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A mountaineer from Hazara (Punjab, India). Engraving to illustrate the voyage to Pandjab and Kashmir, story by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A mountaineer from Hazara (Punjab, India). Engraving to illustrate the voyage to Pandjab and Kashmir, story by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328392: A mountaineer from Hazara (Punjab, India). Engraving to illustrate the voyage to Pandjab and Kashmir, story by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328392

A mountaineer from Hazara (Punjab, India). Engraving to illustrate the voyage to Pandjab and Kashmir, story by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

A group of Muslim men in Haiderabad, Pakistan. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A group of Muslim men in Haiderabad, Pakistan. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328498: A group of Muslim men in Haiderabad, Pakistan. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328498

A group of Muslim men in Haiderabad, Pakistan. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A village of Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri, 600 leagues from the city of Saint Louis. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A village of Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri, 600 leagues from the city of Saint Louis. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328550: A village of Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri, 600 leagues from the city of Saint Louis. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328550

A village of Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri, 600 leagues from the city of Saint Louis. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

After the ceremony of self-giving to the Great Spirit, the young warriors embrace a frenetic and outflow dance, the weakest are trailing on the ground, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
After the ceremony of self-giving to the Great Spirit, the young warriors embrace a frenetic and outflow dance, the weakest are trailing on the ground, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328578: After the ceremony of self-giving to the Great Spirit, the young warriors embrace a frenetic and outflow dance, the weakest are trailing on the ground, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328578

After the ceremony of self-giving to the Great Spirit, the young warriors embrace a frenetic and outflow dance, the weakest are trailing on the ground, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The arcs manufacturer in his workshop, exposes the wood to the flame of a fire of chips, to give them the necessary fold of their curvature. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The arcs manufacturer in his workshop, exposes the wood to the flame of a fire of chips, to give them the necessary fold of their curvature. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328653: The arcs manufacturer in his workshop, exposes the wood to the flame of a fire of chips, to give them the necessary fold of their curvature. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328653

The arcs manufacturer in his workshop, exposes the wood to the flame of a fire of chips, to give them the necessary fold of their curvature. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The troupe of the Saltimbanks the gymnasts of Tokio, they perform under a vast shed or are disposed of bamboo mats, all of them are experienced with these physical exercises but also with the practice of comedy. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The troupe of the Saltimbanks the gymnasts of Tokio, they perform under a vast shed or are disposed of bamboo mats, all of them are experienced with these physical exercises but also with the practice of comedy. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328686: The troupe of the Saltimbanks the gymnasts of Tokio, they perform under a vast shed or are disposed of bamboo mats, all of them are experienced with these physical exercises but also with the practice of comedy. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328686

The troupe of the Saltimbanks the gymnasts of Tokio, they perform under a vast shed or are disposed of bamboo mats, all of them are experienced with these physical exercises but also with the practice of comedy. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328788: A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328788

A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328833: A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328833

A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328855: The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328855

The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328864: Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328864

Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

A rodeo in Lauramarca (Lower Peru), the capture of wild horses, before their iron marking with the initials of the owner of the region, considered as a complete spectacle, many badauds gathered. Engraving to illustrate the voyage in the vallees of Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A rodeo in Lauramarca (Lower Peru), the capture of wild horses, before their iron marking with the initials of the owner of the region, considered as a complete spectacle, many badauds gathered. Engraving to illustrate the voyage in the vallees of Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328933: A rodeo in Lauramarca (Lower Peru), the capture of wild horses, before their iron marking with the initials of the owner of the region, considered as a complete spectacle, many badauds gathered. Engraving to illustrate the voyage in the vallees of Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328933

A rodeo in Lauramarca (Lower Peru), the capture of wild horses, before their iron marking with the initials of the owner of the region, considered as a complete spectacle, many badauds gathered. Engraving to illustrate the voyage in the vallees of Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329023: Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329023

Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329051: Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329051

Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329130: The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329130

The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

An alluvion gold mine, open air in Colombia, by means of pumps, a stream of water brings the auriferous sludge back to the work site, the tools of the miners are of the utmost simplicity, iron bars and a pool of rocks in which heavy particles and golden pepites accumulate, then are carried away in stretchers. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
An alluvion gold mine, open air in Colombia, by means of pumps, a stream of water brings the auriferous sludge back to the work site, the tools of the miners are of the utmost simplicity, iron bars and a pool of rocks in which heavy particles and golden pepites accumulate, then are carried away in stretchers. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329244: An alluvion gold mine, open air in Colombia, by means of pumps, a stream of water brings the auriferous sludge back to the work site, the tools of the miners are of the utmost simplicity, iron bars and a pool of rocks in which heavy particles and golden pepites accumulate, then are carried away in stretchers. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329244

