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Portrait of Emile Gigault de La Bedolliere French writer, journalist and translator (engraving)
Portrait of Emile Gigault de La Bedolliere French writer, journalist and translator (engraving)

XEE4147886: Portrait of Emile Gigault de La Bedolliere French writer, journalist and translator (engraving), Meyer, Henri (1841-99) (after) / Bridgeman Images

ID: XEE4147886

Portrait of Emile Gigault de La Bedolliere French writer, journalist and translator (engraving)

Meyer, Henri (1841-99) (after)

Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery
Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery

XEE4147914: Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4147914

Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery

Unknown Artist, (19th century)

Portrait of Tu-Duc Emperor of Annam - Cover page of “The Illustrous Diary” from 1883 - Drawing by Henri Meyer
Portrait of Tu-Duc Emperor of Annam - Cover page of “The Illustrous Diary” from 1883 - Drawing by Henri Meyer

XEE4147929: Portrait of Tu-Duc Emperor of Annam - Cover page of “The Illustrous Diary” from 1883 - Drawing by Henri Meyer, Meyer, Henri (1841-99) / Bridgeman Images

ID: XEE4147929

Portrait of Tu-Duc Emperor of Annam - Cover page of “The Illustrous Diary” from 1883 - Drawing by Henri Meyer

Meyer, Henri (1841-99)

Philippe III The Bold helps carry his father's coffin in in Basilica of Saint Denis in 1271, 1825 (engraving)
Philippe III The Bold helps carry his father's coffin in in Basilica of Saint Denis in 1271, 1825 (engraving)

XEE4147989: Philippe III The Bold helps carry his father's coffin in in Basilica of Saint Denis in 1271, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

ID: XEE4147989

Philippe III The Bold helps carry his father's coffin in in Basilica of Saint Denis in 1271, 1825 (engraving)

Tardieu, Ambroise (1788-1841)

Greenwich Hospital - The West Dining Room - Greenwich Navy Hospital - West Dining Room
Greenwich Hospital - The West Dining Room - Greenwich Navy Hospital - West Dining Room

XEE4147995: Greenwich Hospital - The West Dining Room - Greenwich Navy Hospital - West Dining Room, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4147995

Greenwich Hospital - The West Dining Room - Greenwich Navy Hospital - West Dining Room

Unknown Artist, (19th century)

Chiromancia - Saturnian line to stop at the middle - Engraving 1545
Chiromancia - Saturnian line to stop at the middle - Engraving 1545

XEE4148077: Chiromancia - Saturnian line to stop at the middle - Engraving 1545, Anonymous / Bridgeman Images

ID: XEE4148077

Chiromancia - Saturnian line to stop at the middle - Engraving 1545

Anonymous

Frederick William IV (1795-1861), King of Prussia, swearing oath on the constitution, 6 February 1850, wood engraving after Paul Buerde, 19th century - Frederic-Guillaume IV (Frederic William IV) of Prussia took oath on the Constitution February 6, 1850
Frederick William IV (1795-1861), King of Prussia, swearing oath on the constitution, 6 February 1850, wood engraving after Paul Buerde, 19th century - Frederic-Guillaume IV (Frederic William IV) of Prussia took oath on the Constitution February 6, 1850

XEE4148122: Frederick William IV (1795-1861), King of Prussia, swearing oath on the constitution, 6 February 1850, wood engraving after Paul Buerde, 19th century - Frederic-Guillaume IV (Frederic William IV) of Prussia took oath on the Constitution February 6, 1850, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4148122

Frederick William IV (1795-1861), King of Prussia, swearing oath on the constitution, 6 February 1850, wood engraving after Paul Buerde, 19th century - Frederic-Guillaume IV (Frederic William IV) of Prussia took oath on the Constitution February 6, 1850

Unknown Artist, (19th century)

Satan presents a black book to followers in exchange for the book of the Gospels, 1608 (engraving)
Satan presents a black book to followers in exchange for the book of the Gospels, 1608 (engraving)

XEE4148175: Satan presents a black book to followers in exchange for the book of the Gospels, 1608 (engraving), Anonymous / Bridgeman Images

ID: XEE4148175

Satan presents a black book to followers in exchange for the book of the Gospels, 1608 (engraving)

Anonymous

This is the first time, this year, that we have led our girls to the painting exhibition - caricature by Charles Leandre in
This is the first time, this year, that we have led our girls to the painting exhibition - caricature by Charles Leandre in

XEE4148234: This is the first time, this year, that we have led our girls to the painting exhibition - caricature by Charles Leandre in "Le Rire"” of August 10, 1895., Leandre, Charles (1862-1934) / Bridgeman Images

ID: XEE4148234

This is the first time, this year, that we have led our girls to the painting exhibition - caricature by Charles Leandre in "Le Rire"” of August 10, 1895.

