DMW937632:
The High Mettled Racer First Starts for the Plate, engraved by John Hassell (c.1767-1825), published 1789 (etching & aquatint), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images
ID: DMW937632
The High Mettled Racer First Starts for the Plate, engraved by John Hassell (c.1767-1825), published 1789 (etching & aquatint)
Rowlandson, Thomas (1756-1827) (after)
DMW937635:
The High Mettled Racer is Sold for the Hounds, engraved by John Hassell (c.1767-1825), published 1789 (etching with hand colouring), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images
ID: DMW937635
The High Mettled Racer is Sold for the Hounds, engraved by John Hassell (c.1767-1825), published 1789 (etching with hand colouring)
Rowlandson, Thomas (1756-1827) (after)
DMW937656:
Untitled, 1914 (pen and black ink on paper), Klee, Paul (1879-1940) / Bridgeman Images
ID: DMW937656
Untitled, 1914 (pen and black ink on paper)
Klee, Paul (1879-1940)
DMW937691:
Fishing Boats, c.1900-02 (colour monotype), Prendergast, Maurice Brazil (1858-1924) / Bridgeman Images
ID: DMW937691
Fishing Boats, c.1900-02 (colour monotype)
Prendergast, Maurice Brazil (1858-1924)
DMW937710:
Our Army Before Yorktown, Virginia, published in "Harper's Weekly," May 3, 1862 (wood engraving), Homer, Winslow (1836-1910) (after) / Bridgeman Images
ID: DMW937710
Our Army Before Yorktown, Virginia, published in "Harper's Weekly," May 3, 1862 (wood engraving)
Homer, Winslow (1836-1910) (after)
DMW937569:
Miss Agna Enters, 1926 (etching & aquatint), Sloan, John (1871-1951) / Bridgeman Images
ID: DMW937569
Miss Agna Enters, 1926 (etching & aquatint)
Sloan, John (1871-1951)
DMW937737:
The Industrious 'Prentice Lord Mayor of London, from the series "Industry and Idleness", October 1747 (etching & engraving), Hogarth, William (1697-1764) / Bridgeman Images
ID: DMW937737
The Industrious 'Prentice Lord Mayor of London, from the series "Industry and Idleness", October 1747 (etching & engraving)
Hogarth, William (1697-1764)
DMW937588:
A Breton Calvary, also called "Calvaire Du Seizième Siècle", 1932 (etching), Arms, John Taylor (1887-1953) / Bridgeman Images
ID: DMW937588
A Breton Calvary, also called "Calvaire Du Seizième Siècle", 1932 (etching)
Arms, John Taylor (1887-1953)
DMW937591:
L'Aigle, or Church of Saint Jean, L'Aigle, Orne, 1940 (etching), Arms, John Taylor (1887-1953) / Bridgeman Images
ID: DMW937591
L'Aigle, or Church of Saint Jean, L'Aigle, Orne, 1940 (etching)
Arms, John Taylor (1887-1953)
DMW937594:
Cobwebs, 1921 (etching and aquatint), Arms, John Taylor (1887-1953) / Bridgeman Images
ID: DMW937594
Cobwebs, 1921 (etching and aquatint)
Arms, John Taylor (1887-1953)
DMW937817:
Summer Afternoon - After Shower, from Various Subjects of Landscape Characteristic of English Scenery, 1830-33 (mezzotint), Constable, John (1776-1837) (after) / Bridgeman Images
ID: DMW937817
Summer Afternoon - After Shower, from Various Subjects of Landscape Characteristic of English Scenery, 1830-33 (mezzotint)
DMW937608:
Untitled, 1948 (black pen, brush, blue ink & gouache on paper), Leger, Fernand (1881-1955) / Bridgeman Images
ID: DMW937608
Untitled, 1948 (black pen, brush, blue ink & gouache on paper)
Leger, Fernand (1881-1955)
DMW937698:
The Morning Bell, published in "Harper's Weekly," December 13, 1873, published 1873 (wood engraving), Homer, Winslow (1836-1910) (after) / Bridgeman Images
ID: DMW937698
The Morning Bell, published in "Harper's Weekly," December 13, 1873, published 1873 (wood engraving)
Homer, Winslow (1836-1910) (after)
DMW937671:
Untitled (140), 1917 (w/c with pen & brown ink on paper), Klee, Paul (1879-1940) / Bridgeman Images
