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The Allied troops seized Pekin, and the legations, where Europeans had taken refuge, were released on the night of August 15. Engraving in
The Allied troops seized Pekin, and the legations, where Europeans had taken refuge, were released on the night of August 15. Engraving in

LSE4327137: The Allied troops seized Pekin, and the legations, where Europeans had taken refuge, were released on the night of August 15. Engraving in "Le petit journal" 9/9/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327137

The Allied troops seized Pekin, and the legations, where Europeans had taken refuge, were released on the night of August 15. Engraving in "Le petit journal" 9/9/1900. Selva Collection.

French School, (20th century)

At the Lyon train station in Paris, the 118 Malagasy men who came for the exhibition return to Madagascar before the cold winter arrives; this is the departure of the last community invited for the exhibition. Engraving in
At the Lyon train station in Paris, the 118 Malagasy men who came for the exhibition return to Madagascar before the cold winter arrives; this is the departure of the last community invited for the exhibition. Engraving in

LSE4327167: At the Lyon train station in Paris, the 118 Malagasy men who came for the exhibition return to Madagascar before the cold winter arrives; this is the departure of the last community invited for the exhibition. Engraving in "Le petit journal" 21/10/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327167

At the Lyon train station in Paris, the 118 Malagasy men who came for the exhibition return to Madagascar before the cold winter arrives; this is the departure of the last community invited for the exhibition. Engraving in "Le petit journal" 21/10/1900. Selva Collection.

French School, (20th century)

Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in
Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in

LSE4327201: Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in "Le petit journal" 9/12/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327201

Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in "Le petit journal" 9/12/1900. Selva Collection.

French School, (20th century)

The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in
The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in

LSE4327236: The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in "Le petit journal" 17/2/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327236

The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in "Le petit journal" 17/2/1901. Selva Collection.

French School, (20th century)

A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in
A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in

LSE4327341: A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in "Le petit journal" 23/6/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327341

A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in "Le petit journal" 23/6/1901. Selva Collection.

French School, (20th century)

A terrible accident in an artillery shed in Douai, the clumsy of three artificial men exploded a powder reserve, whose detonation destroyed the windows of the buildings up to around 200 metres. Engraving in
A terrible accident in an artillery shed in Douai, the clumsy of three artificial men exploded a powder reserve, whose detonation destroyed the windows of the buildings up to around 200 metres. Engraving in

LSE4326853: A terrible accident in an artillery shed in Douai, the clumsy of three artificial men exploded a powder reserve, whose detonation destroyed the windows of the buildings up to around 200 metres. Engraving in "Le petit journal" 12/2/1899. Selva Collection., Meyer, Henri (1841-99) / Bridgeman Images

ID: LSE4326853

A terrible accident in an artillery shed in Douai, the clumsy of three artificial men exploded a powder reserve, whose detonation destroyed the windows of the buildings up to around 200 metres. Engraving in "Le petit journal" 12/2/1899. Selva Collection.

Meyer, Henri (1841-99)

A peace meeting at Transvaal, Trafalgar square, London. Engraving in “” Le petit journal”” 8/9/1899. Selva Collection.
A peace meeting at Transvaal, Trafalgar square, London. Engraving in “” Le petit journal”” 8/9/1899. Selva Collection.

LSE4326915: A peace meeting at Transvaal, Trafalgar square, London. Engraving in “” Le petit journal”” 8/9/1899. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326915

A peace meeting at Transvaal, Trafalgar square, London. Engraving in “” Le petit journal”” 8/9/1899. Selva Collection.

Unknown Artist, (19th century)

Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in
Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in

LSE4327027: Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in "Le petit journal" 22/4/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327027

Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in "Le petit journal" 22/4/1900. Selva Collection.

