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Scraping the hide, c.1902-11 (b/w photo)
Scraping the hide, c.1902-11 (b/w photo)

DPL415555: Scraping the hide, c.1902-11 (b/w photo), Throssel, Richard (1882-1933) / Bridgeman Images

Chief Red Cloud at age 72, c.1893 (b/w photo)
Chief Red Cloud at age 72, c.1893 (b/w photo)

DPL415561: Chief Red Cloud at age 72, c.1893 (b/w photo), Bell, Charles Milton (1848-93) / Bridgeman Images

An ornate 16th century table service for sweets, from 'Les Arts au Moyen Age', published 1873 (colour litho)
An ornate 16th century table service for sweets, from 'Les Arts au Moyen Age', published 1873 (colour litho)

KWE415615: An ornate 16th century table service for sweets, from 'Les Arts au Moyen Age', published 1873 (colour litho), French School, (19th century) / Bridgeman Images

St. John the Baptist preaching in the desert, after a work by Albrecht Durer, from 'Les Arts au Moyen Age', published 1873 (litho)
St. John the Baptist preaching in the desert, after a work by Albrecht Durer, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415658: St. John the Baptist preaching in the desert, after a work by Albrecht Durer, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

Pierre Corneille, from 'Crabb's Historical Dictionary', published 1825 (litho)
Pierre Corneille, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE415679: Pierre Corneille, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

A swordsman about to disarm his opponent and in position ready to thrust, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho)
A swordsman about to disarm his opponent and in position ready to thrust, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho)

KWE415688: A swordsman about to disarm his opponent and in position ready to thrust, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho), French School, (19th century) / Bridgeman Images

The Lighthouse of Alexandria, from 'The Well of the Wonders of the World' ('Pozzo delle Meraviglie'), 1669-73 (fresco)
The Lighthouse of Alexandria, from 'The Well of the Wonders of the World' ('Pozzo delle Meraviglie'), 1669-73 (fresco)

REV415700: The Lighthouse of Alexandria, from 'The Well of the Wonders of the World' ('Pozzo delle Meraviglie'), 1669-73 (fresco), Schiel, Nikolaus (fl.1669-73) / Bridgeman Images

Crucifixion, illustration from the Missal of Master Pancratino, c. 1430 (vellum)
Crucifixion, illustration from the Missal of Master Pancratino, c. 1430 (vellum)

REV415703: Crucifixion, illustration from the Missal of Master Pancratino, c. 1430 (vellum), Italian School, (15th century) / Bridgeman Images

Marie! Get up, you're lazy, cartoon from 'L'Plate au Butter', 4 June, 1904 (lithograph)
Marie! Get up, you're lazy, cartoon from 'L'Plate au Butter', 4 June, 1904 (lithograph)

XIR415776: Marie! Get up, you're lazy, cartoon from 'L'Plate au Butter', 4 June, 1904 (lithograph), Sancha y Lengo, Francisco (1874-1936) / Bridgeman Images

The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415819: The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415828: Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Stone carving (photo)
Stone carving (photo)

MES408512: Stone carving (photo), French School, (12th century) / Bridgeman Images

View of a canal (b/w photo)
View of a canal (b/w photo)

MES408660: View of a canal (b/w photo), Italian Photographer / Bridgeman Images

James Watt experimenting (litho)
James Watt experimenting (litho)

STC415949: James Watt experimenting (litho), English School, (19th century) / Bridgeman Images

Every Sweet Must Have Its Bitter, 1911 (woodcut)
Every Sweet Must Have Its Bitter, 1911 (woodcut)

BSA408891: Every Sweet Must Have Its Bitter, 1911 (woodcut), Fothergill, George Algernon (1868-1945) / Bridgeman Images

Officers' Triumphal Shouts at the Exit of Zola, illustration from 'Le Petit Journal: Supplement illustre', 20th February 1898 (litho)
Officers' Triumphal Shouts at the Exit of Zola, illustration from 'Le Petit Journal: Supplement illustre', 20th February 1898 (litho)

STC415962: Officers' Triumphal Shouts at the Exit of Zola, illustration from 'Le Petit Journal: Supplement illustre', 20th February 1898 (litho), Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

The Ibriktar Agassi, plate 6  from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving)
The Ibriktar Agassi, plate 6  from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving)

STC409003: The Ibriktar Agassi, plate 6 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images

With the army manoeuvres: The duke of Connaught testing the bag of a soldier, illustration from 'Le Petit Journal: Supplement illustre', 2nd October 1898 (colour litho)
With the army manoeuvres: The duke of Connaught testing the bag of a soldier, illustration from 'Le Petit Journal: Supplement illustre', 2nd October 1898 (colour litho)

