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The United States Barge Office (oil on canvas)
The United States Barge Office (oil on canvas)

MNY90152: The United States Barge Office (oil on canvas), Gignoux, Regis Francis (1816-82) / Bridgeman Images

ID: MNY90152

The United States Barge Office (oil on canvas)

Gignoux, Regis Francis (1816-82)

STC90189: "I have a secret art to cure/Each malady which men endure", from the 'English Dance of Death' pub. by Rudolph Ackermann (1764-1834) 1814 (aquatint), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images

ID: STC90189

"I have a secret art to cure/Each malady which men endure", from the 'English Dance of Death' pub. by Rudolph Ackermann (1764-1834) 1814 (aquatint)

Rowlandson, Thomas (1756-1827) (after)

Ground plan of the town and castle of Pressburg and its fortifications in 1663, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)
Ground plan of the town and castle of Pressburg and its fortifications in 1663, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

STC90413: Ground plan of the town and castle of Pressburg and its fortifications in 1663, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

ID: STC90413

Ground plan of the town and castle of Pressburg and its fortifications in 1663, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

German School, (17th century)

Feeding Goats in the Alhambra, 1871 (oil on canvas)
Feeding Goats in the Alhambra, 1871 (oil on canvas)

HMP90454: Feeding Goats in the Alhambra, 1871 (oil on canvas), Ansdell, Richard (1815-85) / Bridgeman Images

ID: HMP90454

Feeding Goats in the Alhambra, 1871 (oil on canvas)

Ansdell, Richard (1815-85)

Portrait of an Actor, Charles Dibdin (1745-1814), c.1810 (oil on canvas)
Portrait of an Actor, Charles Dibdin (1745-1814), c.1810 (oil on canvas)

HMP90462: Portrait of an Actor, Charles Dibdin (1745-1814), c.1810 (oil on canvas), Devis, Arthur William (1762-1822) / Bridgeman Images

ID: HMP90462

Portrait of an Actor, Charles Dibdin (1745-1814), c.1810 (oil on canvas)

Devis, Arthur William (1762-1822)

New York from Heights Near Brooklyn, 1820-23 (coloured aquatint)
New York from Heights Near Brooklyn, 1820-23 (coloured aquatint)

MNY90555: New York from Heights Near Brooklyn, 1820-23 (coloured aquatint), Wall, William Guy (1792-c.1864) (after) / Bridgeman Images

ID: MNY90555

New York from Heights Near Brooklyn, 1820-23 (coloured aquatint)

Wall, William Guy (1792-c.1864) (after)

The Emigrant, c.1860 (oil on canvas)
The Emigrant, c.1860 (oil on canvas)

HMP90725: The Emigrant, c.1860 (oil on canvas), Barnes, Edward Charles (1855-1882) / Bridgeman Images

ID: HMP90725

The Emigrant, c.1860 (oil on canvas)

Barnes, Edward Charles (1855-1882)

Portrait of Edward VI (1537-53) 1683 (pencil on vellum)
Portrait of Edward VI (1537-53) 1683 (pencil on vellum)

CPB90792: Portrait of Edward VI (1537-53) 1683 (pencil on vellum), White, Robert (1645-1703) / Bridgeman Images

ID: CPB90792

Portrait of Edward VI (1537-53) 1683 (pencil on vellum)

White, Robert (1645-1703)

Archive 2420 Map of Mease Place Farm in the parish of Harrow, belonging to New College, Oxford, 1736 (w/c on paper)
Archive 2420 Map of Mease Place Farm in the parish of Harrow, belonging to New College, Oxford, 1736 (w/c on paper)

NCO90874: Archive 2420 Map of Mease Place Farm in the parish of Harrow, belonging to New College, Oxford, 1736 (w/c on paper), Brasier, William (fl.1736) / Bridgeman Images

ID: NCO90874

Archive 2420 Map of Mease Place Farm in the parish of Harrow, belonging to New College, Oxford, 1736 (w/c on paper)

Brasier, William (fl.1736)

