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2497525 Search Results

Barmby Yard, 1882 (sepia photo)
Barmby Yard, 1882 (sepia photo)

STT2968585: Barmby Yard, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968585

Barmby Yard, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Reliquary Casket of Saints Adrian and Natalia, c.1150 (silver & oak core)
Reliquary Casket of Saints Adrian and Natalia, c.1150 (silver & oak core)

XCC2968590: Reliquary Casket of Saints Adrian and Natalia, c.1150 (silver & oak core), Spanish School, (12th century) / Bridgeman Images

ID: XCC2968590

Reliquary Casket of Saints Adrian and Natalia, c.1150 (silver & oak core)

Spanish School, (12th century)

Foundations, Knottingley and Goole Canal, 1882 (sepia photo)
Foundations, Knottingley and Goole Canal, 1882 (sepia photo)

STT2968594: Foundations, Knottingley and Goole Canal, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968594

Foundations, Knottingley and Goole Canal, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Christ Carrying the Cross, 1420-25 (oil on panel)
Christ Carrying the Cross, 1420-25 (oil on panel)

XCC2968628: Christ Carrying the Cross, 1420-25 (oil on panel), German School, (15th century) / Bridgeman Images

ID: XCC2968628

Christ Carrying the Cross, 1420-25 (oil on panel)

German School, (15th century)

Landscape with Cottages, 1809-10 (oil on canvas)
Landscape with Cottages, 1809-10 (oil on canvas)

XCC2968170: Landscape with Cottages, 1809-10 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

ID: XCC2968170

Landscape with Cottages, 1809-10 (oil on canvas)

Constable, John (1776-1837)

Versailles, (Vase), 1905 (albumen print)
Versailles, (Vase), 1905 (albumen print)

XCC2968213: Versailles, (Vase), 1905 (albumen print), Atget, Eugene (1856-1927) / Bridgeman Images

ID: XCC2968213

Versailles, (Vase), 1905 (albumen print)

Atget, Eugene (1856-1927)

Woman at Her Toilette, 1900-05 (pastel on tracing paper)
Woman at Her Toilette, 1900-05 (pastel on tracing paper)

XCC2968248: Woman at Her Toilette, 1900-05 (pastel on tracing paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCC2968248

Woman at Her Toilette, 1900-05 (pastel on tracing paper)

Degas, Edgar (1834-1917)

Saint Roch and the Virgin Interceding with Christ on Behalf of Plague Victims (pen & brown ink with brush & gray-brown wash, over black chalk, on tan laid paper; later additions of white gouache)
Saint Roch and the Virgin Interceding with Christ on Behalf of Plague Victims (pen & brown ink with brush & gray-brown wash, over black chalk, on tan laid paper; later additions of white gouache)

XCC2968297: Saint Roch and the Virgin Interceding with Christ on Behalf of Plague Victims (pen & brown ink with brush & gray-brown wash, over black chalk, on tan laid paper; later additions of white gouache), Peranda, Sante (1566-1638) (attr.to) / Bridgeman Images

ID: XCC2968297

Saint Roch and the Virgin Interceding with Christ on Behalf of Plague Victims (pen & brown ink with brush & gray-brown wash, over black chalk, on tan laid paper; later additions of white gouache)

Peranda, Sante (1566-1638) (attr.to)

Lattice Work and Reflecting Pool at Arcueil, 1744-47 (charcoal with stumping, & with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card)
Lattice Work and Reflecting Pool at Arcueil, 1744-47 (charcoal with stumping, & with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card)

XCC2968329: Lattice Work and Reflecting Pool at Arcueil, 1744-47 (charcoal with stumping, & with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card), Oudry, Jean-Baptiste (1686-1755) / Bridgeman Images

ID: XCC2968329

Lattice Work and Reflecting Pool at Arcueil, 1744-47 (charcoal with stumping, & with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card)

Oudry, Jean-Baptiste (1686-1755)

Plate Eight from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)
Plate Eight from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

XCC2968348: Plate Eight from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

ID: XCC2968348

Plate Eight from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

Robert, Hubert (1733-1808)

James I on horseback, with a view of London behind. James VI & I, 1566 ? 1625. King of Scots as James VI fand King of England and Ireland as James I. From The Story of England, published 1930.
James I on horseback, with a view of London behind. James VI & I, 1566 ? 1625. King of Scots as James VI fand King of England and Ireland as James I. From The Story of England, published 1930.

MOR2968389: James I on horseback, with a view of London behind. James VI & I, 1566 ? 1625. King of Scots as James VI fand King of England and Ireland as James I. From The Story of England, published 1930. / Bridgeman Images

ID: MOR2968389

James I on horseback, with a view of London behind. James VI & I, 1566 ? 1625. King of Scots as James VI fand King of England and Ireland as James I. From The Story of England, published 1930.

