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Alignment of standing stones, Megalithic Period, 4th-3rd millennium BC (photo)
Alignment of standing stones, Megalithic Period, 4th-3rd millennium BC (photo)

STF257297: Alignment of standing stones, Megalithic Period, 4th-3rd millennium BC (photo), Prehistoric / Bridgeman Images

ID: STF257297

Alignment of standing stones, Megalithic Period, 4th-3rd millennium BC (photo)

Prehistoric

The Lion Gate (1250 BC), the main entrance to the fortified enclosure, Mycenes (Greece)
The Lion Gate (1250 BC), the main entrance to the fortified enclosure, Mycenes (Greece)

STF257309: The Lion Gate (1250 BC), the main entrance to the fortified enclosure, Mycenes (Greece), Mycenaean / Bridgeman Images

ID: STF257309

The Lion Gate (1250 BC), the main entrance to the fortified enclosure, Mycenes (Greece)

Mycenaean

Tympanum of the Treasure Chamber of Atreus, c.1250 BC, Mycenae (photo)
Tympanum of the Treasure Chamber of Atreus, c.1250 BC, Mycenae (photo)

STF257351: Tympanum of the Treasure Chamber of Atreus, c.1250 BC, Mycenae (photo), Mycenaean, Late Helladic Period (c.1600-1100 BC) / Bridgeman Images

ID: STF257351

Tympanum of the Treasure Chamber of Atreus, c.1250 BC, Mycenae (photo)

Mycenaean, Late Helladic Period (c.1600-1100 BC)

Tomb of Clytemnestra, c.1220 BC, Mycenae (photo)
Tomb of Clytemnestra, c.1220 BC, Mycenae (photo)

STF257356: Tomb of Clytemnestra, c.1220 BC, Mycenae (photo), Mycenaean, Late Helladic Period (c.1600-1100 BC) / Bridgeman Images

ID: STF257356

Tomb of Clytemnestra, c.1220 BC, Mycenae (photo)

Mycenaean, Late Helladic Period (c.1600-1100 BC)

Study of the Human Figure, Anterior View, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', c.1795-1806 (graphite on paper)
Study of the Human Figure, Anterior View, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', c.1795-1806 (graphite on paper)

XYC257408: Study of the Human Figure, Anterior View, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', c.1795-1806 (graphite on paper), Stubbs, George (1724-1806) / Bridgeman Images

ID: XYC257408

Study of the Human Figure, Anterior View, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', c.1795-1806 (graphite on paper)

Stubbs, George (1724-1806)

Chow and Pekinese, 1930, Illustrations from his Sketch Book used for 'Just Among Friends', Aldin, Cecil Charles Windsor (1870-1935), later Published by Eyre and Spottiswoode Limited, 1934, Chalk and Charcoal on paper
Chow and Pekinese, 1930, Illustrations from his Sketch Book used for 'Just Among Friends', Aldin, Cecil Charles Windsor (1870-1935), later Published by Eyre and Spottiswoode Limited, 1934, Chalk and Charcoal on paper

STC255548: Chow and Pekinese, 1930, Illustrations from his Sketch Book used for 'Just Among Friends', Aldin, Cecil Charles Windsor (1870-1935), later Published by Eyre and Spottiswoode Limited, 1934, Chalk and Charcoal on paper, Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

ID: STC255548

Chow and Pekinese, 1930, Illustrations from his Sketch Book used for 'Just Among Friends', Aldin, Cecil Charles Windsor (1870-1935), later Published by Eyre and Spottiswoode Limited, 1934, Chalk and Charcoal on paper

Aldin, Cecil Charles Windsor (1870-1935)

Advertisement for the 'Anchor Line' steamship company (colour litho)
Advertisement for the 'Anchor Line' steamship company (colour litho)

STC255588: Advertisement for the 'Anchor Line' steamship company (colour litho), English School / Bridgeman Images

ID: STC255588

Advertisement for the 'Anchor Line' steamship company (colour litho)

English School

Cabin aboard the RMS Samaria (b/w photo)
Cabin aboard the RMS Samaria (b/w photo)

STC255591: Cabin aboard the RMS Samaria (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: STC255591

Cabin aboard the RMS Samaria (b/w photo)

English Photographer, (20th century)

Bull and dog in field (colour litho)
Bull and dog in field (colour litho)

STC255602: Bull and dog in field (colour litho), Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

ID: STC255602

Bull and dog in field (colour litho)

Aldin, Cecil Charles Windsor (1870-1935)

Manufacture de Tapis, Boutiques, Henry Delacroix, Editions S De Bonadona, Paris, Late 1920s, Pochoir Print
Manufacture de Tapis, Boutiques, Henry Delacroix, Editions S De Bonadona, Paris, Late 1920s, Pochoir Print

