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Right aisle: Pulpit with scenes from the life of St. Francis tile about St. Francis in front of the Sultan, c.1481
Right aisle: Pulpit with scenes from the life of St. Francis tile about St. Francis in front of the Sultan, c.1481

GRL6366094: Right aisle: Pulpit with scenes from the life of St. Francis tile about St. Francis in front of the Sultan, c.1481, Benedetto da Maiano (1442-97) / Bridgeman Images

ID: GRL6366094

Right aisle: Pulpit with scenes from the life of St. Francis tile about St. Francis in front of the Sultan, c.1481

Benedetto da Maiano (1442-97)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting
Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting

GRL6366104: Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting, Lorenzi, Battista (1527-94) / Bridgeman Images

ID: GRL6366104

Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting

Lorenzi, Battista (1527-94)

Sepulchre of Galielo Galilei, left aisle, 1734-37
Sepulchre of Galielo Galilei, left aisle, 1734-37

GRL6366109: Sepulchre of Galielo Galilei, left aisle, 1734-37, Italian school, (17th-18th century) / Bridgeman Images

ID: GRL6366109

Sepulchre of Galielo Galilei, left aisle, 1734-37

Italian school, (17th-18th century)

Aaron, early XIV century (stained glass)
Aaron, early XIV century (stained glass)

GRL6366127: Aaron, early XIV century (stained glass), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: GRL6366127

Aaron, early XIV century (stained glass)

Giotto (Giotto di Bondone) (c.1266-1337)

A Saint Deacon Martyr, early XIV century (stained glass)
A Saint Deacon Martyr, early XIV century (stained glass)

GRL6366129: A Saint Deacon Martyr, early XIV century (stained glass), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: GRL6366129

A Saint Deacon Martyr, early XIV century (stained glass)

Giotto (Giotto di Bondone) (c.1266-1337)

A Portable Christian Shrine (Seigan) Commissioned by the Portuguese Jesuits (oil on copper in case)
A Portable Christian Shrine (Seigan) Commissioned by the Portuguese Jesuits (oil on copper in case)

CH6366189: A Portable Christian Shrine (Seigan) Commissioned by the Portuguese Jesuits (oil on copper in case), Momoyama Period (1568-1600) / Bridgeman Images

ID: CH6366189

A Portable Christian Shrine (Seigan) Commissioned by the Portuguese Jesuits (oil on copper in case)

Momoyama Period (1568-1600)

Winter: picking Firewood, 1911 (oil on canvas)
Winter: picking Firewood, 1911 (oil on canvas)

GRL6366616: Winter: picking Firewood, 1911 (oil on canvas), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: GRL6366616

Winter: picking Firewood, 1911 (oil on canvas)

Goncharova, Natalia (1881-1962)

Jewish people in the street. A Jewish Shop, 1912 (oil on canvas)
Jewish people in the street. A Jewish Shop, 1912 (oil on canvas)

GRL6366620: Jewish people in the street. A Jewish Shop, 1912 (oil on canvas), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: GRL6366620

Jewish people in the street. A Jewish Shop, 1912 (oil on canvas)

Goncharova, Natalia (1881-1962)

Jewish people in the street. A Jewish Shop, detail, 1912 (oil on canvas)
Jewish people in the street. A Jewish Shop, detail, 1912 (oil on canvas)

GRL6366621: Jewish people in the street. A Jewish Shop, detail, 1912 (oil on canvas), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: GRL6366621

Jewish people in the street. A Jewish Shop, detail, 1912 (oil on canvas)

Goncharova, Natalia (1881-1962)

Tryptych of the Mother of God. Flowers, Mother of God, Flowers, 1911 (oil on canvas)
Tryptych of the Mother of God. Flowers, Mother of God, Flowers, 1911 (oil on canvas)

GRL6366633: Tryptych of the Mother of God. Flowers, Mother of God, Flowers, 1911 (oil on canvas), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: GRL6366633

