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Good and Evil: Matrimony, 1832 (detail of 89709) (oil on canvas)
Good and Evil: Matrimony, 1832 (detail of 89709) (oil on canvas)

PWI89711: Good and Evil: Matrimony, 1832 (detail of 89709) (oil on canvas), Orsel, Andre Jacques Victor (1795-1850) / Bridgeman Images

ID: PWI89711

Good and Evil: Matrimony, 1832 (detail of 89709) (oil on canvas)

Orsel, Andre Jacques Victor (1795-1850)

The Payment of the Tithe or The Numbering at Bethlehem, detail of the Virgin (detail of 89721)
The Payment of the Tithe or The Numbering at Bethlehem, detail of the Virgin (detail of 89721)

PWI89722: The Payment of the Tithe or The Numbering at Bethlehem, detail of the Virgin (detail of 89721), Brueghel, Pieter III (1589-1639) / Bridgeman Images

ID: PWI89722

The Payment of the Tithe or The Numbering at Bethlehem, detail of the Virgin (detail of 89721)

Brueghel, Pieter III (1589-1639)

The Marriage of the Virgin, detail of the suitors, 1500-04 (oil on panel) (detail of 53750)
The Marriage of the Virgin, detail of the suitors, 1500-04 (oil on panel) (detail of 53750)

PWI89725: The Marriage of the Virgin, detail of the suitors, 1500-04 (oil on panel) (detail of 53750), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: PWI89725

The Marriage of the Virgin, detail of the suitors, 1500-04 (oil on panel) (detail of 53750)

Perugino, Pietro (c.1445-1523)

Replica of one of the two 'Marly Horses' originally made for the Horse Pond at the Chateau at Marly, Yvelines, 1739-45 (marble)
Replica of one of the two 'Marly Horses' originally made for the Horse Pond at the Chateau at Marly, Yvelines, 1739-45 (marble)

PWI89764: Replica of one of the two 'Marly Horses' originally made for the Horse Pond at the Chateau at Marly, Yvelines, 1739-45 (marble), Coustou, Guillaume I (1677-1746) / Bridgeman Images

ID: PWI89764

Replica of one of the two 'Marly Horses' originally made for the Horse Pond at the Chateau at Marly, Yvelines, 1739-45 (marble)

Coustou, Guillaume I (1677-1746)

Mr Taylor, Hayman's pupil, in the Print Room of the British Museum, c.1820 (w/c, pen & ink on paper)
Mr Taylor, Hayman's pupil, in the Print Room of the British Museum, c.1820 (w/c, pen & ink on paper)

HMP89815: Mr Taylor, Hayman's pupil, in the Print Room of the British Museum, c.1820 (w/c, pen & ink on paper), Smith, John Thomas (1766-1833) / Bridgeman Images

ID: HMP89815

Mr Taylor, Hayman's pupil, in the Print Room of the British Museum, c.1820 (w/c, pen & ink on paper)

Smith, John Thomas (1766-1833)

Winter Flowers, c.1850 (w/c on paper)
Winter Flowers, c.1850 (w/c on paper)

HMP89823: Winter Flowers, c.1850 (w/c on paper), Hunt, William Henry (1790-1864) / Bridgeman Images

ID: HMP89823

Winter Flowers, c.1850 (w/c on paper)

Hunt, William Henry (1790-1864)

May Day, 1869 (w/c on paper)
May Day, 1869 (w/c on paper)

HMP89837: May Day, 1869 (w/c on paper), Green, Charles (1840-98) / Bridgeman Images

ID: HMP89837

May Day, 1869 (w/c on paper)

Green, Charles (1840-98)

A Porter with Fruit Trees and Flowers, plate 16 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)
A Porter with Fruit Trees and Flowers, plate 16 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)

STC89849: A Porter with Fruit Trees and Flowers, plate 16 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving), Mason, Major George Henry (19th century) (after) / Bridgeman Images

ID: STC89849

A Porter with Fruit Trees and Flowers, plate 16 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)

Mason, Major George Henry (19th century) (after)

A Canister Maker, plate 53 from 'The Costumes of China', engraved by J. Dadley, 1800 (engraving)
A Canister Maker, plate 53 from 'The Costumes of China', engraved by J. Dadley, 1800 (engraving)

STC89868: A Canister Maker, plate 53 from 'The Costumes of China', engraved by J. Dadley, 1800 (engraving), Mason, Major George Henry (19th century) (after) / Bridgeman Images

ID: STC89868

A Canister Maker, plate 53 from 'The Costumes of China', engraved by J. Dadley, 1800 (engraving)

Mason, Major George Henry (19th century) (after)

Economy of Time and Labour Exemplified in a Chinese Waterman, engraved by Thomas Medland (1755-1823) pub. by G. Nicol, 1796 (engraving)
Economy of Time and Labour Exemplified in a Chinese Waterman, engraved by Thomas Medland (1755-1823) pub. by G. Nicol, 1796 (engraving)

STC89965: Economy of Time and Labour Exemplified in a Chinese Waterman, engraved by Thomas Medland (1755-1823) pub. by G. Nicol, 1796 (engraving), Alexander, William (1767-1816) (after) / Bridgeman Images

