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2497570 Search Results

Antique Print of a Hare, 1859 (coloured engraving)
Antique Print of a Hare, 1859 (coloured engraving)

GRC2630184: Antique Print of a Hare, 1859 (coloured engraving), American School, (19th century) / Bridgeman Images

ID: GRC2630184

Antique Print of a Hare, 1859 (coloured engraving)

American School, (19th century)

Antique Print of Zebras, 1859 (coloured engraving)
Antique Print of Zebras, 1859 (coloured engraving)

GRC2630199: Antique Print of Zebras, 1859 (coloured engraving), American School, (19th century) / Bridgeman Images

ID: GRC2630199

Antique Print of Zebras, 1859 (coloured engraving)

American School, (19th century)

Baseball Game in 1891 New York, 1891 (colour litho)
Baseball Game in 1891 New York, 1891 (colour litho)

GRC2630225: Baseball Game in 1891 New York, 1891 (colour litho), American School, (19th century) / Bridgeman Images

ID: GRC2630225

Baseball Game in 1891 New York, 1891 (colour litho)

American School, (19th century)

First U.S. Coloured Infantry, pub. c.1860's (sepia photo)
First U.S. Coloured Infantry, pub. c.1860's (sepia photo)

STC2630655: First U.S. Coloured Infantry, pub. c.1860's (sepia photo), Brady, Mathew (1823-96) / Bridgeman Images

ID: STC2630655

First U.S. Coloured Infantry, pub. c.1860's (sepia photo)

Brady, Mathew (1823-96)

Col. Harney's brilliant charge at the Battle of Cerro Gordo, pub. c.1848 (hand coloured litho)
Col. Harney's brilliant charge at the Battle of Cerro Gordo, pub. c.1848 (hand coloured litho)

STC2630661: Col. Harney's brilliant charge at the Battle of Cerro Gordo, pub. c.1848 (hand coloured litho), American School, (19th century) / Bridgeman Images

ID: STC2630661

Col. Harney's brilliant charge at the Battle of Cerro Gordo, pub. c.1848 (hand coloured litho)

American School, (19th century)

The Dawn of Peace, Morning of the Surrender of Yorktown, pub. 1881 (engraving)
The Dawn of Peace, Morning of the Surrender of Yorktown, pub. 1881 (engraving)

STC2630670: The Dawn of Peace, Morning of the Surrender of Yorktown, pub. 1881 (engraving), Campbell, A. Gilchrist (fl.1881) / Bridgeman Images

ID: STC2630670

The Dawn of Peace, Morning of the Surrender of Yorktown, pub. 1881 (engraving)

Campbell, A. Gilchrist (fl.1881)

Woman at her toilet, 1938 (pastel on paper)
Woman at her toilet, 1938 (pastel on paper)

LSE2630754: Woman at her toilet, 1938 (pastel on paper), Tô Ngọc Vân (1906–54) / Bridgeman Images

ID: LSE2630754

Woman at her toilet, 1938 (pastel on paper)

Tô Ngọc Vân (1906–54)

Gray's Ferry Chemical Works, Gray's Ferrry Rd. (north side) between Thirty-fourth St. and Thirty-sixth St., Hexamer General Surveys, 1888 (colour litho)
Gray's Ferry Chemical Works, Gray's Ferrry Rd. (north side) between Thirty-fourth St. and Thirty-sixth St., Hexamer General Surveys, 1888 (colour litho)

FLP2630766: Gray's Ferry Chemical Works, Gray's Ferrry Rd. (north side) between Thirty-fourth St. and Thirty-sixth St., Hexamer General Surveys, 1888 (colour litho), Hexamer, Ernest (1827-1912) / Bridgeman Images

ID: FLP2630766

Gray's Ferry Chemical Works, Gray's Ferrry Rd. (north side) between Thirty-fourth St. and Thirty-sixth St., Hexamer General Surveys, 1888 (colour litho)

Hexamer, Ernest (1827-1912)

The Explosives Ship, Porthmadog. 1950 (w/c on card)
The Explosives Ship, Porthmadog. 1950 (w/c on card)

LIS2651366: The Explosives Ship, Porthmadog. 1950 (w/c on card), Kemp, Arthur (1906-68) / Bridgeman Images

ID: LIS2651366

The Explosives Ship, Porthmadog. 1950 (w/c on card)

Kemp, Arthur (1906-68)

Miss Thomas The Travelling Cook (oil on canvas)
Miss Thomas The Travelling Cook (oil on canvas)

LIS2651456: Miss Thomas The Travelling Cook (oil on canvas), Lewis, Stanley (1905-2009) / Bridgeman Images

ID: LIS2651456

Miss Thomas The Travelling Cook (oil on canvas)

Lewis, Stanley (1905-2009)

William Blake allegory, 1931 (w/c & crayon on paper)
William Blake allegory, 1931 (w/c & crayon on paper)

LIS2651463: William Blake allegory, 1931 (w/c & crayon on paper), Lewis, Stanley (1905-2009) / Bridgeman Images

