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Shoemaker at work in his workshop, 1894 (engraving)
Shoemaker at work in his workshop, 1894 (engraving)

PCT4276558: Shoemaker at work in his workshop, 1894 (engraving) / Bridgeman Images

Caucasus Jews - Drawing by Pranishnikoff after a photograph by M. Raoult in the “New Universal Geography” by Elysee (Elisee) Reclus (1830-1905), Hachette edition 1881, Volume 6, Russian Asia.
Caucasus Jews - Drawing by Pranishnikoff after a photograph by M. Raoult in the “New Universal Geography” by Elysee (Elisee) Reclus (1830-1905), Hachette edition 1881, Volume 6, Russian Asia.

PCT4276741: Caucasus Jews - Drawing by Pranishnikoff after a photograph by M. Raoult in the “New Universal Geography” by Elysee (Elisee) Reclus (1830-1905), Hachette edition 1881, Volume 6, Russian Asia. / Bridgeman Images

Kyrgyz horsemen (one of whom wears a chapka) galloping in the tundra (steppe) - The Autonomous Republic of Kyrgyzstan was created in 1926 - Drawing by Pranishnikoff by nature. Elysee (Elisee) Reclus (1830-1905), Hachette 1881.
Kyrgyz horsemen (one of whom wears a chapka) galloping in the tundra (steppe) - The Autonomous Republic of Kyrgyzstan was created in 1926 - Drawing by Pranishnikoff by nature. Elysee (Elisee) Reclus (1830-1905), Hachette 1881.

PCT4276749: Kyrgyz horsemen (one of whom wears a chapka) galloping in the tundra (steppe) - The Autonomous Republic of Kyrgyzstan was created in 1926 - Drawing by Pranishnikoff by nature. Elysee (Elisee) Reclus (1830-1905), Hachette 1881. / Bridgeman Images

Cover of an adventure of Roccambole by Viscount Pierre Alexis Ponson du Terrail (lithograph)
Cover of an adventure of Roccambole by Viscount Pierre Alexis Ponson du Terrail (lithograph)

PCT4276843: Cover of an adventure of Roccambole by Viscount Pierre Alexis Ponson du Terrail (lithograph) / Bridgeman Images

Cook and cook facing kitchen stoves - engraving by Bertall 19th century -
Cook and cook facing kitchen stoves - engraving by Bertall 19th century -

PCT4276869: Cook and cook facing kitchen stoves - engraving by Bertall 19th century - / Bridgeman Images

Weaver at work on his loom - Store Picturesque 19th century -
Weaver at work on his loom - Store Picturesque 19th century -

PCT4276924: Weaver at work on his loom - Store Picturesque 19th century - / Bridgeman Images

Gargantua's education: “” he was going to listen to public lessons, solemn acts, repetitions, declamations, pleadings of good lawyers, speeches of evangelist preachers...””. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua's education: “” he was going to listen to public lessons, solemn acts, repetitions, declamations, pleadings of good lawyers, speeches of evangelist preachers...””. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277008: Gargantua's education: “” he was going to listen to public lessons, solemn acts, repetitions, declamations, pleadings of good lawyers, speeches of evangelist preachers...””. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Mountain stream with rocks and waterfall in the middle of a forest. Drawing by Leon Benett grave by Meaulle for the Hetzel edition of the book by Elysee (Elisee) Reclus (1830-1905) “” Histoire d'un ruisseau”” late 19th century -
Mountain stream with rocks and waterfall in the middle of a forest. Drawing by Leon Benett grave by Meaulle for the Hetzel edition of the book by Elysee (Elisee) Reclus (1830-1905) “” Histoire d'un ruisseau”” late 19th century -

PCT4277165: Mountain stream with rocks and waterfall in the middle of a forest. Drawing by Leon Benett grave by Meaulle for the Hetzel edition of the book by Elysee (Elisee) Reclus (1830-1905) “” Histoire d'un ruisseau”” late 19th century -, Benett, Léon (1839-1917) / Bridgeman Images

Drawing by Albert Robida (1848-1926) on cover of the Comique World n°296 (early 20th century) - New very elegant hitch for small outings in the countryside - Young woman driving a pigs' carriage (pigs) -
Drawing by Albert Robida (1848-1926) on cover of the Comique World n°296 (early 20th century) - New very elegant hitch for small outings in the countryside - Young woman driving a pigs' carriage (pigs) -

PCT4277311: Drawing by Albert Robida (1848-1926) on cover of the Comique World n°296 (early 20th century) - New very elegant hitch for small outings in the countryside - Young woman driving a pigs' carriage (pigs) -, Robida, Albert (1848-1926) / Bridgeman Images

Death of the Knight Bayard (1524), 1875 (engraving)
Death of the Knight Bayard (1524), 1875 (engraving)

PCT4277359: Death of the Knight Bayard (1524), 1875 (engraving) / Bridgeman Images

Mountain: View of a Pyrenees village. Middle 19th century engraving from a painting by Willliam Oliver.
Mountain: View of a Pyrenees village. Middle 19th century engraving from a painting by Willliam Oliver.

