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Oliver Wolcott, engraved by James Barton Longacre (1794-1869) (engraving)
Oliver Wolcott, engraved by James Barton Longacre (1794-1869) (engraving)

KWE280641: Oliver Wolcott, engraved by James Barton Longacre (1794-1869) (engraving), American School, (18th century) (after) / Bridgeman Images

ID: KWE280641

Oliver Wolcott, engraved by James Barton Longacre (1794-1869) (engraving)

American School, (18th century) (after)

Girl carrying a pail (oil on canvas)
Girl carrying a pail (oil on canvas)

NGW336475: Girl carrying a pail (oil on canvas), Barker of Bath, Thomas (1769-1847) / Bridgeman Images

ID: NGW336475

Girl carrying a pail (oil on canvas)

Barker of Bath, Thomas (1769-1847)

John Owen MP (oil on canvas)
John Owen MP (oil on canvas)

NGW336488: John Owen MP (oil on canvas), Highmore, Joseph (1692-1780) / Bridgeman Images

ID: NGW336488

John Owen MP (oil on canvas)

Highmore, Joseph (1692-1780)

The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336555: The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336555

The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336570: The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336570

The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336574: The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336574

The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336585: The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336585

The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

Handwriting and signature of Queen Anne from a letter instructing Sir George Rooke to give obedience to the King of Spain, January 20, 1704 (pen & ink on paper)
Handwriting and signature of Queen Anne from a letter instructing Sir George Rooke to give obedience to the King of Spain, January 20, 1704 (pen & ink on paper)

KDC384205: Handwriting and signature of Queen Anne from a letter instructing Sir George Rooke to give obedience to the King of Spain, January 20, 1704 (pen & ink on paper) / Bridgeman Images

ID: KDC384205

Handwriting and signature of Queen Anne from a letter instructing Sir George Rooke to give obedience to the King of Spain, January 20, 1704 (pen & ink on paper)

Handwriting and signature of Mrs Siddons (pen & ink on paper)
Handwriting and signature of Mrs Siddons (pen & ink on paper)

KDC384227: Handwriting and signature of Mrs Siddons (pen & ink on paper) / Bridgeman Images

ID: KDC384227

Handwriting and signature of Mrs Siddons (pen & ink on paper)

Handwriting and signature of Charles James Fox (pen & ink on paper)
Handwriting and signature of Charles James Fox (pen & ink on paper)

KDC384245: Handwriting and signature of Charles James Fox (pen & ink on paper) / Bridgeman Images

ID: KDC384245

Handwriting and signature of Charles James Fox (pen & ink on paper)

Edna Lyall, 1893 (litho)
Edna Lyall, 1893 (litho)

KDC384267: Edna Lyall, 1893 (litho) / Bridgeman Images

ID: KDC384267

Edna Lyall, 1893 (litho)

King Carol I of Romania, 1893 (litho)
King Carol I of Romania, 1893 (litho)

KDC384272: King Carol I of Romania, 1893 (litho) / Bridgeman Images

ID: KDC384272

King Carol I of Romania, 1893 (litho)

Flower picking (colour litho)
Flower picking (colour litho)

AKV384661: Flower picking (colour litho), German School / Bridgeman Images

ID: AKV384661

Flower picking (colour litho)

German School

The Basilica of Santa Maria Maggiore, 1833 (etching with brown wash)
The Basilica of Santa Maria Maggiore, 1833 (etching with brown wash)

STC384806: The Basilica of Santa Maria Maggiore, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384806

The Basilica of Santa Maria Maggiore, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

The Church of Santa Sabina, 1833 (etching with brown wash)
The Church of Santa Sabina, 1833 (etching with brown wash)

STC384816: The Church of Santa Sabina, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384816

The Church of Santa Sabina, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Temple of Venus Ericine, 1833 (etching with brown wash)
Temple of Venus Ericine, 1833 (etching with brown wash)

STC384834: Temple of Venus Ericine, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384834

Temple of Venus Ericine, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

The Quirinal Obelisk, 1833 (etching with brown wash)
The Quirinal Obelisk, 1833 (etching with brown wash)

STC384856: The Quirinal Obelisk, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384856

The Quirinal Obelisk, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash)
Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash)

STC384861: Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384861

Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Signature of Andrew Johnson (litho)
Signature of Andrew Johnson (litho)

KWE280657: Signature of Andrew Johnson (litho), American School, (19th century) / Bridgeman Images

ID: KWE280657

Signature of Andrew Johnson (litho)