Approach to The Forum from The Cellian Hill, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.
Approach to The Forum from The Cellian Hill, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

MOR2968396: Approach to The Forum from The Cellian Hill, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images

ID: MOR2968396

Approach to The Forum from The Cellian Hill, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

Manning, Reverend Samuel (fl.1880s)

Drachm depicting the Nymph Amphitrite, 216-203 BC (silver)
Drachm depicting the Nymph Amphitrite, 216-203 BC (silver)

XCC2969174: Drachm depicting the Nymph Amphitrite, 216-203 BC (silver), Greek school, (3rd century BC) / Bridgeman Images

ID: XCC2969174

Drachm depicting the Nymph Amphitrite, 216-203 BC (silver)

Greek school, (3rd century BC)

Statue of the God Horus as a Falcon, Ptolemaic Period (305-30 B.C.) (basalt)
Statue of the God Horus as a Falcon, Ptolemaic Period (305-30 B.C.) (basalt)

XCC2969194: Statue of the God Horus as a Falcon, Ptolemaic Period (305-30 B.C.) (basalt), Egyptian Ptolemaic Period (332-30 BC) / Bridgeman Images

ID: XCC2969194

Statue of the God Horus as a Falcon, Ptolemaic Period (305-30 B.C.) (basalt)

Egyptian Ptolemaic Period (332-30 BC)

The Tengu King Training his Pupils, c.1690 (woodblock print)
The Tengu King Training his Pupils, c.1690 (woodblock print)

XCC2969311: The Tengu King Training his Pupils, c.1690 (woodblock print), Moronobu, Hishikawa (c.1618-94) (attr. to) / Bridgeman Images

ID: XCC2969311

The Tengu King Training his Pupils, c.1690 (woodblock print)

Moronobu, Hishikawa (c.1618-94) (attr. to)

Barmby, 1882 (sepia photo)
Barmby, 1882 (sepia photo)

STT2968583: Barmby, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968583

Barmby, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Bridge Over Ouse, 1882 (sepia photo)
Bridge Over Ouse, 1882 (sepia photo)

STT2968586: Bridge Over Ouse, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968586

Bridge Over Ouse, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Oba's Altar Tusk, 1850-88 (ivory)
Oba's Altar Tusk, 1850-88 (ivory)

XCC2968776: Oba's Altar Tusk, 1850-88 (ivory), Edo People, Court of Benin Nigeria (19th century) / Bridgeman Images

ID: XCC2968776

Oba's Altar Tusk, 1850-88 (ivory)

Edo People, Court of Benin Nigeria (19th century)

The Actors Arashi Ryuzo and Morita Kanya VIII, 1794 (ink & colour on paper)
The Actors Arashi Ryuzo and Morita Kanya VIII, 1794 (ink & colour on paper)

XCC2969481: The Actors Arashi Ryuzo and Morita Kanya VIII, 1794 (ink & colour on paper), Sharaku, Toshusai (fl.1794-95) / Bridgeman Images

ID: XCC2969481

The Actors Arashi Ryuzo and Morita Kanya VIII, 1794 (ink & colour on paper)

Sharaku, Toshusai (fl.1794-95)

Advertisement of the drama Haru no Akebono Kuruwa Soga, at the Ichimura Theatre (hand-coloured woodblock print)
Advertisement of the drama Haru no Akebono Kuruwa Soga, at the Ichimura Theatre (hand-coloured woodblock print)

XCC2969313: Advertisement of the drama Haru no Akebono Kuruwa Soga, at the Ichimura Theatre (hand-coloured woodblock print), Kiyomasu II, Torii (1706-63) / Bridgeman Images

ID: XCC2969313

Advertisement of the drama Haru no Akebono Kuruwa Soga, at the Ichimura Theatre (hand-coloured woodblock print)

Kiyomasu II, Torii (1706-63)

Flowers of the Four Seasons, Ming dynasty (1368-1644), 1625 (handscroll; ink on paper)
Flowers of the Four Seasons, Ming dynasty (1368-1644), 1625 (handscroll; ink on paper)

XCC2969604: Flowers of the Four Seasons, Ming dynasty (1368-1644), 1625 (handscroll; ink on paper), Chen, Jiayan (1539-c.1625) / Bridgeman Images

ID: XCC2969604

Flowers of the Four Seasons, Ming dynasty (1368-1644), 1625 (handscroll; ink on paper)

Chen, Jiayan (1539-c.1625)

Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from the Tarikh-i Alfi manuscript, Tarikh-i-Alfi, c.1592-–94 (opaque w/c & gold on paper)
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from the Tarikh-i Alfi manuscript, Tarikh-i-Alfi, c.1592-–94 (opaque w/c & gold on paper)

XCC2969486: Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from the Tarikh-i Alfi manuscript, Tarikh-i-Alfi, c.1592-–94 (opaque w/c & gold on paper), Mughal School, (16th century) / Bridgeman Images

ID: XCC2969486

Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from the Tarikh-i Alfi manuscript, Tarikh-i-Alfi, c.1592-–94 (opaque w/c & gold on paper)

