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A Scottish Puritan - 19th century (engraving)
A Scottish Puritan - 19th century (engraving)

XEE4152565: A Scottish Puritan - 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Isabelle in, 1838 (engraving)
Isabelle in, 1838 (engraving)

XEE4152890: Isabelle in, 1838 (engraving), English School, (19th century) / Bridgeman Images

View of Perpignan in the 17th century  (engraving)
View of Perpignan in the 17th century  (engraving)

XEE4152970: View of Perpignan in the 17th century (engraving), Unknown Artist, (17th century) / Bridgeman Images

Jean-de-Dieu Soult (1769-1851) Duke of Dalmatia - Portrait en pied de Jean de Dieu Soult (1769-1851) marechal of France, Duke of Dalmatia - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection
Jean-de-Dieu Soult (1769-1851) Duke of Dalmatia - Portrait en pied de Jean de Dieu Soult (1769-1851) marechal of France, Duke of Dalmatia - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection

XEE4152957: Jean-de-Dieu Soult (1769-1851) Duke of Dalmatia - Portrait en pied de Jean de Dieu Soult (1769-1851) marechal of France, Duke of Dalmatia - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images

The Crowning with Thorns - The Coronation of Spines - “Holy History” circa 1890 - Colour byHenri Grobet
The Crowning with Thorns - The Coronation of Spines - “Holy History” circa 1890 - Colour byHenri Grobet

XEE4153033: The Crowning with Thorns - The Coronation of Spines - “Holy History” circa 1890 - Colour byHenri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

Joseph Explaining Pharaoh's Dreams - Joseph explaining Pharaoh's dreams - “Holy History” circa 1890 - colour byHenri Grobet
Joseph Explaining Pharaoh's Dreams - Joseph explaining Pharaoh's dreams - “Holy History” circa 1890 - colour byHenri Grobet

XEE4153036: Joseph Explaining Pharaoh's Dreams - Joseph explaining Pharaoh's dreams - “Holy History” circa 1890 - colour byHenri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

Cover of the book
Cover of the book

XEE4153068: Cover of the book "Histoire sainte" circa 1890 - color by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

David and the King Saul, c.1890 (engraving)
David and the King Saul, c.1890 (engraving)

XEE4153058: David and the King Saul, c.1890 (engraving), Grobet, Henri (active c.1890) / Bridgeman Images

Daniel in the lion's den - Scene de la Bible: le prophete Daniel dans la fonds aux lions - Illustration
Daniel in the lion's den - Scene de la Bible: le prophete Daniel dans la fonds aux lions - Illustration

XEE4153066: Daniel in the lion's den - Scene de la Bible: le prophete Daniel dans la fonds aux lions - Illustration" Holy History"” circa 1890, Grobet, Henri (active c.1890) / Bridgeman Images

The Resurrection of Lazarus, 1890 (engraving)
The Resurrection of Lazarus, 1890 (engraving)

XEE4153105: The Resurrection of Lazarus, 1890 (engraving), Grobet, Henri (active c.1890) / Bridgeman Images

Portrait of Charles Joseph Pascal de Luesemans (1808 -1882) Belgian politician - engraving of 1882
Portrait of Charles Joseph Pascal de Luesemans (1808 -1882) Belgian politician - engraving of 1882

XEE4151979: Portrait of Charles Joseph Pascal de Luesemans (1808 -1882) Belgian politician - engraving of 1882, Unknown Artist, (19th century) / Bridgeman Images

The Revolt of the Tyrolese, 1809 (Tyrol's Fight for Freedom in 1809) - Tyrol's Rebellion in 1809 after the painting of C Jordan -
The Revolt of the Tyrolese, 1809 (Tyrol's Fight for Freedom in 1809) - Tyrol's Rebellion in 1809 after the painting of C Jordan -

XEE4151040: The Revolt of the Tyrolese, 1809 (Tyrol's Fight for Freedom in 1809) - Tyrol's Rebellion in 1809 after the painting of C Jordan -, Unknown Artist, (19th century) / Bridgeman Images

The pillory of the halles in the 18th century, built on the old cemetery of the Innocents - Engraving in “The physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853
The pillory of the halles in the 18th century, built on the old cemetery of the Innocents - Engraving in “The physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853

XEE4151242: The pillory of the halles in the 18th century, built on the old cemetery of the Innocents - Engraving in “The physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853
L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853

XEE4151266: L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

Charlemagne receiving the gift of a clepsydra (water clock) from Harun al-Rashid - In 797 the caliph of Baghdad, Haroun ar-Rachid (765-809) offers Charlemagne a clepsydra (water clock, time measurement) emblematic of the technological know-how of Arab civilization -
Charlemagne receiving the gift of a clepsydra (water clock) from Harun al-Rashid - In 797 the caliph of Baghdad, Haroun ar-Rachid (765-809) offers Charlemagne a clepsydra (water clock, time measurement) emblematic of the technological know-how of Arab civilization -

XEE4151074: Charlemagne receiving the gift of a clepsydra (water clock) from Harun al-Rashid - In 797 the caliph of Baghdad, Haroun ar-Rachid (765-809) offers Charlemagne a clepsydra (water clock, time measurement) emblematic of the technological know-how of Arab civilization -, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Patrice Cruice (1815-1866), eveque of Marseille from 1861 to 1865. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.
Portrait of Patrice Cruice (1815-1866), eveque of Marseille from 1861 to 1865. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.

