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'Git behime it, en push it, en pole it' (colour litho)
'Git behime it, en push it, en pole it' (colour litho)

IL335182: 'Git behime it, en push it, en pole it' (colour litho), Rountree, Harry (Herbert R.) (1878-1950) / Bridgeman Images

ID: IL335182

'Git behime it, en push it, en pole it' (colour litho)

Rountree, Harry (Herbert R.) (1878-1950)

The Story of Sir Pellias, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)
The Story of Sir Pellias, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)

STC335709: The Story of Sir Pellias, illustration from 'The Story of King Arthur and his Knights', 1903 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335709

The Story of Sir Pellias, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)

Pyle, Howard (1853-1911)

King Mark broods mischief, illustration from 'The Story of the Champions of the Round Table' (litho)
King Mark broods mischief, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335746: King Mark broods mischief, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335746

King Mark broods mischief, illustration from 'The Story of the Champions of the Round Table' (litho)

Pyle, Howard (1853-1911)

The Grail, illustration from 'The Story of the Champions of the Round Table' (litho)
The Grail, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335753: The Grail, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335753

The Grail, illustration from 'The Story of the Champions of the Round Table' (litho)

Pyle, Howard (1853-1911)

Sir Launcelot confideth his Shield to Elaine the Fair, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)
Sir Launcelot confideth his Shield to Elaine the Fair, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

STC335767: Sir Launcelot confideth his Shield to Elaine the Fair, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335767

Sir Launcelot confideth his Shield to Elaine the Fair, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

Pyle, Howard (1853-1911)

Royal Fusiliers resting after the storming of La Boiselle, 1916 (sepia photo)
Royal Fusiliers resting after the storming of La Boiselle, 1916 (sepia photo)

STC335799: Royal Fusiliers resting after the storming of La Boiselle, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335799

Royal Fusiliers resting after the storming of La Boiselle, 1916 (sepia photo)

English Photographer, (20th century)

A message for the Hun, 1916 (sepia photo)
A message for the Hun, 1916 (sepia photo)

STC335833: A message for the Hun, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335833

A message for the Hun, 1916 (sepia photo)

English Photographer, (20th century)

Robert's narrow escape at the siege of Delhi in September 1857 (litho)
Robert's narrow escape at the siege of Delhi in September 1857 (litho)

STC335859: Robert's narrow escape at the siege of Delhi in September 1857 (litho), English School / Bridgeman Images

ID: STC335859

Robert's narrow escape at the siege of Delhi in September 1857 (litho)

English School

Enrico Caruso at the piano (b/w photo)
Enrico Caruso at the piano (b/w photo)

STC335889: Enrico Caruso at the piano (b/w photo), English School / Bridgeman Images

ID: STC335889

Enrico Caruso at the piano (b/w photo)

English School

Still from the film
Still from the film

XDR336041: Still from the film "Die Nibelungen: Siegfried" with Paul Richter, 1924 (b/w photo), German Photographer, (20th Century) / Bridgeman Images

ID: XDR336041

Still from the film "Die Nibelungen: Siegfried" with Paul Richter, 1924 (b/w photo)

German Photographer, (20th Century)

James Hare, M.P. (oil on canvas)
James Hare, M.P. (oil on canvas)

CTS336407: James Hare, M.P. (oil on canvas), Reynolds, Joshua (1723-92) (after) / Bridgeman Images

ID: CTS336407

James Hare, M.P. (oil on canvas)

Reynolds, Joshua (1723-92) (after)

A view of Old Newmarket with figures and horses on the Heath (oil on canvas)
A view of Old Newmarket with figures and horses on the Heath (oil on canvas)

CTS336427: A view of Old Newmarket with figures and horses on the Heath (oil on canvas), Wootton, John (c.1682-1765) / Bridgeman Images

ID: CTS336427

A view of Old Newmarket with figures and horses on the Heath (oil on canvas)

Wootton, John (c.1682-1765)

Thomas Killigrew and his dog (oil on canvas)
Thomas Killigrew and his dog (oil on canvas)

CTS336432: Thomas Killigrew and his dog (oil on canvas), Dyck, Anthony van (1599-1641) (studio of) / Bridgeman Images

ID: CTS336432

Thomas Killigrew and his dog (oil on canvas)

Dyck, Anthony van (1599-1641) (studio of)

Portrait fo Naik Nand Singh, 1st Battalion, 11th Sikh Regiment, Burma, 1944 (b/w photo)
Portrait fo Naik Nand Singh, 1st Battalion, 11th Sikh Regiment, Burma, 1944 (b/w photo)

NAM336462: Portrait fo Naik Nand Singh, 1st Battalion, 11th Sikh Regiment, Burma, 1944 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: NAM336462

Portrait fo Naik Nand Singh, 1st Battalion, 11th Sikh Regiment, Burma, 1944 (b/w photo)

English Photographer, (20th century)

Louisa Vaughan (nee Rolls) (oil on canvas)
Louisa Vaughan (nee Rolls) (oil on canvas)

NGW336480: Louisa Vaughan (nee Rolls) (oil on canvas), Etty, William (1787-1849) / Bridgeman Images

ID: NGW336480

Louisa Vaughan (nee Rolls) (oil on canvas)