An alluvion gold mine, open air in Colombia, by means of pumps, a stream of water brings the auriferous sludge back to the work site, the tools of the miners are of the utmost simplicity, iron bars and a pool of rocks in which heavy particles and golden pepites accumulate, then are carried away in stretchers. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

A Laotian beating gong in Muong Phang, weapon of several hammers, and striking with double blows on several instruments placed in front of him; the author of the story is represented in the audience, carrying his cardboard drawing under his arm. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A Laotian beating gong in Muong Phang, weapon of several hammers, and striking with double blows on several instruments placed in front of him; the author of the story is represented in the audience, carrying his cardboard drawing under his arm. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329279: A Laotian beating gong in Muong Phang, weapon of several hammers, and striking with double blows on several instruments placed in front of him; the author of the story is represented in the audience, carrying his cardboard drawing under his arm. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329279

A Laotian beating gong in Muong Phang, weapon of several hammers, and striking with double blows on several instruments placed in front of him; the author of the story is represented in the audience, carrying his cardboard drawing under his arm. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The ferry to cross the Cauca River. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The ferry to cross the Cauca River. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329317: The ferry to cross the Cauca River. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329317

The ferry to cross the Cauca River. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

A meal of the men of service of the mission of 1872, at the camp site, before the first field reconnaissance, engraved after the drawing of G. Massias, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
A meal of the men of service of the mission of 1872, at the camp site, before the first field reconnaissance, engraved after the drawing of G. Massias, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329892: A meal of the men of service of the mission of 1872, at the camp site, before the first field reconnaissance, engraved after the drawing of G. Massias, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4329892

A meal of the men of service of the mission of 1872, at the camp site, before the first field reconnaissance, engraved after the drawing of G. Massias, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

French School, (19th century)

A terrible car accident in the Bois de Boulogne, horses take away a 19-month-old child, after having overturned several other cars. Engraving in
A terrible car accident in the Bois de Boulogne, horses take away a 19-month-old child, after having overturned several other cars. Engraving in

LSE4326754: A terrible car accident in the Bois de Boulogne, horses take away a 19-month-old child, after having overturned several other cars. Engraving in "Le petit journal" 19/6/1898. Selva Collection., Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4326754

A terrible car accident in the Bois de Boulogne, horses take away a 19-month-old child, after having overturned several other cars. Engraving in "Le petit journal" 19/6/1898. Selva Collection.

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)

The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in
The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in

LSE4326800: The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in "Le petit journal" 21/8/1898. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LSE4326800

The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in "Le petit journal" 21/8/1898. Selva Collection.

Meaulle, Fortune Louis (1844-1901)

Suicide attempt by Samory (or Samori) Toure (1830-1900), ruler of a territory comprising present-day Guinee and Burkina Faso (Burkina Faso) and fighting French colonization in West Africa, he stabbed himself while captivated by French troops. Engraving in
Suicide attempt by Samory (or Samori) Toure (1830-1900), ruler of a territory comprising present-day Guinee and Burkina Faso (Burkina Faso) and fighting French colonization in West Africa, he stabbed himself while captivated by French troops. Engraving in

LSE4326859: Suicide attempt by Samory (or Samori) Toure (1830-1900), ruler of a territory comprising present-day Guinee and Burkina Faso (Burkina Faso) and fighting French colonization in West Africa, he stabbed himself while captivated by French troops. Engraving in "Le petit journal" 5/2/1899. Selva Collection., Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4326859

Suicide attempt by Samory (or Samori) Toure (1830-1900), ruler of a territory comprising present-day Guinee and Burkina Faso (Burkina Faso) and fighting French colonization in West Africa, he stabbed himself while captivated by French troops. Engraving in "Le petit journal" 5/2/1899. Selva Collection.

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)

Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in
Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in

LSE4327010: Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in "Le petit journal" 26 /3/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327010

Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in "Le petit journal" 26 /3/1900. Selva Collection.

