XEE4152957: Jean-de-Dieu Soult (1769-1851) Duke of Dalmatia - Portrait en pied de Jean de Dieu Soult (1769-1851) marechal of France, Duke of Dalmatia - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images
XEE4151242: The pillory of the halles in the 18th century, built on the old cemetery of the Innocents - Engraving in “The physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images
XEE4151266: L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images
XEE4151074: Charlemagne receiving the gift of a clepsydra (water clock) from Harun al-Rashid - In 797 the caliph of Baghdad, Haroun ar-Rachid (765-809) offers Charlemagne a clepsydra (water clock, time measurement) emblematic of the technological know-how of Arab civilization -, Unknown Artist, (19th century) / Bridgeman Images
XEE4151201: Portrait of Catherine of Württemberg 1783 1835 Queen of Westphalia - Portrait of Catherine of Württemberg, wife of Jerome Bonaparte, Queen of Wesphalia (1783-1835) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images
XEE4151378: Atlant defeated by Bradamante - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151460: Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151484: Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images