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Ether : Electricite, light and heat do not change body weight. 1925 (print)
Ether : Electricite, light and heat do not change body weight. 1925 (print)

XEE4140024: Ether : Electricite, light and heat do not change body weight. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140024

Ether : Electricite, light and heat do not change body weight. 1925 (print)

Anonymous

Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving)
Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving)

XEE4141442: Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4141442

Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 (engraving)

Dore, Gustave (1832-83)

X-rays: X-ray apparatus. 1925 (print)
X-rays: X-ray apparatus. 1925 (print)

XEE4141077: X-rays: X-ray apparatus. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141077

X-rays: X-ray apparatus. 1925 (print)

Anonymous

Telegraph: Telegram. Anonymous illustration of 1925 (print)
Telegraph: Telegram. Anonymous illustration of 1925 (print)

XEE4141086: Telegraph: Telegram. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141086

Telegraph: Telegram. Anonymous illustration of 1925 (print)

Anonymous

Telegraph: electric telegraph printer by David Edward Hughes. 1925 (print)
Telegraph: electric telegraph printer by David Edward Hughes. 1925 (print)

XEE4141089: Telegraph: electric telegraph printer by David Edward Hughes. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141089

Telegraph: electric telegraph printer by David Edward Hughes. 1925 (print)

Anonymous

Mechanical traction: motorcycle. Anonymous illustration of 1925 (print)
Mechanical traction: motorcycle. Anonymous illustration of 1925 (print)

XEE4141146: Mechanical traction: motorcycle. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141146

Mechanical traction: motorcycle. Anonymous illustration of 1925 (print)

Anonymous

Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.
Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.

XEE4144370: Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4144370

Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.

French School, (19th century)

Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.
Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.

XEE4144280: Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144280

Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.

French School, (19th century)

Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.
Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.

XEE4144994: Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4144994

Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.

French School, (19th century)

Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print)
Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print)

XEE4141163: Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141163

Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print)

Anonymous

View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.
View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.

XEE4144204: View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144204

View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144297: Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144297

Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)
Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)

XEE4143864: Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)"Le petit Parisien" from 1891., Anonymous / Bridgeman Images

ID: XEE4143864

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)"Le petit Parisien" from 1891.

Anonymous

View of the island of Syra in Greece, 19th century (engraving)
View of the island of Syra in Greece, 19th century (engraving)

XEE4143918: View of the island of Syra in Greece, 19th century (engraving), Anonymous / Bridgeman Images

ID: XEE4143918

View of the island of Syra in Greece, 19th century (engraving)

Anonymous

Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.
Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.

XEE4144168: Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144168

Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.

French School, (19th century)

Eure et Loir, Centre -France and its Colonies, c.1876 (engraving)
Eure et Loir, Centre -France and its Colonies, c.1876 (engraving)

XEE4144584: Eure et Loir, Centre -France and its Colonies, c.1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144584

Eure et Loir, Centre -France and its Colonies, c.1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143587: Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143587

Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143596: Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143596

Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143653: Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143653

Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.
Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.

XEE4144749: Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144749

Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.

French School, (19th century)

Death of Saint Lievin the Great (Livin, or Lebwin, or Livinus) as evangelizer of Flanders, martyrdom in 657/663. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Death of Saint Lievin the Great (Livin, or Lebwin, or Livinus) as evangelizer of Flanders, martyrdom in 657/663. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144791: Death of Saint Lievin the Great (Livin, or Lebwin, or Livinus) as evangelizer of Flanders, martyrdom in 657/663. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144791

Death of Saint Lievin the Great (Livin, or Lebwin, or Livinus) as evangelizer of Flanders, martyrdom in 657/663. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

Unknown Artist, (19th century)

Portrait of Theodore de Banville, French poet.
Portrait of Theodore de Banville, French poet.

XEE4143872: Portrait of Theodore de Banville, French poet. "Le petit Parisien" from 1891., Anonymous / Bridgeman Images

ID: XEE4143872

Portrait of Theodore de Banville, French poet. "Le petit Parisien" from 1891.

Anonymous

Bishop Isidore Clut, R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie in Canada at the end of the 19th century (engraving)
Bishop Isidore Clut, R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie in Canada at the end of the 19th century (engraving)

XEE4143908: Bishop Isidore Clut, R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie in Canada at the end of the 19th century (engraving), Anonymous / Bridgeman Images

ID: XEE4143908

Bishop Isidore Clut, R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie in Canada at the end of the 19th century (engraving)

Anonymous

Theatrical representation of “” Les Pirates de la Savane”” (first act, third painting) by Auguste Anicet Bourgeois (1806-1871) and Ferdinand Dugue. Paris, Theatre de la Gaite, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.
Theatrical representation of “” Les Pirates de la Savane”” (first act, third painting) by Auguste Anicet Bourgeois (1806-1871) and Ferdinand Dugue. Paris, Theatre de la Gaite, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.

XEE4144020: Theatrical representation of “” Les Pirates de la Savane”” (first act, third painting) by Auguste Anicet Bourgeois (1806-1871) and Ferdinand Dugue. Paris, Theatre de la Gaite, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144020

Theatrical representation of “” Les Pirates de la Savane”” (first act, third painting) by Auguste Anicet Bourgeois (1806-1871) and Ferdinand Dugue. Paris, Theatre de la Gaite, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.

French School, (19th century)

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.
Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

XEE4144149: Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144149

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)
Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)

XEE4144959: Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144959

Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)

Unknown Artist, (19th century)

La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)
La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)

XEE4144505: La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144505

La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving)
Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving)

XEE4144640: Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144640

Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection.
The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection.

XEE4144667: The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144667

The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection.

Unknown Artist, (19th century)

Time: solar clock used in ancient Egypt. 1925 (print)
Time: solar clock used in ancient Egypt. 1925 (print)

XEE4140925: Time: solar clock used in ancient Egypt. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140925

Time: solar clock used in ancient Egypt. 1925 (print)

Anonymous

Meteorology: the influence of the sea on climate. 1925 (print)
Meteorology: the influence of the sea on climate. 1925 (print)

XEE4140156: Meteorology: the influence of the sea on climate. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140156

Meteorology: the influence of the sea on climate. 1925 (print)

Anonymous

Steam generators: marine tubular boiler. 1925 (print)
Steam generators: marine tubular boiler. 1925 (print)

XEE4140247: Steam generators: marine tubular boiler. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140247

Steam generators: marine tubular boiler. 1925 (print)

Anonymous

Steam generators: aquatubular boiler. 1925 (print)
Steam generators: aquatubular boiler. 1925 (print)

XEE4140271: Steam generators: aquatubular boiler. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140271

Steam generators: aquatubular boiler. 1925 (print)

Anonymous

Railways: interlocking. A railroad using a Saxby individual levers station. 1925 (print)
Railways: interlocking. A railroad using a Saxby individual levers station. 1925 (print)

XEE4140319: Railways: interlocking. A railroad using a Saxby individual levers station. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140319

Railways: interlocking. A railroad using a Saxby individual levers station. 1925 (print)

Anonymous

Reflection of light: optical illusion. Using an ice cream to give the illusion of a woman fish. 1925 (print)
Reflection of light: optical illusion. Using an ice cream to give the illusion of a woman fish. 1925 (print)

XEE4140409: Reflection of light: optical illusion. Using an ice cream to give the illusion of a woman fish. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140409

Reflection of light: optical illusion. Using an ice cream to give the illusion of a woman fish. 1925 (print)

Anonymous

Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.
Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

XEE4141541: Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141541

Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

French School, (19th century)


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