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Composition, 1949 (gouache on paper)
Composition, 1949 (gouache on paper)

WH3658049: Composition, 1949 (gouache on paper), Lacasse, Joseph (1894-1975) / Bridgeman Images

Myth Form, 1958 (oil on canvas)
Myth Form, 1958 (oil on canvas)

WH3658055: Myth Form, 1958 (oil on canvas), Avray Wilson, Frank (1914-2009) / Bridgeman Images

Interaction: Red / Miniature, c.1955 (oil on board)
Interaction: Red / Miniature, c.1955 (oil on board)

WH3658058: Interaction: Red / Miniature, c.1955 (oil on board), Avray Wilson, Frank (1914-2009) / Bridgeman Images

Configuration: Yellow and Pink, 1961 (oil on canvas laid on board)
Configuration: Yellow and Pink, 1961 (oil on canvas laid on board)

WH3658061: Configuration: Yellow and Pink, 1961 (oil on canvas laid on board), Avray Wilson, Frank (1914-2009) / Bridgeman Images

Nucleus, 1957 (oil on canvas)
Nucleus, 1957 (oil on canvas)

WH3658067: Nucleus, 1957 (oil on canvas), Avray Wilson, Frank (1914-2009) / Bridgeman Images

Interior of the Officina Profumo, Farmaceutica di Santa Maria Novella, Florence, Italy, c.1930-80 (b/w photo)
Interior of the Officina Profumo, Farmaceutica di Santa Maria Novella, Florence, Italy, c.1930-80 (b/w photo)

BFM3658106: Interior of the Officina Profumo, Farmaceutica di Santa Maria Novella, Florence, Italy, c.1930-80 (b/w photo) / Bridgeman Images

View of Castle Street, Fatfield, Washington, Tyne and Wear, UK, February 1973 (b/w photo)
View of Castle Street, Fatfield, Washington, Tyne and Wear, UK, February 1973 (b/w photo)

TW3658123: View of Castle Street, Fatfield, Washington, Tyne and Wear, UK, February 1973 (b/w photo) / Bridgeman Images

View of Robinson Terrace, Columbia, Washington, Tyne and Wear, UK, late 1960s (b/w photo)
View of Robinson Terrace, Columbia, Washington, Tyne and Wear, UK, late 1960s (b/w photo)

TW3658126: View of Robinson Terrace, Columbia, Washington, Tyne and Wear, UK, late 1960s (b/w photo) / Bridgeman Images

Kizhi (part 12), 2017 (mixed media)
Kizhi (part 12), 2017 (mixed media)

AHN3658147: Kizhi (part 12), 2017 (mixed media), Caminker, Alex / Bridgeman Images

The Aggressive Nose Denotes Force of Character (colour litho)
The Aggressive Nose Denotes Force of Character (colour litho)

LLM3658163: The Aggressive Nose Denotes Force of Character (colour litho), English School, (20th century) / Bridgeman Images

Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)
Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)

LLM3658184: Illustration for Gentlemen Prefer Blondes by Anita Loos (litho), Barton, Ralph (1891-1931) / Bridgeman Images

Celery (engraving)
Celery (engraving)

LLM3658193: Celery (engraving), English School, (19th century) / Bridgeman Images

Stuffed Pig's Feet (engraving)
Stuffed Pig's Feet (engraving)

LLM3658196: Stuffed Pig's Feet (engraving), English School, (19th century) / Bridgeman Images

Illustration for Emil and the Detectives (colour litho)
Illustration for Emil and the Detectives (colour litho)

LLM3658202: Illustration for Emil and the Detectives (colour litho), European School, (20th century) / Bridgeman Images

Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)
Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)

LLM3658211: Illustration for Gentlemen Prefer Blondes by Anita Loos (litho), Barton, Ralph (1891-1931) / Bridgeman Images

The Late Sir John Everett Millais' Model (colour litho)
The Late Sir John Everett Millais' Model (colour litho)

LLM3658217: The Late Sir John Everett Millais' Model (colour litho), Barber, Charles Burton (1845-94) (after) / Bridgeman Images

The Impulsive Nose Denotes Quick Temper (colour litho)
The Impulsive Nose Denotes Quick Temper (colour litho)