Leandre, Charles (1862-1934)

Death of Leon Gambetta French politician - the Mortuary Chamber- in “Le Journal Illustré
Death of Leon Gambetta French politician - the Mortuary Chamber- in “Le Journal Illustré

XEE4148117: Death of Leon Gambetta French politician - the Mortuary Chamber- in “Le Journal Illustré" of 1883 - Drawing by Henri Meyer, Meyer, Henri (1841-99) / Bridgeman Images

ID: XEE4148117

Death of Leon Gambetta French politician - the Mortuary Chamber- in “Le Journal Illustré" of 1883 - Drawing by Henri Meyer

Meyer, Henri (1841-99)

Witches deterring the dead in a cemetery -
Witches deterring the dead in a cemetery -

XEE4148161: Witches deterring the dead in a cemetery - "Compendium Maleficarum", 1608 (engraving), Anonymous / Bridgeman Images

ID: XEE4148161

Witches deterring the dead in a cemetery - "Compendium Maleficarum", 1608 (engraving)

Anonymous

View of the city of Beirut in 1860. Engraving in “The Illustrous World”” n°172 of 28 July 1860.
View of the city of Beirut in 1860. Engraving in “The Illustrous World”” n°172 of 28 July 1860.

XEE4148198: View of the city of Beirut in 1860. Engraving in “The Illustrous World”” n°172 of 28 July 1860., French School, (19th century) / Bridgeman Images

ID: XEE4148198

View of the city of Beirut in 1860. Engraving in “The Illustrous World”” n°172 of 28 July 1860.

French School, (19th century)

Ichthyomancia: divination by the movement of fish - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555
Ichthyomancia: divination by the movement of fish - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555

XEE4148204: Ichthyomancia: divination by the movement of fish - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555, Unknown Artist, (16th century) / Bridgeman Images

ID: XEE4148204

Ichthyomancia: divination by the movement of fish - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555

Unknown Artist, (16th century)

Witches turned into animals engraving of 1489 in “De lamiis et pythonicis mulieribus
Witches turned into animals engraving of 1489 in “De lamiis et pythonicis mulieribus

XEE4148236: Witches turned into animals engraving of 1489 in “De lamiis et pythonicis mulieribus" by Ulrich Molitor", German School, (15th century) / Bridgeman Images

ID: XEE4148236

Witches turned into animals engraving of 1489 in “De lamiis et pythonicis mulieribus" by Ulrich Molitor"

German School, (15th century)

Illustration “Industry and Idleness”,
Illustration “Industry and Idleness”,

XEE4148340: Illustration “Industry and Idleness”, "Zele and laziness" recounting the careers of two apprentices, 1747 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XEE4148340

Illustration “Industry and Idleness”, "Zele and laziness" recounting the careers of two apprentices, 1747 (engraving)

Hogarth, William (1697-1764)

Illustration “Industry and Idleness”,
Illustration “Industry and Idleness”,

XEE4148351: Illustration “Industry and Idleness”, "Zele and laziness" recounting the careers of two apprentices, 1747 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XEE4148351

Illustration “Industry and Idleness”, "Zele and laziness" recounting the careers of two apprentices, 1747 (engraving)

Hogarth, William (1697-1764)

Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).
Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).

XEE4148499: Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)., French School, (18th century) / Bridgeman Images

ID: XEE4148499

Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).