ID: STC89965

Economy of Time and Labour Exemplified in a Chinese Waterman, engraved by Thomas Medland (1755-1823) pub. by G. Nicol, 1796 (engraving)

Alexander, William (1767-1816) (after)

Fores's Dancing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)
Fores's Dancing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

CWA97266: Fores's Dancing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: CWA97266

Fores's Dancing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

English School, (19th century)

Leaving the Opera, pub. by C. Smith, 1826 (coloured aquatint)
Leaving the Opera, pub. by C. Smith, 1826 (coloured aquatint)

CWA97298: Leaving the Opera, pub. by C. Smith, 1826 (coloured aquatint), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: CWA97298

Leaving the Opera, pub. by C. Smith, 1826 (coloured aquatint)

Cruikshank, Isaac Robert (1789-1856)

A Train in the Night of the World (tempera on card)
A Train in the Night of the World (tempera on card)

ACI97429: A Train in the Night of the World (tempera on card), Bonzagni, Aroldo (1887-1918) / Bridgeman Images

ID: ACI97429

A Train in the Night of the World (tempera on card)

Bonzagni, Aroldo (1887-1918)

A characteristic Japanese garden, late 19th century (hand-coloured photo)
A characteristic Japanese garden, late 19th century (hand-coloured photo)

STC97500: A characteristic Japanese garden, late 19th century (hand-coloured photo), Japanese Photographer, (19th century) / Bridgeman Images

ID: STC97500

A characteristic Japanese garden, late 19th century (hand-coloured photo)

Japanese Photographer, (19th century)

Pottery model of a standing camel, Chinese, T'ang Dynasty, 618-906 (ceramic)
Pottery model of a standing camel, Chinese, T'ang Dynasty, 618-906 (ceramic)

BAL54149: Pottery model of a standing camel, Chinese, T'ang Dynasty, 618-906 (ceramic), Chinese School, Tang Dynasty (618-907) / Bridgeman Images

ID: BAL54149

Pottery model of a standing camel, Chinese, T'ang Dynasty, 618-906 (ceramic)

Chinese School, Tang Dynasty (618-907)

Virgin and Child (terracotta)
Virgin and Child (terracotta)

BAT97658: Virgin and Child (terracotta), Donatello, (c.1386-1466) / Bridgeman Images

ID: BAT97658

Virgin and Child (terracotta)

Donatello, (c.1386-1466)

Virgin and Child (polychrome terracotta)
Virgin and Child (polychrome terracotta)

BAT97912: Virgin and Child (polychrome terracotta), Della Robbia, Luca (1400-82) / Bridgeman Images

ID: BAT97912

Virgin and Child (polychrome terracotta)

Della Robbia, Luca (1400-82)

The Interior of a Church in Rome (oil on canvas)
The Interior of a Church in Rome (oil on canvas)

PWI90071: The Interior of a Church in Rome (oil on canvas), Lemaire, Pierre (Lemaire-Poussin) (1612-88) / Bridgeman Images

ID: PWI90071

The Interior of a Church in Rome (oil on canvas)

Lemaire, Pierre (Lemaire-Poussin) (1612-88)

A Quaker, c.1840 (for pair see 90128) (w/c on paper)
A Quaker, c.1840 (for pair see 90128) (w/c on paper)

MNY90129: A Quaker, c.1840 (for pair see 90128) (w/c on paper), Calyo, Nicolino (1799-1884) / Bridgeman Images

ID: MNY90129

A Quaker, c.1840 (for pair see 90128) (w/c on paper)

Calyo, Nicolino (1799-1884)

F.69.I Ben Arthur, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)
F.69.I Ben Arthur, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)

FIT90260: F.69.I Ben Arthur, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: FIT90260

F.69.I Ben Arthur, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)

Turner, Joseph Mallord William (1775-1851) (after)

Portrait of a Sudanese Chief of the Galieh Tribe (sepia photo)
Portrait of a Sudanese Chief of the Galieh Tribe (sepia photo)

STC90274: Portrait of a Sudanese Chief of the Galieh Tribe (sepia photo), Lekegian, G. (fl.1870-90) / Bridgeman Images

ID: STC90274

Portrait of a Sudanese Chief of the Galieh Tribe (sepia photo)

Lekegian, G. (fl.1870-90)

Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)
Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

STC90415: Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

ID: STC90415

Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

German School, (17th century)

Lake Buttermere, from 'The English Lake District', 1853 (litho)
Lake Buttermere, from 'The English Lake District', 1853 (litho)

STC90418: Lake Buttermere, from 'The English Lake District', 1853 (litho), Pyne, James Baker (1800-70) (after) / Bridgeman Images

ID: STC90418

Lake Buttermere, from 'The English Lake District', 1853 (litho)

Pyne, James Baker (1800-70) (after)

Will-o'-the-Wisp, 1903 (oil on canvas)
Will-o'-the-Wisp, 1903 (oil on canvas)

HMP90469: Will-o'-the-Wisp, 1903 (oil on canvas), Stead, Frederick (1863-1940) / Bridgeman Images