Tryptych of the Mother of God. Flowers, Mother of God, Flowers, 1911 (oil on canvas)

Goncharova, Natalia (1881-1962)

Tryptych of the Mother of God. Flowers, Mother of God, Flowers, detail with flowers, 1911 (oil on canvas)
Tryptych of the Mother of God. Flowers, Mother of God, Flowers, detail with flowers, 1911 (oil on canvas)

GRL6366634: Tryptych of the Mother of God. Flowers, Mother of God, Flowers, detail with flowers, 1911 (oil on canvas), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: GRL6366634

Tryptych of the Mother of God. Flowers, Mother of God, Flowers, detail with flowers, 1911 (oil on canvas)

Goncharova, Natalia (1881-1962)

Sketches, 1915-17 (graphite, pen and ink on paper)
Sketches, 1915-17 (graphite, pen and ink on paper)

GRL6366655: Sketches, 1915-17 (graphite, pen and ink on paper), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: GRL6366655

Sketches, 1915-17 (graphite, pen and ink on paper)

Goncharova, Natalia (1881-1962)

North transept, San Michele Arcangelo altar with frescoes by Bonifacio Bembo, Cattedrale di Santa Maria Assunta, Duomo, Cremona, Lombardia, Italia (photo)
North transept, San Michele Arcangelo altar with frescoes by Bonifacio Bembo, Cattedrale di Santa Maria Assunta, Duomo, Cremona, Lombardia, Italia (photo)

MRZ6364393: North transept, San Michele Arcangelo altar with frescoes by Bonifacio Bembo, Cattedrale di Santa Maria Assunta, Duomo, Cremona, Lombardia, Italia (photo) / Bridgeman Images

ID: MRZ6364393

North transept, San Michele Arcangelo altar with frescoes by Bonifacio Bembo, Cattedrale di Santa Maria Assunta, Duomo, Cremona, Lombardia, Italia (photo)

Holy Spirit in the octagonal lantern roof, vault, Battistero di San Giovanni Battista, Cremona, Lombardia, Italia (photo)
Holy Spirit in the octagonal lantern roof, vault, Battistero di San Giovanni Battista, Cremona, Lombardia, Italia (photo)

MRZ6364394: Holy Spirit in the octagonal lantern roof, vault, Battistero di San Giovanni Battista, Cremona, Lombardia, Italia (photo) / Bridgeman Images

ID: MRZ6364394

Holy Spirit in the octagonal lantern roof, vault, Battistero di San Giovanni Battista, Cremona, Lombardia, Italia (photo)

Man who is Winnowing, c.1888 (etching)
Man who is Winnowing, c.1888 (etching)

XOS6364928: Man who is Winnowing, c.1888 (etching), Witsen, Willem (1860–1923) / Bridgeman Images

ID: XOS6364928

Man who is Winnowing, c.1888 (etching)

Witsen, Willem (1860–1923)

Parks Exhibition, International Building, Rockefeller Center, executed by Mayor's Poster Project, 1936-37 (litho)
Parks Exhibition, International Building, Rockefeller Center, executed by Mayor's Poster Project, 1936-37 (litho)

XOS6365075: Parks Exhibition, International Building, Rockefeller Center, executed by Mayor's Poster Project, 1936-37 (litho), American School, (20th century) / Bridgeman Images

ID: XOS6365075

Parks Exhibition, International Building, Rockefeller Center, executed by Mayor's Poster Project, 1936-37 (litho)

American School, (20th century)

Frieze above the door representing the various stages of wine work, Reims, rue de Mars, entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) (colourised postcard)
Frieze above the door representing the various stages of wine work, Reims, rue de Mars, entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) (colourised postcard)

PCT6365321: Frieze above the door representing the various stages of wine work, Reims, rue de Mars, entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) (colourised postcard), French Photographer (20th century) / Bridgeman Images