STC416009: With the army manoeuvres: The duke of Connaught testing the bag of a soldier, illustration from 'Le Petit Journal: Supplement illustre', 2nd October 1898 (colour litho), French School, (19th century) / Bridgeman Images

Tragic end to a lunch, illustration from 'Le Petit Journal: Supplement illustre', 18th December 1898 (colour litho)
Tragic end to a lunch, illustration from 'Le Petit Journal: Supplement illustre', 18th December 1898 (colour litho)

STC416015: Tragic end to a lunch, illustration from 'Le Petit Journal: Supplement illustre', 18th December 1898 (colour litho), French School, (19th century) / Bridgeman Images

God the Father in Heaven sending out his Son to the Virgin Mary, c.1445 (oil on panel) (detail of 26541)
God the Father in Heaven sending out his Son to the Virgin Mary, c.1445 (oil on panel) (detail of 26541)

XIR415772: God the Father in Heaven sending out his Son to the Virgin Mary, c.1445 (oil on panel) (detail of 26541), Master of the Aix Annunciation, (fl.1442-45) / Bridgeman Images

The arrival of President Loubet in Russia for a state visit, cover of 'Le Petit Journal', 18 May, 1902 (lithograph)
The arrival of President Loubet in Russia for a state visit, cover of 'Le Petit Journal', 18 May, 1902 (lithograph)

XIR415775: The arrival of President Loubet in Russia for a state visit, cover of 'Le Petit Journal', 18 May, 1902 (lithograph), French School, (20th century) / Bridgeman Images

Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415833: Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415854: Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Berthollet (litho)
Berthollet (litho)

STC409104: Berthollet (litho), French School, (19th century) / Bridgeman Images

Shoveller Held by her Trainer Will Chifney, 1819 (oil on canvas)
Shoveller Held by her Trainer Will Chifney, 1819 (oil on canvas)

HEH416401: Shoveller Held by her Trainer Will Chifney, 1819 (oil on canvas), Marshall, Benjamin (1767-1835) / Bridgeman Images

Carlton House, pub. 1933 (colour litho)
Carlton House, pub. 1933 (colour litho)

STC415908: Carlton House, pub. 1933 (colour litho), Wearne, Harry (1852-1929) / Bridgeman Images

Anne Irwin, 1761 (oil on canvas)
Anne Irwin, 1761 (oil on canvas)

HEH416442: Anne Irwin, 1761 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

Kew Gardens, pub. 1933 (colour litho)
Kew Gardens, pub. 1933 (colour litho)

STC415932: Kew Gardens, pub. 1933 (colour litho), Wearne, Harry (1852-1929) / Bridgeman Images

Love in a Tangle, from 'The Flower Book', 1882-98 (w/c on paper)
Love in a Tangle, from 'The Flower Book', 1882-98 (w/c on paper)

XJF416519: Love in a Tangle, from 'The Flower Book', 1882-98 (w/c on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

STC410930: "Our friends, the enemy", illustration from 'Cassell's History of the War between France and Germany, 1870-1871' (litho), French School, (19th century) / Bridgeman Images

The way German Prisoners of War are treated after being captured (sepia photo)
The way German Prisoners of War are treated after being captured (sepia photo)

STC410963: The way German Prisoners of War are treated after being captured (sepia photo), English Photographer, (20th century) / Bridgeman Images

Early Settlement of Venice (engraving) (also see 316845)
Early Settlement of Venice (engraving) (also see 316845)

XJF417314: Early Settlement of Venice (engraving) (also see 316845), Italian School, (18th century) / Bridgeman Images

South Trinidad Island, September 1901 (w/c on paper)
South Trinidad Island, September 1901 (w/c on paper)

SCT411318: South Trinidad Island, September 1901 (w/c on paper), Wilson, Edward Adrian (1872-1912) / Bridgeman Images

The Flight into Egypt, c.1750 (etching)
The Flight into Egypt, c.1750 (etching)

XJF417365: The Flight into Egypt, c.1750 (etching), Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804) / Bridgeman Images

Sevastopol, Ukraine, 1883 (engraving)
Sevastopol, Ukraine, 1883 (engraving)

KWE417914: Sevastopol, Ukraine, 1883 (engraving), English School, (19th century) / Bridgeman Images

Study of a nude woman, 1915 (charcoal on paper)
Study of a nude woman, 1915 (charcoal on paper)

XJF417389: Study of a nude woman, 1915 (charcoal on paper), Rosenberg, Isaac (1890-1918) / Bridgeman Images


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