ID: LIS2651463

William Blake allegory, 1931 (w/c & crayon on paper)

Lewis, Stanley (1905-2009)

The Quantock Hills, c.1930 (oil on canvas board)
The Quantock Hills, c.1930 (oil on canvas board)

LIS2651587: The Quantock Hills, c.1930 (oil on canvas board), Sheppard, Raymond (1913-58) / Bridgeman Images

ID: LIS2651587

The Quantock Hills, c.1930 (oil on canvas board)

Sheppard, Raymond (1913-58)

Self portrait
Self portrait

LIS2651495: Self portrait, Rowles, Lilian May Bevis (fl.1910-50) / Bridgeman Images

ID: LIS2651495

Self portrait

Rowles, Lilian May Bevis (fl.1910-50)

Christine, c.1947 (black chalk on blue paper)
Christine, c.1947 (black chalk on blue paper)

LIS2651619: Christine, c.1947 (black chalk on blue paper), Sheppard, Raymond (1913-58) / Bridgeman Images

ID: LIS2651619

Christine, c.1947 (black chalk on blue paper)

Sheppard, Raymond (1913-58)

Seascape at dusk (oil on canvas)
Seascape at dusk (oil on canvas)

LIS2651507: Seascape at dusk (oil on canvas), Rowles, Stanley Charles (1887-1958) / Bridgeman Images

ID: LIS2651507

Seascape at dusk (oil on canvas)

Rowles, Stanley Charles (1887-1958)

Christine Seated with teddy, c.1950 (pen & ink with white highlights on brown paper)
Christine Seated with teddy, c.1950 (pen & ink with white highlights on brown paper)

LIS2651643: Christine Seated with teddy, c.1950 (pen & ink with white highlights on brown paper), Sheppard, Raymond (1913-58) / Bridgeman Images

ID: LIS2651643

Christine Seated with teddy, c.1950 (pen & ink with white highlights on brown paper)

Sheppard, Raymond (1913-58)

Michael and Christine (pen & ink with wash on paper)
Michael and Christine (pen & ink with wash on paper)

LIS2651655: Michael and Christine (pen & ink with wash on paper), Sheppard, Raymond (1913-58) / Bridgeman Images

ID: LIS2651655

Michael and Christine (pen & ink with wash on paper)

Sheppard, Raymond (1913-58)

Michael lying against an armchair, 4th March 1950 (pen & ink with w/c on paper)
Michael lying against an armchair, 4th March 1950 (pen & ink with w/c on paper)

LIS2651659: Michael lying against an armchair, 4th March 1950 (pen & ink with w/c on paper), Sheppard, Raymond (1913-58) / Bridgeman Images

ID: LIS2651659

Michael lying against an armchair, 4th March 1950 (pen & ink with w/c on paper)

Sheppard, Raymond (1913-58)

Hadleigh Castle (waxed crayon on paper)
Hadleigh Castle (waxed crayon on paper)

LIS2651685: Hadleigh Castle (waxed crayon on paper), Sorrell, Alan (1904-74) / Bridgeman Images

ID: LIS2651685

Hadleigh Castle (waxed crayon on paper)

Sorrell, Alan (1904-74)

Figures planting a tree (pen & blue ink with wash on blue paper)
Figures planting a tree (pen & blue ink with wash on blue paper)

LIS2651691: Figures planting a tree (pen & blue ink with wash on blue paper), Sorrell, Alan (1904-74) / Bridgeman Images

ID: LIS2651691

Figures planting a tree (pen & blue ink with wash on blue paper)

Sorrell, Alan (1904-74)

Study for The Founding of Prittlewell Priory (oil on panel)
Study for The Founding of Prittlewell Priory (oil on panel)

LIS2651715: Study for The Founding of Prittlewell Priory (oil on panel), Sorrell, Alan (1904-74) / Bridgeman Images

ID: LIS2651715

Study for The Founding of Prittlewell Priory (oil on panel)

Sorrell, Alan (1904-74)

The Artist's Boots, 1932 (pen & ink with wash on paper)
The Artist's Boots, 1932 (pen & ink with wash on paper)

LIS2651730: The Artist's Boots, 1932 (pen & ink with wash on paper), Spear, Francis (1902-1979) / Bridgeman Images

ID: LIS2651730

The Artist's Boots, 1932 (pen & ink with wash on paper)

Spear, Francis (1902-1979)

Triple Life Study, three-quarter rear view (pen & ink on paper)
Triple Life Study, three-quarter rear view (pen & ink on paper)

LIS2651748: Triple Life Study, three-quarter rear view (pen & ink on paper), Stephenson, John Cecil (1889-1965) / Bridgeman Images

ID: LIS2651748

Triple Life Study, three-quarter rear view (pen & ink on paper)

Stephenson, John Cecil (1889-1965)

Abnegation, c.1959 (oil on canvas)
Abnegation, c.1959 (oil on canvas)