Archive 3693 f.63 Page listing three benefactors of New College, Oxford; Halswell Tynte, Gulielmus Fellowes and Johannes Rogers, from a Benefaction Book, 1681/2-84 (pen and ink)
Archive 3693 f.63 Page listing three benefactors of New College, Oxford; Halswell Tynte, Gulielmus Fellowes and Johannes Rogers, from a Benefaction Book, 1681/2-84 (pen and ink)

NCO90892: Archive 3693 f.63 Page listing three benefactors of New College, Oxford; Halswell Tynte, Gulielmus Fellowes and Johannes Rogers, from a Benefaction Book, 1681/2-84 (pen and ink), English School, (17th century) / Bridgeman Images

ID: NCO90892

Archive 3693 f.63 Page listing three benefactors of New College, Oxford; Halswell Tynte, Gulielmus Fellowes and Johannes Rogers, from a Benefaction Book, 1681/2-84 (pen and ink)

English School, (17th century)

Telling the Time, 1895 (w/c & gouache on paper)
Telling the Time, 1895 (w/c & gouache on paper)

FLF90960: Telling the Time, 1895 (w/c & gouache on paper), Sainsbury, Grace E. (1863-1941) / Bridgeman Images

ID: FLF90960

Telling the Time, 1895 (w/c & gouache on paper)

Sainsbury, Grace E. (1863-1941)

Blairie Roses (w/c on paper)
Blairie Roses (w/c on paper)

FLF90964: Blairie Roses (w/c on paper), Duffield, Mary Elizabeth (1819-1914) / Bridgeman Images

ID: FLF90964

Blairie Roses (w/c on paper)

Duffield, Mary Elizabeth (1819-1914)

The Artist Trout Fishing, 1942 (oil on canvas)
The Artist Trout Fishing, 1942 (oil on canvas)

WSG91109: The Artist Trout Fishing, 1942 (oil on canvas), Reynolds, Frank (1876-1953) / Bridgeman Images

ID: WSG91109

The Artist Trout Fishing, 1942 (oil on canvas)

Reynolds, Frank (1876-1953)

Map of Lille, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Lille, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138908: Map of Lille, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138908

Map of Lille, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Map of Namur, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Namur, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138981: Map of Namur, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138981

Map of Namur, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Plan of Enchunsen, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)
Plan of Enchunsen, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)

STC138984: Plan of Enchunsen, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138984

Plan of Enchunsen, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

St. Benedict Preaching in the Monastery (engraving)
St. Benedict Preaching in the Monastery (engraving)

XJF139025: St. Benedict Preaching in the Monastery (engraving), English School, (17th century) / Bridgeman Images

ID: XJF139025

St. Benedict Preaching in the Monastery (engraving)

English School, (17th century)

The New Law Courts at Birmingham, the Foundation Stone of which was Laid by the Queen, from 'The Illustrated London News', 26th March 1887 (engraving)
The New Law Courts at Birmingham, the Foundation Stone of which was Laid by the Queen, from 'The Illustrated London News', 26th March 1887 (engraving)

BAL127926: The New Law Courts at Birmingham, the Foundation Stone of which was Laid by the Queen, from 'The Illustrated London News', 26th March 1887 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL127926

The New Law Courts at Birmingham, the Foundation Stone of which was Laid by the Queen, from 'The Illustrated London News', 26th March 1887 (engraving)

English School, (19th century)

New Municipal Buildings, Inverness: Opened by the Duke of Edinburgh, from 'The Illustrated London News', 28th January 1882 (engraving)
New Municipal Buildings, Inverness: Opened by the Duke of Edinburgh, from 'The Illustrated London News', 28th January 1882 (engraving)

BAL127944: New Municipal Buildings, Inverness: Opened by the Duke of Edinburgh, from 'The Illustrated London News', 28th January 1882 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL127944

New Municipal Buildings, Inverness: Opened by the Duke of Edinburgh, from 'The Illustrated London News', 28th January 1882 (engraving)

English School, (19th century)

International Electric Exhibition at the Crystal Palace: Great Chandelier in the Alhambra Court, from 'The Illustrated London News', 4th March 1882 (engraving)
International Electric Exhibition at the Crystal Palace: Great Chandelier in the Alhambra Court, from 'The Illustrated London News', 4th March 1882 (engraving)

