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The death of General Lawton at the Battle of Paye, December 19, 1899, during the Philippine-American War.
The death of General Lawton at the Battle of Paye, December 19, 1899, during the Philippine-American War.

KWE2967896: The death of General Lawton at the Battle of Paye, December 19, 1899, during the Philippine-American War. / Bridgeman Images

ID: KWE2967896

The death of General Lawton at the Battle of Paye, December 19, 1899, during the Philippine-American War.

Portrait of a Young Girl, 1633-35 (oil on panel)
Portrait of a Young Girl, 1633-35 (oil on panel)

XCC2968167: Portrait of a Young Girl, 1633-35 (oil on panel), Dubordieu, Pieter (1609/10-after 1678) (attr.to) / Bridgeman Images

ID: XCC2968167

Portrait of a Young Girl, 1633-35 (oil on panel)

Dubordieu, Pieter (1609/10-after 1678) (attr.to)

The Dymoke Suit of Armour of Sir Christopher Hatton. From The Connoisseur Magazine, published 1902.
The Dymoke Suit of Armour of Sir Christopher Hatton. From The Connoisseur Magazine, published 1902.

MOR2968386: The Dymoke Suit of Armour of Sir Christopher Hatton. From The Connoisseur Magazine, published 1902. / Bridgeman Images

ID: MOR2968386

The Dymoke Suit of Armour of Sir Christopher Hatton. From The Connoisseur Magazine, published 1902.

Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)
Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)

XCC2968019: Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968019

Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)

Whistler, James Abbott McNeill (1834-1903)

Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished in wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches)
Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished in wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches)

XCC2968357: Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished in wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches), Peruvian School / Bridgeman Images

ID: XCC2968357

Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished in wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches)

Peruvian School

Henrietta Ponsonby, Countess of Bessborough, 1761 ? 1821, born Lady Henrietta Frances Spencer (generally called Harriet), was the wife of Frederick Ponsonby, 3rd Earl of Bessborough and mother of the notorious Lady Caroline Lamb. Her father, John Spencer, 1st Earl Spencer, was a great-grandson of John Churchill, 1st Duke of Marlborough. Her sister was Georgiana Cavendish, Duchess of Devonshire. From The Connoisseur Magazine, published 1902.
Henrietta Ponsonby, Countess of Bessborough, 1761 ? 1821, born Lady Henrietta Frances Spencer (generally called Harriet), was the wife of Frederick Ponsonby, 3rd Earl of Bessborough and mother of the notorious Lady Caroline Lamb. Her father, John Spencer, 1st Earl Spencer, was a great-grandson of John Churchill, 1st Duke of Marlborough. Her sister was Georgiana Cavendish, Duchess of Devonshire. From The Connoisseur Magazine, published 1902.

MOR2968388: Henrietta Ponsonby, Countess of Bessborough, 1761 ? 1821, born Lady Henrietta Frances Spencer (generally called Harriet), was the wife of Frederick Ponsonby, 3rd Earl of Bessborough and mother of the notorious Lady Caroline Lamb. Her father, John Spencer, 1st Earl Spencer, was a great-grandson of John Churchill, 1st Duke of Marlborough. Her sister was Georgiana Cavendish, Duchess of Devonshire. From The Connoisseur Magazine, published 1902. / Bridgeman Images

ID: MOR2968388

Henrietta Ponsonby, Countess of Bessborough, 1761 ? 1821, born Lady Henrietta Frances Spencer (generally called Harriet), was the wife of Frederick Ponsonby, 3rd Earl of Bessborough and mother of the notorious Lady Caroline Lamb. Her father, John Spencer, 1st Earl Spencer, was a great-grandson of John Churchill, 1st Duke of Marlborough. Her sister was Georgiana Cavendish, Duchess of Devonshire. From The Connoisseur Magazine, published 1902.

