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Shipping in the Thames at Deptford, 1789 (oil on canvas)
Shipping in the Thames at Deptford, 1789 (oil on canvas)

REA193369: Shipping in the Thames at Deptford, 1789 (oil on canvas), Dodd, Robert (1748-1815) / Bridgeman Images

ID: REA193369

Shipping in the Thames at Deptford, 1789 (oil on canvas)

Dodd, Robert (1748-1815)

A 'Saville Line' vessel in Rough Weather, c.1870 (oil)
A 'Saville Line' vessel in Rough Weather, c.1870 (oil)

TAY195174: A 'Saville Line' vessel in Rough Weather, c.1870 (oil), English School, (19th century) / Bridgeman Images

ID: TAY195174

A 'Saville Line' vessel in Rough Weather, c.1870 (oil)

English School, (19th century)

Landscape (oil on canvas)
Landscape (oil on canvas)

XIR195506: Landscape (oil on canvas), Manglard, Adrien (1695-1760) (attr. to) / Bridgeman Images

ID: XIR195506

Landscape (oil on canvas)

Manglard, Adrien (1695-1760) (attr. to)

Ms L.A. 139-Lisboa fol.26 Exterminans watching the horsemen trample the two witnesses, from the Gulbenkian Apocalypse, c.1265-70 (vellum)
Ms L.A. 139-Lisboa fol.26 Exterminans watching the horsemen trample the two witnesses, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

XJL195847: Ms L.A. 139-Lisboa fol.26 Exterminans watching the horsemen trample the two witnesses, from the Gulbenkian Apocalypse, c.1265-70 (vellum), English School, (13th century) / Bridgeman Images

ID: XJL195847

Ms L.A. 139-Lisboa fol.26 Exterminans watching the horsemen trample the two witnesses, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

English School, (13th century)

Ms L.A. 139-Lisboa fol.28 The 7th angel blowing his trumpet and the 24 Elders worshipping God, from the Gulbenkian Apocalypse, c.1265-70 (vellum)
Ms L.A. 139-Lisboa fol.28 The 7th angel blowing his trumpet and the 24 Elders worshipping God, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

XJL195850: Ms L.A. 139-Lisboa fol.28 The 7th angel blowing his trumpet and the 24 Elders worshipping God, from the Gulbenkian Apocalypse, c.1265-70 (vellum), English School, (13th century) / Bridgeman Images

ID: XJL195850

Ms L.A. 139-Lisboa fol.28 The 7th angel blowing his trumpet and the 24 Elders worshipping God, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

English School, (13th century)

Three Women and Two Children, Havana (w/c on paper)
Three Women and Two Children, Havana (w/c on paper)

BRN196091: Three Women and Two Children, Havana (w/c on paper), Pascin, Jules (1885-1930) / Bridgeman Images

ID: BRN196091

Three Women and Two Children, Havana (w/c on paper)

Pascin, Jules (1885-1930)

Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)
Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

XJF193890: Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving), Italian School, (14th century) (after) / Bridgeman Images

ID: XJF193890

Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

Italian School, (14th century) (after)

Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo)
Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo)

XIR194169: Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo), Romstedt or Romstet, Christian (17th-18th century) / Bridgeman Images

ID: XIR194169

Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo)

Romstedt or Romstet, Christian (17th-18th century)

Portrait of V.O. Klyuchevsky (1841-1911) 1908 (oil on canvas)
Portrait of V.O. Klyuchevsky (1841-1911) 1908 (oil on canvas)

XAB196475: Portrait of V.O. Klyuchevsky (1841-1911) 1908 (oil on canvas), Pasternak, Leonid Osipovic (1862-1945) / Bridgeman Images

ID: XAB196475

Portrait of V.O. Klyuchevsky (1841-1911) 1908 (oil on canvas)

Pasternak, Leonid Osipovic (1862-1945)

Portrait of Tatiana Olga Shchepkina-Kupernik (1874-1952) 1914 (oil on canvas)
Portrait of Tatiana Olga Shchepkina-Kupernik (1874-1952) 1914 (oil on canvas)

XAB196482: Portrait of Tatiana Olga Shchepkina-Kupernik (1874-1952) 1914 (oil on canvas), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: XAB196482

Portrait of Tatiana Olga Shchepkina-Kupernik (1874-1952) 1914 (oil on canvas)

Repin, Ilya Efimovich (1844-1930)

Table 6 from 'Elenchus Tabularum' by Levin Vincent (1658-1727) 1719 (engraving)
Table 6 from 'Elenchus Tabularum' by Levin Vincent (1658-1727) 1719 (engraving)

XJF196510: Table 6 from 'Elenchus Tabularum' by Levin Vincent (1658-1727) 1719 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF196510

Table 6 from 'Elenchus Tabularum' by Levin Vincent (1658-1727) 1719 (engraving)

