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Rollers for making bar iron: flat, square and plate iron. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812
Rollers for making bar iron: flat, square and plate iron. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812

FLO4591653: Rollers for making bar iron: flat, square and plate iron. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812 / Bridgeman Images

Anatomy of the human ear showing ear flap, anvil, stirrrup, cochlea, eustachian tube and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear showing ear flap, anvil, stirrrup, cochlea, eustachian tube and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591705: Anatomy of the human ear showing ear flap, anvil, stirrrup, cochlea, eustachian tube and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dredging machine used on the River Thames to deepen the channel. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Dredging machine used on the River Thames to deepen the channel. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591764: Dredging machine used on the River Thames to deepen the channel. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Candle-making equipment: dipping apparatus 1, wick broach 2, cotton-cutting machine 3, tallow cistern for mould candles 4, mould frame 5, mould 6 and candlesticks 7-12. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Candle-making equipment: dipping apparatus 1, wick broach 2, cotton-cutting machine 3, tallow cistern for mould candles 4, mould frame 5, mould 6 and candlesticks 7-12. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591781: Candle-making equipment: dipping apparatus 1, wick broach 2, cotton-cutting machine 3, tallow cistern for mould candles 4, mould frame 5, mould 6 and candlesticks 7-12. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: frame 10, screw hoop 11, truss hoop 12, screw hoop applied to a canteen 13, turning the chime 14, turning the head 15, shears 16,17 punching the hoops 18, rounding the ends 19. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: frame 10, screw hoop 11, truss hoop 12, screw hoop applied to a canteen 13, turning the chime 14, turning the head 15, shears 16,17 punching the hoops 18, rounding the ends 19. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591822: Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: frame 10, screw hoop 11, truss hoop 12, screw hoop applied to a canteen 13, turning the chime 14, turning the head 15, shears 16,17 punching the hoops 18, rounding the ends 19. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Plans and sections through canal locks and gates, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Plans and sections through canal locks and gates, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591823: Plans and sections through canal locks and gates, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Miscellany: equipment for button-making, glazing cloth, gun flints, George Smart's chimney cleansing machine, and crystallography. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Miscellany: equipment for button-making, glazing cloth, gun flints, George Smart's chimney cleansing machine, and crystallography. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591098: Miscellany: equipment for button-making, glazing cloth, gun flints, George Smart's chimney cleansing machine, and crystallography. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Mina, 1962 (b/w photo)
Mina, 1962 (b/w photo)

UIG4591153: Mina, 1962 (b/w photo) / Bridgeman Images

Mina, 1961 (b/w photo)
Mina, 1961 (b/w photo)

UIG4591154: Mina, 1961 (b/w photo) / Bridgeman Images

Centrifugal machine and centrobaryc method. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Centrifugal machine and centrobaryc method. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591231: Centrifugal machine and centrobaryc method. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Expanding riggers invented by A. Flint and Mr. Farey. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Expanding riggers invented by A. Flint and Mr. Farey. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591356: Expanding riggers invented by A. Flint and Mr. Farey. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Water-powered flour mill designed by John Smeaton, 1781. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Water-powered flour mill designed by John Smeaton, 1781. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591408: Water-powered flour mill designed by John Smeaton, 1781. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Steel-converting furnace and mould for crucible manufacture. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Steel-converting furnace and mould for crucible manufacture. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591446: Steel-converting furnace and mould for crucible manufacture. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Mill for grinding colour paints. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Mill for grinding colour paints. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591452: Mill for grinding colour paints. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

British Men of War, 18th century: first rate, man of war's barge, seventy four (74 guns) and lugger (top), fire brig, flat-bottomed boat, gun vessel (The Wolverine) and man of war's long boat (below). Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1802.
British Men of War, 18th century: first rate, man of war's barge, seventy four (74 guns) and lugger (top), fire brig, flat-bottomed boat, gun vessel (The Wolverine) and man of war's long boat (below). Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1802.

