1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497452 Search Results

Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by the international space station on 08/08/2006
Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by the international space station on 08/08/2006

PIX4658343: Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by the international space station on 08/08/2006 / Bridgeman Images

ID: PIX4658343

Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by ISS 08 - 2006 - Algerian desert seen by the international space station on 08/08/2006

The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89.
The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89.

TEC4658357: The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4658357

The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89.
The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89.

TEC4658367: The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4658367

The villa Nubar Bey in Garches (Hauts de Seine). Construction 1931-1932, architects Auguste and Gustave Perret. Large Villa built for an Egyptian minister, Nubar Bey Pasha. Made of concrete weapon and Burgundy stone, the villa overlooks a terraced garden of which only remains a small part of the original trace. Photography 20/05/89.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Precolombian art, Nazca civilization: terracotta vase of anthropomorphic form. 100 BC-800 AD. Lima, National Museum of Anthropology and Archaeology, Peru
Precolombian art, Nazca civilization: terracotta vase of anthropomorphic form. 100 BC-800 AD. Lima, National Museum of Anthropology and Archaeology, Peru

LRI4658404: Precolombian art, Nazca civilization: terracotta vase of anthropomorphic form. 100 BC-800 AD. Lima, National Museum of Anthropology and Archaeology, Peru, Nazca Culture / Bridgeman Images

ID: LRI4658404

Precolombian art, Nazca civilization: terracotta vase of anthropomorphic form. 100 BC-800 AD. Lima, National Museum of Anthropology and Archaeology, Peru

Nazca Culture

Saudi Arabia's coral reefs - Al Wadj Bank, Saudi Arabia - Approximately 260 coral species have been recorded in Al Wadj Bank coral reefs in Saudi Arabia. Image obtained from the International Space Station (ISS) in December 2007. Saudi Arabia boasts the most coral reefs of any Middle Eastern country, as it includes coastline along both the Red Sea and the Gulf of Arabia. This high - resolution astronaut photograph shows part of the Al Wadj Bank, located along the northern Red Sea coast. Despite the relatively high salinity of Red Sea water, approximately 260 species of coral have been documented in the region. Large tracts of the Saudi Arabian coastline are undeveloped, and reefs in these areas are in generally good ecological health. However, reefs located near large urban centers such as Jeddeh have suffered degradation due to land reclamation (dredging and filling), pollution, and increased sediment runoff from land. The Al Wadj Bank (a bank is an underwater hill) includes a healthy and diverse reef system, extensive seagrasses beds, and perhaps the largest population of dugong - - a marine mammal similar to the North American manatee - - in the eastern Red Sea. The portion of the Bank in this image illustrates the complex form and topography of the reef system. Several emergent islands (tan) are visible, surrounded primarily by dark green seagrasset; the largest is at top left. Only the islands are above the waterline; over the reefs, the water color ranges from light teal (shallow) to turquoise (increasing depth). The southern edge of the reef is well defined by the deep, dark blue water of the Red Sea (top). Image taken from the international space station (ISS) in december 2007
Saudi Arabia's coral reefs - Al Wadj Bank, Saudi Arabia - Approximately 260 coral species have been recorded in Al Wadj Bank coral reefs in Saudi Arabia. Image obtained from the International Space Station (ISS) in December 2007. Saudi Arabia boasts the most coral reefs of any Middle Eastern country, as it includes coastline along both the Red Sea and the Gulf of Arabia. This high - resolution astronaut photograph shows part of the Al Wadj Bank, located along the northern Red Sea coast. Despite the relatively high salinity of Red Sea water, approximately 260 species of coral have been documented in the region. Large tracts of the Saudi Arabian coastline are undeveloped, and reefs in these areas are in generally good ecological health. However, reefs located near large urban centers such as Jeddeh have suffered degradation due to land reclamation (dredging and filling), pollution, and increased sediment runoff from land. The Al Wadj Bank (a bank is an underwater hill) includes a healthy and diverse reef system, extensive seagrasses beds, and perhaps the largest population of dugong - - a marine mammal similar to the North American manatee - - in the eastern Red Sea. The portion of the Bank in this image illustrates the complex form and topography of the reef system. Several emergent islands (tan) are visible, surrounded primarily by dark green seagrasset; the largest is at top left. Only the islands are above the waterline; over the reefs, the water color ranges from light teal (shallow) to turquoise (increasing depth). The southern edge of the reef is well defined by the deep, dark blue water of the Red Sea (top). Image taken from the international space station (ISS) in december 2007

