jury at the Central Criminal Court. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669595: Queen Victoria and Prince Albert at a service in the Chapel Royal, St. James' Palace. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669610: Payment of customs in the Long Room at Custom House. Built in 1813 by the architect David Laing, it collapsed in 1825. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669647: Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669700: The Norman Chapel of St. John the Evangelist or Caesar's Chapel in the White Tower or Keep of the Tower of London. Steel engraving by Henry Melville after an illustration by B. Sly from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4669753: Additional Library at the British Museum. The British Museum had 13 miles of shelves and its catalog of books ran to 61 folio volumes. Steel engraving by Radclyffe after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images
FLO4675821: The Child. A cottage owner's wife prepares a family meal when death arrives and takes away the youngest of her children. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4675825: The madman. Death plays a bagpipe and performs a dance while lifting the madman's green dress to expose his limbs. The Mad is about to hit Death with his rattle, a kind of pocket with a bell hanging from her. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4675844: Design for a dagger sheath designed by Holbein. The characters are a young woman, a monk and a child who involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4675970: Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