LIS2651763: Abnegation, c.1959 (oil on canvas), Stephenson, John Cecil (1889-1965) / Bridgeman Images

ID: LIS2651763

Abnegation, c.1959 (oil on canvas)

Stephenson, John Cecil (1889-1965)

Sketch for Ply Glass, 1957 (colour litho)
Sketch for Ply Glass, 1957 (colour litho)

LIS2651787: Sketch for Ply Glass, 1957 (colour litho), Stephenson, John Cecil (1889-1965) / Bridgeman Images

ID: LIS2651787

Sketch for Ply Glass, 1957 (colour litho)

Stephenson, John Cecil (1889-1965)

Abstract in mauve, dark and light brown and blue (oil on paper)
Abstract in mauve, dark and light brown and blue (oil on paper)

LIS2651793: Abstract in mauve, dark and light brown and blue (oil on paper), Stephenson, John Cecil (1889-1965) / Bridgeman Images

ID: LIS2651793

Abstract in mauve, dark and light brown and blue (oil on paper)

Stephenson, John Cecil (1889-1965)

Tonality (oil on board)
Tonality (oil on board)

LIS2651809: Tonality (oil on board), Stephenson, John Cecil (1889-1965) / Bridgeman Images

ID: LIS2651809

Tonality (oil on board)

Stephenson, John Cecil (1889-1965)

The Foreign Office, London, c.1920 (pen & ink with w/c on paper)
The Foreign Office, London, c.1920 (pen & ink with w/c on paper)

LIS2651833: The Foreign Office, London, c.1920 (pen & ink with w/c on paper), Stroudley, James (1906-88) / Bridgeman Images

ID: LIS2651833

The Foreign Office, London, c.1920 (pen & ink with w/c on paper)

Stroudley, James (1906-88)

Seated Nude Rear View c.1930 (pencil)
Seated Nude Rear View c.1930 (pencil)

LIS2651838: Seated Nude Rear View c.1930 (pencil), Stroudley, James (1906-88) / Bridgeman Images

ID: LIS2651838

Seated Nude Rear View c.1930 (pencil)

Stroudley, James (1906-88)

Study for Allegory, c.1925 (chalk on tracing paper)
Study for Allegory, c.1925 (chalk on tracing paper)

LIS2651844: Study for Allegory, c.1925 (chalk on tracing paper), Stroudley, James (1906-88) / Bridgeman Images

ID: LIS2651844

Study for Allegory, c.1925 (chalk on tracing paper)

Stroudley, James (1906-88)

View through meadow and tree with valley beyond (oil on panel)
View through meadow and tree with valley beyond (oil on panel)

LIS2651862: View through meadow and tree with valley beyond (oil on panel), Studd, Arthur Haythorne (1863-1919) / Bridgeman Images

ID: LIS2651862

View through meadow and tree with valley beyond (oil on panel)

Studd, Arthur Haythorne (1863-1919)

A family from Anticoli Corrardo, Going to Market, 1928 (w/c with pen & ink on paper)
A family from Anticoli Corrardo, Going to Market, 1928 (w/c with pen & ink on paper)

LIS2651878: A family from Anticoli Corrardo, Going to Market, 1928 (w/c with pen & ink on paper), Nixon, Job (1891-1938) / Bridgeman Images

ID: LIS2651878

A family from Anticoli Corrardo, Going to Market, 1928 (w/c with pen & ink on paper)

Nixon, Job (1891-1938)

Portrait of Ida Shepherd, c.1933 (oil on canvas)
Portrait of Ida Shepherd, c.1933 (oil on canvas)

LIS2651882: Portrait of Ida Shepherd, c.1933 (oil on canvas), Dunbar, Evelyn (1906-60) / Bridgeman Images

ID: LIS2651882

Portrait of Ida Shepherd, c.1933 (oil on canvas)

Dunbar, Evelyn (1906-60)

A Direct Hit, 1918 (w/c with gouache on paper)
A Direct Hit, 1918 (w/c with gouache on paper)

LIS2651943: A Direct Hit, 1918 (w/c with gouache on paper), Watson, Geoffrey (1894-1979) / Bridgeman Images

ID: LIS2651943

A Direct Hit, 1918 (w/c with gouache on paper)

Watson, Geoffrey (1894-1979)

St Giles, Cripplegate, 1942 (w/c on paper)
St Giles, Cripplegate, 1942 (w/c on paper)

LIS2651950: St Giles, Cripplegate, 1942 (w/c on paper), Wells, Denys George (1881-1973) / Bridgeman Images

ID: LIS2651950

St Giles, Cripplegate, 1942 (w/c on paper)

Wells, Denys George (1881-1973)

Still Life with wild roses, c.1920 (oil on canvas)
Still Life with wild roses, c.1920 (oil on canvas)

LIS2651954: Still Life with wild roses, c.1920 (oil on canvas), Wells, Denys George (1881-1973) / Bridgeman Images

ID: LIS2651954

Still Life with wild roses, c.1920 (oil on canvas)

Wells, Denys George (1881-1973)


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