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Caught
Caught

CH35224: Caught, Arnold, Carl Johann (b.1829) / Bridgeman Images

ID: CH35224

Caught

Arnold, Carl Johann (b.1829)

The Adoration of the Shepherds
The Adoration of the Shepherds

CH35306: The Adoration of the Shepherds, Lunetti, Tommaso di Stefano (c.1496-1564) / Bridgeman Images

ID: CH35306

The Adoration of the Shepherds

Lunetti, Tommaso di Stefano (c.1496-1564)

Classical Ruins with Peasants Watering their Animals
Classical Ruins with Peasants Watering their Animals

CH35324: Classical Ruins with Peasants Watering their Animals, Breenbergh, Bartholomeus (1599-1657) / Bridgeman Images

ID: CH35324

Classical Ruins with Peasants Watering their Animals

Breenbergh, Bartholomeus (1599-1657)

The Siege of Zolnock by the Turks in 1552, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)
The Siege of Zolnock by the Turks in 1552, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

STC90411: The Siege of Zolnock by the Turks in 1552, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

ID: STC90411

The Siege of Zolnock by the Turks in 1552, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

German School, (17th century)

Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)
Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

STC90415: Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

ID: STC90415

Plan of the granite stronghold near New Serinwar in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

German School, (17th century)

Portrait of Virgilius Solis (1514-62) German printmaker, 1562 (engraving)
Portrait of Virgilius Solis (1514-62) German printmaker, 1562 (engraving)

STC90440: Portrait of Virgilius Solis (1514-62) German printmaker, 1562 (engraving), Jenichen, Balthasar (fl.1563-a.1621) / Bridgeman Images

ID: STC90440

Portrait of Virgilius Solis (1514-62) German printmaker, 1562 (engraving)

Jenichen, Balthasar (fl.1563-a.1621)

New York from Heights Near Brooklyn, 1820-23 (coloured aquatint)
New York from Heights Near Brooklyn, 1820-23 (coloured aquatint)

MNY90555: New York from Heights Near Brooklyn, 1820-23 (coloured aquatint), Wall, William Guy (1792-c.1864) (after) / Bridgeman Images

ID: MNY90555

New York from Heights Near Brooklyn, 1820-23 (coloured aquatint)

Wall, William Guy (1792-c.1864) (after)

Carved, pierced and gilded rococo frame, decorated with demi-god masks and double scallop shell, English, mid 18th century; carved, pierced and gilded frame with shells and acanthus leaves, Florentine, 18th century; faux tortoiseshell and ebonised moulding frame, Dutch, 19th century
Carved, pierced and gilded rococo frame, decorated with demi-god masks and double scallop shell, English, mid 18th century; carved, pierced and gilded frame with shells and acanthus leaves, Florentine, 18th century; faux tortoiseshell and ebonised moulding frame, Dutch, 19th century

BNM90982: Carved, pierced and gilded rococo frame, decorated with demi-god masks and double scallop shell, English, mid 18th century; carved, pierced and gilded frame with shells and acanthus leaves, Florentine, 18th century; faux tortoiseshell and ebonised moulding frame, Dutch, 19th century / Bridgeman Images

ID: BNM90982

Carved, pierced and gilded rococo frame, decorated with demi-god masks and double scallop shell, English, mid 18th century; carved, pierced and gilded frame with shells and acanthus leaves, Florentine, 18th century; faux tortoiseshell and ebonised moulding frame, Dutch, 19th century

A Portrait of Marie Adelaide (1759-1802) Daughter of Louis XV (oil on canvas)
A Portrait of Marie Adelaide (1759-1802) Daughter of Louis XV (oil on canvas)

PWI91009: A Portrait of Marie Adelaide (1759-1802) Daughter of Louis XV (oil on canvas), Nattier, Jean-Marc (1685-1766) / Bridgeman Images

ID: PWI91009

A Portrait of Marie Adelaide (1759-1802) Daughter of Louis XV (oil on canvas)

Nattier, Jean-Marc (1685-1766)

Architectural Ruins in a Rocky Landscape (oil on canvas)
Architectural Ruins in a Rocky Landscape (oil on canvas)

PWI91087: Architectural Ruins in a Rocky Landscape (oil on canvas), Robert, Hubert (1733-1808) / Bridgeman Images

ID: PWI91087

Architectural Ruins in a Rocky Landscape (oil on canvas)

Robert, Hubert (1733-1808)

Portrait of a Boy with a Gun, 1720-30 (oil on canvas)
Portrait of a Boy with a Gun, 1720-30 (oil on canvas)

SRM91253: Portrait of a Boy with a Gun, 1720-30 (oil on canvas), Caravaque, Louis (1684-1754) / Bridgeman Images

ID: SRM91253

Portrait of a Boy with a Gun, 1720-30 (oil on canvas)

Caravaque, Louis (1684-1754)

The Picture Gallery in the Stroganov Palace, St. Petersburg, 1832 (oil on canvas)
The Picture Gallery in the Stroganov Palace, St. Petersburg, 1832 (oil on canvas)