The Island of Palmaria,opposite La Spezzia, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.
The Island of Palmaria,opposite La Spezzia, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

MOR2968398: The Island of Palmaria,opposite La Spezzia, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images

ID: MOR2968398

The Island of Palmaria,opposite La Spezzia, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

Manning, Reverend Samuel (fl.1880s)

Sword, late second or very early third century (iron)
Sword, late second or very early third century (iron)

TW2967364: Sword, late second or very early third century (iron), Roman / Bridgeman Images

ID: TW2967364

Sword, late second or very early third century (iron)

Roman

Coast Scene, Bathers, 1884-85 (oil on panel)
Coast Scene, Bathers, 1884-85 (oil on panel)

XCC2968007: Coast Scene, Bathers, 1884-85 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968007

Coast Scene, Bathers, 1884-85 (oil on panel)

Whistler, James Abbott McNeill (1834-1903)

Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print)
Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print)

XCC2968085: Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print), Harunobu, Suzuki (1725-70) / Bridgeman Images

ID: XCC2968085

Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print)

Harunobu, Suzuki (1725-70)

Footpath in the Barbizonnières, 1864 (pen and brown and black ink, with watercolour, over graphite, on ivory wove paper)
Footpath in the Barbizonnières, 1864 (pen and brown and black ink, with watercolour, over graphite, on ivory wove paper)

XCC2968334: Footpath in the Barbizonnières, 1864 (pen and brown and black ink, with watercolour, over graphite, on ivory wove paper), Rousseau, Theodore (1812-67) / Bridgeman Images

ID: XCC2968334

Footpath in the Barbizonnières, 1864 (pen and brown and black ink, with watercolour, over graphite, on ivory wove paper)

Rousseau, Theodore (1812-67)

Ranelagh Gardens, Chelsea, London, England. The exterior of the Rotunda at Ranelagh Gardens, the
Ranelagh Gardens, Chelsea, London, England. The exterior of the Rotunda at Ranelagh Gardens, the

MOR2968391: Ranelagh Gardens, Chelsea, London, England. The exterior of the Rotunda at Ranelagh Gardens, the "Chinese House", and part of the grounds, after the engraving by Thomas Bowles, 1754. From The Story of England, published 1930., Bowles, Thomas (c.1712-53) (after) / Bridgeman Images

ID: MOR2968391

Ranelagh Gardens, Chelsea, London, England. The exterior of the Rotunda at Ranelagh Gardens, the "Chinese House", and part of the grounds, after the engraving by Thomas Bowles, 1754. From The Story of England, published 1930.

Bowles, Thomas (c.1712-53) (after)

The Fitting, 1890-91 (colour aquatint with drypoint from three plates, on buff laid paper)
The Fitting, 1890-91 (colour aquatint with drypoint from three plates, on buff laid paper)

XCC2968259: The Fitting, 1890-91 (colour aquatint with drypoint from three plates, on buff laid paper), Cassatt, Mary Stevenson (1844-1926) / Bridgeman Images

ID: XCC2968259

The Fitting, 1890-91 (colour aquatint with drypoint from three plates, on buff laid paper)

Cassatt, Mary Stevenson (1844-1926)

Opera House in Vienna, c.1922 (coloured etching)
Opera House in Vienna, c.1922 (coloured etching)

BBT2967914: Opera House in Vienna, c.1922 (coloured etching), Figura, Hans (1898-1978) / Bridgeman Images

ID: BBT2967914

Opera House in Vienna, c.1922 (coloured etching)

Figura, Hans (1898-1978)

Black Friday in Wall Street, New York, United States of America 1869, when the price of gold collapsed due to the speculators Jay Gould and James Fisk who tried to corner the gold market.
Black Friday in Wall Street, New York, United States of America 1869, when the price of gold collapsed due to the speculators Jay Gould and James Fisk who tried to corner the gold market.

KWE2967833: Black Friday in Wall Street, New York, United States of America 1869, when the price of gold collapsed due to the speculators Jay Gould and James Fisk who tried to corner the gold market. / Bridgeman Images

ID: KWE2967833

Black Friday in Wall Street, New York, United States of America 1869, when the price of gold collapsed due to the speculators Jay Gould and James Fisk who tried to corner the gold market.

Railway strikers sabotaging a train during The Pullman Strike, United States of America, May 11, 1894.
Railway strikers sabotaging a train during The Pullman Strike, United States of America, May 11, 1894.

KWE2967856: Railway strikers sabotaging a train during The Pullman Strike, United States of America, May 11, 1894. / Bridgeman Images

ID: KWE2967856

Railway strikers sabotaging a train during The Pullman Strike, United States of America, May 11, 1894.