English School, (18th century)

Woman Sewing at a Window (oil on canvas)
Woman Sewing at a Window (oil on canvas)

BBC196578: Woman Sewing at a Window (oil on canvas), John, Gwen (1876-1939) / Bridgeman Images

ID: BBC196578

Woman Sewing at a Window (oil on canvas)

John, Gwen (1876-1939)

St John the Baptist (tempera on panel)
St John the Baptist (tempera on panel)

BRN196620: St John the Baptist (tempera on panel), German School, (15th century) / Bridgeman Images

ID: BRN196620

St John the Baptist (tempera on panel)

German School, (15th century)

Landscape with Houses (oil on canvas)
Landscape with Houses (oil on canvas)

BRN195613: Landscape with Houses (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BRN195613

Landscape with Houses (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum)
Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

XJL195849: Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum), English School, (13th century) / Bridgeman Images

ID: XJL195849

Ms L.A. 139-Lisboa fol.27 The witnesses are left unburied and their souls ascend to Heaven, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

English School, (13th century)

The Denial of St. Peter, 1650 (oil on canvas) (detail of 6279)
The Denial of St. Peter, 1650 (oil on canvas) (detail of 6279)

XIR196283: The Denial of St. Peter, 1650 (oil on canvas) (detail of 6279), Tour, Georges de la (1593-1652) / Bridgeman Images

ID: XIR196283

The Denial of St. Peter, 1650 (oil on canvas) (detail of 6279)

Tour, Georges de la (1593-1652)

Ms L.A. 139-Lisboa fol.29 God rescuing the male child from being devoured by the red dragon, from the Gulbenkian Apocalypse, c.1265-70 (vellum)
Ms L.A. 139-Lisboa fol.29 God rescuing the male child from being devoured by the red dragon, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

XJL195851: Ms L.A. 139-Lisboa fol.29 God rescuing the male child from being devoured by the red dragon, from the Gulbenkian Apocalypse, c.1265-70 (vellum), English School, (13th century) / Bridgeman Images

ID: XJL195851

Ms L.A. 139-Lisboa fol.29 God rescuing the male child from being devoured by the red dragon, from the Gulbenkian Apocalypse, c.1265-70 (vellum)

English School, (13th century)

Woman with Pigeons (oil on canvas)
Woman with Pigeons (oil on canvas)

BRN196083: Woman with Pigeons (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: BRN196083

Woman with Pigeons (oil on canvas)

Courbet, Gustave (1819-77)

Market Scene (oil on panel)
Market Scene (oil on panel)

BRN196096: Market Scene (oil on panel), Morrice, James Wilson (1865-1924) / Bridgeman Images

ID: BRN196096

Market Scene (oil on panel)

Morrice, James Wilson (1865-1924)

Ms Lat. Q.v.I.126 f.38v Rehoboam waging war against Jeroboam, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum)
Ms Lat. Q.v.I.126 f.38v Rehoboam waging war against Jeroboam, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum)

XJL197066: Ms Lat. Q.v.I.126 f.38v Rehoboam waging war against Jeroboam, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum), Colombe, Jean (c.1430-c.93) / Bridgeman Images

ID: XJL197066

Ms Lat. Q.v.I.126 f.38v Rehoboam waging war against Jeroboam, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum)

Colombe, Jean (c.1430-c.93)

Woman Seated in an Armchair (watercolour on paper)
Woman Seated in an Armchair (watercolour on paper)

XIR197102: Woman Seated in an Armchair (watercolour on paper), Guys, Constantin (1802-92) / Bridgeman Images

ID: XIR197102

Woman Seated in an Armchair (watercolour on paper)

Guys, Constantin (1802-92)

Beaker decorated with winged bulls flanking a tree, from Marlik, Iran, c.12th-11th century BC (gold) (see also 180379)
Beaker decorated with winged bulls flanking a tree, from Marlik, Iran, c.12th-11th century BC (gold) (see also 180379)

XIR197277: Beaker decorated with winged bulls flanking a tree, from Marlik, Iran, c.12th-11th century BC (gold) (see also 180379), Elamite, (4000-650 BC) / Bridgeman Images

ID: XIR197277

Beaker decorated with winged bulls flanking a tree, from Marlik, Iran, c.12th-11th century BC (gold) (see also 180379)

Elamite, (4000-650 BC)

Family Disembarking at Low Water (oil on board)
Family Disembarking at Low Water (oil on board)

REA197371: Family Disembarking at Low Water (oil on board), Wyllie, William Lionel (1851-1931) / Bridgeman Images

ID: REA197371

Family Disembarking at Low Water (oil on board)

Wyllie, William Lionel (1851-1931)

Venetian Woman (oil on canvas)
Venetian Woman (oil on canvas)

BRN196608: Venetian Woman (oil on canvas), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: BRN196608