French School, (20th century)

After a 30-day campaign near Lake Chad (Central Africa), the French military were victorious against the nearly 2,000 men of Fad el-Allah, resisting French power. Engraving in
After a 30-day campaign near Lake Chad (Central Africa), the French military were victorious against the nearly 2,000 men of Fad el-Allah, resisting French power. Engraving in

LSE4327477: After a 30-day campaign near Lake Chad (Central Africa), the French military were victorious against the nearly 2,000 men of Fad el-Allah, resisting French power. Engraving in "Le petit journal" 26/1/1902. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327477

After a 30-day campaign near Lake Chad (Central Africa), the French military were victorious against the nearly 2,000 men of Fad el-Allah, resisting French power. Engraving in "Le petit journal" 26/1/1902. Selva Collection.

French School, (20th century)

Five hundred thousand poor invited to a banquet by King Edward VII (1841-1910), this banquet originally prepared for the festivities of the coronation, which was postponed because of illness, was kept for the demunis, so they are attable in the parks of London, under British flags. Engraving in
Five hundred thousand poor invited to a banquet by King Edward VII (1841-1910), this banquet originally prepared for the festivities of the coronation, which was postponed because of illness, was kept for the demunis, so they are attable in the parks of London, under British flags. Engraving in

LSE4327593: Five hundred thousand poor invited to a banquet by King Edward VII (1841-1910), this banquet originally prepared for the festivities of the coronation, which was postponed because of illness, was kept for the demunis, so they are attable in the parks of London, under British flags. Engraving in "Le petit journal" 27/7/1902. Selva Collection., Thiriat, Paul (1868-1943) / Bridgeman Images

ID: LSE4327593

Five hundred thousand poor invited to a banquet by King Edward VII (1841-1910), this banquet originally prepared for the festivities of the coronation, which was postponed because of illness, was kept for the demunis, so they are attable in the parks of London, under British flags. Engraving in "Le petit journal" 27/7/1902. Selva Collection.

Thiriat, Paul (1868-1943)

A fairground circus, settled in Saint Etienne, sees its capiteau and all its technical material carried away by the tempete in the middle of the performance, artists in show clothes struggling between the elements of chains and the frightened animals. Engraving in
A fairground circus, settled in Saint Etienne, sees its capiteau and all its technical material carried away by the tempete in the middle of the performance, artists in show clothes struggling between the elements of chains and the frightened animals. Engraving in

LSE4327680: A fairground circus, settled in Saint Etienne, sees its capiteau and all its technical material carried away by the tempete in the middle of the performance, artists in show clothes struggling between the elements of chains and the frightened animals. Engraving in "Le petit journal" 12/4/1903. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327680

A fairground circus, settled in Saint Etienne, sees its capiteau and all its technical material carried away by the tempete in the middle of the performance, artists in show clothes struggling between the elements of chains and the frightened animals. Engraving in "Le petit journal" 12/4/1903. Selva Collection.

French School, (20th century)

In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection.
In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection.

LSE4327609: In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327609

In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection.

French School, (20th century)

Alpine hunters help another company, carried away by an avalanche, in the Authion massif. Engraving in
Alpine hunters help another company, carried away by an avalanche, in the Authion massif. Engraving in

LSE4327225: Alpine hunters help another company, carried away by an avalanche, in the Authion massif. Engraving in "Le petit journal" 10/2/1901. Selva Collection., Dufresne, Paul (1885-1956) / Bridgeman Images

ID: LSE4327225

Alpine hunters help another company, carried away by an avalanche, in the Authion massif. Engraving in "Le petit journal" 10/2/1901. Selva Collection.

Dufresne, Paul (1885-1956)

Emile Loubet (1838-1929), President of the Republic on an official trip to the colonies of Algeria, visits the mosque of Sidi Bou Medine, near Tlemcen, to gather in front of the monument dedicated to the memory of the wise Bou Medine. Engraving in
Emile Loubet (1838-1929), President of the Republic on an official trip to the colonies of Algeria, visits the mosque of Sidi Bou Medine, near Tlemcen, to gather in front of the monument dedicated to the memory of the wise Bou Medine. Engraving in

LSE4327706: Emile Loubet (1838-1929), President of the Republic on an official trip to the colonies of Algeria, visits the mosque of Sidi Bou Medine, near Tlemcen, to gather in front of the monument dedicated to the memory of the wise Bou Medine. Engraving in "Le petit journal" 3/5/1903. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327706

Emile Loubet (1838-1929), President of the Republic on an official trip to the colonies of Algeria, visits the mosque of Sidi Bou Medine, near Tlemcen, to gather in front of the monument dedicated to the memory of the wise Bou Medine. Engraving in "Le petit journal" 3/5/1903. Selva Collection.