BAL127963: International Electric Exhibition at the Crystal Palace: Great Chandelier in the Alhambra Court, from 'The Illustrated London News', 4th March 1882 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL127963

International Electric Exhibition at the Crystal Palace: Great Chandelier in the Alhambra Court, from 'The Illustrated London News', 4th March 1882 (engraving)

English School, (19th century)

Reproduction of a poster advertising the illustrated publication from the Antwerp Exposition (colour litho)
Reproduction of a poster advertising the illustrated publication from the Antwerp Exposition (colour litho)

STC139159: Reproduction of a poster advertising the illustrated publication from the Antwerp Exposition (colour litho), Evenepoel, Henri Jacques Edouard (1872-99) / Bridgeman Images

ID: STC139159

Reproduction of a poster advertising the illustrated publication from the Antwerp Exposition (colour litho)

Evenepoel, Henri Jacques Edouard (1872-99)

The Insurrection in Herzegovina: An Ambuscade, from 'The Illustrated London News', 1st April 1882 (engraving)
The Insurrection in Herzegovina: An Ambuscade, from 'The Illustrated London News', 1st April 1882 (engraving)

BAL127978: The Insurrection in Herzegovina: An Ambuscade, from 'The Illustrated London News', 1st April 1882 (engraving), Woodville, Richard Caton II (1856-1927) (after) / Bridgeman Images

ID: BAL127978

The Insurrection in Herzegovina: An Ambuscade, from 'The Illustrated London News', 1st April 1882 (engraving)

Woodville, Richard Caton II (1856-1927) (after)

The Monument of the Tradescants in the Church Yard of St. Mary Lambeth, pub. in 1793 (engraving) (b&w photo)
The Monument of the Tradescants in the Church Yard of St. Mary Lambeth, pub. in 1793 (engraving) (b&w photo)

STC128010: The Monument of the Tradescants in the Church Yard of St. Mary Lambeth, pub. in 1793 (engraving) (b&w photo), Hollar, Wenceslaus (1607-77) (after) / Bridgeman Images

ID: STC128010

The Monument of the Tradescants in the Church Yard of St. Mary Lambeth, pub. in 1793 (engraving) (b&w photo)

Hollar, Wenceslaus (1607-77) (after)

Harold Macmillan (1894-1986) British Prime Minister (1957-63), Outside 10 Downing Street, 1957 (b&w photo)
Harold Macmillan (1894-1986) British Prime Minister (1957-63), Outside 10 Downing Street, 1957 (b&w photo)

ILN128087: Harold Macmillan (1894-1986) British Prime Minister (1957-63), Outside 10 Downing Street, 1957 (b&w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: ILN128087

Harold Macmillan (1894-1986) British Prime Minister (1957-63), Outside 10 Downing Street, 1957 (b&w photo)

Unknown photographer, (20th century)

Portrait of the Duke of Leinster (1722-73) (litho)
Portrait of the Duke of Leinster (1722-73) (litho)

LMG139549: Portrait of the Duke of Leinster (1722-73) (litho), Dixon, John (1720-1804) / Bridgeman Images

ID: LMG139549

Portrait of the Duke of Leinster (1722-73) (litho)

Dixon, John (1720-1804)

Many Hands Make Light Work (oil on panel)
Many Hands Make Light Work (oil on panel)

CH139775: Many Hands Make Light Work (oil on panel), Knowles, George Sheridan (1863-1931) / Bridgeman Images

ID: CH139775

Many Hands Make Light Work (oil on panel)

Knowles, George Sheridan (1863-1931)

The Doomed Tree, 1865 (oil on canvas)
The Doomed Tree, 1865 (oil on canvas)

CH139789: The Doomed Tree, 1865 (oil on canvas), Redgrave, Richard (1804-88) / Bridgeman Images

ID: CH139789

The Doomed Tree, 1865 (oil on canvas)

Redgrave, Richard (1804-88)

The Team Resting, 1900 (oil on canvas)
The Team Resting, 1900 (oil on canvas)