FLO4593353: British Men of War, 18th century: first rate, man of war's barge, seventy four (74 guns) and lugger (top), fire brig, flat-bottomed boat, gun vessel (The Wolverine) and man of war's long boat (below). Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1802. / Bridgeman Images

Pneumatics: bellows, plans and elevations, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1805.
Pneumatics: bellows, plans and elevations, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1805.

FLO4593518: Pneumatics: bellows, plans and elevations, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1805. / Bridgeman Images

Pneumatics: marine barometer, Mr Caswell's and John Rowning's barometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1803.
Pneumatics: marine barometer, Mr Caswell's and John Rowning's barometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1803.

FLO4593532: Pneumatics: marine barometer, Mr Caswell's and John Rowning's barometers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1803. / Bridgeman Images

The Lactee Way and the Sagittarius - Part of the Sagittarius constellation - The lactee path and the “theiere” in the Sagittarius. The milky way and the “” teapot””” in Sagittarius
The Lactee Way and the Sagittarius - Part of the Sagittarius constellation - The lactee path and the “theiere” in the Sagittarius. The milky way and the “” teapot””” in Sagittarius

PIX4593541: The Lactee Way and the Sagittarius - Part of the Sagittarius constellation - The lactee path and the “theiere” in the Sagittarius. The milky way and the “” teapot””” in Sagittarius / Bridgeman Images

Architectural drawings of a Roman ampitheatre. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural drawings of a Roman ampitheatre. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593593: Architectural drawings of a Roman ampitheatre. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Potato harrow and set scoops (Dublin and Slarks), moveable and fixed pig or swine cases, and pond construction. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Potato harrow and set scoops (Dublin and Slarks), moveable and fixed pig or swine cases, and pond construction. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593616: Potato harrow and set scoops (Dublin and Slarks), moveable and fixed pig or swine cases, and pond construction. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Anatomy of birds: skeleton. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of birds: skeleton. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593655: Anatomy of birds: skeleton. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Wall painting from the Baths of Titus, Rome. Copperplate engraving by J. Roffe from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Wall painting from the Baths of Titus, Rome. Copperplate engraving by J. Roffe from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593146: Wall painting from the Baths of Titus, Rome. Copperplate engraving by J. Roffe from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Carding engine used for wool manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.
Carding engine used for wool manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.

FLO4593192: Carding engine used for wool manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809. / Bridgeman Images

Atmospheric steam engine, elevation, 19th century. With Mr. John Smeaton's injection cap. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.
Atmospheric steam engine, elevation, 19th century. With Mr. John Smeaton's injection cap. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.

FLO4593310: Atmospheric steam engine, elevation, 19th century. With Mr. John Smeaton's injection cap. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818. / Bridgeman Images

Drawing instruments including perspective aids such as Mr. Peacock's delineator and Miss Maria Edgeworth (1767-1849)'s delineator, Jesse Ramsden (1735-1800)'s optigraph improved by Thomas Jones and Dr. William Hyde Wollaston's camera lucida. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Drawing instruments including perspective aids such as Mr. Peacock's delineator and Miss Maria Edgeworth (1767-1849)'s delineator, Jesse Ramsden (1735-1800)'s optigraph improved by Thomas Jones and Dr. William Hyde Wollaston's camera lucida. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591907: Drawing instruments including perspective aids such as Mr. Peacock's delineator and Miss Maria Edgeworth (1767-1849)'s delineator, Jesse Ramsden (1735-1800)'s optigraph improved by Thomas Jones and Dr. William Hyde Wollaston's camera lucida. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Machinery for making cutlery: troughs of a grinding mill, fongs for pressing knife handles, pressing vice and spring drill. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Machinery for making cutlery: troughs of a grinding mill, fongs for pressing knife handles, pressing vice and spring drill. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4592064: Machinery for making cutlery: troughs of a grinding mill, fongs for pressing knife handles, pressing vice and spring drill. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Phacelia, endemic of California - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Divaricate phacelia, Phacelia divaricata (Straggling eutoca, Eutoca divaricata Watts) - Engraving by S. after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835
Phacelia, endemic of California - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Divaricate phacelia, Phacelia divaricata (Straggling eutoca, Eutoca divaricata Watts) - Engraving by S. after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835