PIX4658455: Saudi Arabia's coral reefs - Al Wadj Bank, Saudi Arabia - Approximately 260 coral species have been recorded in Al Wadj Bank coral reefs in Saudi Arabia. Image obtained from the International Space Station (ISS) in December 2007. Saudi Arabia boasts the most coral reefs of any Middle Eastern country, as it includes coastline along both the Red Sea and the Gulf of Arabia. This high - resolution astronaut photograph shows part of the Al Wadj Bank, located along the northern Red Sea coast. Despite the relatively high salinity of Red Sea water, approximately 260 species of coral have been documented in the region. Large tracts of the Saudi Arabian coastline are undeveloped, and reefs in these areas are in generally good ecological health. However, reefs located near large urban centers such as Jeddeh have suffered degradation due to land reclamation (dredging and filling), pollution, and increased sediment runoff from land. The Al Wadj Bank (a bank is an underwater hill) includes a healthy and diverse reef system, extensive seagrasses beds, and perhaps the largest population of dugong - - a marine mammal similar to the North American manatee - - in the eastern Red Sea. The portion of the Bank in this image illustrates the complex form and topography of the reef system. Several emergent islands (tan) are visible, surrounded primarily by dark green seagrasset; the largest is at top left. Only the islands are above the waterline; over the reefs, the water color ranges from light teal (shallow) to turquoise (increasing depth). The southern edge of the reef is well defined by the deep, dark blue water of the Red Sea (top). Image taken from the international space station (ISS) in december 2007 / Bridgeman Images

ID: PIX4658455

Saudi Arabia's coral reefs - Al Wadj Bank, Saudi Arabia - Approximately 260 coral species have been recorded in Al Wadj Bank coral reefs in Saudi Arabia. Image obtained from the International Space Station (ISS) in December 2007. Saudi Arabia boasts the most coral reefs of any Middle Eastern country, as it includes coastline along both the Red Sea and the Gulf of Arabia. This high - resolution astronaut photograph shows part of the Al Wadj Bank, located along the northern Red Sea coast. Despite the relatively high salinity of Red Sea water, approximately 260 species of coral have been documented in the region. Large tracts of the Saudi Arabian coastline are undeveloped, and reefs in these areas are in generally good ecological health. However, reefs located near large urban centers such as Jeddeh have suffered degradation due to land reclamation (dredging and filling), pollution, and increased sediment runoff from land. The Al Wadj Bank (a bank is an underwater hill) includes a healthy

Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau.
Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau.

TEC4658469: Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4658469

Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau.
Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau.

TEC4658487: Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4658487

Accommodation, 25 bis rue Franklin, Paris 75016. Construction 1903-1904, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. The facade is covered with red tiles with floral designs inspired by Art Nouveau.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

La Palma - Canary Islands - La Palma seen from the International Space Station February 22, 2003
La Palma - Canary Islands - La Palma seen from the International Space Station February 22, 2003

PIX4658504: La Palma - Canary Islands - La Palma seen from the International Space Station February 22, 2003 / Bridgeman Images

ID: PIX4658504

La Palma - Canary Islands - La Palma seen from the International Space Station February 22, 2003

The Economic and Social Council, 1 avenue d'Iena in Paris 75016. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. In 1939, the first rooms of the museum and the conference room were inaugurated. The museum will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle. Interior architect Pierre Paulin signs the furniture of the hypostyle room. And Martial Raysse carries out the mosaics in the conference room.
The Economic and Social Council, 1 avenue d'Iena in Paris 75016. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. In 1939, the first rooms of the museum and the conference room were inaugurated. The museum will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle. Interior architect Pierre Paulin signs the furniture of the hypostyle room. And Martial Raysse carries out the mosaics in the conference room.

TEC4658565: The Economic and Social Council, 1 avenue d'Iena in Paris 75016. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. In 1939, the first rooms of the museum and the conference room were inaugurated. The museum will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle. Interior architect Pierre Paulin signs the furniture of the hypostyle room. And Martial Raysse carries out the mosaics in the conference room., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4658565

The Economic and Social Council, 1 avenue d'Iena in Paris 75016. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. In 1939, the first rooms of the museum and the conference room were inaugurated. The museum will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle. Interior architect Pierre Paulin signs the furniture of the hypostyle room. And Martial Raysse carries out the mosaics in the conference room.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Bridge - Euxin, name given during the Antiquity of the Black Sea.
Bridge - Euxin, name given during the Antiquity of the Black Sea.

GIA4731402: Bridge - Euxin, name given during the Antiquity of the Black Sea., Unknown Artist / Bridgeman Images

ID: GIA4731402

Bridge - Euxin, name given during the Antiquity of the Black Sea.

