SBL7129936:
Saint Peter resurrects Tabitha, (oil on canvas), Santafede, Fabrizio (fl. 1576-1623) / Bridgeman Images
ID: SBL7129936
Saint Peter resurrects Tabitha, (oil on canvas)
Santafede, Fabrizio (fl. 1576-1623)
XCK7131473:
The Front of a Yacht (L'Avant d'un yacht), 1875 (watercolour & graphite on cream wove paper), Morisot, Berthe (1841-95) / Bridgeman Images
ID: XCK7131473
The Front of a Yacht (L'Avant d'un yacht), 1875 (watercolour & graphite on cream wove paper)
Morisot, Berthe (1841-95)
TRK7133675:
Military marchinery in the ancient world. "Tellennon". 1727 (engraving), French School, (18th century) / Bridgeman Images
ID: TRK7133675
Military marchinery in the ancient world. "Tellennon". 1727 (engraving)
French School, (18th century)
TRK7133685:
Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
ID: TRK7133685
Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)
Bayard, Emile Antoine (1837-91)
KWE7212129:
Whaling fleet off Greenland in the 18th century (engraving), Meulen, Sieuwert van der (1663-1730) / Bridgeman Images
ID: KWE7212129
Whaling fleet off Greenland in the 18th century (engraving)
Meulen, Sieuwert van der (1663-1730)
KWE7212171:
The Battle of Palestro, 19th century (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images
ID: KWE7212171
The Battle of Palestro, 19th century (engraving)
Dore, Gustave (1832-83) (after)
KWE7212209:
William Michael Rossetti. 19th century (photo), Cameron, Julia Margaret (1815-79) / Bridgeman Images
ID: KWE7212209
William Michael Rossetti. 19th century (photo)
Cameron, Julia Margaret (1815-79)
CH659716:
Flirtation, 1885 (pencil, watercolour and bodycolour on paper), Zorn, Anders Leonard (1860-1920) / Bridgeman Images
ID: CH659716
Flirtation, 1885 (pencil, watercolour and bodycolour on paper)
Zorn, Anders Leonard (1860-1920)
CH659726:
Venice, (pencil and watercolour with scratching out), Goodall, Edward Angelo (1819-1908) / Bridgeman Images
ID: CH659726
Venice, (pencil and watercolour with scratching out)
Goodall, Edward Angelo (1819-1908)
CH659730:
The Deserter, 1884 (pencil and watercolour with scratching out), Gregory, Charles (1810-96) / Bridgeman Images
ID: CH659730
The Deserter, 1884 (pencil and watercolour with scratching out)
Gregory, Charles (1810-96)
CH659771:
Doubtful Fortune - We Knnow We're Cheated, Yet Would Fain Believe, (oil on panel), Solomon, Abraham (1824-62) / Bridgeman Images
ID: CH659771
Doubtful Fortune - We Knnow We're Cheated, Yet Would Fain Believe, (oil on panel)
Solomon, Abraham (1824-62)
CH659843:
A Summer Evening at Cheyne Walk, 1870-71 (oil on canvas), Lawson, Cecil Gordon (1849-82) / Bridgeman Images
ID: CH659843
A Summer Evening at Cheyne Walk, 1870-71 (oil on canvas)
Lawson, Cecil Gordon (1849-82)
STC659979:
The Street Locksmith, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)
, Thomson, John (1837-1921) / Bridgeman Images
ID: STC659979
The Street Locksmith, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)
Thomson, John (1837-1921)
STC660000:
Waiting for Hire, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)
, Thomson, John (1837-1921) / Bridgeman Images
ID: STC660000
Waiting for Hire, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)
Thomson, John (1837-1921)
STC660935:
Landscape of Madagascar, Exposition Universelle, Paris, 1900 (b/w photo), French Photographer, (20th century) / Bridgeman Images
ID: STC660935
Landscape of Madagascar, Exposition Universelle, Paris, 1900 (b/w photo)
STC661001:
Map of the Beaujolais Region, illustration from 'Atlas de la France Vinicole' by Louis Larmat, published 1942 (colour litho), French School, (20th century) / Bridgeman Images
ID: STC661001
Map of the Beaujolais Region, illustration from 'Atlas de la France Vinicole' by Louis Larmat, published 1942 (colour litho)
French School, (20th century)
STC661060:
Advertisement Poster for 'Good Blocks' by Garratt & Atkinson of Ealing, London, c.1920-25 (colour litho), English School, (20th century) / Bridgeman Images
ID: STC661060
Advertisement Poster for 'Good Blocks' by Garratt & Atkinson of Ealing, London, c.1920-25 (colour litho)
STC661135:
Design for a Dish using a Sea Dragon and Boat, 1879 (gouache and pencil on paper), Morgan, William De (1839-1917) / Bridgeman Images
ID: STC661135
Design for a Dish using a Sea Dragon and Boat, 1879 (gouache and pencil on paper)
Morgan, William De (1839-1917)
EX661259:
A Tolmen on the Teign , c.1895-96 (w/c on paper), Widgery, Frederick John (1861-1942) / Bridgeman Images
ID: EX661259
A Tolmen on the Teign , c.1895-96 (w/c on paper)
Widgery, Frederick John (1861-1942)
CHT661420:
New Caledonia, Isle of Pines, a shelter in the rocks, after a pen and ink drawing by a deportee, illustration from the bulletin 'Les Missions Catholiques', 1893 (engraving), French School, (19th century) / Bridgeman Images
ID: CHT661420
New Caledonia, Isle of Pines, a shelter in the rocks, after a pen and ink drawing by a deportee, illustration from the bulletin 'Les Missions Catholiques', 1893 (engraving)
French School, (19th century)
CH659351:
The Madonna and Child, (oil on panel), Coecke van Aelst, Pieter (1502-50) (school of) / Bridgeman Images
ID: CH659351
The Madonna and Child, (oil on panel)
Coecke van Aelst, Pieter (1502-50) (school of)
CH659377:
The Madonna and Child, with Saints Anthony Abbott and Bernadino of Siena, Surrounded by Angels, (oil on gold ground panel), Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81) / Bridgeman Images
ID: CH659377
The Madonna and Child, with Saints Anthony Abbott and Bernadino of Siena, Surrounded by Angels, (oil on gold ground panel)
Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81)
CH659522:
The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring), Blake, William (1757-1827) / Bridgeman Images
ID: CH659522
The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)