Mughal School, (16th century)

A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c.1798 (colour woodblock print; oban)
A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c.1798 (colour woodblock print; oban)

XCC2969545: A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c.1798 (colour woodblock print; oban), Eishi, Chobunsai (1756-1829) / Bridgeman Images

ID: XCC2969545

A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c.1798 (colour woodblock print; oban)

Eishi, Chobunsai (1756-1829)

An Alpine Scene, 1874 (oil on canvas)
An Alpine Scene, 1874 (oil on canvas)

XCC2970046: An Alpine Scene, 1874 (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XCC2970046

An Alpine Scene, 1874 (oil on canvas)

Courbet, Gustave (1819-77)

Bar-room Scene, 1835 (oil on canvas)
Bar-room Scene, 1835 (oil on canvas)

XCC2968484: Bar-room Scene, 1835 (oil on canvas), Mount, William Sidney (1807-68) / Bridgeman Images

ID: XCC2968484

Bar-room Scene, 1835 (oil on canvas)

Mount, William Sidney (1807-68)

Skidby Cutting, 1882 (sepia photo)
Skidby Cutting, 1882 (sepia photo)

STT2968562: Skidby Cutting, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968562

Skidby Cutting, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Sutton Drain, Hull, 1882 (sepia photo)
Sutton Drain, Hull, 1882 (sepia photo)

STT2968574: Sutton Drain, Hull, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968574

Sutton Drain, Hull, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

North Eastern Railway Eastringham, 1882 (sepia photo)
North Eastern Railway Eastringham, 1882 (sepia photo)

STT2968580: North Eastern Railway Eastringham, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968580

North Eastern Railway Eastringham, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Side Cutting Barmby, 1882 (sepia photo)
Side Cutting Barmby, 1882 (sepia photo)

STT2968584: Side Cutting Barmby, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968584

Side Cutting Barmby, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Knottingley and Goole Canal, 1882 (sepia photo)
Knottingley and Goole Canal, 1882 (sepia photo)

STT2968593: Knottingley and Goole Canal, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

ID: STT2968593

Knottingley and Goole Canal, 1882 (sepia photo)

Pickering, R.J. (fl.1882)

Saint Augustine's Vision of Saints Jerome and John the Baptist, 1476 (tempera on panel)
Saint Augustine's Vision of Saints Jerome and John the Baptist, 1476 (tempera on panel)

XCC2970227: Saint Augustine's Vision of Saints Jerome and John the Baptist, 1476 (tempera on panel), Matteo di Giovanni di Bartolo, (c.1430-95) / Bridgeman Images

ID: XCC2970227

Saint Augustine's Vision of Saints Jerome and John the Baptist, 1476 (tempera on panel)

Matteo di Giovanni di Bartolo, (c.1430-95)

The Customs House at Varengeville, 1897 (oil on canvas)
The Customs House at Varengeville, 1897 (oil on canvas)

XCC2970288: The Customs House at Varengeville, 1897 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XCC2970288

The Customs House at Varengeville, 1897 (oil on canvas)

Monet, Claude (1840-1926)

The Hanged Monk, c.1810 (oil on panel)
The Hanged Monk, c.1810 (oil on panel)

XCC2970400: The Hanged Monk, c.1810 (oil on panel), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XCC2970400

The Hanged Monk, c.1810 (oil on panel)

Goya y Lucientes, Francisco Jose de (1746-1828)

The Crucifixion, c.1370 (tempera on panel)
The Crucifixion, c.1370 (tempera on panel)

XCC2970490: The Crucifixion, c.1370 (tempera on panel), Ghissi, Francescuccio (fl.1359-1395) / Bridgeman Images

ID: XCC2970490

The Crucifixion, c.1370 (tempera on panel)

Ghissi, Francescuccio (fl.1359-1395)

The Adoration of the Magi, c.1495 (tempera on poplar panel)
The Adoration of the Magi, c.1495 (tempera on poplar panel)

XCC2970489: The Adoration of the Magi, c.1495 (tempera on poplar panel), Botticini, Raffaello (1477–c.1520) (attr.to) / Bridgeman Images

ID: XCC2970489

The Adoration of the Magi, c.1495 (tempera on poplar panel)

Botticini, Raffaello (1477–c.1520) (attr.to)

Relief Plaque Depicting a Queen or Goddess, Ptolemaic Period (305-30 B.C.) (limestone, pigment)
Relief Plaque Depicting a Queen or Goddess, Ptolemaic Period (305-30 B.C.) (limestone, pigment)

XCC2969167: Relief Plaque Depicting a Queen or Goddess, Ptolemaic Period (305-30 B.C.) (limestone, pigment), Egyptian Ptolemaic Period (332-30 BC) / Bridgeman Images

ID: XCC2969167

Relief Plaque Depicting a Queen or Goddess, Ptolemaic Period (305-30 B.C.) (limestone, pigment)

Egyptian Ptolemaic Period (332-30 BC)


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