American School, (19th century)

Southbank, 1951 (b/w photo)
Southbank, 1951 (b/w photo)

ILN280898: Southbank, 1951 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: ILN280898

Southbank, 1951 (b/w photo)

English Photographer, (20th century)

The Brown Owl, illustration from 'Country Ways and Country Days' (colour litho)
The Brown Owl, illustration from 'Country Ways and Country Days' (colour litho)

IL281009: The Brown Owl, illustration from 'Country Ways and Country Days' (colour litho), Adams, Frank (1871-1944) / Bridgeman Images

ID: IL281009

The Brown Owl, illustration from 'Country Ways and Country Days' (colour litho)

Adams, Frank (1871-1944)

Thomas Hardy, from 'Newnes' Pictorial Book of Knowledge' (litho)
Thomas Hardy, from 'Newnes' Pictorial Book of Knowledge' (litho)

IL281052: Thomas Hardy, from 'Newnes' Pictorial Book of Knowledge' (litho), unknown photographer / Bridgeman Images

ID: IL281052

Thomas Hardy, from 'Newnes' Pictorial Book of Knowledge' (litho)

unknown photographer

'Adventure on the Road', 1925 (colour litho)
'Adventure on the Road', 1925 (colour litho)

CHT336987: 'Adventure on the Road', 1925 (colour litho), Neumont, Maurice Louis Henri (1868-1930) / Bridgeman Images

ID: CHT336987

'Adventure on the Road', 1925 (colour litho)

Neumont, Maurice Louis Henri (1868-1930)

Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash)
Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash)

STC384881: Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384881

Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash)
The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash)

STC384917: The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384917

The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash)
Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash)

STC384922: Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384922

Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Interior of Michelangelo's House, 1833 (etching with brown wash)
Interior of Michelangelo's House, 1833 (etching with brown wash)

STC384946: Interior of Michelangelo's House, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384946

Interior of Michelangelo's House, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

The waterfalls at Tivoli, 1833 (etching with brown wash)
The waterfalls at Tivoli, 1833 (etching with brown wash)

STC384982: The waterfalls at Tivoli, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384982

The waterfalls at Tivoli, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Waltheof's confession, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Waltheof's confession, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385219: Waltheof's confession, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

ID: STC385219

Waltheof's confession, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

English School, (19th century)

Surrender of Bamborough Castle, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Surrender of Bamborough Castle, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385223: Surrender of Bamborough Castle, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), Zier, Edouard Francois (1856-1924) (after) / Bridgeman Images

ID: STC385223

Surrender of Bamborough Castle, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

Zier, Edouard Francois (1856-1924) (after)

Arrest of the Duke of Gloucester, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Arrest of the Duke of Gloucester, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385268: Arrest of the Duke of Gloucester, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

ID: STC385268

Arrest of the Duke of Gloucester, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

English School, (19th century)

Meeting of Henry and the Emperor Maximilian, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Meeting of Henry and the Emperor Maximilian, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385284: Meeting of Henry and the Emperor Maximilian, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

ID: STC385284

Meeting of Henry and the Emperor Maximilian, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

English School, (19th century)

Rosette window (photo)
Rosette window (photo)

XPC340014: Rosette window (photo) / Bridgeman Images

ID: XPC340014

Rosette window (photo)

Tiglath-Pileser inspecting gifts from Egypt, illustration from 'Hutchinson's History of the Nations' (litho)
Tiglath-Pileser inspecting gifts from Egypt, illustration from 'Hutchinson's History of the Nations' (litho)

IL340196: Tiglath-Pileser inspecting gifts from Egypt, illustration from 'Hutchinson's History of the Nations' (litho), Dudley, Robert Ambrose (1867-1951) / Bridgeman Images

ID: IL340196

Tiglath-Pileser inspecting gifts from Egypt, illustration from 'Hutchinson's History of the Nations' (litho)

Dudley, Robert Ambrose (1867-1951)

View of the rock temple (photo)
View of the rock temple (photo)

STF281212: View of the rock temple (photo) / Bridgeman Images

ID: STF281212

View of the rock temple (photo)

The Distressed Poet, from 'The Works of William Hogarth', published 1833 (litho)
The Distressed Poet, from 'The Works of William Hogarth', published 1833 (litho)

KWE281804: The Distressed Poet, from 'The Works of William Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

ID: KWE281804

The Distressed Poet, from 'The Works of William Hogarth', published 1833 (litho)

Hogarth, William (1697-1764)


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