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Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.
Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.

PCT4267565: Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4267565

Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.

Bayard, Emile Antoine (1837-91)

Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””.
Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””.

PCT4267678: Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””., Cartier, Patrice / Bridgeman Images

ID: PCT4267678

Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””.

Cartier, Patrice

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was.
Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was.

PCT4267799: Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was., Chiostri, Carlo (1863-1939) / Bridgeman Images

ID: PCT4267799

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was.

Chiostri, Carlo (1863-1939)

Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer.
Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer.

PCT4267941: Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer., Unknown photographer, (19th century) / Bridgeman Images

ID: PCT4267941

Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer.

Unknown photographer, (19th century)

Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles.
Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles.

PCT4268078: Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles. / Bridgeman Images

ID: PCT4268078

Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles.

Moliere's play
Moliere's play

PCT4268213: Moliere's play "Le Malade Imaginaire", 1824 (engraving), Buguet, Henry (1761-1833) / Bridgeman Images

ID: PCT4268213

Moliere's play "Le Malade Imaginaire", 1824 (engraving)

Buguet, Henry (1761-1833)

Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier.
Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier.

PCT4268351: Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier., Cartier, Patrice / Bridgeman Images

ID: PCT4268351

Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier.

Cartier, Patrice

Languedoc: a group of provincial notables in the Midi is apprehended to ride in an imperiale diligence drawn by two horses.
Languedoc: a group of provincial notables in the Midi is apprehended to ride in an imperiale diligence drawn by two horses.

PCT4268395: Languedoc: a group of provincial notables in the Midi is apprehended to ride in an imperiale diligence drawn by two horses. / Bridgeman Images

ID: PCT4268395

Languedoc: a group of provincial notables in the Midi is apprehended to ride in an imperiale diligence drawn by two horses.

Simon de Montfort (Simon IV the Fort, Count of Montfort, circa 1150 - 1218, chief of the Armee des Croises against the Albigeois = Cathars), captured the main inhabitants of Toulouse. Engraving of the 18th century signed Cazes.
Simon de Montfort (Simon IV the Fort, Count of Montfort, circa 1150 - 1218, chief of the Armee des Croises against the Albigeois = Cathars), captured the main inhabitants of Toulouse. Engraving of the 18th century signed Cazes.

PCT4268483: Simon de Montfort (Simon IV the Fort, Count of Montfort, circa 1150 - 1218, chief of the Armee des Croises against the Albigeois = Cathars), captured the main inhabitants of Toulouse. Engraving of the 18th century signed Cazes., Cartier, Patrice / Bridgeman Images

ID: PCT4268483

Simon de Montfort (Simon IV the Fort, Count of Montfort, circa 1150 - 1218, chief of the Armee des Croises against the Albigeois = Cathars), captured the main inhabitants of Toulouse. Engraving of the 18th century signed Cazes.

Cartier, Patrice

Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off.
Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off.

PCT4267269: Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off. / Bridgeman Images

ID: PCT4267269

Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off.

Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904).
Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904).

PCT4267420: Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904)., Cartier, Patrice / Bridgeman Images

ID: PCT4267420

Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904).

Cartier, Patrice

Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century.
Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century.

PCT4267519: Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century. / Bridgeman Images

ID: PCT4267519

Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century.

The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.
The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.

PCT4267568: The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4267568

The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.

Unknown Artist, (20th century)

Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame.
Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame.

PCT4267635: Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame. / Bridgeman Images

ID: PCT4267635

Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame.

The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.
The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.

PCT4267714: The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century. / Bridgeman Images

ID: PCT4267714

The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.
Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.

PCT4267820: Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea., Chiostri, Carlo (1863-1939) / Bridgeman Images

ID: PCT4267820

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.

Chiostri, Carlo (1863-1939)

The actor of the Comedie Francaise Benoist-Constant in 1874 (print)
The actor of the Comedie Francaise Benoist-Constant in 1874 (print)

PCT4267830: The actor of the Comedie Francaise Benoist-Constant in 1874 (print) / Bridgeman Images

ID: PCT4267830

The actor of the Comedie Francaise Benoist-Constant in 1874 (print)

14th century manuscript of letters of Petrarch written before his death in 1374
14th century manuscript of letters of Petrarch written before his death in 1374

PCT4267932: 14th century manuscript of letters of Petrarch written before his death in 1374 / Bridgeman Images

ID: PCT4267932

14th century manuscript of letters of Petrarch written before his death in 1374

Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864.
Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864.

