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2497525 Search Results

The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving)
The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving)

STC2962470: The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962470

The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving)

Gillray, James (1757-1815)

Mendoza, pub.1788 (hand coloured engraving)
Mendoza, pub.1788 (hand coloured engraving)

STC2962492: Mendoza, pub.1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962492

Mendoza, pub.1788 (hand coloured engraving)

Gillray, James (1757-1815)

Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)
Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)

STC2962497: Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962497

Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)
Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)

STC2962501: Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962501

Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

City Courtship, pub. 1786 (hand coloured engraving)
City Courtship, pub. 1786 (hand coloured engraving)

STC2962508: City Courtship, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962508

City Courtship, pub. 1786 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

A Going, A Going!!, pub. 1813 (hand coloured engraving)
A Going, A Going!!, pub. 1813 (hand coloured engraving)

STC2962515: A Going, A Going!!, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962515

A Going, A Going!!, pub. 1813 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Grace before Meat or a Peep at Lord Peter's, pub. 1779 (hand coloured engraving)
Grace before Meat or a Peep at Lord Peter's, pub. 1779 (hand coloured engraving)

STC2962518: Grace before Meat or a Peep at Lord Peter's, pub. 1779 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962518

Grace before Meat or a Peep at Lord Peter's, pub. 1779 (hand coloured engraving)

Gillray, James (1757-1815)

Exterior and interior details of Holmwood, Glasgow (engraving)
Exterior and interior details of Holmwood, Glasgow (engraving)

GRM2962536: Exterior and interior details of Holmwood, Glasgow (engraving), Scottish School, (19th century) / Bridgeman Images

ID: GRM2962536

Exterior and interior details of Holmwood, Glasgow (engraving)

Scottish School, (19th century)

A Lesser-spotted Dogfish at London Zoo in 1924 (b/w photo)
A Lesser-spotted Dogfish at London Zoo in 1924 (b/w photo)

ZSL2962622: A Lesser-spotted Dogfish at London Zoo in 1924 (b/w photo), Bond, Frederick William (1887-1942) / Bridgeman Images

ID: ZSL2962622

A Lesser-spotted Dogfish at London Zoo in 1924 (b/w photo)

Bond, Frederick William (1887-1942)

California Stagecoach Halt, 1875 (oil on canvas)
California Stagecoach Halt, 1875 (oil on canvas)

XMV2962702: California Stagecoach Halt, 1875 (oil on canvas), Hahn, William (1829-87) / Bridgeman Images

ID: XMV2962702

California Stagecoach Halt, 1875 (oil on canvas)

Hahn, William (1829-87)

Lake George (oil on canvas)
Lake George (oil on canvas)

XMV2962718: Lake George (oil on canvas), Cropsey, Jasper Francis (1823-1900) / Bridgeman Images

ID: XMV2962718

Lake George (oil on canvas)

Cropsey, Jasper Francis (1823-1900)

William Knee (oil on canvas)
William Knee (oil on canvas)

SMS2961818: William Knee (oil on canvas), English School, (19th century) / Bridgeman Images

ID: SMS2961818

William Knee (oil on canvas)

English School, (19th century)

War of the Pacific.1879-1883. Conflict between Chile and Peru and Bolivia. Peru. Dock and port Callao,1879, by Rico, La Ilustracion Espanola y Americana, 1879 (engraving)
War of the Pacific.1879-1883. Conflict between Chile and Peru and Bolivia. Peru. Dock and port Callao,1879, by Rico, La Ilustracion Espanola y Americana, 1879 (engraving)

TRK2961913: War of the Pacific.1879-1883. Conflict between Chile and Peru and Bolivia. Peru. Dock and port Callao,1879, by Rico, La Ilustracion Espanola y Americana, 1879 (engraving) / Bridgeman Images

ID: TRK2961913

War of the Pacific.1879-1883. Conflict between Chile and Peru and Bolivia. Peru. Dock and port Callao,1879, by Rico, La Ilustracion Espanola y Americana, 1879 (engraving)

Meeting of Frederick the Great (1712-1786) at Sanssouci Palace, Postdam, Germany (engraving)
Meeting of Frederick the Great (1712-1786) at Sanssouci Palace, Postdam, Germany (engraving)

TRK2961933: Meeting of Frederick the Great (1712-1786) at Sanssouci Palace, Postdam, Germany (engraving), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: TRK2961933

Meeting of Frederick the Great (1712-1786) at Sanssouci Palace, Postdam, Germany (engraving)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

Giacomo Meyerbeer (1791-1864). German composer. Portrait (engraving)
Giacomo Meyerbeer (1791-1864). German composer. Portrait (engraving)