CH139940: The Team Resting, 1900 (oil on canvas), Gueldry, Ferdinand Joseph (1858-1945) / Bridgeman Images

ID: CH139940

The Team Resting, 1900 (oil on canvas)

Gueldry, Ferdinand Joseph (1858-1945)

The Thames Embankment (oil on panel)
The Thames Embankment (oil on panel)

CH139951: The Thames Embankment (oil on panel), Sala, Paolo (1859-1924) / Bridgeman Images

ID: CH139951

The Thames Embankment (oil on panel)

Sala, Paolo (1859-1924)

The Adoration of the Shepherds, engraved by Elishah Kirkhall (1682-1742) 1724 (colour litho)
The Adoration of the Shepherds, engraved by Elishah Kirkhall (1682-1742) 1724 (colour litho)

LMG140025: The Adoration of the Shepherds, engraved by Elishah Kirkhall (1682-1742) 1724 (colour litho), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) (after) / Bridgeman Images

ID: LMG140025

The Adoration of the Shepherds, engraved by Elishah Kirkhall (1682-1742) 1724 (colour litho)

Vaga, Perino del (Pietro Buonaccorsi) (1501-47) (after)

Front cover of the music score for 'It's Far Across the Ocean but its Home', words and music by Charles Miller (colour litho)
Front cover of the music score for 'It's Far Across the Ocean but its Home', words and music by Charles Miller (colour litho)

NBR140093: Front cover of the music score for 'It's Far Across the Ocean but its Home', words and music by Charles Miller (colour litho), English School, (19th century) / Bridgeman Images

ID: NBR140093

Front cover of the music score for 'It's Far Across the Ocean but its Home', words and music by Charles Miller (colour litho)

English School, (19th century)

Front cover of the music score for 'The Bing Boys are Here', by Geo Grossmith and Fred Thompson, words by Clifford Grey, music by Nat D. Ayer (colour litho)
Front cover of the music score for 'The Bing Boys are Here', by Geo Grossmith and Fred Thompson, words by Clifford Grey, music by Nat D. Ayer (colour litho)

NBR140099: Front cover of the music score for 'The Bing Boys are Here', by Geo Grossmith and Fred Thompson, words by Clifford Grey, music by Nat D. Ayer (colour litho), English School, (19th century) / Bridgeman Images

ID: NBR140099

Front cover of the music score for 'The Bing Boys are Here', by Geo Grossmith and Fred Thompson, words by Clifford Grey, music by Nat D. Ayer (colour litho)

English School, (19th century)

On the Promenade, 1923 (mixed media on paper)
On the Promenade, 1923 (mixed media on paper)

FLF140180: On the Promenade, 1923 (mixed media on paper), Kay, James (1858-1942) / Bridgeman Images

ID: FLF140180

On the Promenade, 1923 (mixed media on paper)

Kay, James (1858-1942)

Owling, engraved by I. Clark, pub. by T. McLean, London, 1820 (aquatint)
Owling, engraved by I. Clark, pub. by T. McLean, London, 1820 (aquatint)

WSG91132: Owling, engraved by I. Clark, pub. by T. McLean, London, 1820 (aquatint), Alken, Henry Thomas (1785-1851) (after) / Bridgeman Images

ID: WSG91132

Owling, engraved by I. Clark, pub. by T. McLean, London, 1820 (aquatint)

Alken, Henry Thomas (1785-1851) (after)

Rabbit Shooting, 1898 (w/c on paper)
Rabbit Shooting, 1898 (w/c on paper)

WSG91163: Rabbit Shooting, 1898 (w/c on paper), Stampa, George Loraine (1875-1951) / Bridgeman Images

ID: WSG91163

Rabbit Shooting, 1898 (w/c on paper)

Stampa, George Loraine (1875-1951)

Full Cry (oil on canvas)
Full Cry (oil on canvas)

WSG91194: Full Cry (oil on canvas), Havell, Alfred Charles (1855-1928) / Bridgeman Images

ID: WSG91194

Full Cry (oil on canvas)

Havell, Alfred Charles (1855-1928)


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