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Switzerland: Bern - general view:
Switzerland: Bern - general view:

GYS4723921: Switzerland: Bern - general view: / Bridgeman Images

The Chateau d'Azay le Rideau (Azay-le-Rideau), Indre-et-Loire (Indre et Loire), France. Architecture of 1514. Photography 10/06/04
The Chateau d'Azay le Rideau (Azay-le-Rideau), Indre-et-Loire (Indre et Loire), France. Architecture of 1514. Photography 10/06/04

LBY4723963: The Chateau d'Azay le Rideau (Azay-le-Rideau), Indre-et-Loire (Indre et Loire), France. Architecture of 1514. Photography 10/06/04 / Bridgeman Images

Switzerland: Bern: “Kaefigturm” and Old Town:
Switzerland: Bern: “Kaefigturm” and Old Town:

GYS4723988: Switzerland: Bern: “Kaefigturm” and Old Town: / Bridgeman Images

L'Esplanade deLes Invalides, Paris 75007. Architecture of Liberal Bruand and Jules Hardouin Mansart realized between 1671 and 1676. Louis XIV founded by an edit of 24 May 1670 the first French hospital to receive soldiers who had become disabled. He immediately received more than 5,000 residents. Today the hotel houses the armee museums, a library and many administrative services. The Esplanade des Invalides was traced in 1704 in front of the Hotel des Invalides.
L'Esplanade deLes Invalides, Paris 75007. Architecture of Liberal Bruand and Jules Hardouin Mansart realized between 1671 and 1676. Louis XIV founded by an edit of 24 May 1670 the first French hospital to receive soldiers who had become disabled. He immediately received more than 5,000 residents. Today the hotel houses the armee museums, a library and many administrative services. The Esplanade des Invalides was traced in 1704 in front of the Hotel des Invalides.

TEC4724031: L'Esplanade deLes Invalides, Paris 75007. Architecture of Liberal Bruand and Jules Hardouin Mansart realized between 1671 and 1676. Louis XIV founded by an edit of 24 May 1670 the first French hospital to receive soldiers who had become disabled. He immediately received more than 5,000 residents. Today the hotel houses the armee museums, a library and many administrative services. The Esplanade des Invalides was traced in 1704 in front of the Hotel des Invalides. / Bridgeman Images

Switzerland: Bern: “Kaefigturm” and Old Town:
Switzerland: Bern: “Kaefigturm” and Old Town:

GYS4724047: Switzerland: Bern: “Kaefigturm” and Old Town: / Bridgeman Images

Saint-Louis des Invalides (Saint Louis des Invalides), Paris 75007. Architecture by Jules Hardouin Mansart and Liberal Bruant, 1670-1708. One of the masterpieces of 18th century French architecture made by Jules Hardoin-Mansart on the plans of Liberal Bruant. Saint-Louis des Invalides, the church of soldiers with a long nave decoree of flags taken from the enemy. It was in this church that Berlioz created his Requiem there.
Saint-Louis des Invalides (Saint Louis des Invalides), Paris 75007. Architecture by Jules Hardouin Mansart and Liberal Bruant, 1670-1708. One of the masterpieces of 18th century French architecture made by Jules Hardoin-Mansart on the plans of Liberal Bruant. Saint-Louis des Invalides, the church of soldiers with a long nave decoree of flags taken from the enemy. It was in this church that Berlioz created his Requiem there.

TEC4724097: Saint-Louis des Invalides (Saint Louis des Invalides), Paris 75007. Architecture by Jules Hardouin Mansart and Liberal Bruant, 1670-1708. One of the masterpieces of 18th century French architecture made by Jules Hardoin-Mansart on the plans of Liberal Bruant. Saint-Louis des Invalides, the church of soldiers with a long nave decoree of flags taken from the enemy. It was in this church that Berlioz created his Requiem there. / Bridgeman Images

USA New Mexico: Santa Fe: New Museum Art Gallery - Interior Patio
USA New Mexico: Santa Fe: New Museum Art Gallery - Interior Patio

GYS4726379: USA New Mexico: Santa Fe: New Museum Art Gallery - Interior Patio / Bridgeman Images

USA New Mexico: Santa Fe: New Museum Art Gallery
USA New Mexico: Santa Fe: New Museum Art Gallery

GYS4726438: USA New Mexico: Santa Fe: New Museum Art Gallery / Bridgeman Images

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.

