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2491514 Search Results

Jack Hobbs, 1936 (colour litho)
Jack Hobbs, 1936 (colour litho)

KDC449074: Jack Hobbs, 1936 (colour litho) / Bridgeman Images

ID: KDC449074

Jack Hobbs, 1936 (colour litho)

Composition (mixed media)
Composition (mixed media)

PAI449104: Composition (mixed media), Spencer, Vera (b.1926) / Bridgeman Images

ID: PAI449104

Composition (mixed media)

Spencer, Vera (b.1926)

Collage I, c.1952 (collage, gouache & newsprint)
Collage I, c.1952 (collage, gouache & newsprint)

PAI449107: Collage I, c.1952 (collage, gouache & newsprint), Spencer, Vera (b.1926) / Bridgeman Images

ID: PAI449107

Collage I, c.1952 (collage, gouache & newsprint)

Spencer, Vera (b.1926)

Harold, conqueror at Stamford, and wounded, sits at a banquet in York, and a herald announces the landing of Duke William, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
Harold, conqueror at Stamford, and wounded, sits at a banquet in York, and a herald announces the landing of Duke William, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449433: Harold, conqueror at Stamford, and wounded, sits at a banquet in York, and a herald announces the landing of Duke William, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449433

Harold, conqueror at Stamford, and wounded, sits at a banquet in York, and a herald announces the landing of Duke William, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

William stumbles as he lands, but, grasping the earth with his hand, calls out that he takes possession of the English soil, and so reassures his followers, who regarded his fall as an ill omen, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
William stumbles as he lands, but, grasping the earth with his hand, calls out that he takes possession of the English soil, and so reassures his followers, who regarded his fall as an ill omen, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449442: William stumbles as he lands, but, grasping the earth with his hand, calls out that he takes possession of the English soil, and so reassures his followers, who regarded his fall as an ill omen, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449442

William stumbles as he lands, but, grasping the earth with his hand, calls out that he takes possession of the English soil, and so reassures his followers, who regarded his fall as an ill omen, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

View of St. George's Convent, Prague Castle (photo)
View of St. George's Convent, Prague Castle (photo)

MFI449512: View of St. George's Convent, Prague Castle (photo) / Bridgeman Images

ID: MFI449512

View of St. George's Convent, Prague Castle (photo)

Dom DeLuise, Aspen, Colorado, 1980 (b/w photo)
Dom DeLuise, Aspen, Colorado, 1980 (b/w photo)

FLV449602: Dom DeLuise, Aspen, Colorado, 1980 (b/w photo), Felver, Chris / Bridgeman Images

ID: FLV449602

Dom DeLuise, Aspen, Colorado, 1980 (b/w photo)

Felver, Chris

John Baldessari, Valencia, California, 1986 (b/w photo)
John Baldessari, Valencia, California, 1986 (b/w photo)

FLV449629: John Baldessari, Valencia, California, 1986 (b/w photo) , Felver, Chris / Bridgeman Images

ID: FLV449629

John Baldessari, Valencia, California, 1986 (b/w photo)

Felver, Chris

Untitled (b/w photo)
Untitled (b/w photo)

FLV449656: Untitled (b/w photo), Felver, Chris / Bridgeman Images

ID: FLV449656

Untitled (b/w photo)

Felver, Chris

John Latham, London, England, 1989 (b/w photo)
John Latham, London, England, 1989 (b/w photo)

FLV449671: John Latham, London, England, 1989 (b/w photo), Felver, Chris / Bridgeman Images

ID: FLV449671

John Latham, London, England, 1989 (b/w photo)

Felver, Chris

Markus Raetz, Zurich, Switzerland, 1990 (b/w photo)
Markus Raetz, Zurich, Switzerland, 1990 (b/w photo)

FLV449680: Markus Raetz, Zurich, Switzerland, 1990 (b/w photo), Raetz, Markus (b.1941) / Bridgeman Images

ID: FLV449680

Markus Raetz, Zurich, Switzerland, 1990 (b/w photo)

Raetz, Markus (b.1941)

Michelangelo Pistoletto, Torino, Italy, 1989 (b/w photo)
Michelangelo Pistoletto, Torino, Italy, 1989 (b/w photo)

FLV449683: Michelangelo Pistoletto, Torino, Italy, 1989 (b/w photo), Felver, Chris / Bridgeman Images

ID: FLV449683

Michelangelo Pistoletto, Torino, Italy, 1989 (b/w photo)

Felver, Chris

Susana Solano, Barcelona, Spain, 1989 (b/w photo)
Susana Solano, Barcelona, Spain, 1989 (b/w photo)

