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Stardust probe and comet Wild 2 - Artist view - The Stardust probe and comet Wild 2 - Artist view - The Stardust probe was launched on February 7, 1999 with the primary objective of studying the comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft
Stardust probe and comet Wild 2 - Artist view - The Stardust probe and comet Wild 2 - Artist view - The Stardust probe was launched on February 7, 1999 with the primary objective of studying the comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft

PIX4607214: Stardust probe and comet Wild 2 - Artist view - The Stardust probe and comet Wild 2 - Artist view - The Stardust probe was launched on February 7, 1999 with the primary objective of studying the comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft / Bridgeman Images

ID: PIX4607214

Stardust probe and comet Wild 2 - Artist view - The Stardust probe and comet Wild 2 - Artist view - The Stardust probe was launched on February 7, 1999 with the primary objective of studying the comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft

Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607224: Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607224

Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607237: Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607237

Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Tiger flower, Tigridia pavonia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Tiger flower, Tigridia pavonia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607243: Tiger flower, Tigridia pavonia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607243

Tiger flower, Tigridia pavonia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Poor man's orchid, Schizanthus porrigens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Poor man's orchid, Schizanthus porrigens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607342: Poor man's orchid, Schizanthus porrigens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607342

Poor man's orchid, Schizanthus porrigens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607408: Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607408

Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system
A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system

PIX4607428: A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system, Bergeron, Joe / Bridgeman Images

ID: PIX4607428

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system

Bergeron, Joe

Lucrece's death (Detrempe on wood, 1452-1453)
Lucrece's death (Detrempe on wood, 1452-1453)

LRI4607528: Lucrece's death (Detrempe on wood, 1452-1453), Lippi, Filippino (c.1457-1504) / Bridgeman Images

ID: LRI4607528

Lucrece's death (Detrempe on wood, 1452-1453)

Lippi, Filippino (c.1457-1504)

Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620561: Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620561

Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood)
Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood)

LRI4620492: Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4620492

Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620619: Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620619

Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620635: Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620635

Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620637: New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620637

New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620754: Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620754

Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.
African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

FLO4620747: African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843. / Bridgeman Images

ID: FLO4620747

African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

Costumes of the Berbers, North Africa, early 19th century, including woman in traditional hayek shawl. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the Berbers, North Africa, early 19th century, including woman in traditional hayek shawl. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620858: Costumes of the Berbers, North Africa, early 19th century, including woman in traditional hayek shawl. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620858

Costumes of the Berbers, North Africa, early 19th century, including woman in traditional hayek shawl. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621039: Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621039

Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Wawa Pichincha, Ruku Pichincha volcanos near Quito, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Wawa Pichincha, Ruku Pichincha volcanos near Quito, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621051: Wawa Pichincha, Ruku Pichincha volcanos near Quito, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621051

Wawa Pichincha, Ruku Pichincha volcanos near Quito, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621301: The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621301

The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621356: Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621356

Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621036: Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621036

Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621168: Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621168

Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621195: Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621195

Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

The visit to the studio (oil on canvas, c.1864)
The visit to the studio (oil on canvas, c.1864)

LRI4621275: The visit to the studio (oil on canvas, c.1864), Lega, Silvestro (1826-95) / Bridgeman Images

ID: LRI4621275

The visit to the studio (oil on canvas, c.1864)

Lega, Silvestro (1826-95)

Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621353: Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621353

Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Ornaments of the Island Carib or Kalinago people, West Indies, including necklace, headdress, earrings, and weapons, bow, arrow and knife. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Ornaments of the Island Carib or Kalinago people, West Indies, including necklace, headdress, earrings, and weapons, bow, arrow and knife. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621582: Ornaments of the Island Carib or Kalinago people, West Indies, including necklace, headdress, earrings, and weapons, bow, arrow and knife. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621582

Ornaments of the Island Carib or Kalinago people, West Indies, including necklace, headdress, earrings, and weapons, bow, arrow and knife. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Idols and axe or buton of the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Idols and axe or buton of the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621613: Idols and axe or buton of the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621613

Idols and axe or buton of the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621870: View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621870

View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619825: Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619825

Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Mandrill, Mandrillus sphinx (vulnerable), under a baobab tree. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Mandrill, Mandrillus sphinx (vulnerable), under a baobab tree. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619906: Mandrill, Mandrillus sphinx (vulnerable), under a baobab tree. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619906

Mandrill, Mandrillus sphinx (vulnerable), under a baobab tree. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619936: African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619936

African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620079: Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620079

Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620085: Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620085

Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620191: Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620191

Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620199: Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620199

Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620334: Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620334

Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.


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