General Ulysses S. Grant's tomb, Manhattan, New York City, United States of America in the 19th century.
General Ulysses S. Grant's tomb, Manhattan, New York City, United States of America in the 19th century.

KWE2967862: General Ulysses S. Grant's tomb, Manhattan, New York City, United States of America in the 19th century. / Bridgeman Images

ID: KWE2967862

General Ulysses S. Grant's tomb, Manhattan, New York City, United States of America in the 19th century.

The Rough Riders, members of 1st United States Volunteer Cavalry, at The Battle of Las Guasimas, The Spanish-American of 1898 War, publ. 1900 (print)
The Rough Riders, members of 1st United States Volunteer Cavalry, at The Battle of Las Guasimas, The Spanish-American of 1898 War, publ. 1900 (print)

KWE2967887: The Rough Riders, members of 1st United States Volunteer Cavalry, at The Battle of Las Guasimas, The Spanish-American of 1898 War, publ. 1900 (print), American School, (20th century) / Bridgeman Images

ID: KWE2967887

The Rough Riders, members of 1st United States Volunteer Cavalry, at The Battle of Las Guasimas, The Spanish-American of 1898 War, publ. 1900 (print)

American School, (20th century)

The death of Emerson Hamilton Liscum at the Battle of Tientsin, China, during the Boxer Rebellion. 1841 -1900.
The death of Emerson Hamilton Liscum at the Battle of Tientsin, China, during the Boxer Rebellion. 1841 -1900.

KWE2967899: The death of Emerson Hamilton Liscum at the Battle of Tientsin, China, during the Boxer Rebellion. 1841 -1900. / Bridgeman Images

ID: KWE2967899

The death of Emerson Hamilton Liscum at the Battle of Tientsin, China, during the Boxer Rebellion. 1841 -1900.

Wine cooler, c.1821 (mahogany, lead lining and brass hardware)
Wine cooler, c.1821 (mahogany, lead lining and brass hardware)

XCC2968228: Wine cooler, c.1821 (mahogany, lead lining and brass hardware), Mack, Williams and Gibton (fl.1811-1829) / Bridgeman Images

ID: XCC2968228

Wine cooler, c.1821 (mahogany, lead lining and brass hardware)

Mack, Williams and Gibton (fl.1811-1829)

Plate Ten from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)
Plate Ten from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

XCC2968350: Plate Ten from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

ID: XCC2968350

Plate Ten from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

Robert, Hubert (1733-1808)

Charles Gounod, 1841 (graphite on ivory wove paper, discolored to cream)
Charles Gounod, 1841 (graphite on ivory wove paper, discolored to cream)

XCC2968242: Charles Gounod, 1841 (graphite on ivory wove paper, discolored to cream), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: XCC2968242

Charles Gounod, 1841 (graphite on ivory wove paper, discolored to cream)

Ingres, Jean Auguste Dominique (1780-1867)

Interior of Saint Peter's Basilica, Vatican City, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.
Interior of Saint Peter's Basilica, Vatican City, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

MOR2968397: Interior of Saint Peter's Basilica, Vatican City, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images

ID: MOR2968397

Interior of Saint Peter's Basilica, Vatican City, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

Manning, Reverend Samuel (fl.1880s)

The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper)
The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper)

XCC2968280: The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper), Bresdin, Rodolphe (1822-85) / Bridgeman Images

ID: XCC2968280

The Smugglers, 1858 (pen & black ink, on cream wove paper, laid down on ivory wove paper)

Bresdin, Rodolphe (1822-85)

A group of figures, c.1649 (pen and brown ink and brush and brown wash on ivory laid paper)
A group of figures, c.1649 (pen and brown ink and brush and brown wash on ivory laid paper)

XCC2968294: A group of figures, c.1649 (pen and brown ink and brush and brown wash on ivory laid paper), Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

ID: XCC2968294

A group of figures, c.1649 (pen and brown ink and brush and brown wash on ivory laid paper)

Ribera, Jusepe de (c.1590-1652)

Plate Five from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)
Plate Five from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

XCC2968345: Plate Five from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

ID: XCC2968345

Plate Five from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

Robert, Hubert (1733-1808)

Oliver Cromwell Resolving to Refuse the Crown in 1857. Oliver Cromwell, 1599 ? 1658. English military and political leader. From Bibby's Annual published 1910.
Oliver Cromwell Resolving to Refuse the Crown in 1857. Oliver Cromwell, 1599 ? 1658. English military and political leader. From Bibby's Annual published 1910.