Unknown Artist

Beauvais, Oise (60), Picardie, France, Photography of a cartoon of a musician with his saxophone, 1865
Beauvais, Oise (60), Picardie, France, Photography of a cartoon of a musician with his saxophone, 1865

LUX4731723: Beauvais, Oise (60), Picardie, France, Photography of a cartoon of a musician with his saxophone, 1865 / Bridgeman Images

ID: LUX4731723

Beauvais, Oise (60), Picardie, France, Photography of a cartoon of a musician with his saxophone, 1865

France, Photographic business card showing a trompe l'oeil of Trombine and Binette of 4 characters, 1863
France, Photographic business card showing a trompe l'oeil of Trombine and Binette of 4 characters, 1863

LUX4731766: France, Photographic business card showing a trompe l'oeil of Trombine and Binette of 4 characters, 1863 / Bridgeman Images

ID: LUX4731766

France, Photographic business card showing a trompe l'oeil of Trombine and Binette of 4 characters, 1863

France, Mosaic Visit Card of French Drama Authors, 1865
France, Mosaic Visit Card of French Drama Authors, 1865

LUX4731775: France, Mosaic Visit Card of French Drama Authors, 1865 / Bridgeman Images

ID: LUX4731775

France, Mosaic Visit Card of French Drama Authors, 1865

The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88.
The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88.

TEC4661513: The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88. / Bridgeman Images

ID: TEC4661513

The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88.

Tibet Plateau seen by Space Shuttle - The Tibetan plateau from space - South-eastern part of the Tibet Plateau, seen from Space Shuttle Columbia on October 20, 1993. Lower left is Lake Namco, the highest dirty lake in the world. The southeast portion of the high Tibetan Plateau, called the Northern Plain by the Chinese, is seen in this southwest - looking, high - oblique photograph taken by astronauts in the space shuttle Columbia in october 1993. Many great rivers originate in the Tibetan Plateau - - Indus, Brahmaputra, Sutlej, Salween, Mekong, Yangtze, and Yellow. The plateau has no river system; however, it has numerous brackish lakes, some of which are visible in this photograph. Saline Namco Lake (southeast corner of photograph), the largest lake in Tibet, covers 950 square miles (2461 square kilometers) and sits at an altitude of 15 180 feet (4630 meters)
Tibet Plateau seen by Space Shuttle - The Tibetan plateau from space - South-eastern part of the Tibet Plateau, seen from Space Shuttle Columbia on October 20, 1993. Lower left is Lake Namco, the highest dirty lake in the world. The southeast portion of the high Tibetan Plateau, called the Northern Plain by the Chinese, is seen in this southwest - looking, high - oblique photograph taken by astronauts in the space shuttle Columbia in october 1993. Many great rivers originate in the Tibetan Plateau - - Indus, Brahmaputra, Sutlej, Salween, Mekong, Yangtze, and Yellow. The plateau has no river system; however, it has numerous brackish lakes, some of which are visible in this photograph. Saline Namco Lake (southeast corner of photograph), the largest lake in Tibet, covers 950 square miles (2461 square kilometers) and sits at an altitude of 15 180 feet (4630 meters)

PIX4661538: Tibet Plateau seen by Space Shuttle - The Tibetan plateau from space - South-eastern part of the Tibet Plateau, seen from Space Shuttle Columbia on October 20, 1993. Lower left is Lake Namco, the highest dirty lake in the world. The southeast portion of the high Tibetan Plateau, called the Northern Plain by the Chinese, is seen in this southwest - looking, high - oblique photograph taken by astronauts in the space shuttle Columbia in october 1993. Many great rivers originate in the Tibetan Plateau - - Indus, Brahmaputra, Sutlej, Salween, Mekong, Yangtze, and Yellow. The plateau has no river system; however, it has numerous brackish lakes, some of which are visible in this photograph. Saline Namco Lake (southeast corner of photograph), the largest lake in Tibet, covers 950 square miles (2461 square kilometers) and sits at an altitude of 15 180 feet (4630 meters) / Bridgeman Images

ID: PIX4661538

Tibet Plateau seen by Space Shuttle - The Tibetan plateau from space - South-eastern part of the Tibet Plateau, seen from Space Shuttle Columbia on October 20, 1993. Lower left is Lake Namco, the highest dirty lake in the world. The southeast portion of the high Tibetan Plateau, called the Northern Plain by the Chinese, is seen in this southwest - looking, high - oblique photograph taken by astronauts in the space shuttle Columbia in october 1993. Many great rivers originate in the Tibetan Plateau - - Indus, Brahmaputra, Sutlej, Salween, Mekong, Yangtze, and Yellow. The plateau has no river system; however, it has numerous brackish lakes, some of which are visible in this photograph. Saline Namco Lake (southeast corner of photograph), the largest lake in Tibet, covers 950 square miles (2461 square kilometers) and sits at an altitude of 15 180 feet (4630 meters)