ID: DMW937671
Untitled (140), 1917 (w/c with pen & brown ink on paper)
Klee, Paul (1879-1940)
DMW937724:
The Russian Ball - In the Supper Room, published in "Harper's Weekly," November 21, 1863 (wood engraving), Homer, Winslow (1836-1910) (after) / Bridgeman Images
ID: DMW937724
The Russian Ball - In the Supper Room, published in "Harper's Weekly," November 21, 1863 (wood engraving)
Homer, Winslow (1836-1910) (after)
DMW937772:
Tripod Vessel, Late Period IV-V, 200-700 AD (earthenware), Costa Rican School / Bridgeman Images
ID: DMW937772
Tripod Vessel, Late Period IV-V, 200-700 AD (earthenware)
Costa Rican School
DMW937778:
Footed Bowl, Late Period IV-V, 200-700 AD (earthenware), Costa Rican School / Bridgeman Images
ID: DMW937778
Footed Bowl, Late Period IV-V, 200-700 AD (earthenware)
Costa Rican School
DMW937781:
Figural Whistle, Late Period IV-V, 200-700 AD (earthenware), Costa Rican School / Bridgeman Images
ID: DMW937781
Figural Whistle, Late Period IV-V, 200-700 AD (earthenware)
Costa Rican School
DMW937810:
Weymouth Bay, Dorsetshire, from Various Subjects of Landscape Characteristic of English Scenery, 1830-33 (mezzotint), Constable, John (1776-1837) (after) / Bridgeman Images
ID: DMW937810
Weymouth Bay, Dorsetshire, from Various Subjects of Landscape Characteristic of English Scenery, 1830-33 (mezzotint)
Constable, John (1776-1837) (after)
DMW937828:
A Heath, from Various Subjects of Landscape Characteristic of English Scenery, 1830-33 (mezzotint), Constable, John (1776-1837) (after) / Bridgeman Images
ID: DMW937828
A Heath, from Various Subjects of Landscape Characteristic of English Scenery, 1830-33 (mezzotint)
Constable, John (1776-1837) (after)
DMW937838:
Two Prophets (etching), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images
ID: DMW937838
Two Prophets (etching)
Fragonard, Jean-Honore (1732-1806)
DMW937842:
Les Jardins d'Horace, 1856 (cliché-verre), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images
ID: DMW937842
Les Jardins d'Horace, 1856 (cliché-verre)
Corot, Jean Baptiste Camille (1796-1875)
DMW937848:
King David with the Ark of the Covenant, 1582-83 (engraving with hand colouring), Wierix, Johan (b. c.1549) / Bridgeman Images
ID: DMW937848
King David with the Ark of the Covenant, 1582-83 (engraving with hand colouring)
Wierix, Johan (b. c.1549)
XJF937966:
Rebecca Douglas (engraving) / Bridgeman Images
ID: XJF937966
Rebecca Douglas (engraving)
XJF937987:
View of Rochester Castle, Kent. c.1830 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF937987
View of Rochester Castle, Kent. c.1830 (engraving)
English School, (19th century)
VLS937990:
Detail of the Basilica of San Marco, Venice (photo) / Bridgeman Images
ID: VLS937990
Detail of the Basilica of San Marco, Venice (photo)
VLS938004:
Detail of Santa Maria Maggiore, Ferentino, Frosinone (photo) / Bridgeman Images
ID: VLS938004
Detail of Santa Maria Maggiore, Ferentino, Frosinone (photo)
VLS938086:
Nativity scene from the 'Journey of the Magi Cycle', Bolognini Chapel, c.1420 (fresco), Modena, Giovanni da (fl.1409-56) / Bridgeman Images
ID: VLS938086
Nativity scene from the 'Journey of the Magi Cycle', Bolognini Chapel, c.1420 (fresco)
Modena, Giovanni da (fl.1409-56)
NUM938643:
Oriental Street with Donkeys (oil on canvas), Bridgman, Frederick Arthur (1847-1928) / Bridgeman Images
ID: NUM938643
Oriental Street with Donkeys (oil on canvas)
Bridgman, Frederick Arthur (1847-1928)
DGC938529:
Eugen Sandow, in classical ancient Greco-Roman pose, c.1894 (b/w photo), Falk, Benjamin J. (1853-1925) / Bridgeman Images
ID: DGC938529
Eugen Sandow, in classical ancient Greco-Roman pose, c.1894 (b/w photo)