ID: PCT6365321

Frieze above the door representing the various stages of wine work, Reims, rue de Mars, entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) (colourised postcard)

French Photographer (20th century)

Disgorgement, dosage and capping of champagne bottles in a cellar, beginning of the twentieth century, Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin), Reims, France (b/w photo)
Disgorgement, dosage and capping of champagne bottles in a cellar, beginning of the twentieth century, Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin), Reims, France (b/w photo)

PCT6365323: Disgorgement, dosage and capping of champagne bottles in a cellar, beginning of the twentieth century, Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin), Reims, France (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: PCT6365323

Disgorgement, dosage and capping of champagne bottles in a cellar, beginning of the twentieth century, Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin), Reims, France (b/w photo)

French Photographer, (20th century)

Entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) with a frieze above the door representing the various stages of wine work, rue de Mars, Reims, France (b/w photo)
Entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) with a frieze above the door representing the various stages of wine work, rue de Mars, Reims, France (b/w photo)

PCT6365326: Entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) with a frieze above the door representing the various stages of wine work, rue de Mars, Reims, France (b/w photo), French Photographer (20th century) / Bridgeman Images

ID: PCT6365326

Entrance of the Maison des Champagnes Veuve Clicquot (Clicquot-Ponsardin) with a frieze above the door representing the various stages of wine work, rue de Mars, Reims, France (b/w photo)

French Photographer (20th century)

Colonel Walter Krueger (b/w photo)
Colonel Walter Krueger (b/w photo)

XOS6365369: Colonel Walter Krueger (b/w photo), Harris & Ewing (1905-45) / Bridgeman Images

ID: XOS6365369

Colonel Walter Krueger (b/w photo)

Harris & Ewing (1905-45)

General Malin Craig (b/w photo)
General Malin Craig (b/w photo)

XOS6365377: General Malin Craig (b/w photo), Harris & Ewing (1905-45) / Bridgeman Images

ID: XOS6365377

General Malin Craig (b/w photo)

Harris & Ewing (1905-45)

Istanbul, Turkey, Haghia Sophia or Hagia Sophia (photo)
Istanbul, Turkey, Haghia Sophia or Hagia Sophia (photo)

KWE6365682: Istanbul, Turkey, Haghia Sophia or Hagia Sophia (photo) / Bridgeman Images

ID: KWE6365682

Istanbul, Turkey, Haghia Sophia or Hagia Sophia (photo)

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)
Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

GRL6365884: Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365884

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

Orcagna, Andrea di Cione (c.1308-68)

Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius; Lucifer clutching two Giants and Antenor, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)
Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius; Lucifer clutching two Giants and Antenor, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

GRL6365886: Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius; Lucifer clutching two Giants and Antenor, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365886

Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius; Lucifer clutching two Giants and Antenor, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

Orcagna, Andrea di Cione (c.1308-68)

The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350
The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350

GRL6365887: The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350, Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365887

The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350

Orcagna, Andrea di Cione (c.1308-68)

The Coronation of the Virgin, first half XIV century (detached fresco)
The Coronation of the Virgin, first half XIV century (detached fresco)

GRL6365896: The Coronation of the Virgin, first half XIV century (detached fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

ID: GRL6365896

The Coronation of the Virgin, first half XIV century (detached fresco)

Maso di Banco (fl.1336-46)

North Pulpit , 1479, Mario Audiface e Abacone subjected to the fire
North Pulpit , 1479, Mario Audiface e Abacone subjected to the fire

MRZ6360236: North Pulpit , 1479, Mario Audiface e Abacone subjected to the fire, Piatti, Giovanni Antonio (1447-1480) & Amadeo, Giovanni Antonio (1447-1522) / Bridgeman Images

ID: MRZ6360236

North Pulpit , 1479, Mario Audiface e Abacone subjected to the fire

Piatti, Giovanni Antonio (1447-1480) & Amadeo, Giovanni Antonio (1447-1522)