TRK2961947: Giacomo Meyerbeer (1791-1864). German composer. Portrait (engraving) / Bridgeman Images

ID: TRK2961947

Giacomo Meyerbeer (1791-1864). German composer. Portrait (engraving)

Manuscript copy of the Ptolemy (100-170 AD) world map, reconstituted from Ptolemy's Geography (c.150). 15th-century
Manuscript copy of the Ptolemy (100-170 AD) world map, reconstituted from Ptolemy's Geography (c.150). 15th-century

TRK2961958: Manuscript copy of the Ptolemy (100-170 AD) world map, reconstituted from Ptolemy's Geography (c.150). 15th-century / Bridgeman Images

ID: TRK2961958

Manuscript copy of the Ptolemy (100-170 AD) world map, reconstituted from Ptolemy's Geography (c.150). 15th-century

Plate with scene depicting The Adoration of the Magi, first third of 16th century
Plate with scene depicting The Adoration of the Magi, first third of 16th century

TRK2961972: Plate with scene depicting The Adoration of the Magi, first third of 16th century, Pénicaud, Jean I (1480-after 1541) / Bridgeman Images

ID: TRK2961972

Plate with scene depicting The Adoration of the Magi, first third of 16th century

Pénicaud, Jean I (1480-after 1541)

Allegorical portrait of Anne of Austria as Minerva (1601-1666), after 1643
Allegorical portrait of Anne of Austria as Minerva (1601-1666), after 1643

TRK2961977: Allegorical portrait of Anne of Austria as Minerva (1601-1666), after 1643, Vouet, Simon (1590-1649) / Bridgeman Images

ID: TRK2961977

Allegorical portrait of Anne of Austria as Minerva (1601-1666), after 1643

Vouet, Simon (1590-1649)

Portrait of Ekaterina Alexandrovna Golovkina (1696-1722), 1757
Portrait of Ekaterina Alexandrovna Golovkina (1696-1722), 1757

TRK2962000: Portrait of Ekaterina Alexandrovna Golovkina (1696-1722), 1757, Tocque, Louis M. (1696-1772) / Bridgeman Images

ID: TRK2962000

Portrait of Ekaterina Alexandrovna Golovkina (1696-1722), 1757

Tocque, Louis M. (1696-1772)

Portrait of King George III of England, 1773-74
Portrait of King George III of England, 1773-74

TRK2962032: Portrait of King George III of England, 1773-74, Dance, Nathaniel (1735-1811) / Bridgeman Images

ID: TRK2962032

Portrait of King George III of England, 1773-74

Dance, Nathaniel (1735-1811)

Roman relief depicting Dionysus visiting a drama poet with Silenus, satyrs and a maenad, 1st century BC (marble)
Roman relief depicting Dionysus visiting a drama poet with Silenus, satyrs and a maenad, 1st century BC (marble)

TRK2962046: Roman relief depicting Dionysus visiting a drama poet with Silenus, satyrs and a maenad, 1st century BC (marble) / Bridgeman Images

ID: TRK2962046

Roman relief depicting Dionysus visiting a drama poet with Silenus, satyrs and a maenad, 1st century BC (marble)

Roman Sarcophagus panel. Athena, Muses and Apollo. 3rd century AD (marble)
Roman Sarcophagus panel. Athena, Muses and Apollo. 3rd century AD (marble)

TRK2962055: Roman Sarcophagus panel. Athena, Muses and Apollo. 3rd century AD (marble) / Bridgeman Images

ID: TRK2962055

Roman Sarcophagus panel. Athena, Muses and Apollo. 3rd century AD (marble)

General William H. Harrison at the Battle of Tippecanoe, pub. 1840 (colour litho)
General William H. Harrison at the Battle of Tippecanoe, pub. 1840 (colour litho)

STC2962095: General William H. Harrison at the Battle of Tippecanoe, pub. 1840 (colour litho), Currier, Nathaniel (1813-88) / Bridgeman Images

ID: STC2962095

General William H. Harrison at the Battle of Tippecanoe, pub. 1840 (colour litho)

Currier, Nathaniel (1813-88)

National Theatre in Prague, pub. c.1890 - 1900 (chromolithograph)
National Theatre in Prague, pub. c.1890 - 1900 (chromolithograph)

STC2962431: National Theatre in Prague, pub. c.1890 - 1900 (chromolithograph), English Photographer, (19th century) / Bridgeman Images

ID: STC2962431

National Theatre in Prague, pub. c.1890 - 1900 (chromolithograph)

English Photographer, (19th century)

Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub. 1803 (hand coloured engraving)
Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub. 1803 (hand coloured engraving)

STC2962493: Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962493

Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub. 1803 (hand coloured engraving)

Gillray, James (1757-1815)

The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)
The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)

STC2962498: The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962498

The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving)
Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving)

STC2962503: Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving), English School, (19th century) / Bridgeman Images

ID: STC2962503

Cecil Wray in the Pillory The Rights of the Commons, pub. 1784 (hand coloured engraving)

English School, (19th century)

Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving)
Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving)

STC2962520: Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962520

Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving)

Gillray, James (1757-1815)

Exterior detail view of entrance to Holmwood, Glasgow (photo)
Exterior detail view of entrance to Holmwood, Glasgow (photo)

GRM2962551: Exterior detail view of entrance to Holmwood, Glasgow (photo), Thomson, Alexander (1817-1875) / Bridgeman Images

ID: GRM2962551

Exterior detail view of entrance to Holmwood, Glasgow (photo)

Thomson, Alexander (1817-1875)

Keepers A. Church, Charles Eyles and H. Robertson trying to lead a baby Asian Elephant on a rope, London Zoo, September 1919 (b/w photo)
Keepers A. Church, Charles Eyles and H. Robertson trying to lead a baby Asian Elephant on a rope, London Zoo, September 1919 (b/w photo)

ZSL2962618: Keepers A. Church, Charles Eyles and H. Robertson trying to lead a baby Asian Elephant on a rope, London Zoo, September 1919 (b/w photo), Bond, Frederick William (1887-1942) / Bridgeman Images

ID: ZSL2962618

Keepers A. Church, Charles Eyles and H. Robertson trying to lead a baby Asian Elephant on a rope, London Zoo, September 1919 (b/w photo)

Bond, Frederick William (1887-1942)

Sir Peter Chalmers Mitchell, with Ethiopian Regent Haile Selassie and his entourage, London Zoo, 1924 (b/w photo)
Sir Peter Chalmers Mitchell, with Ethiopian Regent Haile Selassie and his entourage, London Zoo, 1924 (b/w photo)

ZSL2962628: Sir Peter Chalmers Mitchell, with Ethiopian Regent Haile Selassie and his entourage, London Zoo, 1924 (b/w photo), Bond, Frederick William (1887-1942) / Bridgeman Images

ID: ZSL2962628

Sir Peter Chalmers Mitchell, with Ethiopian Regent Haile Selassie and his entourage, London Zoo, 1924 (b/w photo)

Bond, Frederick William (1887-1942)

Cockmount Hill (pencil, watercolour & gouache on paper, on card)
Cockmount Hill (pencil, watercolour & gouache on paper, on card)

TW2962649: Cockmount Hill (pencil, watercolour & gouache on paper, on card), Richardson, Henry Burdon (fl.1828-72) / Bridgeman Images

ID: TW2962649

Cockmount Hill (pencil, watercolour & gouache on paper, on card)

Richardson, Henry Burdon (fl.1828-72)

Craig Lough and Roman Wall, 1839 (pencil, gouache & watercolour on paper)
Craig Lough and Roman Wall, 1839 (pencil, gouache & watercolour on paper)

TW2962676: Craig Lough and Roman Wall, 1839 (pencil, gouache & watercolour on paper), Richardson, Thomas Miles II (1813-90) / Bridgeman Images

ID: TW2962676

Craig Lough and Roman Wall, 1839 (pencil, gouache & watercolour on paper)

Richardson, Thomas Miles II (1813-90)

Indian Summer, 1929-33 (oil on canvas)
Indian Summer, 1929-33 (oil on canvas)

XMV2962695: Indian Summer, 1929-33 (oil on canvas), Fechin, Nikolai (1881-1955) / Bridgeman Images

ID: XMV2962695

Indian Summer, 1929-33 (oil on canvas)

Fechin, Nikolai (1881-1955)

Still Life with Santo, 1930 (oil on canvas)
Still Life with Santo, 1930 (oil on canvas)

XMV2962705: Still Life with Santo, 1930 (oil on canvas), Nordfeldt, Bror Julius Olsson (1878-1955) / Bridgeman Images

ID: XMV2962705

Still Life with Santo, 1930 (oil on canvas)

Nordfeldt, Bror Julius Olsson (1878-1955)

Cross the Border, Close the Gap, 1969
Cross the Border, Close the Gap, 1969

XMV2962730: Cross the Border, Close the Gap, 1969, Wirsum, Karl (b.1939) / Bridgeman Images

ID: XMV2962730

Cross the Border, Close the Gap, 1969

Wirsum, Karl (b.1939)


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