SRM91272: The Picture Gallery in the Stroganov Palace, St. Petersburg, 1832 (oil on canvas), Nikitin, Nikolai Stepanovich (1811-81) / Bridgeman Images

ID: SRM91272

The Picture Gallery in the Stroganov Palace, St. Petersburg, 1832 (oil on canvas)

Nikitin, Nikolai Stepanovich (1811-81)

Plaque depicting the royal god Oba holding the eben sword in his right hand, dancing to honour his ancestors, Benin, possibly 16th century (brass)
Plaque depicting the royal god Oba holding the eben sword in his right hand, dancing to honour his ancestors, Benin, possibly 16th century (brass)

XAM91575: Plaque depicting the royal god Oba holding the eben sword in his right hand, dancing to honour his ancestors, Benin, possibly 16th century (brass) / Bridgeman Images

ID: XAM91575

Plaque depicting the royal god Oba holding the eben sword in his right hand, dancing to honour his ancestors, Benin, possibly 16th century (brass)

Humayun hunting near Kabul, copy of a painting by Farrukh Beg, c.1800, Mughal
Humayun hunting near Kabul, copy of a painting by Farrukh Beg, c.1800, Mughal

SC36434: Humayun hunting near Kabul, copy of a painting by Farrukh Beg, c.1800, Mughal / Bridgeman Images

ID: SC36434

Humayun hunting near Kabul, copy of a painting by Farrukh Beg, c.1800, Mughal

Old Church, Newtown, Isle of Wight
Old Church, Newtown, Isle of Wight

CH36593: Old Church, Newtown, Isle of Wight, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH36593

Old Church, Newtown, Isle of Wight

Rowlandson, Thomas (1756-1827)

Houses and a Windmill by a River with Boats and Fisherfolk
Houses and a Windmill by a River with Boats and Fisherfolk

CH36648: Houses and a Windmill by a River with Boats and Fisherfolk, Molenaer, Claes (Nicolaes) (1630-76) / Bridgeman Images

ID: CH36648

Houses and a Windmill by a River with Boats and Fisherfolk

Molenaer, Claes (Nicolaes) (1630-76)

Two Racehorses with Jockeys up, Exercising in a Landscape (oil on canvas)
Two Racehorses with Jockeys up, Exercising in a Landscape (oil on canvas)

CH36655: Two Racehorses with Jockeys up, Exercising in a Landscape (oil on canvas), Towne, Charles (1763-1840) / Bridgeman Images

ID: CH36655

Two Racehorses with Jockeys up, Exercising in a Landscape (oil on canvas)

Towne, Charles (1763-1840)

The Studio of Antonio Munoz Degrain, 1867 (oil on canvas)
The Studio of Antonio Munoz Degrain, 1867 (oil on canvas)

SCP36836: The Studio of Antonio Munoz Degrain, 1867 (oil on canvas), Domingo Marques, Francisco (1824-1920) / Bridgeman Images

ID: SCP36836

The Studio of Antonio Munoz Degrain, 1867 (oil on canvas)

Domingo Marques, Francisco (1824-1920)

The Chapel of Henry VII showing Two Renovated Pinnacles, plate 4 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
The Chapel of Henry VII showing Two Renovated Pinnacles, plate 4 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92135: The Chapel of Henry VII showing Two Renovated Pinnacles, plate 4 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC92135

The Chapel of Henry VII showing Two Renovated Pinnacles, plate 4 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Part of the Screen of Edward the Confessor and the Tomb of Edmund Crouchback, plate 50 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
Part of the Screen of Edward the Confessor and the Tomb of Edmund Crouchback, plate 50 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92160: Part of the Screen of Edward the Confessor and the Tomb of Edmund Crouchback, plate 50 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92160

Part of the Screen of Edward the Confessor and the Tomb of Edmund Crouchback, plate 50 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Tombs of the Duke of Argyll and Lord Mansfield, plate 56 from 'Westminster Abbey', engraved by Williamson and Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
Tombs of the Duke of Argyll and Lord Mansfield, plate 56 from 'Westminster Abbey', engraved by Williamson and Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92165: Tombs of the Duke of Argyll and Lord Mansfield, plate 56 from 'Westminster Abbey', engraved by Williamson and Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Villiers, H. (19th century) (after) / Bridgeman Images

ID: STC92165

Tombs of the Duke of Argyll and Lord Mansfield, plate 56 from 'Westminster Abbey', engraved by Williamson and Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Villiers, H. (19th century) (after)

Islip Chapel, plate U from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
Islip Chapel, plate U from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92182: Islip Chapel, plate U from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92182

Islip Chapel, plate U from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Portrait of Olga Ivanovna Demonkala (1840-c.1927) 1851 (oil on canvas)
Portrait of Olga Ivanovna Demonkala (1840-c.1927) 1851 (oil on canvas)

SRM92405: Portrait of Olga Ivanovna Demonkala (1840-c.1927) 1851 (oil on canvas), Fedotov, Pavel Andreevich (1815-52) / Bridgeman Images