FLV449695: Susana Solano, Barcelona, Spain, 1989 (b/w photo), Felver, Chris / Bridgeman Images

ID: FLV449695

Susana Solano, Barcelona, Spain, 1989 (b/w photo)

Felver, Chris

Thomas Collins as Slender in 'The Merry Wives of Windsor' by Shakespeare, Drury Lane, 1802 (oil on canvas)
Thomas Collins as Slender in 'The Merry Wives of Windsor' by Shakespeare, Drury Lane, 1802 (oil on canvas)

HOL450079: Thomas Collins as Slender in 'The Merry Wives of Windsor' by Shakespeare, Drury Lane, 1802 (oil on canvas), Wilde, Samuel de (1748-1832) / Bridgeman Images

ID: HOL450079

Thomas Collins as Slender in 'The Merry Wives of Windsor' by Shakespeare, Drury Lane, 1802 (oil on canvas)

Wilde, Samuel de (1748-1832)

A Hawking Party, c.1665 (oil on canvas)
A Hawking Party, c.1665 (oil on canvas)

HOL450157: A Hawking Party, c.1665 (oil on canvas), Wouwermans or Wouvermans, Philips (1619-68) (attr.) / Bridgeman Images

ID: HOL450157

A Hawking Party, c.1665 (oil on canvas)

Wouwermans or Wouvermans, Philips (1619-68) (attr.)

Landscape with figures and animals (oil on panel)
Landscape with figures and animals (oil on panel)

HOL450178: Landscape with figures and animals (oil on panel), Berchem, Nicolaes Pietersz. (1620-83) / Bridgeman Images

ID: HOL450178

Landscape with figures and animals (oil on panel)

Berchem, Nicolaes Pietersz. (1620-83)

Landscape with bridge and winding river (oil on canvas)
Landscape with bridge and winding river (oil on canvas)

HOL450181: Landscape with bridge and winding river (oil on canvas), Barker, Benjamin (1776-1838) / Bridgeman Images

ID: HOL450181

Landscape with bridge and winding river (oil on canvas)

Barker, Benjamin (1776-1838)

Paysage, 1886 (oil on canvas)
Paysage, 1886 (oil on canvas)

HOL450313: Paysage, 1886 (oil on canvas), Harpignies, Henri-Joseph (1819-1916) / Bridgeman Images

ID: HOL450313

Paysage, 1886 (oil on canvas)

Harpignies, Henri-Joseph (1819-1916)

A Pelican in her Piety, early 17th century (pen & brown ink with brown wash)
A Pelican in her Piety, early 17th century (pen & brown ink with brown wash)

CTS449143: A Pelican in her Piety, early 17th century (pen & brown ink with brown wash), Passe, Crispin I de (c.1565-1637) / Bridgeman Images

ID: CTS449143

A Pelican in her Piety, early 17th century (pen & brown ink with brown wash)

Passe, Crispin I de (c.1565-1637)

Whitehall with the Holbein Gate and Inigo Jones's Banqueting House, c.1677 (pen & brown ink with grey wash)
Whitehall with the Holbein Gate and Inigo Jones's Banqueting House, c.1677 (pen & brown ink with grey wash)

CTS449155: Whitehall with the Holbein Gate and Inigo Jones's Banqueting House, c.1677 (pen & brown ink with grey wash), Gasselin, Noel (fl.1677) / Bridgeman Images

ID: CTS449155

Whitehall with the Holbein Gate and Inigo Jones's Banqueting House, c.1677 (pen & brown ink with grey wash)

Gasselin, Noel (fl.1677)

A church in Lorraine and a neighbouring building (pen & brown ink on paper)
A church in Lorraine and a neighbouring building (pen & brown ink on paper)

CTS449215: A church in Lorraine and a neighbouring building (pen & brown ink on paper), Callot, Jacques (1592-1635) / Bridgeman Images

ID: CTS449215

A church in Lorraine and a neighbouring building (pen & brown ink on paper)

Callot, Jacques (1592-1635)

Landscape with the journey of Jacob (pen & ink with wash on paper)
Landscape with the journey of Jacob (pen & ink with wash on paper)

CTS449257: Landscape with the journey of Jacob (pen & ink with wash on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: CTS449257

Landscape with the journey of Jacob (pen & ink with wash on paper)

Claude Lorrain (Claude Gellee) (1600-82)

Auteil (pen & ink with wash on paper)
Auteil (pen & ink with wash on paper)

CTS449287: Auteil (pen & ink with wash on paper), Gasselin, Noel (fl.1677) / Bridgeman Images