ID: HMP90469

Will-o'-the-Wisp, 1903 (oil on canvas)

Stead, Frederick (1863-1940)

The Corner of Warren and Greenwich Street, 1809 (w/c on paper)
The Corner of Warren and Greenwich Street, 1809 (w/c on paper)

MNY90536: The Corner of Warren and Greenwich Street, 1809 (w/c on paper), Hyde de Neuville, Anne Marguerite (c.1749-1849) / Bridgeman Images

ID: MNY90536

The Corner of Warren and Greenwich Street, 1809 (w/c on paper)

Hyde de Neuville, Anne Marguerite (c.1749-1849)

Abraham Van Nest Homestead, 1854 (w/c on paper)
Abraham Van Nest Homestead, 1854 (w/c on paper)

MNY90541: Abraham Van Nest Homestead, 1854 (w/c on paper), Bussing, Mary (fl.1854) / Bridgeman Images

ID: MNY90541

Abraham Van Nest Homestead, 1854 (w/c on paper)

Bussing, Mary (fl.1854)

Skating on a Frozen River (oil on panel)
Skating on a Frozen River (oil on panel)

BAL98653: Skating on a Frozen River (oil on panel), Coene, Jean Baptiste (1805-1850) / Bridgeman Images

ID: BAL98653

Skating on a Frozen River (oil on panel)

Coene, Jean Baptiste (1805-1850)

A View of the Town of Stirling on the River Forth (oil on canvas)
A View of the Town of Stirling on the River Forth (oil on canvas)

PFA55474: A View of the Town of Stirling on the River Forth (oil on canvas), Nasmyth, Alexander (1758-1840) / Bridgeman Images

ID: PFA55474

A View of the Town of Stirling on the River Forth (oil on canvas)

Nasmyth, Alexander (1758-1840)

Tea Time, 1904
Tea Time, 1904

BAL55720: Tea Time, 1904, Elsley, Arthur John (1861-1952) / Bridgeman Images

ID: BAL55720

Tea Time, 1904

Elsley, Arthur John (1861-1952)

Sleeping Nymph, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo)
Sleeping Nymph, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo)

BEN98883: Sleeping Nymph, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo), Vignola, Jacopo [Giacomo] (Barozzi da) (1507-73) / Bridgeman Images

ID: BEN98883

Sleeping Nymph, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo)

Vignola, Jacopo [Giacomo] (Barozzi da) (1507-73)

Virgin and Child (tempera on panel)
Virgin and Child (tempera on panel)

SCP98933: Virgin and Child (tempera on panel), Piermatteo Lauro de' Manfredi da Amelia (c.1450-1503/8) / Bridgeman Images

ID: SCP98933

Virgin and Child (tempera on panel)

Piermatteo Lauro de' Manfredi da Amelia (c.1450-1503/8)

The Virgin of the Sacred Girdle with SS. Thomas, John the Baptist, Louis, John Gualberto and Joseph (oil on canvas)
The Virgin of the Sacred Girdle with SS. Thomas, John the Baptist, Louis, John Gualberto and Joseph (oil on canvas)

SCP98936: The Virgin of the Sacred Girdle with SS. Thomas, John the Baptist, Louis, John Gualberto and Joseph (oil on canvas), Sogliani, Giovanni Antonio (1492-1544) / Bridgeman Images

ID: SCP98936

The Virgin of the Sacred Girdle with SS. Thomas, John the Baptist, Louis, John Gualberto and Joseph (oil on canvas)

Sogliani, Giovanni Antonio (1492-1544)

Henry VII (1457-1509) King of England from 1485, after a portrait in the Royal Collection, engraved by the artist (engraving)
Henry VII (1457-1509) King of England from 1485, after a portrait in the Royal Collection, engraved by the artist (engraving)

STC99275: Henry VII (1457-1509) King of England from 1485, after a portrait in the Royal Collection, engraved by the artist (engraving), Vertue, George (1684-1756) / Bridgeman Images

ID: STC99275

Henry VII (1457-1509) King of England from 1485, after a portrait in the Royal Collection, engraved by the artist (engraving)

Vertue, George (1684-1756)

Tool in the shape of a finger (wood)
Tool in the shape of a finger (wood)

HSC99308: Tool in the shape of a finger (wood), Egyptian / Bridgeman Images

ID: HSC99308

Tool in the shape of a finger (wood)

Egyptian

Catch as Catch Can, 1904 (oil on canvas)
Catch as Catch Can, 1904 (oil on canvas)

WSG91136: Catch as Catch Can, 1904 (oil on canvas), Carter, Henry William (fl.1867-1905) / Bridgeman Images

ID: WSG91136

Catch as Catch Can, 1904 (oil on canvas)

Carter, Henry William (fl.1867-1905)

Off Shooting, c.1920 (pen & ink, w/c on paper)
Off Shooting, c.1920 (pen & ink, w/c on paper)

WSG91165: Off Shooting, c.1920 (pen & ink, w/c on paper), European School, (20th century) / Bridgeman Images

ID: WSG91165

Off Shooting, c.1920 (pen & ink, w/c on paper)

European School, (20th century)


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