MOR2968395: Oliver Cromwell Resolving to Refuse the Crown in 1857. Oliver Cromwell, 1599 ? 1658. English military and political leader. From Bibby's Annual published 1910. / Bridgeman Images

ID: MOR2968395

Oliver Cromwell Resolving to Refuse the Crown in 1857. Oliver Cromwell, 1599 ? 1658. English military and political leader. From Bibby's Annual published 1910.

The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk)
The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk)

XCC2972854: The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk), Vernansal, Guy-Louis (1648–1729) (after) / Bridgeman Images

ID: XCC2972854

The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk)

Vernansal, Guy-Louis (1648–1729) (after)

The Actor Ichikawa Danzo IV Doing a Quick Change Between the Roles of Sadakuro and Yoichibei, in the Play Kanadehon Chushingura, c.1781 (colour woodblock print; hosoban)
The Actor Ichikawa Danzo IV Doing a Quick Change Between the Roles of Sadakuro and Yoichibei, in the Play Kanadehon Chushingura, c.1781 (colour woodblock print; hosoban)

XCC2972870: The Actor Ichikawa Danzo IV Doing a Quick Change Between the Roles of Sadakuro and Yoichibei, in the Play Kanadehon Chushingura, c.1781 (colour woodblock print; hosoban), Shunsho, Katsukawa (1726-93) / Bridgeman Images

ID: XCC2972870

The Actor Ichikawa Danzo IV Doing a Quick Change Between the Roles of Sadakuro and Yoichibei, in the Play Kanadehon Chushingura, c.1781 (colour woodblock print; hosoban)

Shunsho, Katsukawa (1726-93)

Moles from a Noah's ark, c.1840 (painted wood)
Moles from a Noah's ark, c.1840 (painted wood)

JEF2972919: Moles from a Noah's ark, c.1840 (painted wood), German School, (19th century) / Bridgeman Images

ID: JEF2972919

Moles from a Noah's ark, c.1840 (painted wood)

German School, (19th century)

Lamp, c.1850-1900 (glass)
Lamp, c.1850-1900 (glass)

JEF2972948: Lamp, c.1850-1900 (glass), Egyptian School, (19th century) / Bridgeman Images

ID: JEF2972948

Lamp, c.1850-1900 (glass)

Egyptian School, (19th century)

The X.mas Academics / A Combination Game at Whist, 1773 (engraving)
The X.mas Academics / A Combination Game at Whist, 1773 (engraving)

JEF2972974: The X.mas Academics / A Combination Game at Whist, 1773 (engraving), Bunbury, Henry William (1750-1811) (after) / Bridgeman Images

ID: JEF2972974

The X.mas Academics / A Combination Game at Whist, 1773 (engraving)

Bunbury, Henry William (1750-1811) (after)

The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper)
The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper)

XCC2972264: The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

ID: XCC2972264

The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper)

Vallotton, Felix Edouard (1865-1925)

Woman with a Vase, 1894 (etching & aquatint on white laid paper)
Woman with a Vase, 1894 (etching & aquatint on white laid paper)

XCC2972414: Woman with a Vase, 1894 (etching & aquatint on white laid paper), Besnard, Paul Albert (1849-1934) / Bridgeman Images

ID: XCC2972414

Woman with a Vase, 1894 (etching & aquatint on white laid paper)

Besnard, Paul Albert (1849-1934)

Study of a Male Nude (red chalk over black chalk on cream laid paper)
Study of a Male Nude (red chalk over black chalk on cream laid paper)

XCC2972452: Study of a Male Nude (red chalk over black chalk on cream laid paper), Velde, Adriaen van de (1636-72) / Bridgeman Images

ID: XCC2972452

Study of a Male Nude (red chalk over black chalk on cream laid paper)

Velde, Adriaen van de (1636-72)

Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper)
Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper)

XCC2972552: Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper), Boullongne, Louis de (the Younger) (1654-1733) / Bridgeman Images

ID: XCC2972552

Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper)

Boullongne, Louis de (the Younger) (1654-1733)


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