Venetian Woman (oil on canvas)

Veronese, (Caliari, Paolo) (1528-88)

Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (see also in FLA 168743)
Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (see also in FLA 168743)

XIR196958: Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (see also in FLA 168743), Greek school, (6th century BC) / Bridgeman Images

ID: XIR196958

Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (see also in FLA 168743)

Greek school, (6th century BC)

Madame Bonaparte (1763-1814), study for 'Entry of Bonaparte, First Consul, into Antwerp on 18th July 1803' (Versailles) 1803-07 (red chalk on paper)
Madame Bonaparte (1763-1814), study for 'Entry of Bonaparte, First Consul, into Antwerp on 18th July 1803' (Versailles) 1803-07 (red chalk on paper)

XIR196998: Madame Bonaparte (1763-1814), study for 'Entry of Bonaparte, First Consul, into Antwerp on 18th July 1803' (Versailles) 1803-07 (red chalk on paper), Bree, Mathieu Ignace van (1773-1839) / Bridgeman Images

ID: XIR196998

Madame Bonaparte (1763-1814), study for 'Entry of Bonaparte, First Consul, into Antwerp on 18th July 1803' (Versailles) 1803-07 (red chalk on paper)

Bree, Mathieu Ignace van (1773-1839)

Funerary relief of mother and child, from Palmyra, Syria (stone)
Funerary relief of mother and child, from Palmyra, Syria (stone)

XIR286967: Funerary relief of mother and child, from Palmyra, Syria (stone), Syrian School (3rd century AD) / Bridgeman Images

ID: XIR286967

Funerary relief of mother and child, from Palmyra, Syria (stone)

Syrian School (3rd century AD)

Title page of the 'Scherzi Musicali' by Claudio Monteverdi (1567-1643) 1615 (engraving) (b/w photo)
Title page of the 'Scherzi Musicali' by Claudio Monteverdi (1567-1643) 1615 (engraving) (b/w photo)

XIR287057: Title page of the 'Scherzi Musicali' by Claudio Monteverdi (1567-1643) 1615 (engraving) (b/w photo), Italian School, (17th century) / Bridgeman Images

ID: XIR287057

Title page of the 'Scherzi Musicali' by Claudio Monteverdi (1567-1643) 1615 (engraving) (b/w photo)

Italian School, (17th century)

Model of The Krak des Chevaliers, model (engraving) (b/w photo)
Model of The Krak des Chevaliers, model (engraving) (b/w photo)

XIR287209: Model of The Krak des Chevaliers, model (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: XIR287209

Model of The Krak des Chevaliers, model (engraving) (b/w photo)

French School, (19th century)

Eros and Psyche (bronze)
Eros and Psyche (bronze)

XIR287265: Eros and Psyche (bronze), Roman / Bridgeman Images

ID: XIR287265

Eros and Psyche (bronze)

Roman

Portrait of Hyacinthe Rigaud, 1752-65 (engraving) (b/w photo)
Portrait of Hyacinthe Rigaud, 1752-65 (engraving) (b/w photo)

XIR287573: Portrait of Hyacinthe Rigaud, 1752-65 (engraving) (b/w photo), Lalive de Jully, Ange Laurent de (1725-79) / Bridgeman Images

ID: XIR287573

Portrait of Hyacinthe Rigaud, 1752-65 (engraving) (b/w photo)

Lalive de Jully, Ange Laurent de (1725-79)

Design for a set of plates depicting 'The Pilgrimage to Mecca', for the Manufacture de Sevres, c.1839-40 (gouache on paper)
Design for a set of plates depicting 'The Pilgrimage to Mecca', for the Manufacture de Sevres, c.1839-40 (gouache on paper)

CHT290538: Design for a set of plates depicting 'The Pilgrimage to Mecca', for the Manufacture de Sevres, c.1839-40 (gouache on paper), Develly, Jean-Charles (1783-1849) / Bridgeman Images

ID: CHT290538

Design for a set of plates depicting 'The Pilgrimage to Mecca', for the Manufacture de Sevres, c.1839-40 (gouache on paper)

Develly, Jean-Charles (1783-1849)

A Seascape (sepia wash on paper)
A Seascape (sepia wash on paper)

XYC290762: A Seascape (sepia wash on paper), Bonington, Richard Parkes (1802-28) / Bridgeman Images

ID: XYC290762

A Seascape (sepia wash on paper)

Bonington, Richard Parkes (1802-28)

Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching)
Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching)

XYC290781: Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching), Blake, William (1757-1827) (after) / Bridgeman Images

ID: XYC290781

Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching)

Blake, William (1757-1827) (after)

Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)
Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)

XCF290935: Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XCF290935

Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)

Blake, William (1757-1827)

King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)
King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)

XIR287730: King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

ID: XIR287730

King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)

Dore, Gustave (1832-83)


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