Portrait of Maximilian de Bethune, Duke of Sully (1560-1641), 18th century (engraving)
Portrait of Maximilian de Bethune, Duke of Sully (1560-1641), 18th century (engraving)

JLJ4661593: Portrait of Maximilian de Bethune, Duke of Sully (1560-1641), 18th century (engraving), French School, (18th century) / Bridgeman Images

ID: JLJ4661593

Portrait of Maximilian de Bethune, Duke of Sully (1560-1641), 18th century (engraving)

French School, (18th century)

The multiplication of bread, 18th century (oil on canvas)
The multiplication of bread, 18th century (oil on canvas)

JLJ4661630: The multiplication of bread, 18th century (oil on canvas), Mansuy, Francois (1725-after 1779) / Bridgeman Images

ID: JLJ4661630

The multiplication of bread, 18th century (oil on canvas)

Mansuy, Francois (1725-after 1779)

Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul
Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul

LRI4661653: Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul, Ottoman School, (16th century) / Bridgeman Images

ID: LRI4661653

Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul

Ottoman School, (16th century)

Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi
Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi

LRI4661761: Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi, Ottoman School, (15th century) / Bridgeman Images

ID: LRI4661761

Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi

Ottoman School, (15th century)

The ribotter, 17th century (oil on wood)
The ribotter, 17th century (oil on wood)

JLJ4661895: The ribotter, 17th century (oil on wood), Metsu, Gabriel (1629-67) / Bridgeman Images

ID: JLJ4661895

The ribotter, 17th century (oil on wood)

Metsu, Gabriel (1629-67)

The spinning of wool in the 14th century. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
The spinning of wool in the 14th century. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

GIA4731852: The spinning of wool in the 14th century. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Italian School, (14th century) / Bridgeman Images

ID: GIA4731852

The spinning of wool in the 14th century. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

Italian School, (14th century)

Sais (Sa el Hagar), Egypt, A notable in traditional dress, 1860
Sais (Sa el Hagar), Egypt, A notable in traditional dress, 1860

LUX4731994: Sais (Sa el Hagar), Egypt, A notable in traditional dress, 1860 / Bridgeman Images

ID: LUX4731994

Sais (Sa el Hagar), Egypt, A notable in traditional dress, 1860

France, Portrait of a woman painter in studio with her palette, 1865
France, Portrait of a woman painter in studio with her palette, 1865

LUX4732017: France, Portrait of a woman painter in studio with her palette, 1865 / Bridgeman Images

ID: LUX4732017

France, Portrait of a woman painter in studio with her palette, 1865

France, Photo of an amateur painter: Antoine de la Grua and Talamanca de Carini, Prince of Carini (1796-1868), Ambassador of the King of Naples to London, 1860
France, Photo of an amateur painter: Antoine de la Grua and Talamanca de Carini, Prince of Carini (1796-1868), Ambassador of the King of Naples to London, 1860

LUX4732093: France, Photo of an amateur painter: Antoine de la Grua and Talamanca de Carini, Prince of Carini (1796-1868), Ambassador of the King of Naples to London, 1860 / Bridgeman Images

ID: LUX4732093

France, Photo of an amateur painter: Antoine de la Grua and Talamanca de Carini, Prince of Carini (1796-1868), Ambassador of the King of Naples to London, 1860

Greece, A Greek soldier poses in studio in uniform with his weapons, 1860
Greece, A Greek soldier poses in studio in uniform with his weapons, 1860

LUX4732249: Greece, A Greek soldier poses in studio in uniform with his weapons, 1860 / Bridgeman Images

ID: LUX4732249

Greece, A Greek soldier poses in studio in uniform with his weapons, 1860

Detail of the gate of southern palace, 580 BC
Detail of the gate of southern palace, 580 BC

LRI4732266: Detail of the gate of southern palace, 580 BC, Babylonian / Bridgeman Images

ID: LRI4732266

Detail of the gate of southern palace, 580 BC

Babylonian

Detached house in Marne la Vallee (Marne-La-Vallee), Eurodisney, Ile de France. Architecture by Dominique Montrassut and Bernard Trilles, 1992. Photography 1992
Detached house in Marne la Vallee (Marne-La-Vallee), Eurodisney, Ile de France. Architecture by Dominique Montrassut and Bernard Trilles, 1992. Photography 1992