French School, (20th century)

A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in
A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in

LSE4327757: A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in "Le petit journal" 13/12/1903. Selva Collection., Michel, P.H.G.V. (fl.1883-1903) / Bridgeman Images

ID: LSE4327757

A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in "Le petit journal" 13/12/1903. Selva Collection.

Michel, P.H.G.V. (fl.1883-1903)

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327794: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327794

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008.

LSE4327836: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327836

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008.

The preparations for the 1900 exhibition, the statue of
The preparations for the 1900 exhibition, the statue of

LSE4327867: The preparations for the 1900 exhibition, the statue of "Pegase retained by the bridle by the Renommee”, in golden bronze, by the sculptor Emmanuel Fremiet (1824-1910), is hovered on the top of one of the four pylons adorning the Alexander III Bridge. Engraving in "Le pelerin" 14/01/1900. Selva Collection. / Bridgeman Images

ID: LSE4327867

The preparations for the 1900 exhibition, the statue of "Pegase retained by the bridle by the Renommee”, in golden bronze, by the sculptor Emmanuel Fremiet (1824-1910), is hovered on the top of one of the four pylons adorning the Alexander III Bridge. Engraving in "Le pelerin" 14/01/1900. Selva Collection.

Decoration of the avenue de l'opera, to welcome the rulers of Italy, Victor Emmanuel III (Victor-Emmanuel) (Vittorio Emanuele) (1869-1947) and his wife, Helene de Montenegro (1873-1952), for the occasion 80 mats were posed along the avenue and two columns decorated with replicas of the lion of St. Mark and the Roman wolf were raised in each axis end. Engraving in
Decoration of the avenue de l'opera, to welcome the rulers of Italy, Victor Emmanuel III (Victor-Emmanuel) (Vittorio Emanuele) (1869-1947) and his wife, Helene de Montenegro (1873-1952), for the occasion 80 mats were posed along the avenue and two columns decorated with replicas of the lion of St. Mark and the Roman wolf were raised in each axis end. Engraving in

LSE4327749: Decoration of the avenue de l'opera, to welcome the rulers of Italy, Victor Emmanuel III (Victor-Emmanuel) (Vittorio Emanuele) (1869-1947) and his wife, Helene de Montenegro (1873-1952), for the occasion 80 mats were posed along the avenue and two columns decorated with replicas of the lion of St. Mark and the Roman wolf were raised in each axis end. Engraving in "Le petit journal" 18/10/1903. Selva Collection. / Bridgeman Images

ID: LSE4327749

Decoration of the avenue de l'opera, to welcome the rulers of Italy, Victor Emmanuel III (Victor-Emmanuel) (Vittorio Emanuele) (1869-1947) and his wife, Helene de Montenegro (1873-1952), for the occasion 80 mats were posed along the avenue and two columns decorated with replicas of the lion of St. Mark and the Roman wolf were raised in each axis end. Engraving in "Le petit journal" 18/10/1903. Selva Collection.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist). Photography Leonard de Selva, Paris 2008.

LSE4327858: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327858

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist). Photography Leonard de Selva, Paris 2008.

The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in
The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in

LSE4327986: The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in "Le pelerin" 10/03/1901. Selva Collection. / Bridgeman Images

ID: LSE4327986

The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in "Le pelerin" 10/03/1901. Selva Collection.