FLO4587978: Phacelia, endemic of California - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Divaricate phacelia, Phacelia divaricata (Straggling eutoca, Eutoca divaricata Watts) - Engraving by S. after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Orchid: variety of catasetum, called bearded - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bearded flywort or bearded catasetum orchid, Catasetum barbatum (Myanthus barbatus) - Engrated - Engrater by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835
Orchid: variety of catasetum, called bearded - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bearded flywort or bearded catasetum orchid, Catasetum barbatum (Myanthus barbatus) - Engrated - Engrater by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835

FLO4588032: Orchid: variety of catasetum, called bearded - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bearded flywort or bearded catasetum orchid, Catasetum barbatum (Myanthus barbatus) - Engrated - Engrater by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Dress of the reign of King Henry VI, 1422-1461. She wears a blue furlined mantle over a jeweled and furtrimmed bodice over a pink skirt. Her Royal MS, Harleian MS, Froissart, Montfaucon, drawing by King Rene, print in Lidgate's poem, Nuremburg Chronicle. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the reign of King Henry VI, 1422-1461. She wears a blue furlined mantle over a jeweled and furtrimmed bodice over a pink skirt. Her Royal MS, Harleian MS, Froissart, Montfaucon, drawing by King Rene, print in Lidgate's poem, Nuremburg Chronicle. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594603: Dress of the reign of King Henry VI, 1422-1461. She wears a blue furlined mantle over a jeweled and furtrimmed bodice over a pink skirt. Her Royal MS, Harleian MS, Froissart, Montfaucon, drawing by King Rene, print in Lidgate's poem, Nuremburg Chronicle. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress (Robe) of the reign of King Richard III, 1483-1485. Blue and gold embroidered dress with white puff sleeves, jeweled necklace and belt, headdress with upright veil. Based on illuminated Royal manuscript 16F2, Harleian manuscript 4425, “” Roman de la Rose,””” Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of King Richard III, 1483-1485. Blue and gold embroidered dress with white puff sleeves, jeweled necklace and belt, headdress with upright veil. Based on illuminated Royal manuscript 16F2, Harleian manuscript 4425, “” Roman de la Rose,””” Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594621: Dress (Robe) of the reign of King Richard III, 1483-1485. Blue and gold embroidered dress with white puff sleeves, jeweled necklace and belt, headdress with upright veil. Based on illuminated Royal manuscript 16F2, Harleian manuscript 4425, “” Roman de la Rose,””” Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress of the early part of the reign of King Henry VIII, 1509-1520. She wears a green dress with square collar, lace cuffs on puff sleeves, gold belt and jeweled necklace, headdress and choker. Based on a portrait of Lady Abergavenny, descriptions by Hall, Hollingshed, and Stow, print attached to Horace Walpole's Royal and Noble Authors, brassed in the Shelley family, Clapham Church, Sussex. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the early part of the reign of King Henry VIII, 1509-1520. She wears a green dress with square collar, lace cuffs on puff sleeves, gold belt and jeweled necklace, headdress and choker. Based on a portrait of Lady Abergavenny, descriptions by Hall, Hollingshed, and Stow, print attached to Horace Walpole's Royal and Noble Authors, brassed in the Shelley family, Clapham Church, Sussex. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594640: Dress of the early part of the reign of King Henry VIII, 1509-1520. She wears a green dress with square collar, lace cuffs on puff sleeves, gold belt and jeweled necklace, headdress and choker. Based on a portrait of Lady Abergavenny, descriptions by Hall, Hollingshed, and Stow, print attached to Horace Walpole's Royal and Noble Authors, brassed in the Shelley family, Clapham Church, Sussex. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress of the reign of Henry VIII, 1509-1547. She wears a purple hat decorated with jewels and feathers, a red dress with puffed and slit sleeves, lace collar and cuffs. Based on a woodcut of the time, Strutt's Habits, Society of Antiquaries, Observations on Female Headdress in England.” Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the reign of Henry VIII, 1509-1547. She wears a purple hat decorated with jewels and feathers, a red dress with puffed and slit sleeves, lace collar and cuffs. Based on a woodcut of the time, Strutt's Habits, Society of Antiquaries, Observations on Female Headdress in England.” Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594652: Dress of the reign of Henry VIII, 1509-1547. She wears a purple hat decorated with jewels and feathers, a red dress with puffed and slit sleeves, lace collar and cuffs. Based on a woodcut of the time, Strutt's Habits, Society of Antiquaries, Observations on Female Headdress in England.” Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress (Robe) of the early part of the reign of Queen Mary, 1553-1558. She weasrs a lace headdress and collar, a bodice with puff shoulders and short sleeves decorated with jewels. Based on descriptions by Pedro de Gante, Stow, Hall, Strutt, and portraits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the early part of the reign of Queen Mary, 1553-1558. She weasrs a lace headdress and collar, a bodice with puff shoulders and short sleeves decorated with jewels. Based on descriptions by Pedro de Gante, Stow, Hall, Strutt, and portraits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594665: Dress (Robe) of the early part of the reign of Queen Mary, 1553-1558. She weasrs a lace headdress and collar, a bodice with puff shoulders and short sleeves decorated with jewels. Based on descriptions by Pedro de Gante, Stow, Hall, Strutt, and portraits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress (Dress) of the reign of James I and Charles I, 1603-1649. She wears a black hat, tall lace collar, necklace, black mantle over a green puff-sleeved dress with lace cuffs, and carries a peacock feather fan. Portrait of James I's daughter, Elizabeth, Queen of Bohemia, Speed's Map of England, Vansomer's portrait of the time. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of James I and Charles I, 1603-1649. She wears a black hat, tall lace collar, necklace, black mantle over a green puff-sleeved dress with lace cuffs, and carries a peacock feather fan. Portrait of James I's daughter, Elizabeth, Queen of Bohemia, Speed's Map of England, Vansomer's portrait of the time. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594690: Dress (Dress) of the reign of James I and Charles I, 1603-1649. She wears a black hat, tall lace collar, necklace, black mantle over a green puff-sleeved dress with lace cuffs, and carries a peacock feather fan. Portrait of James I's daughter, Elizabeth, Queen of Bohemia, Speed's Map of England, Vansomer's portrait of the time. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress during the Protectorate, 1653-1659. She wears five ribbons in her hair, a tall lace collar, a black dress with green sleeves and scarlet shoulders over embroidered petticoats. Based on Speed's Map of England, portrait of Lady Croke. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress during the Protectorate, 1653-1659. She wears five ribbons in her hair, a tall lace collar, a black dress with green sleeves and scarlet shoulders over embroidered petticoats. Based on Speed's Map of England, portrait of Lady Croke. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594692: Dress during the Protectorate, 1653-1659. She wears five ribbons in her hair, a tall lace collar, a black dress with green sleeves and scarlet shoulders over embroidered petticoats. Based on Speed's Map of England, portrait of Lady Croke. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Dress (Dress) of the reign of Charles II, 1660-1681. She wears her hair in ringlets, a necklace, low-cut dress with puff sleeves decorated with jewels. Based on portraits of Anne Hyde, Duchess of York, and others at Hampton Court. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of Charles II, 1660-1681. She wears her hair in ringlets, a necklace, low-cut dress with puff sleeves decorated with jewels. Based on portraits of Anne Hyde, Duchess of York, and others at Hampton Court. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594695: Dress (Dress) of the reign of Charles II, 1660-1681. She wears her hair in ringlets, a necklace, low-cut dress with puff sleeves decorated with jewels. Based on portraits of Anne Hyde, Duchess of York, and others at Hampton Court. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images


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