PCT4277435: Mountain: View of a Pyrenees village. Middle 19th century engraving from a painting by Willliam Oliver. / Bridgeman Images

Children picking and eating wild fruits and mountain berries. (Come cousins) Engraving 19th century.
Children picking and eating wild fruits and mountain berries. (Come cousins) Engraving 19th century.

PCT4277452: Children picking and eating wild fruits and mountain berries. (Come cousins) Engraving 19th century. / Bridgeman Images

Schoolers chatting, surprised by the master (teacher) who heads towards them by waving a cane. School, chatter, punishment.
Schoolers chatting, surprised by the master (teacher) who heads towards them by waving a cane. School, chatter, punishment.

PCT4277458: Schoolers chatting, surprised by the master (teacher) who heads towards them by waving a cane. School, chatter, punishment. / Bridgeman Images

Illustration by Gustave Dore for the novel “” Le Capitaine Fracasse”” by Theophile Gautier (1811-1872). Agile as a cat and thin as a snake, the young Chiquita goes through a window to join Isabelle prisoner.
Illustration by Gustave Dore for the novel “” Le Capitaine Fracasse”” by Theophile Gautier (1811-1872). Agile as a cat and thin as a snake, the young Chiquita goes through a window to join Isabelle prisoner.

PCT4277929: Illustration by Gustave Dore for the novel “” Le Capitaine Fracasse”” by Theophile Gautier (1811-1872). Agile as a cat and thin as a snake, the young Chiquita goes through a window to join Isabelle prisoner., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - cover of a 1948 book (Fortin edition, collection Marvelous Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Sindbad and his companions have failed their boat on the back of a whale that will dive -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - cover of a 1948 book (Fortin edition, collection Marvelous Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Sindbad and his companions have failed their boat on the back of a whale that will dive -

PCT4278179: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - cover of a 1948 book (Fortin edition, collection Marvelous Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Sindbad and his companions have failed their boat on the back of a whale that will dive -, Robida, Albert (1848-1926) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one nights (1001) - book of 1948 telling his adventures (Fortin edition, Wonderful Imaging of childhood collection) - illustration by Albert Robida (1848 - 1926): Sindbad and his companions have failed their boat on the back of a whale that will dive
Sindbad the sailor (Sinbad) - tale of the thousand and one nights (1001) - book of 1948 telling his adventures (Fortin edition, Wonderful Imaging of childhood collection) - illustration by Albert Robida (1848 - 1926): Sindbad and his companions have failed their boat on the back of a whale that will dive

PCT4278197: Sindbad the sailor (Sinbad) - tale of the thousand and one nights (1001) - book of 1948 telling his adventures (Fortin edition, Wonderful Imaging of childhood collection) - illustration by Albert Robida (1848 - 1926): Sindbad and his companions have failed their boat on the back of a whale that will dive, Robida, Albert (1848-1926) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -

PCT4278233: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -, Robida, Albert (1848-1926) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -

PCT4278242: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -, Robida, Albert (1848-1926) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -

PCT4278424: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving)
Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving)

PCT4260033: Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving), Férat, Jules-Descartes (1829-1906) / Bridgeman Images

Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels.
Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels.

PCT4260129: Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels. / Bridgeman Images

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.

PCT4260235: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him. / Bridgeman Images

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.

PCT4260238: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. / Bridgeman Images

Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.
Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.

PCT4260893: Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.
Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.

PCT4260933: Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile
engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile

PCT4260992: engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile / Bridgeman Images

Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.
Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.

PCT4261015: Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531. / Bridgeman Images

The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)
The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)

PCT4261083: The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving), French School, (20th century) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261303: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261308: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261316: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261335: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261352: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.
War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.

PCT4261354: War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners., Unknown photographer, (20th century) / Bridgeman Images

May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).
May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).

PCT4261362: May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924)., Unknown photographer, (20th century) / Bridgeman Images


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