In the province of Bologna, in Imola, a cycle manufacturer expressed the desire to be buried on a bicycle, his coffin laid on 2 tandems and the cortege, as well as the orchestra, mounted on bicycles. Engraving in
In the province of Bologna, in Imola, a cycle manufacturer expressed the desire to be buried on a bicycle, his coffin laid on 2 tandems and the cortege, as well as the orchestra, mounted on bicycles. Engraving in

LSE4327503: In the province of Bologna, in Imola, a cycle manufacturer expressed the desire to be buried on a bicycle, his coffin laid on 2 tandems and the cortege, as well as the orchestra, mounted on bicycles. Engraving in "Le petit journal" 16/2/1902. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327503

In the province of Bologna, in Imola, a cycle manufacturer expressed the desire to be buried on a bicycle, his coffin laid on 2 tandems and the cortege, as well as the orchestra, mounted on bicycles. Engraving in "Le petit journal" 16/2/1902. Selva Collection.

French School, (20th century)

A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel
A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel

LSE4327752: A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel "Midnight Place Pigalle" by Maurice Dekobra (Maurice Tessier) (1885-1973), edition of the reader's collection, 1925, Paris. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327752

A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel "Midnight Place Pigalle" by Maurice Dekobra (Maurice Tessier) (1885-1973), edition of the reader's collection, 1925, Paris. Selva Collection.

Unknown Artist, (20th century)

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327805: Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327805

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328133: A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328133

A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328080: The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328080

The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Port Said shipyards, on the edge of the Suez Canal, at its exit from Lake Menzaleh, drawing by Grenet, to illustrate an excursion to the Suez Canal, in 1862, by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Port Said shipyards, on the edge of the Suez Canal, at its exit from Lake Menzaleh, drawing by Grenet, to illustrate an excursion to the Suez Canal, in 1862, by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325070: Port Said shipyards, on the edge of the Suez Canal, at its exit from Lake Menzaleh, drawing by Grenet, to illustrate an excursion to the Suez Canal, in 1862, by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Grenet, Edward (1857-1915) / Bridgeman Images

ID: LSE4325070

Port Said shipyards, on the edge of the Suez Canal, at its exit from Lake Menzaleh, drawing by Grenet, to illustrate an excursion to the Suez Canal, in 1862, by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Grenet, Edward (1857-1915)

Meriah Pujah or human sacrifice, Khondistan (English Indies). Drawing by Fuchs, to illustrate Major John Campbell's study of human sacrifices in the English Indies, 1840-1854. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Meriah Pujah or human sacrifice, Khondistan (English Indies). Drawing by Fuchs, to illustrate Major John Campbell's study of human sacrifices in the English Indies, 1840-1854. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325197: Meriah Pujah or human sacrifice, Khondistan (English Indies). Drawing by Fuchs, to illustrate Major John Campbell's study of human sacrifices in the English Indies, 1840-1854. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., French School, (19th century) / Bridgeman Images

ID: LSE4325197

Meriah Pujah or human sacrifice, Khondistan (English Indies). Drawing by Fuchs, to illustrate Major John Campbell's study of human sacrifices in the English Indies, 1840-1854. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

French School, (19th century)

Young beggars of the Kychi tribe (located in the Upper Nile region) taking a meal exchange for a few bundles. Engraving to illustrate the voyage to Lake Albert, 1861-64, by Sir Samuel White Baker, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Young beggars of the Kychi tribe (located in the Upper Nile region) taking a meal exchange for a few bundles. Engraving to illustrate the voyage to Lake Albert, 1861-64, by Sir Samuel White Baker, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326065: Young beggars of the Kychi tribe (located in the Upper Nile region) taking a meal exchange for a few bundles. Engraving to illustrate the voyage to Lake Albert, 1861-64, by Sir Samuel White Baker, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326065

Young beggars of the Kychi tribe (located in the Upper Nile region) taking a meal exchange for a few bundles. Engraving to illustrate the voyage to Lake Albert, 1861-64, by Sir Samuel White Baker, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

Unknown Artist, (19th century)

The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325929: The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325929

The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

The coal sorters, type of Creusot; in the foreground, sitting on the wheelbarrow, the oldest of the sorters, the mother Dion, 36 years of sorting. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The coal sorters, type of Creusot; in the foreground, sitting on the wheelbarrow, the oldest of the sorters, the mother Dion, 36 years of sorting. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326120: The coal sorters, type of Creusot; in the foreground, sitting on the wheelbarrow, the oldest of the sorters, the mother Dion, 36 years of sorting. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326120