ID: SRM92405

Portrait of Olga Ivanovna Demonkala (1840-c.1927) 1851 (oil on canvas)

Fedotov, Pavel Andreevich (1815-52)

The Bald Buzzard, plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Bald Buzzard, plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92685: The Bald Buzzard, plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

ID: STC92685

The Bald Buzzard, plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

Paillou, Peter (c.1720-90) (after)

Celadon glazed bowl moulded on the exterior, Yung Cheng mark (1723-35)
Celadon glazed bowl moulded on the exterior, Yung Cheng mark (1723-35)

CH38173: Celadon glazed bowl moulded on the exterior, Yung Cheng mark (1723-35) / Bridgeman Images

ID: CH38173

Celadon glazed bowl moulded on the exterior, Yung Cheng mark (1723-35)

Ming blue and white square baluster jar and circular box, Chia Ching period (1522-66)
Ming blue and white square baluster jar and circular box, Chia Ching period (1522-66)

CH38181: Ming blue and white square baluster jar and circular box, Chia Ching period (1522-66) / Bridgeman Images

ID: CH38181

Ming blue and white square baluster jar and circular box, Chia Ching period (1522-66)

A Jewelled Guilloche Enamel Gold Nicholas II Presentation Box
A Jewelled Guilloche Enamel Gold Nicholas II Presentation Box

CH38522: A Jewelled Guilloche Enamel Gold Nicholas II Presentation Box / Bridgeman Images

ID: CH38522

A Jewelled Guilloche Enamel Gold Nicholas II Presentation Box

Inn Scene, Seven Miles to New Haven
Inn Scene, Seven Miles to New Haven

CH38537: Inn Scene, Seven Miles to New Haven, Durrie, George Henry (1820-63) / Bridgeman Images

ID: CH38537

Inn Scene, Seven Miles to New Haven

Durrie, George Henry (1820-63)

Swiss gold and enamel musical fob watch
Swiss gold and enamel musical fob watch

CH38544: Swiss gold and enamel musical fob watch / Bridgeman Images

ID: CH38544

Swiss gold and enamel musical fob watch

A Woman with Doves
A Woman with Doves

SCP38584: A Woman with Doves, Caravaggio, Cecco de (1588/90-after 1620) / Bridgeman Images

ID: SCP38584

A Woman with Doves

Caravaggio, Cecco de (1588/90-after 1620)

Near the Monastery of St. George, Krym, Ukraine (oil on canvas)
Near the Monastery of St. George, Krym, Ukraine (oil on canvas)

SRM93009: Near the Monastery of St. George, Krym, Ukraine (oil on canvas), Vereshchagin, Vasili Vasilievich (1842-1904) / Bridgeman Images

ID: SRM93009

Near the Monastery of St. George, Krym, Ukraine (oil on canvas)

Vereshchagin, Vasili Vasilievich (1842-1904)

Minton pate-sur-pate plaque by Leon Solon with cherubs on ladders fixing billposters headed 'Notice, Reward and Wanted', c.1870
Minton pate-sur-pate plaque by Leon Solon with cherubs on ladders fixing billposters headed 'Notice, Reward and Wanted', c.1870

BNM39206: Minton pate-sur-pate plaque by Leon Solon with cherubs on ladders fixing billposters headed 'Notice, Reward and Wanted', c.1870 / Bridgeman Images

ID: BNM39206

Minton pate-sur-pate plaque by Leon Solon with cherubs on ladders fixing billposters headed 'Notice, Reward and Wanted', c.1870

Selection of Galle cameo vases and bowls
Selection of Galle cameo vases and bowls

BNM39237: Selection of Galle cameo vases and bowls, Galle, Emile (1846-1904) / Bridgeman Images

ID: BNM39237

Selection of Galle cameo vases and bowls

Galle, Emile (1846-1904)

Ruins of terrace buildings of the citadel at Machu Picchu (photo)
Ruins of terrace buildings of the citadel at Machu Picchu (photo)

XAM93171: Ruins of terrace buildings of the citadel at Machu Picchu (photo), Incan / Bridgeman Images

ID: XAM93171

Ruins of terrace buildings of the citadel at Machu Picchu (photo)

Incan

View of the exterior, founded in the 11th century (rebuilt 19th century) (photo)
View of the exterior, founded in the 11th century (rebuilt 19th century) (photo)

XAM93185: View of the exterior, founded in the 11th century (rebuilt 19th century) (photo) / Bridgeman Images

ID: XAM93185

View of the exterior, founded in the 11th century (rebuilt 19th century) (photo)

View of the Pantheon, Rome, from a design by Ferdinando Pattini, 1797 (pietra dura)
View of the Pantheon, Rome, from a design by Ferdinando Pattini, 1797 (pietra dura)

KAB93233: View of the Pantheon, Rome, from a design by Ferdinando Pattini, 1797 (pietra dura) / Bridgeman Images

ID: KAB93233

View of the Pantheon, Rome, from a design by Ferdinando Pattini, 1797 (pietra dura)


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