French School, (18th century)

Death of Rufus, William the Red (King William II) killed by an arrow while hunting in the New Forest, 1100 - Death of King William II in 1100: William II, King of England (the redhead) since 1087, was accidentally killed by Gautier Tirel (or Tyrell) (Walter Tirel) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877
Death of Rufus, William the Red (King William II) killed by an arrow while hunting in the New Forest, 1100 - Death of King William II in 1100: William II, King of England (the redhead) since 1087, was accidentally killed by Gautier Tirel (or Tyrell) (Walter Tirel) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877

XEE4148542: Death of Rufus, William the Red (King William II) killed by an arrow while hunting in the New Forest, 1100 - Death of King William II in 1100: William II, King of England (the redhead) since 1087, was accidentally killed by Gautier Tirel (or Tyrell) (Walter Tirel) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4148542

Death of Rufus, William the Red (King William II) killed by an arrow while hunting in the New Forest, 1100 - Death of King William II in 1100: William II, King of England (the redhead) since 1087, was accidentally killed by Gautier Tirel (or Tyrell) (Walter Tirel) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877

Unknown Artist, (19th century)

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -
Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

XEE4148618: Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -, French School, (19th century) / Bridgeman Images

ID: XEE4148618

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

French School, (19th century)

Portrait of Charles II the Bald, King of France, late 19th century (engraving)
Portrait of Charles II the Bald, King of France, late 19th century (engraving)

XEE4148353: Portrait of Charles II the Bald, King of France, late 19th century (engraving), Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4148353

Portrait of Charles II the Bald, King of France, late 19th century (engraving)

Pacher, Jules (19th-20th century)

Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais
Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais

XEE4148373: Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4148373

Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais

Unknown Artist, (19th century)

A paper mill - Stationery: view of the buildings of the manufacture of anglee near Montargis - View of the cog of one of the mills of this manufacture - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717- 1783).
A paper mill - Stationery: view of the buildings of the manufacture of anglee near Montargis - View of the cog of one of the mills of this manufacture - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717- 1783).

XEE4148414: A paper mill - Stationery: view of the buildings of the manufacture of anglee near Montargis - View of the cog of one of the mills of this manufacture - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717- 1783)., French School, (18th century) / Bridgeman Images

ID: XEE4148414

A paper mill - Stationery: view of the buildings of the manufacture of anglee near Montargis - View of the cog of one of the mills of this manufacture - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717- 1783).

French School, (18th century)

Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4148491: Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

ID: XEE4148491

Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

French School, (18th century)

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -
Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

XEE4148600: Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -, French School, (19th century) / Bridgeman Images

ID: XEE4148600

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

French School, (19th century)

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -
Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

XEE4148625: Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -, French School, (19th century) / Bridgeman Images

ID: XEE4148625

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

French School, (19th century)

Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144472: Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144472

Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859.
Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859.

XEE4144545: Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144545

Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859.

French School, (19th century)

La Creuse, Le Limousin -France and its Colonies.
La Creuse, Le Limousin -France and its Colonies.

XEE4144598: La Creuse, Le Limousin -France and its Colonies., Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144598

La Creuse, Le Limousin -France and its Colonies.

Vuillemin, Alexandre (1812-1886)

Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving)
Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving)

XEE4144640: Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144640

Département de l'Aube, Champagne Ardennes - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection.
The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection.

XEE4144667: The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144667

The man orchestra of the Champs Elysees in Paris. He has a bells hat, a roller crate on his back, cymbals on his knees, and plays the violin. Engraving in “Le Monde illustrious”” from 1862. Private collection.

Unknown Artist, (19th century)

Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist.
Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist.

XEE4144730: Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144730

Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist.

Unknown Artist, (19th century)

Portrait of Georges Couthon, French politician.
Portrait of Georges Couthon, French politician.

XEE4145093: Portrait of Georges Couthon, French politician., Unknown Artist / Bridgeman Images

ID: XEE4145093

Portrait of Georges Couthon, French politician.

Unknown Artist

In the Basque Country in the Pyrenees around 1920: pig dealer.
In the Basque Country in the Pyrenees around 1920: pig dealer.

XEE4144824: In the Basque Country in the Pyrenees around 1920: pig dealer., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4144824

In the Basque Country in the Pyrenees around 1920: pig dealer.

Unknown photographer, (20th century)

Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860. Engraving in “” Le Monde Illustré”” n°148 of 11 February 1860.
Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860. Engraving in “” Le Monde Illustré”” n°148 of 11 February 1860.

XEE4144846: Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860. Engraving in “” Le Monde Illustré”” n°148 of 11 February 1860., French School, (19th century) / Bridgeman Images

ID: XEE4144846

Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860. Engraving in “” Le Monde Illustré”” n°148 of 11 February 1860.

French School, (19th century)

Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)
Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)

XEE4144959: Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144959

Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)

Unknown Artist, (19th century)

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892
L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892

XEE4145807: L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145807

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892

Unknown Artist, (19th century)


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