TEC4727179: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992. / Bridgeman Images

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Home of the Musee Carnavalet overlooking the courtyard of honor with the famous statue of Louis XIV made by A.Coysevox. Photography 1992
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Home of the Musee Carnavalet overlooking the courtyard of honor with the famous statue of Louis XIV made by A.Coysevox. Photography 1992

TEC4727400: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Home of the Musee Carnavalet overlooking the courtyard of honor with the famous statue of Louis XIV made by A.Coysevox. Photography 1992 / Bridgeman Images

The vestibule of La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.
The vestibule of La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.

TEC4727563: The vestibule of La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851. / Bridgeman Images

La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.
La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.

TEC4727664: La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851. / Bridgeman Images

Portrait of Claude Parent, French architect, in his studio in Neuilly sur Seine. Photograph on 10/10/99.
Portrait of Claude Parent, French architect, in his studio in Neuilly sur Seine. Photograph on 10/10/99.

OMG4727956: Portrait of Claude Parent, French architect, in his studio in Neuilly sur Seine. Photograph on 10/10/99. / Bridgeman Images

Portrait of Claude Parent, French architect, in his studio in Neuilly sur Seine. Photograph on 10/10/99.
Portrait of Claude Parent, French architect, in his studio in Neuilly sur Seine. Photograph on 10/10/99.

OMG4728008: Portrait of Claude Parent, French architect, in his studio in Neuilly sur Seine. Photograph on 10/10/99. / Bridgeman Images

The city of Courbevoie in the Hauts-de-Seine (Hauts de Seine), Ile de France, France. Photography 31/05/09
The city of Courbevoie in the Hauts-de-Seine (Hauts de Seine), Ile de France, France. Photography 31/05/09

OMG4652061: The city of Courbevoie in the Hauts-de-Seine (Hauts de Seine), Ile de France, France. Photography 31/05/09 / Bridgeman Images

Park and castle of Sceaux (Hauts de Seine). In 1858 the architect J.M.Le Soufrache rebuilt a Louis XIII brick and stone mansion for the daughter of Jean Francois Lecomte, negociating at Saint Malo, who had rebuilt the estate in 1798. The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.
Park and castle of Sceaux (Hauts de Seine). In 1858 the architect J.M.Le Soufrache rebuilt a Louis XIII brick and stone mansion for the daughter of Jean Francois Lecomte, negociating at Saint Malo, who had rebuilt the estate in 1798. The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.

ITR4652176: Park and castle of Sceaux (Hauts de Seine). In 1858 the architect J.M.Le Soufrache rebuilt a Louis XIII brick and stone mansion for the daughter of Jean Francois Lecomte, negociating at Saint Malo, who had rebuilt the estate in 1798. The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated. / Bridgeman Images

Park and castle of Sceaux (Hauts de Seine). In 1858 the architect J.M.Le Soufrache rebuilt a Louis XIII brick and stone mansion for the daughter of Jean Francois Lecomte, negociating at Saint Malo, who had rebuilt the estate in 1798. The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.
Park and castle of Sceaux (Hauts de Seine). In 1858 the architect J.M.Le Soufrache rebuilt a Louis XIII brick and stone mansion for the daughter of Jean Francois Lecomte, negociating at Saint Malo, who had rebuilt the estate in 1798. The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.

ITR4652183: Park and castle of Sceaux (Hauts de Seine). In 1858 the architect J.M.Le Soufrache rebuilt a Louis XIII brick and stone mansion for the daughter of Jean Francois Lecomte, negociating at Saint Malo, who had rebuilt the estate in 1798. The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated. / Bridgeman Images

Basin of L'Octagon, transformed by Andre le Notre. Parc du chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.
Basin of L'Octagon, transformed by Andre le Notre. Parc du chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.

ITR4652250: Basin of L'Octagon, transformed by Andre le Notre. Parc du chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated. / Bridgeman Images

Basin of L'Octagon, transformed by Andre le Notre. Parc du chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.
Basin of L'Octagon, transformed by Andre le Notre. Parc du chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.

ITR4652263: Basin of L'Octagon, transformed by Andre le Notre. Parc du chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated. / Bridgeman Images

Sculpture in the park of the Chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.
Sculpture in the park of the Chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated.

ITR4652303: Sculpture in the park of the Chateau de Sceaux (Hauts de Seine). The park and its gardens were designed by Andre Le Notre in 1673 for Colbert. It was enlarged by the Marquis de Seignelay, the son of Colbert, who in particular had the Grand Canal excavated. / Bridgeman Images

Chateau de Sceaux (Hauts de Seine). The Musee de l'Ile de France is located on the ground floor of the chateau and opened its doors in 1937.
Chateau de Sceaux (Hauts de Seine). The Musee de l'Ile de France is located on the ground floor of the chateau and opened its doors in 1937.