ID: CTS449287

Auteil (pen & ink with wash on paper)

Gasselin, Noel (fl.1677)

Orangery and ha-ha, Lord Burlington's Villa (pen & ink with wash on paper)
Orangery and ha-ha, Lord Burlington's Villa (pen & ink with wash on paper)

CTS449329: Orangery and ha-ha, Lord Burlington's Villa (pen & ink with wash on paper), Rigaud, Jacques (1681-1754) / Bridgeman Images

ID: CTS449329

Orangery and ha-ha, Lord Burlington's Villa (pen & ink with wash on paper)

Rigaud, Jacques (1681-1754)

Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper)
Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper)

CTS449356: Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

ID: CTS449356

Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper)

Vrancx, Sebastian (1573-1647)

Entry to the Colosseum (pen & ink with wash on paper)
Entry to the Colosseum (pen & ink with wash on paper)

CTS449359: Entry to the Colosseum (pen & ink with wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

ID: CTS449359

Entry to the Colosseum (pen & ink with wash on paper)

Vrancx, Sebastian (1573-1647)

Naval Battle given near Agouste, 22nd April 1676 (black ink & mapping pen with w/c on paper)
Naval Battle given near Agouste, 22nd April 1676 (black ink & mapping pen with w/c on paper)

CTS449362: Naval Battle given near Agouste, 22nd April 1676 (black ink & mapping pen with w/c on paper), Bonnet, Sylvain (fl.1672-92) / Bridgeman Images

ID: CTS449362

Naval Battle given near Agouste, 22nd April 1676 (black ink & mapping pen with w/c on paper)

Bonnet, Sylvain (fl.1672-92)

The happy winner of a prize of a goldfish bowl at a fairground tells his wife that now they have a meal for her mother, 1931 (colour litho)
The happy winner of a prize of a goldfish bowl at a fairground tells his wife that now they have a meal for her mother, 1931 (colour litho)

DGC451980: The happy winner of a prize of a goldfish bowl at a fairground tells his wife that now they have a meal for her mother, 1931 (colour litho), Leroy (fl.1931) / Bridgeman Images

ID: DGC451980

The happy winner of a prize of a goldfish bowl at a fairground tells his wife that now they have a meal for her mother, 1931 (colour litho)

Leroy (fl.1931)

'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452031: 'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452031

'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036)
'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036)

DGC452037: 'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452037

'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036)

Crane, Walter (1845-1915)

William Morris playing with his dog, c.1890 (pencil on paper)
William Morris playing with his dog, c.1890 (pencil on paper)

PNH452525: William Morris playing with his dog, c.1890 (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: PNH452525

William Morris playing with his dog, c.1890 (pencil on paper)

Burne-Jones, Edward Coley (1833-98)

The Hurdy-Gurdy Player, 1847 (gouache on paper)
The Hurdy-Gurdy Player, 1847 (gouache on paper)

PNH452548: The Hurdy-Gurdy Player, 1847 (gouache on paper), Rayner, A.J. (fl.c.1840-50) / Bridgeman Images

ID: PNH452548

The Hurdy-Gurdy Player, 1847 (gouache on paper)

Rayner, A.J. (fl.c.1840-50)

Diagram VI, 1939 (gouache on board)
Diagram VI, 1939 (gouache on board)

PNH452557: Diagram VI, 1939 (gouache on board), Reinganum, Victor (1907-95) / Bridgeman Images

ID: PNH452557

Diagram VI, 1939 (gouache on board)

Reinganum, Victor (1907-95)

Landscape with Figures, 1973 (w/c, gouache & crayon on paper)
Landscape with Figures, 1973 (w/c, gouache & crayon on paper)

PNH452573: Landscape with Figures, 1973 (w/c, gouache & crayon on paper), Vaughan, Keith (1912-77) / Bridgeman Images

ID: PNH452573

Landscape with Figures, 1973 (w/c, gouache & crayon on paper)

Vaughan, Keith (1912-77)

Stone of the Corn from Teayo, Late Post-Classic period (basalt)
Stone of the Corn from Teayo, Late Post-Classic period (basalt)

JPC452628: Stone of the Corn from Teayo, Late Post-Classic period (basalt) / Bridgeman Images

ID: JPC452628

Stone of the Corn from Teayo, Late Post-Classic period (basalt)

Potbelly sculpture (basalt)
Potbelly sculpture (basalt)

JPC452634: Potbelly sculpture (basalt) / Bridgeman Images

ID: JPC452634

Potbelly sculpture (basalt)


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