GCL3362472: SILENT FILM STILL: COUPLES. / Bridgeman Images

GCL3362478: ETRUSCAN WARRIOR STATUE Statue of an Etruscan warrior, early 20th century, at first believed to be an authentic work from the Etruscan period but exposed as a forgery in 1961. / Bridgeman Images

GCL3362492: SILENT STILL: POLICEMAN. / Bridgeman Images

GCL3362521: SILENT FILM STILL: PARTIES. / Bridgeman Images

GCL3362525: SILENT FILM STILL: PARTIES. Aileen Pringle and John Gilbert in 'The Most Popular Girl at the Party.' / Bridgeman Images

GCL3362531: BONN, 18th CENTURY A view of the city of Bonn, Germany, and its surroundings: coloured line engraving, late 18th century. / Bridgeman Images

GCL3362542: JAPAN: KOBE, 1890s View of the Metaki Falls at Kobe, Japan. Photographed, c.1880. / Bridgeman Images

GCL3362851: SILENT FILM STILL: GOLF. / Bridgeman Images

GCL3362855: THE MAN WHO KNEW TOO MUCH A scene from the 1934 English version of the film 'The Man Who Knew Too Much,' directed by Alfred Hitchcock. / Bridgeman Images

GCL3362857: HENRI LACORDAIRE (1802-1861) Full name: Jean-Baptiste-Henri Lacordaire. French prelate. / Bridgeman Images

GCL3362861: SILENT FILM: GUNS. / Bridgeman Images

GCL3363053: SILENT FILM STILL: SPORTS. 'White Flannels,' 1927. / Bridgeman Images

GCL3363057: SILENT FILM STILL: WOMAN. / Bridgeman Images

GCL3363060: SILENT FILM STILL: WOMAN. / Bridgeman Images

GCL3363066: SILENT FILM STILL: WOMAN. / Bridgeman Images

GCL3363094: LOVE LETTERS, 1924 Shirley Mason in a scene from the film. / Bridgeman Images

GCL3363103: SILENT FILM STILL: GUNS Larry Semon and Dorothy Dwan in a film from the 1920s. / Bridgeman Images

GCL3363110: SILENT FILM STILL: WOMEN. / Bridgeman Images

GCL3363122: SILENT FILM STILL: WOMEN. / Bridgeman Images

GCL3363128: VIEW OF OXFORD, c.1885 Martyr's Monument, Oxford, a memorial to the 16th-century Protestant martyrs Nicholas Ridley, Hugh Latimer, and Thomas Cranmer. Lithograph, c.1885. / Bridgeman Images

GCL3363129: VIEW OF OXFORD, c.1885 A view of Broad Street, Oxford. Lithograph, c.1885. / Bridgeman Images

GCL3363130: OXFORD: UNIVERSITY COLLEGE Lithograph, c.1885. / Bridgeman Images

GCL3363134: OXFORD: ST. JOHN'S COLLEGE Lithograph, c.1885. / Bridgeman Images

GCL3363139: POTTER, 1568 Woodcut, 1568, by Jost Amman. / Bridgeman Images

GCL3363141: EXIT FOR PEDESTRIANS Pictorial symbol, 20th century. / Bridgeman Images

GCL3363147: SILENT FILM STILL: GUNS. / Bridgeman Images

GCL3363148: SILENT FILM STILL: GUNS. / Bridgeman Images

GCL3363156: LENA RIVERS, 1925 Herman Lieb and Gladys Hulette in a scene from the film. / Bridgeman Images

GCL3363159: THE WISE GUY, 1926 Betty Compson, George F. Marion and Capt. E. H. Calvert in a scene from the film. / Bridgeman Images

GCL3363160: THE CABIN IN THE COTTON. Richard Barthelmess in 'The Cabin in the Cotton,' 1932. / Bridgeman Images

GCL3363164: SILENT FILM STILL: STUNTS. / Bridgeman Images

GCL3363172: FILM: WOMAN DISPUTED, 1928 Norma Talmadge. / Bridgeman Images

GCL3363179: SILENT FILM STILL: STORES. / Bridgeman Images

GCL3363193: MOA SKELETON Skeleton of a moa (dinornis), an extinct flightless bird of New Zealand: wood engraving, late 19th century. / Bridgeman Images

GCL3363206: FILM STILL: TELEPHONES. / Bridgeman Images

GCL3363211: A PAIR OF SILK STOCKINGS. Constance Talmadge in 'A Pair of Silk Stockings,' 1918. / Bridgeman Images