The coal sorters, type of Creusot; in the foreground, sitting on the wheelbarrow, the oldest of the sorters, the mother Dion, 36 years of sorting. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

Unknown Artist, (19th century)

The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325311: The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4325311

The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Dore, Gustave (1832-83)

A funeral in Pekin, in the front row of the cortege, advance the banners with inscriptions of praise, followed by a troupe of musicians, then the monks carrying the statues of the deities, preceding the beer, on a huge catafalque, covered with silk draperies, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A funeral in Pekin, in the front row of the cortege, advance the banners with inscriptions of praise, followed by a troupe of musicians, then the monks carrying the statues of the deities, preceding the beer, on a huge catafalque, covered with silk draperies, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325350: A funeral in Pekin, in the front row of the cortege, advance the banners with inscriptions of praise, followed by a troupe of musicians, then the monks carrying the statues of the deities, preceding the beer, on a huge catafalque, covered with silk draperies, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Janet, Ange-Louis (Janet-Lange) (1815-72) / Bridgeman Images

ID: LSE4325350

A funeral in Pekin, in the front row of the cortege, advance the banners with inscriptions of praise, followed by a troupe of musicians, then the monks carrying the statues of the deities, preceding the beer, on a huge catafalque, covered with silk draperies, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Janet, Ange-Louis (Janet-Lange) (1815-72)

Le preche en plein air, in London, drawing by Durand Brager, to illustrate An excursion to the poor neighbourhoods of London, in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Le preche en plein air, in London, drawing by Durand Brager, to illustrate An excursion to the poor neighbourhoods of London, in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325485: Le preche en plein air, in London, drawing by Durand Brager, to illustrate An excursion to the poor neighbourhoods of London, in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325485

Le preche en plein air, in London, drawing by Durand Brager, to illustrate An excursion to the poor neighbourhoods of London, in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Unknown Artist, (19th century)

Interior view of a large Buddhist temple, belonging to the Taikoun (temporal ruler of Japan) in Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Interior view of a large Buddhist temple, belonging to the Taikoun (temporal ruler of Japan) in Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326200: Interior view of a large Buddhist temple, belonging to the Taikoun (temporal ruler of Japan) in Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326200

Interior view of a large Buddhist temple, belonging to the Taikoun (temporal ruler of Japan) in Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

Unknown Artist, (19th century)

Girl's head (Kore), sculpture of the Roman Hellenistic period (3rd 2nd century after our era), very expressive face, prominent cheekbones to the east, smile, curly hair, archaic style of Ionie in the 6th century before our era which perpetuated long after it blossomed. Marble sculpture, preserved at the Musee Bonnat de Bayonne. Selva photography, 2008.
Girl's head (Kore), sculpture of the Roman Hellenistic period (3rd 2nd century after our era), very expressive face, prominent cheekbones to the east, smile, curly hair, archaic style of Ionie in the 6th century before our era which perpetuated long after it blossomed. Marble sculpture, preserved at the Musee Bonnat de Bayonne. Selva photography, 2008.

LSE4326458: Girl's head (Kore), sculpture of the Roman Hellenistic period (3rd 2nd century after our era), very expressive face, prominent cheekbones to the east, smile, curly hair, archaic style of Ionie in the 6th century before our era which perpetuated long after it blossomed. Marble sculpture, preserved at the Musee Bonnat de Bayonne. Selva photography, 2008., Roman, (3rd century AD) / Bridgeman Images

ID: LSE4326458

Girl's head (Kore), sculpture of the Roman Hellenistic period (3rd 2nd century after our era), very expressive face, prominent cheekbones to the east, smile, curly hair, archaic style of Ionie in the 6th century before our era which perpetuated long after it blossomed. Marble sculpture, preserved at the Musee Bonnat de Bayonne. Selva photography, 2008.

Roman, (3rd century AD)


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