XEE4150374: Portrait of Patrice Cruice (1815-1866), eveque of Marseille from 1861 to 1865. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861., French School, (19th century) / Bridgeman Images

The death of James Wolfe on the Plains of Abraham, Quebec, 13 September 1759 (engraving)
The death of James Wolfe on the Plains of Abraham, Quebec, 13 September 1759 (engraving)

XEE4151136: The death of James Wolfe on the Plains of Abraham, Quebec, 13 September 1759 (engraving), Unknown Artist / Bridgeman Images

Eruption of Mount Etna, illustration from 'Le Petit Journal', illustrated supplement, 10th April 1910 - The eruption of Etna - Populations fleeing before the lava river
Eruption of Mount Etna, illustration from 'Le Petit Journal', illustrated supplement, 10th April 1910 - The eruption of Etna - Populations fleeing before the lava river

XEE4150413: Eruption of Mount Etna, illustration from 'Le Petit Journal', illustrated supplement, 10th April 1910 - The eruption of Etna - Populations fleeing before the lava river, Anonymous / Bridgeman Images

Portrait of Catherine of Württemberg 1783 1835 Queen of Westphalia - Portrait of Catherine of Württemberg, wife of Jerome Bonaparte, Queen of Wesphalia (1783-1835) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection
Portrait of Catherine of Württemberg 1783 1835 Queen of Westphalia - Portrait of Catherine of Württemberg, wife of Jerome Bonaparte, Queen of Wesphalia (1783-1835) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection

XEE4151201: Portrait of Catherine of Württemberg 1783 1835 Queen of Westphalia - Portrait of Catherine of Württemberg, wife of Jerome Bonaparte, Queen of Wesphalia (1783-1835) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images

Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving)
Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving)

XEE4151284: Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)
Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)

XEE4151294: Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

Les gestures du bain - Hygiene au 19th century - man in a bathtub - engraving in “La Sante Universelle - Guide Medical des Familles” 1852
Les gestures du bain - Hygiene au 19th century - man in a bathtub - engraving in “La Sante Universelle - Guide Medical des Familles” 1852

XEE4151309: Les gestures du bain - Hygiene au 19th century - man in a bathtub - engraving in “La Sante Universelle - Guide Medical des Familles” 1852, French School, (19th century) / Bridgeman Images

Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852
Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

XEE4151319: Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852, Unknown Artist, (19th century) / Bridgeman Images

French battleshier, 1890 - From a protective sleeve for school books, late 19th century
French battleshier, 1890 - From a protective sleeve for school books, late 19th century

XEE4150486: French battleshier, 1890 - From a protective sleeve for school books, late 19th century, Demarle, Alphonse (1826-1896) / Bridgeman Images

Joan of Arc takes part in the coronation ceremony of Charles VII in Reims on 17 July 1429, late 19th century (engraving)
Joan of Arc takes part in the coronation ceremony of Charles VII in Reims on 17 July 1429, late 19th century (engraving)

XEE4150542: Joan of Arc takes part in the coronation ceremony of Charles VII in Reims on 17 July 1429, late 19th century (engraving), Letellier, E. (19th century) / Bridgeman Images

The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852
The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

XEE4151337: The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852, Unknown Artist, (19th century) / Bridgeman Images

Atlant defeated by Bradamante - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Atlant defeated by Bradamante - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151378: Atlant defeated by Bradamante - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151460: Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151484: Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151521: Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo)
First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo)

XEE4151565: First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo), Unknown photographer, (20th century) / Bridgeman Images

French Revolution: Closure of the room of Jacobins on the night of 27 to 28 July 1794 (engraving)
French Revolution: Closure of the room of Jacobins on the night of 27 to 28 July 1794 (engraving)

XEE4151342: French Revolution: Closure of the room of Jacobins on the night of 27 to 28 July 1794 (engraving), Unknown Artist / Bridgeman Images

Portrait of Charles Garnier, 1882 (engraving)
Portrait of Charles Garnier, 1882 (engraving)

XEE4151658: Portrait of Charles Garnier, 1882 (engraving), Unknown Artist, (19th century) / Bridgeman Images

The painter Puvis de Chavannes (1824-1898) occupies painting - allegory by M. Merwart with a poesy by Clovis Hugues, 1895
The painter Puvis de Chavannes (1824-1898) occupies painting - allegory by M. Merwart with a poesy by Clovis Hugues, 1895

XEE4151814: The painter Puvis de Chavannes (1824-1898) occupies painting - allegory by M. Merwart with a poesy by Clovis Hugues, 1895, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)
Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)

XEE4151754: Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving), Drouais, Francois-Hubert (1727-75) / Bridgeman Images

Allegory on the death of Arthur Wellesley, Duke of Wellington, 1852 (engraving)
Allegory on the death of Arthur Wellesley, Duke of Wellington, 1852 (engraving)

XEE4151865: Allegory on the death of Arthur Wellesley, Duke of Wellington, 1852 (engraving), Harvey, William (1796-1866) / Bridgeman Images


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