Etty, William (1787-1849)

John Owen MP (oil on canvas)
John Owen MP (oil on canvas)

NGW336488: John Owen MP (oil on canvas), Highmore, Joseph (1692-1780) / Bridgeman Images

ID: NGW336488

John Owen MP (oil on canvas)

Highmore, Joseph (1692-1780)

The Five of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Five of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336547: The Five of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336547

The Five of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336555: The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336555

The Eight of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336570: The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336570

The Nine of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336574: The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336574

The Ten of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336585: The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336585

The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The King of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The King of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336589: The King of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336589

The King of Coins, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

Colonel Hugh Shaw VC CB, Royal Irish Regiment, 1885 (oil on canvas)
Colonel Hugh Shaw VC CB, Royal Irish Regiment, 1885 (oil on canvas)

NAM336461: Colonel Hugh Shaw VC CB, Royal Irish Regiment, 1885 (oil on canvas), English School, (19th century) / Bridgeman Images

ID: NAM336461

Colonel Hugh Shaw VC CB, Royal Irish Regiment, 1885 (oil on canvas)

English School, (19th century)

William Fellowes, 1748 (oil on canvas)
William Fellowes, 1748 (oil on canvas)

NGW336491: William Fellowes, 1748 (oil on canvas), Highmore, Joseph (1692-1780) / Bridgeman Images

ID: NGW336491

William Fellowes, 1748 (oil on canvas)

Highmore, Joseph (1692-1780)

The Eight of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Eight of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336543: The Eight of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336543

The Eight of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

Parcenet covers Sir Pellias with a cloak, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)
Parcenet covers Sir Pellias with a cloak, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)

STC335715: Parcenet covers Sir Pellias with a cloak, illustration from 'The Story of King Arthur and his Knights', 1903 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335715

Parcenet covers Sir Pellias with a cloak, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)

Pyle, Howard (1853-1911)

How Sir Launcelot held discourse with ye Merry Minstrels, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)
How Sir Launcelot held discourse with ye Merry Minstrels, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

STC335765: How Sir Launcelot held discourse with ye Merry Minstrels, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335765

How Sir Launcelot held discourse with ye Merry Minstrels, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

Pyle, Howard (1853-1911)

Sir Gawaine knoweth the shield of Sir Launcelot, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)
Sir Gawaine knoweth the shield of Sir Launcelot, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

STC335769: Sir Gawaine knoweth the shield of Sir Launcelot, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335769

Sir Gawaine knoweth the shield of Sir Launcelot, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

Pyle, Howard (1853-1911)

A long white line, a common sight in France, 1916 (sepia photo)
A long white line, a common sight in France, 1916 (sepia photo)

STC335794: A long white line, a common sight in France, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335794

A long white line, a common sight in France, 1916 (sepia photo)

English Photographer, (20th century)

Transport men cleaning their harnesses in a pond after the wet weather, 1916 (sepia photo)
Transport men cleaning their harnesses in a pond after the wet weather, 1916 (sepia photo)

STC335810: Transport men cleaning their harnesses in a pond after the wet weather, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335810

Transport men cleaning their harnesses in a pond after the wet weather, 1916 (sepia photo)

English Photographer, (20th century)

The cook saves a large one for himself, 1916 (sepia photo)
The cook saves a large one for himself, 1916 (sepia photo)

STC335827: The cook saves a large one for himself, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335827

The cook saves a large one for himself, 1916 (sepia photo)

English Photographer, (20th century)

Feeding the guns and upsetting the Huns, 1916 (sepia photo)
Feeding the guns and upsetting the Huns, 1916 (sepia photo)

STC335831: Feeding the guns and upsetting the Huns, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335831

Feeding the guns and upsetting the Huns, 1916 (sepia photo)

English Photographer, (20th century)

The observer of a kite-balloon testing the telephone before ascending, 1916 (sepia photo)
The observer of a kite-balloon testing the telephone before ascending, 1916 (sepia photo)

STC335834: The observer of a kite-balloon testing the telephone before ascending, 1916 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC335834

The observer of a kite-balloon testing the telephone before ascending, 1916 (sepia photo)

English Photographer, (20th century)

James Bruce helps his dumb follower (litho)
James Bruce helps his dumb follower (litho)

STC335845: James Bruce helps his dumb follower (litho), Tennant, C. Dudley (1867-1952) / Bridgeman Images

ID: STC335845

James Bruce helps his dumb follower (litho)

Tennant, C. Dudley (1867-1952)

Tynemouth Priory from the East, 1845 (oil on millboard)
Tynemouth Priory from the East, 1845 (oil on millboard)

CTS336327: Tynemouth Priory from the East, 1845 (oil on millboard), Carmichael, John Wilson (1800-68) / Bridgeman Images

ID: CTS336327

Tynemouth Priory from the East, 1845 (oil on millboard)

Carmichael, John Wilson (1800-68)

Head of a young boy (oil on canvas)
Head of a young boy (oil on canvas)

CTS336382: Head of a young boy (oil on canvas), Lely, Peter (1618-80) (follower of) / Bridgeman Images

ID: CTS336382

Head of a young boy (oil on canvas)

Lely, Peter (1618-80) (follower of)


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