STC255652: Manufacture de Tapis, Boutiques, Henry Delacroix, Editions S De Bonadona, Paris, Late 1920s, Pochoir Print, French School, (20th century) / Bridgeman Images

ID: STC255652

Manufacture de Tapis, Boutiques, Henry Delacroix, Editions S De Bonadona, Paris, Late 1920s, Pochoir Print

French School, (20th century)

A Private of the 7th, or Queen's Own Hussars, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint)
A Private of the 7th, or Queen's Own Hussars, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint)

NAM254112: A Private of the 7th, or Queen's Own Hussars, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint), Smith, Charles Hamilton (1776-1859) (after) / Bridgeman Images

ID: NAM254112

A Private of the 7th, or Queen's Own Hussars, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint)

Smith, Charles Hamilton (1776-1859) (after)

A view of the town of Briar, Valencia, engraved by Dubourg, 1814 (coloured aquatint)
A view of the town of Briar, Valencia, engraved by Dubourg, 1814 (coloured aquatint)

NAM254167: A view of the town of Briar, Valencia, engraved by Dubourg, 1814 (coloured aquatint), Clark, John Heaviside (1770-1863) (after) / Bridgeman Images

ID: NAM254167

A view of the town of Briar, Valencia, engraved by Dubourg, 1814 (coloured aquatint)

Clark, John Heaviside (1770-1863) (after)

The Trial of Catherine of Aragon (1485-1536) illustration from 'Hutchinson's Story of the British Nation' (colour litho)
The Trial of Catherine of Aragon (1485-1536) illustration from 'Hutchinson's Story of the British Nation' (colour litho)

IL254251: The Trial of Catherine of Aragon (1485-1536) illustration from 'Hutchinson's Story of the British Nation' (colour litho), O'Neil, Henry Nelson (1817-80) (after) / Bridgeman Images

ID: IL254251

The Trial of Catherine of Aragon (1485-1536) illustration from 'Hutchinson's Story of the British Nation' (colour litho)

O'Neil, Henry Nelson (1817-80) (after)

King John (1167-1216) at the signing of the Magna Carta, 15th June 1215, illustration from 'Hutchinson's Story of the British Nation' (colour litho)
King John (1167-1216) at the signing of the Magna Carta, 15th June 1215, illustration from 'Hutchinson's Story of the British Nation' (colour litho)

IL254256: King John (1167-1216) at the signing of the Magna Carta, 15th June 1215, illustration from 'Hutchinson's Story of the British Nation' (colour litho), Normand, Ernest (1857-1923) (after) / Bridgeman Images

ID: IL254256

King John (1167-1216) at the signing of the Magna Carta, 15th June 1215, illustration from 'Hutchinson's Story of the British Nation' (colour litho)

Normand, Ernest (1857-1923) (after)

The Siege of Yorktown, Virginia during the American Civil War (litho)
The Siege of Yorktown, Virginia during the American Civil War (litho)

KWE254689: The Siege of Yorktown, Virginia during the American Civil War (litho), Schell, Francis (1834-1909) (after) / Bridgeman Images

ID: KWE254689

The Siege of Yorktown, Virginia during the American Civil War (litho)

Schell, Francis (1834-1909) (after)

Detail from South Portal (photo)
Detail from South Portal (photo)

KW254717: Detail from South Portal (photo), Portuguese School, (16th century) / Bridgeman Images

ID: KW254717

Detail from South Portal (photo)

Portuguese School, (16th century)

John Jay (1745-1829) (litho)
John Jay (1745-1829) (litho)

KWE254734: John Jay (1745-1829) (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

ID: KWE254734

John Jay (1745-1829) (litho)

Chappel, Alonzo (1828-87) (after)

Francis Hopkinson (1737-91) (litho)
Francis Hopkinson (1737-91) (litho)

KWE254774: Francis Hopkinson (1737-91) (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

ID: KWE254774

Francis Hopkinson (1737-91) (litho)

Chappel, Alonzo (1828-87) (after)

John Randolph (1773-1833) (litho)
John Randolph (1773-1833) (litho)

KWE254784: John Randolph (1773-1833) (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

ID: KWE254784

John Randolph (1773-1833) (litho)

Chappel, Alonzo (1828-87) (after)

James Kent (1763-1847) (litho)
James Kent (1763-1847) (litho)

KWE254790: James Kent (1763-1847) (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

ID: KWE254790

James Kent (1763-1847) (litho)

Chappel, Alonzo (1828-87) (after)

Andrew Johnson (1808-75) (litho)
Andrew Johnson (1808-75) (litho)