French School, (20th century)

Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in
Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in

LSE4327064: Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in "Le petit journal" 10/6/1900. Selva Collection., Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4327064

Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in "Le petit journal" 10/6/1900. Selva Collection.

Tofani, Oswaldo (1849-1915)

Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in
Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in

LSE4327201: Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in "Le petit journal" 9/12/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327201

Paul Kruger (1825-1904) Boer politician and president of Transvaal (South Africa), visiting France, cheered by the crowd on the balcony of the Gare de Lyon. Engraving in "Le petit journal" 9/12/1900. Selva Collection.

French School, (20th century)

Proclamation of King Edward VII (1841-1910) as the new sovereign of the United Kingdom, he succeeds his mother, Queen Victoria (1919-1901), the first proclamation, by the Duke of Norfolk and the dignitaries of the court, took place at the Palace of Saint James, London on January 22, 1901. Engraving in
Proclamation of King Edward VII (1841-1910) as the new sovereign of the United Kingdom, he succeeds his mother, Queen Victoria (1919-1901), the first proclamation, by the Duke of Norfolk and the dignitaries of the court, took place at the Palace of Saint James, London on January 22, 1901. Engraving in

LSE4327222: Proclamation of King Edward VII (1841-1910) as the new sovereign of the United Kingdom, he succeeds his mother, Queen Victoria (1919-1901), the first proclamation, by the Duke of Norfolk and the dignitaries of the court, took place at the Palace of Saint James, London on January 22, 1901. Engraving in "Le petit journal" 3/2/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327222

Proclamation of King Edward VII (1841-1910) as the new sovereign of the United Kingdom, he succeeds his mother, Queen Victoria (1919-1901), the first proclamation, by the Duke of Norfolk and the dignitaries of the court, took place at the Palace of Saint James, London on January 22, 1901. Engraving in "Le petit journal" 3/2/1901. Selva Collection.

French School, (20th century)

The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in
The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in

LSE4327238: The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in "Le petit journal" 3/3/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327238

The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in "Le petit journal" 3/3/1901. Selva Collection.

French School, (20th century)

An English Russo incident in China, an English railway company set up a garage track on a territory conceived by Russians and removed the limits and the Russian flag from it, after hunting the Chinese workers, however, the intervention of a Russian army troops, everything came in order and the English made the machine. Back. Engraving in
An English Russo incident in China, an English railway company set up a garage track on a territory conceived by Russians and removed the limits and the Russian flag from it, after hunting the Chinese workers, however, the intervention of a Russian army troops, everything came in order and the English made the machine. Back. Engraving in

LSE4327272: An English Russo incident in China, an English railway company set up a garage track on a territory conceived by Russians and removed the limits and the Russian flag from it, after hunting the Chinese workers, however, the intervention of a Russian army troops, everything came in order and the English made the machine. Back. Engraving in "Le petit journal" 7/4/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327272

An English Russo incident in China, an English railway company set up a garage track on a territory conceived by Russians and removed the limits and the Russian flag from it, after hunting the Chinese workers, however, the intervention of a Russian army troops, everything came in order and the English made the machine. Back. Engraving in "Le petit journal" 7/4/1901. Selva Collection.

French School, (20th century)

A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in
A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in

LSE4327341: A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in "Le petit journal" 23/6/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327341

A couple of American tourists caught in an avalanche, trying to climb Mont Blanc. Engraving in "Le petit journal" 23/6/1901. Selva Collection.

French School, (20th century)

Manoeuvre of Cossack horsemen in Livadia (Russia), under the watchful eye of Tzar Nicholas II of Russia (1868-1918) and his general staff. Engraving in
Manoeuvre of Cossack horsemen in Livadia (Russia), under the watchful eye of Tzar Nicholas II of Russia (1868-1918) and his general staff. Engraving in

LSE4327434: Manoeuvre of Cossack horsemen in Livadia (Russia), under the watchful eye of Tzar Nicholas II of Russia (1868-1918) and his general staff. Engraving in "Le petit journal" 29/9/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327434

Manoeuvre of Cossack horsemen in Livadia (Russia), under the watchful eye of Tzar Nicholas II of Russia (1868-1918) and his general staff. Engraving in "Le petit journal" 29/9/1901. Selva Collection.