PCT4267992: Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864. / Bridgeman Images

ID: PCT4267992

Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864.

Portrait of German bodybuilder Eugen Sandow (photo)
Portrait of German bodybuilder Eugen Sandow (photo)

PCT4268135: Portrait of German bodybuilder Eugen Sandow (photo), Falk, Benjamin J. (1853-1925) / Bridgeman Images

ID: PCT4268135

Portrait of German bodybuilder Eugen Sandow (photo)

Falk, Benjamin J. (1853-1925)

Attack of the Cite de Carcassonne by the Croises of Simon de Montfort. Engraving after a drawing by Paul Sibra, 20th century. Departmental Archives of Aude.
Attack of the Cite de Carcassonne by the Croises of Simon de Montfort. Engraving after a drawing by Paul Sibra, 20th century. Departmental Archives of Aude.

PCT4268495: Attack of the Cite de Carcassonne by the Croises of Simon de Montfort. Engraving after a drawing by Paul Sibra, 20th century. Departmental Archives of Aude., Cartier, Patrice / Bridgeman Images

ID: PCT4268495

Attack of the Cite de Carcassonne by the Croises of Simon de Montfort. Engraving after a drawing by Paul Sibra, 20th century. Departmental Archives of Aude.

Cartier, Patrice

The castles of Lastours (Cabardes, Aude, Pays Cathare). Anonymous romantic drawing with charcoal late 19th century. Municipal library of Carcassonne.
The castles of Lastours (Cabardes, Aude, Pays Cathare). Anonymous romantic drawing with charcoal late 19th century. Municipal library of Carcassonne.

PCT4268522: The castles of Lastours (Cabardes, Aude, Pays Cathare). Anonymous romantic drawing with charcoal late 19th century. Municipal library of Carcassonne. / Bridgeman Images

ID: PCT4268522

The castles of Lastours (Cabardes, Aude, Pays Cathare). Anonymous romantic drawing with charcoal late 19th century. Municipal library of Carcassonne.

Cover of Magazine
Cover of Magazine

PCT4268628: Cover of Magazine "The kitchen of families" No. 4 of July 16, 1905 (print) / Bridgeman Images

ID: PCT4268628

Cover of Magazine "The kitchen of families" No. 4 of July 16, 1905 (print)

Gallic feast: after hunting, hunters drink from auroch horns - Weekly newspaper “La cuisine des familles
Gallic feast: after hunting, hunters drink from auroch horns - Weekly newspaper “La cuisine des familles

PCT4268765: Gallic feast: after hunting, hunters drink from auroch horns - Weekly newspaper “La cuisine des familles" n°100, 19 May 1907 / Bridgeman Images

ID: PCT4268765

Gallic feast: after hunting, hunters drink from auroch horns - Weekly newspaper “La cuisine des familles" n°100, 19 May 1907

Prestidigitator doing a magic trick during an evening in a candle house in 1907
Prestidigitator doing a magic trick during an evening in a candle house in 1907

PCT4268776: Prestidigitator doing a magic trick during an evening in a candle house in 1907 / Bridgeman Images

ID: PCT4268776

Prestidigitator doing a magic trick during an evening in a candle house in 1907

Calendar and good wishes for 1930
Calendar and good wishes for 1930

PCT4269017: Calendar and good wishes for 1930 / Bridgeman Images

ID: PCT4269017

Calendar and good wishes for 1930

Macaroni eater (food pasta), beg of 20th century (b/w photo)
Macaroni eater (food pasta), beg of 20th century (b/w photo)

PCT4269109: Macaroni eater (food pasta), beg of 20th century (b/w photo) / Bridgeman Images

ID: PCT4269109

Macaroni eater (food pasta), beg of 20th century (b/w photo)

La hen aux eggs d'or: La Fontaine fable illustrated by Grandville.
La hen aux eggs d'or: La Fontaine fable illustrated by Grandville.

PCT4269303: La hen aux eggs d'or: La Fontaine fable illustrated by Grandville., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269303

La hen aux eggs d'or: La Fontaine fable illustrated by Grandville.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

The two goats: La Fontaine's fable, 1860 (engraving)
The two goats: La Fontaine's fable, 1860 (engraving)

PCT4269328: The two goats: La Fontaine's fable, 1860 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269328

The two goats: La Fontaine's fable, 1860 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of the work of Collodi (Carlo Lorenzini). The wooden puppet is hung from a tree by two bandits (the cat and the camouflaged fox). This original drawing by Chiostri is to be compared with the same illustration engraved posteriorly for the French Ždition: GUT2721.
Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of the work of Collodi (Carlo Lorenzini). The wooden puppet is hung from a tree by two bandits (the cat and the camouflaged fox). This original drawing by Chiostri is to be compared with the same illustration engraved posteriorly for the French Ždition: GUT2721.