KWE254796: Andrew Johnson (1808-75) (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

ID: KWE254796

Andrew Johnson (1808-75) (litho)

Chappel, Alonzo (1828-87) (after)

Roses, plate 96 from Hortus Eystettensis' by Basil Besler (1561-1629) pub 1613 (hand coloured engraving)
Roses, plate 96 from Hortus Eystettensis' by Basil Besler (1561-1629) pub 1613 (hand coloured engraving)

STC254978: Roses, plate 96 from Hortus Eystettensis' by Basil Besler (1561-1629) pub 1613 (hand coloured engraving), German School, (17th century) / Bridgeman Images

ID: STC254978

Roses, plate 96 from Hortus Eystettensis' by Basil Besler (1561-1629) pub 1613 (hand coloured engraving)

German School, (17th century)

Two men discussing money in an office, 1672, copied by Cornelis Ploos van Amstel (1726-98) or Christian Josi (c.1765-1828) (engraving)
Two men discussing money in an office, 1672, copied by Cornelis Ploos van Amstel (1726-98) or Christian Josi (c.1765-1828) (engraving)

STC255689: Two men discussing money in an office, 1672, copied by Cornelis Ploos van Amstel (1726-98) or Christian Josi (c.1765-1828) (engraving), Steen, Jan Havicksz (1625-79) (after) / Bridgeman Images

ID: STC255689

Two men discussing money in an office, 1672, copied by Cornelis Ploos van Amstel (1726-98) or Christian Josi (c.1765-1828) (engraving)

Steen, Jan Havicksz (1625-79) (after)

Structure of a statue of Minerva by Phidias, illustration from 'General study of Greek architecture and sculpture, pub. Firmin-Didot, Paris, 1814 (colour litho)
Structure of a statue of Minerva by Phidias, illustration from 'General study of Greek architecture and sculpture, pub. Firmin-Didot, Paris, 1814 (colour litho)

STC255696: Structure of a statue of Minerva by Phidias, illustration from 'General study of Greek architecture and sculpture, pub. Firmin-Didot, Paris, 1814 (colour litho), French School, (19th century) / Bridgeman Images

ID: STC255696

Structure of a statue of Minerva by Phidias, illustration from 'General study of Greek architecture and sculpture, pub. Firmin-Didot, Paris, 1814 (colour litho)

French School, (19th century)

A smart Parisian Drawing room, early 1770 from Cours d'Architecture, Paris, published in 6 volumes from 1771-77 by Blondel, Jacques-Francois (1705-74) Series completed by Pierre Patte after his death, engraving
A smart Parisian Drawing room, early 1770 from Cours d'Architecture, Paris, published in 6 volumes from 1771-77 by Blondel, Jacques-Francois (1705-74) Series completed by Pierre Patte after his death, engraving

STC255713: A smart Parisian Drawing room, early 1770 from Cours d'Architecture, Paris, published in 6 volumes from 1771-77 by Blondel, Jacques-Francois (1705-74) Series completed by Pierre Patte after his death, engraving, Blondel, Jacques-Francois (1705-74) / Bridgeman Images

ID: STC255713

A smart Parisian Drawing room, early 1770 from Cours d'Architecture, Paris, published in 6 volumes from 1771-77 by Blondel, Jacques-Francois (1705-74) Series completed by Pierre Patte after his death, engraving

Blondel, Jacques-Francois (1705-74)

'Biedermeier Drawing Room', German Anon c.1830, Watercolour
'Biedermeier Drawing Room', German Anon c.1830, Watercolour

STC255728: 'Biedermeier Drawing Room', German Anon c.1830, Watercolour, Anonymous / Bridgeman Images

ID: STC255728

'Biedermeier Drawing Room', German Anon c.1830, Watercolour

Anonymous

Page from a Victorian pattern book showing marbling effects, published 1880s
Page from a Victorian pattern book showing marbling effects, published 1880s

STC255736: Page from a Victorian pattern book showing marbling effects, published 1880s, English School, (19th century) / Bridgeman Images

ID: STC255736

Page from a Victorian pattern book showing marbling effects, published 1880s

English School, (19th century)

Early 20th Century bedroom with four poster bed and wooden floor. Curjel and Moser Karlsruche, c1900
Early 20th Century bedroom with four poster bed and wooden floor. Curjel and Moser Karlsruche, c1900

STC255764: Early 20th Century bedroom with four poster bed and wooden floor. Curjel and Moser Karlsruche, c1900 / Bridgeman Images

ID: STC255764

Early 20th Century bedroom with four poster bed and wooden floor. Curjel and Moser Karlsruche, c1900