French School, (20th century)

Barricade in the streets of Barcelona, touched by serious orders, since the decision of a strike in the port of the city, the anarchist and Carlist agitators joined the grevists and together they transformed the initial movement into a true emeute, the civil guards harshly repressed the ripers, causing many deaths. Engraving in
Barricade in the streets of Barcelona, touched by serious orders, since the decision of a strike in the port of the city, the anarchist and Carlist agitators joined the grevists and together they transformed the initial movement into a true emeute, the civil guards harshly repressed the ripers, causing many deaths. Engraving in

LSE4327513: Barricade in the streets of Barcelona, touched by serious orders, since the decision of a strike in the port of the city, the anarchist and Carlist agitators joined the grevists and together they transformed the initial movement into a true emeute, the civil guards harshly repressed the ripers, causing many deaths. Engraving in "Le petit journal" 9/3/1902. Selva Collection., Thiriat, Paul (1868-1943) / Bridgeman Images

ID: LSE4327513

Barricade in the streets of Barcelona, touched by serious orders, since the decision of a strike in the port of the city, the anarchist and Carlist agitators joined the grevists and together they transformed the initial movement into a true emeute, the civil guards harshly repressed the ripers, causing many deaths. Engraving in "Le petit journal" 9/3/1902. Selva Collection.

Thiriat, Paul (1868-1943)

Artistic instruction of the soldiers of the barracks of the Tourelles and the barracks of the chateau d'eau, at the Musee du Luxembourg, 1902 (print)
Artistic instruction of the soldiers of the barracks of the Tourelles and the barracks of the chateau d'eau, at the Musee du Luxembourg, 1902 (print)

LSE4327584: Artistic instruction of the soldiers of the barracks of the Tourelles and the barracks of the chateau d'eau, at the Musee du Luxembourg, 1902 (print), French School, (20th century) / Bridgeman Images

ID: LSE4327584

Artistic instruction of the soldiers of the barracks of the Tourelles and the barracks of the chateau d'eau, at the Musee du Luxembourg, 1902 (print)

French School, (20th century)

In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection.
In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection.

LSE4327609: In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327609

In Valenciennes, a maid who walks in a cart the four children in charge of her, walks along a circus settles in town, when suddenly, a bear escaping from her cage rises on the donkey pulling the hitch, the good one tries to make him flee with whips until the arrival of the circus staff. Engraving in “” Le petit journal”” 28/9/1902. Selva Collection.

French School, (20th century)

A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in
A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in

LSE4327757: A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in "Le petit journal" 13/12/1903. Selva Collection., Michel, P.H.G.V. (fl.1883-1903) / Bridgeman Images

ID: LSE4327757

A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in "Le petit journal" 13/12/1903. Selva Collection.

Michel, P.H.G.V. (fl.1883-1903)

A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328133: A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328133

A sleigh and his crew lost in the Hummocks, torn blocks of ice that animate the surface of the ice pack. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

The dwelling and shipyard of an English builder near Noumea, who uses indigenous labour or condemns them until the end of their time of hard work. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
The dwelling and shipyard of an English builder near Noumea, who uses indigenous labour or condemns them until the end of their time of hard work. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328244: The dwelling and shipyard of an English builder near Noumea, who uses indigenous labour or condemns them until the end of their time of hard work. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328244

The dwelling and shipyard of an English builder near Noumea, who uses indigenous labour or condemns them until the end of their time of hard work. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Bronze shop in Yedo (or Edo, present-day Tokyo), speciality of the city, presenting objects of Buddhist worship: bells, gongs, drums, vases, candelabra, incenses and statues, but also less ritual objects such as a sake cans, lamps, braziers and other household utensils. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Bronze shop in Yedo (or Edo, present-day Tokyo), speciality of the city, presenting objects of Buddhist worship: bells, gongs, drums, vases, candelabra, incenses and statues, but also less ritual objects such as a sake cans, lamps, braziers and other household utensils. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328297: Bronze shop in Yedo (or Edo, present-day Tokyo), speciality of the city, presenting objects of Buddhist worship: bells, gongs, drums, vases, candelabra, incenses and statues, but also less ritual objects such as a sake cans, lamps, braziers and other household utensils. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328297

Bronze shop in Yedo (or Edo, present-day Tokyo), speciality of the city, presenting objects of Buddhist worship: bells, gongs, drums, vases, candelabra, incenses and statues, but also less ritual objects such as a sake cans, lamps, braziers and other household utensils. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)


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