TEC4686203: Detached house in Marne la Vallee (Marne-La-Vallee), Eurodisney, Ile de France. Architecture by Dominique Montrassut and Bernard Trilles, 1992. Photography 1992 / Bridgeman Images

ID: TEC4686203

Detached house in Marne la Vallee (Marne-La-Vallee), Eurodisney, Ile de France. Architecture by Dominique Montrassut and Bernard Trilles, 1992. Photography 1992

Female statue draped as a votive offering, from Sorrento (marble)
Female statue draped as a votive offering, from Sorrento (marble)

LRI4686254: Female statue draped as a votive offering, from Sorrento (marble), Greek school, (3rd century BC) / Bridgeman Images

ID: LRI4686254

Female statue draped as a votive offering, from Sorrento (marble)

Greek school, (3rd century BC)

Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone)
Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone)

JLJ4686406: Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone), Goujon, Jean (1510-c.67) / Bridgeman Images

ID: JLJ4686406

Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone)

Goujon, Jean (1510-c.67)

Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone)
Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone)

JLJ4686433: Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone), Goujon, Jean (1510-c.67) / Bridgeman Images

ID: JLJ4686433

Nymph and little genie rides on a marine horse; Nymph and Triton surrounded by two small genies, 1549 (stone)

Goujon, Jean (1510-c.67)

Bouquet in a delft vase, 1873 (oil on canvas)
Bouquet in a delft vase, 1873 (oil on canvas)

JLJ4686473: Bouquet in a delft vase, 1873 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: JLJ4686473

Bouquet in a delft vase, 1873 (oil on canvas)

Cezanne, Paul (1839-1906)

Cosmography schemas. Catalan Atlas with zodiac signs. Manuscript from 1375 (miniature)
Cosmography schemas. Catalan Atlas with zodiac signs. Manuscript from 1375 (miniature)

JLJ4686534: Cosmography schemas. Catalan Atlas with zodiac signs. Manuscript from 1375 (miniature), Unknown Artist, (14th century) / Bridgeman Images

ID: JLJ4686534

Cosmography schemas. Catalan Atlas with zodiac signs. Manuscript from 1375 (miniature)

Unknown Artist, (14th century)

Ottoman Empire: Portrait of Sultan Ahmed I (1590-1617)”” Miniature Library of Topkapi Sarayi Istanbul Museum
Ottoman Empire: Portrait of Sultan Ahmed I (1590-1617)”” Miniature Library of Topkapi Sarayi Istanbul Museum

LRI4661918: Ottoman Empire: Portrait of Sultan Ahmed I (1590-1617)”” Miniature Library of Topkapi Sarayi Istanbul Museum, Ottoman School / Bridgeman Images

ID: LRI4661918

Ottoman Empire: Portrait of Sultan Ahmed I (1590-1617)”” Miniature Library of Topkapi Sarayi Istanbul Museum

Ottoman School

Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey
Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey

LRI4661931: Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey, Unknown photographer, (19th century) / Bridgeman Images

ID: LRI4661931

Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey

Unknown photographer, (19th century)

Donkey bearing relics. Illustration for the fable by Jean de La Fontaine, 1736 (lithograph)
Donkey bearing relics. Illustration for the fable by Jean de La Fontaine, 1736 (lithograph)

JLJ4662201: Donkey bearing relics. Illustration for the fable by Jean de La Fontaine, 1736 (lithograph), Jeaurat, Etienne (1699-1789) / Bridgeman Images

ID: JLJ4662201

Donkey bearing relics. Illustration for the fable by Jean de La Fontaine, 1736 (lithograph)

Jeaurat, Etienne (1699-1789)

Indians of America. The Mandans: Chief San Ja Ka Ko Kah (San-Ja-Ka-Ko-Kah) surrounds with his family, 19th century (litho)
Indians of America. The Mandans: Chief San Ja Ka Ko Kah (San-Ja-Ka-Ko-Kah) surrounds with his family, 19th century (litho)

JLJ4662231: Indians of America. The Mandans: Chief San Ja Ka Ko Kah (San-Ja-Ka-Ko-Kah) surrounds with his family, 19th century (litho), Catlin, George (1796-1872) / Bridgeman Images

ID: JLJ4662231

Indians of America. The Mandans: Chief San Ja Ka Ko Kah (San-Ja-Ka-Ko-Kah) surrounds with his family, 19th century (litho)

Catlin, George (1796-1872)


Back to top