Room set/lounge designed by Joel, Betty (1896-1985), for Derick Patmore for Colour Schemes for the Modern Home, London 1933
Room set/lounge designed by Joel, Betty (1896-1985), for Derick Patmore for Colour Schemes for the Modern Home, London 1933

STC255773: Room set/lounge designed by Joel, Betty (1896-1985), for Derick Patmore for Colour Schemes for the Modern Home, London 1933, Joel, Betty (1896-1985) / Bridgeman Images

ID: STC255773

Room set/lounge designed by Joel, Betty (1896-1985), for Derick Patmore for Colour Schemes for the Modern Home, London 1933

Joel, Betty (1896-1985)

Chair designed by Breuer, Marcel (1902-81). Made by Isokon Furniture Company, London 1936. Black and White Photograph
Chair designed by Breuer, Marcel (1902-81). Made by Isokon Furniture Company, London 1936. Black and White Photograph

STC255774: Chair designed by Breuer, Marcel (1902-81). Made by Isokon Furniture Company, London 1936. Black and White Photograph, Breuer, Marcel (1902-81) / Bridgeman Images

ID: STC255774

Chair designed by Breuer, Marcel (1902-81). Made by Isokon Furniture Company, London 1936. Black and White Photograph

Breuer, Marcel (1902-81)

Panelling and Chimney Breasts, Designs for rooms, Oppenord, Gilles Marie (1672-1742), 1690, engraving (see 255834)
Panelling and Chimney Breasts, Designs for rooms, Oppenord, Gilles Marie (1672-1742), 1690, engraving (see 255834)

STC255833: Panelling and Chimney Breasts, Designs for rooms, Oppenord, Gilles Marie (1672-1742), 1690, engraving (see 255834) / Bridgeman Images

ID: STC255833

Panelling and Chimney Breasts, Designs for rooms, Oppenord, Gilles Marie (1672-1742), 1690, engraving (see 255834)

Furniture of Country Inns in Gothic Style, from An Encyclopedia of Cottage, Farm and Villa Architecture and Furniture,Loudon, John Claudius, 1842
Furniture of Country Inns in Gothic Style, from An Encyclopedia of Cottage, Farm and Villa Architecture and Furniture,Loudon, John Claudius, 1842

STC255842: Furniture of Country Inns in Gothic Style, from An Encyclopedia of Cottage, Farm and Villa Architecture and Furniture,Loudon, John Claudius, 1842 / Bridgeman Images

ID: STC255842

Furniture of Country Inns in Gothic Style, from An Encyclopedia of Cottage, Farm and Villa Architecture and Furniture,Loudon, John Claudius, 1842

The Study, The Close, Winchester, 1850, Corfe, Beatrice, Olive, Watercolour
The Study, The Close, Winchester, 1850, Corfe, Beatrice, Olive, Watercolour

STC255854: The Study, The Close, Winchester, 1850, Corfe, Beatrice, Olive, Watercolour, English School, (20th century) / Bridgeman Images

ID: STC255854

The Study, The Close, Winchester, 1850, Corfe, Beatrice, Olive, Watercolour

English School, (20th century)

Utility Wear, Kitchen Cupboard, c1950, photograph
Utility Wear, Kitchen Cupboard, c1950, photograph

STC255905: Utility Wear, Kitchen Cupboard, c1950, photograph / Bridgeman Images

ID: STC255905

Utility Wear, Kitchen Cupboard, c1950, photograph

Applying a protective coating to a wall, from 'Della Architettura', published 1590 (engraving)
Applying a protective coating to a wall, from 'Della Architettura', published 1590 (engraving)

STC255916: Applying a protective coating to a wall, from 'Della Architettura', published 1590 (engraving), Rusconi, Giovanni Antonio (c.1520-87) / Bridgeman Images

ID: STC255916

Applying a protective coating to a wall, from 'Della Architettura', published 1590 (engraving)

Rusconi, Giovanni Antonio (c.1520-87)

The Aboriginal Inhabitants: Encampment of native women, near Cape Jervis, from 'South Australia Illustrated', published in 1847 (hand coloured engraving)
The Aboriginal Inhabitants: Encampment of native women, near Cape Jervis, from 'South Australia Illustrated', published in 1847 (hand coloured engraving)

STC255046: The Aboriginal Inhabitants: Encampment of native women, near Cape Jervis, from 'South Australia Illustrated', published in 1847 (hand coloured engraving), Angas, George French (1822-86) (after) / Bridgeman Images

ID: STC255046

The Aboriginal Inhabitants: Encampment of native women, near Cape Jervis, from 'South Australia Illustrated', published in 1847 (hand coloured engraving)

Angas, George French (1822-86) (after)


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