PCT4269507: Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of the work of Collodi (Carlo Lorenzini). The wooden puppet is hung from a tree by two bandits (the cat and the camouflaged fox). This original drawing by Chiostri is to be compared with the same illustration engraved posteriorly for the French Ždition: GUT2721., Chiostri, Carlo (1863-1939) / Bridgeman Images

ID: PCT4269507

Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of the work of Collodi (Carlo Lorenzini). The wooden puppet is hung from a tree by two bandits (the cat and the camouflaged fox). This original drawing by Chiostri is to be compared with the same illustration engraved posteriorly for the French Ždition: GUT2721.

Chiostri, Carlo (1863-1939)

Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap.
Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap.

PCT4269630: Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4269630

Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap.

Unknown photographer, (20th century)

Morocco, Atlas. Door to a traditional Berber house. Photo by Patrice Cartier.
Morocco, Atlas. Door to a traditional Berber house. Photo by Patrice Cartier.

PCT4269651: Morocco, Atlas. Door to a traditional Berber house. Photo by Patrice Cartier., Cartier, Patrice / Bridgeman Images

ID: PCT4269651

Morocco, Atlas. Door to a traditional Berber house. Photo by Patrice Cartier.

Cartier, Patrice

Caunes in Minervois (Aude, Languedoc). Rose marble quarry called the Roy (King Sun, Louis 14). Photo by Patrice Cartier
Caunes in Minervois (Aude, Languedoc). Rose marble quarry called the Roy (King Sun, Louis 14). Photo by Patrice Cartier

PCT4269701: Caunes in Minervois (Aude, Languedoc). Rose marble quarry called the Roy (King Sun, Louis 14). Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4269701

Caunes in Minervois (Aude, Languedoc). Rose marble quarry called the Roy (King Sun, Louis 14). Photo by Patrice Cartier

Cartier, Patrice

Siberia or Asia Russia: map of the Atlas of Geography Malte-Brun 1860, showing the Ural Mountains, at the edge of Europe and Asia, separating Russia from Europe (white) and Russia from Asia in green (Siberia, Perm, Tataria, polar circle, Arctic pole, icy ocean, Kara Sea...).
Siberia or Asia Russia: map of the Atlas of Geography Malte-Brun 1860, showing the Ural Mountains, at the edge of Europe and Asia, separating Russia from Europe (white) and Russia from Asia in green (Siberia, Perm, Tataria, polar circle, Arctic pole, icy ocean, Kara Sea...).

PCT4269761: Siberia or Asia Russia: map of the Atlas of Geography Malte-Brun 1860, showing the Ural Mountains, at the edge of Europe and Asia, separating Russia from Europe (white) and Russia from Asia in green (Siberia, Perm, Tataria, polar circle, Arctic pole, icy ocean, Kara Sea...). / Bridgeman Images

ID: PCT4269761

Siberia or Asia Russia: map of the Atlas of Geography Malte-Brun 1860, showing the Ural Mountains, at the edge of Europe and Asia, separating Russia from Europe (white) and Russia from Asia in green (Siberia, Perm, Tataria, polar circle, Arctic pole, icy ocean, Kara Sea...).

Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river.
Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river.

PCT4269791: Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4269791

Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river.

Unknown Artist, (20th century)

Beziers (Herault, Languedoc), general view. Engraving 19th century. In the foreground: hitch of oxen on the shore of the Orb River. At the bottom, St. Nazaire Church.
Beziers (Herault, Languedoc), general view. Engraving 19th century. In the foreground: hitch of oxen on the shore of the Orb River. At the bottom, St. Nazaire Church.

PCT4269839: Beziers (Herault, Languedoc), general view. Engraving 19th century. In the foreground: hitch of oxen on the shore of the Orb River. At the bottom, St. Nazaire Church. / Bridgeman Images

ID: PCT4269839

Beziers (Herault, Languedoc), general view. Engraving 19th century. In the foreground: hitch of oxen on the shore of the Orb River. At the bottom, St. Nazaire Church.


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