North Transept, Altar of St. Michael the Archangel, Behind the Altarpiece the Frescoes of Boniface Bembo, Archangel Michael with Libra driving out the Evil, Detail Archangel, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)
North Transept, Altar of St. Michael the Archangel, Behind the Altarpiece the Frescoes of Boniface Bembo, Archangel Michael with Libra driving out the Evil, Detail Archangel, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)

MRZ6360262: North Transept, Altar of St. Michael the Archangel, Behind the Altarpiece the Frescoes of Boniface Bembo, Archangel Michael with Libra driving out the Evil, Detail Archangel, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360262

North Transept, Altar of St. Michael the Archangel, Behind the Altarpiece the Frescoes of Boniface Bembo, Archangel Michael with Libra driving out the Evil, Detail Archangel, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)

Altar of Saint Catherine, Madonna and Child between Saints Philip and James and the donor Giacomo Schizzi, 1522
Altar of Saint Catherine, Madonna and Child between Saints Philip and James and the donor Giacomo Schizzi, 1522

MRZ6360267: Altar of Saint Catherine, Madonna and Child between Saints Philip and James and the donor Giacomo Schizzi, 1522, Pordenone, Giovanni Antonio (1484-1539) / Bridgeman Images

ID: MRZ6360267

Altar of Saint Catherine, Madonna and Child between Saints Philip and James and the donor Giacomo Schizzi, 1522

Pordenone, Giovanni Antonio (1484-1539)

Altar of Sant'Eusebius, High Relief Sant'Eusebio resurrects a dead, Alessandro Arrighi 1693, Fresco Madonna della Peace XV Sec, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)
Altar of Sant'Eusebius, High Relief Sant'Eusebio resurrects a dead, Alessandro Arrighi 1693, Fresco Madonna della Peace XV Sec, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

MRZ6360271: Altar of Sant'Eusebius, High Relief Sant'Eusebio resurrects a dead, Alessandro Arrighi 1693, Fresco Madonna della Peace XV Sec, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360271

Altar of Sant'Eusebius, High Relief Sant'Eusebio resurrects a dead, Alessandro Arrighi 1693, Fresco Madonna della Peace XV Sec, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

North transept second span east, Volta a cruise, Storie di Abraham, Metà 1300, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)
North transept second span east, Volta a cruise, Storie di Abraham, Metà 1300, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

MRZ6360295: North transept second span east, Volta a cruise, Storie di Abraham, Metà 1300, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360295

North transept second span east, Volta a cruise, Storie di Abraham, Metà 1300, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)
South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

MRZ6360298: South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360298

South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)
South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

MRZ6360299: South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360299

South Transept, Altar of the Crucifix, Angelo Nani and Carlo Natali 1641, Wooden Cocifix by Giacomo Bertesi 1687, Cathedral of Santa Maria Assunta, Cathedral, Cremona, Lombardy, Italy (photo)

Wall opposite to the north transept counterfacade, Sante Legnani, Conversion of Saul 1814, Low detail
Wall opposite to the north transept counterfacade, Sante Legnani, Conversion of Saul 1814, Low detail

MRZ6360303: Wall opposite to the north transept counterfacade, Sante Legnani, Conversion of Saul 1814, Low detail, Legnani, Sante (1760- after 1818) / Bridgeman Images

ID: MRZ6360303

Wall opposite to the north transept counterfacade, Sante Legnani, Conversion of Saul 1814, Low detail

Legnani, Sante (1760- after 1818)

North Transept Volte, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)
North Transept Volte, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)

MRZ6360304: North Transept Volte, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360304

North Transept Volte, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)

North transept first west span, Vault a cruise, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)
North transept first west span, Vault a cruise, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)

MRZ6360309: North transept first west span, Vault a cruise, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo) / Bridgeman Images

ID: MRZ6360309

North transept first west span, Vault a cruise, Cathedral of Santa Maria Assunta, Duomo, Cremona, Lombardy, Italy (photo)


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