ITR4652335: Chateau de Sceaux (Hauts de Seine). The Musee de l'Ile de France is located on the ground floor of the chateau and opened its doors in 1937. / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

TEC4652782: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

TEC4652811: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652830: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652837: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652906: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652931: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.
Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.

TEC4652969: Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet. / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652970: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.
Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.

TEC4652977: Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet. / Bridgeman Images

Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.
Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.

TEC4653001: Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet. / Bridgeman Images

Bauhaus building in Dessau (Germany) designed in 1925 (photo)
Bauhaus building in Dessau (Germany) designed in 1925 (photo)

TEC4653136: Bauhaus building in Dessau (Germany) designed in 1925 (photo) / Bridgeman Images

La Villa Guggenbuhl, 14 rue Nansouty in Paris 75014. Architect Andre Lurcat (1894-1970), 1926-1927. Built for Walter Guggenbuhl, Zurich painter. Constructed of weapon concrete, the building, facing Montsouris Park, has a large workshop and a physical exercise room on the second floor terrace. Photographir 03/06/88.
La Villa Guggenbuhl, 14 rue Nansouty in Paris 75014. Architect Andre Lurcat (1894-1970), 1926-1927. Built for Walter Guggenbuhl, Zurich painter. Constructed of weapon concrete, the building, facing Montsouris Park, has a large workshop and a physical exercise room on the second floor terrace. Photographir 03/06/88.

TEC4657823: La Villa Guggenbuhl, 14 rue Nansouty in Paris 75014. Architect Andre Lurcat (1894-1970), 1926-1927. Built for Walter Guggenbuhl, Zurich painter. Constructed of weapon concrete, the building, facing Montsouris Park, has a large workshop and a physical exercise room on the second floor terrace. Photographir 03/06/88. / Bridgeman Images

La Villa Guggenbuhl, 14 rue Nansouty in Paris 75014. Architect Andre Lurcat (1894-1970), 1926-1927. Built for Walter Guggenbuhl, Zurich painter. Constructed of weapon concrete, the building, facing Montsouris Park, has a large workshop and a physical exercise room on the second floor terrace. Photographir 03/06/88.
La Villa Guggenbuhl, 14 rue Nansouty in Paris 75014. Architect Andre Lurcat (1894-1970), 1926-1927. Built for Walter Guggenbuhl, Zurich painter. Constructed of weapon concrete, the building, facing Montsouris Park, has a large workshop and a physical exercise room on the second floor terrace. Photographir 03/06/88.

TEC4657878: La Villa Guggenbuhl, 14 rue Nansouty in Paris 75014. Architect Andre Lurcat (1894-1970), 1926-1927. Built for Walter Guggenbuhl, Zurich painter. Constructed of weapon concrete, the building, facing Montsouris Park, has a large workshop and a physical exercise room on the second floor terrace. Photographir 03/06/88. / Bridgeman Images

Maison d'Eileen Gray in Roquebrune Cap Martin (Roquebrune-Cap-Martin or Roquebrune Cap-Martin), Alpes-Maritimes (Alpes Maritimes), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur). Architecture by Jean Badovici, 1929. Photography 04/02/10
Maison d'Eileen Gray in Roquebrune Cap Martin (Roquebrune-Cap-Martin or Roquebrune Cap-Martin), Alpes-Maritimes (Alpes Maritimes), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur). Architecture by Jean Badovici, 1929. Photography 04/02/10

OMG4658083: Maison d'Eileen Gray in Roquebrune Cap Martin (Roquebrune-Cap-Martin or Roquebrune Cap-Martin), Alpes-Maritimes (Alpes Maritimes), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur). Architecture by Jean Badovici, 1929. Photography 04/02/10 / Bridgeman Images

Maison d'Eileen Gray in Roquebrune Cap Martin (Roquebrune-Cap-Martin or Roquebrune Cap-Martin), Alpes-Maritimes (Alpes Maritimes), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur). Architecture by Jean Badovici, 1929. Photography 04/02/10
Maison d'Eileen Gray in Roquebrune Cap Martin (Roquebrune-Cap-Martin or Roquebrune Cap-Martin), Alpes-Maritimes (Alpes Maritimes), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur). Architecture by Jean Badovici, 1929. Photography 04/02/10

OMG4658089: Maison d'Eileen Gray in Roquebrune Cap Martin (Roquebrune-Cap-Martin or Roquebrune Cap-Martin), Alpes-Maritimes (Alpes Maritimes), Provence-Alpes-Cote d'Azur (Provence Alpes Cote d'Azur). Architecture by Jean Badovici, 1929. Photography 04/02/10 / Bridgeman Images


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