LLM3658235: The Impulsive Nose Denotes Quick Temper (colour litho), English School, (20th century) / Bridgeman Images

The Commercial Nose Denotes Shrewdness (colour litho)
The Commercial Nose Denotes Shrewdness (colour litho)

LLM3658253: The Commercial Nose Denotes Shrewdness (colour litho), English School, (20th century) / Bridgeman Images

Brightwells Auction, November 2013, 2013 (pencil on paper)
Brightwells Auction, November 2013, 2013 (pencil on paper)

PSP3658256: Brightwells Auction, November 2013, 2013 (pencil on paper), Spens, Peter / Bridgeman Images

Facing centre of the shell and reducing to weight at the National Projectile Factory, Birtley, UK, 14 June 1916 (b/w photo)
Facing centre of the shell and reducing to weight at the National Projectile Factory, Birtley, UK, 14 June 1916 (b/w photo)

TW3658279: Facing centre of the shell and reducing to weight at the National Projectile Factory, Birtley, UK, 14 June 1916 (b/w photo) / Bridgeman Images

See where my love a-maying goes, with sweet dame Flora sporting (litho)
See where my love a-maying goes, with sweet dame Flora sporting (litho)

LLM3655881: See where my love a-maying goes, with sweet dame Flora sporting (litho), Bell, Robert Anning (1863-1933) / Bridgeman Images

Carp (engraving)
Carp (engraving)

LLM3655890: Carp (engraving), English School, (19th century) / Bridgeman Images

St Jerome in his Study (engraving)
St Jerome in his Study (engraving)

LLM3655899: St Jerome in his Study (engraving), English School, (19th century) / Bridgeman Images

Teoyamiqui, Mexican Goddess of Death (engraving)
Teoyamiqui, Mexican Goddess of Death (engraving)

LLM3655929: Teoyamiqui, Mexican Goddess of Death (engraving), English School, (19th century) / Bridgeman Images

Old Abram Brown is dead and gone, You'll never see him more (engraving)
Old Abram Brown is dead and gone, You'll never see him more (engraving)

LLM3655977: Old Abram Brown is dead and gone, You'll never see him more (engraving), Brooke, Leonard Leslie (1862-1940) / Bridgeman Images

To make your candles last for aye, you wives and maids give ear-o (engraving)
To make your candles last for aye, you wives and maids give ear-o (engraving)

LLM3655980: To make your candles last for aye, you wives and maids give ear-o (engraving), Brooke, Leonard Leslie (1862-1940) / Bridgeman Images

William Penn and his wife meeting George Fox (engraving)
William Penn and his wife meeting George Fox (engraving)

LLM3656010: William Penn and his wife meeting George Fox (engraving), English School, (19th century) / Bridgeman Images

Deedle, deedle, dumpling, my son John (engraving)
Deedle, deedle, dumpling, my son John (engraving)

LLM3656016: Deedle, deedle, dumpling, my son John (engraving), Brooke, Leonard Leslie (1862-1940) / Bridgeman Images

Granada (engraving)
Granada (engraving)

LLM3656055: Granada (engraving), English School, (19th century) / Bridgeman Images

LLM3656070: "Looking down on the scene below" (engraving), English School, (19th century) / Bridgeman Images

Silhouette by Paul Konewka (litho)
Silhouette by Paul Konewka (litho)

LLM3656082: Silhouette by Paul Konewka (litho), Konewka, Paul (1841-71) / Bridgeman Images

Silhouette by Paul Konewka (litho)
Silhouette by Paul Konewka (litho)

LLM3656085: Silhouette by Paul Konewka (litho), Konewka, Paul (1841-71) / Bridgeman Images

Silhouette by Paul Konewka (litho)
Silhouette by Paul Konewka (litho)

LLM3656091: Silhouette by Paul Konewka (litho), Konewka, Paul (1841-71) / Bridgeman Images

Silhouette by Paul Konewka (litho)
Silhouette by Paul Konewka (litho)

LLM3656097: Silhouette by Paul Konewka (litho), Konewka, Paul (1841-71) / Bridgeman Images

Martin Chemnitz, German Lutheran theologian and reformer (engraving)
Martin Chemnitz, German Lutheran theologian and reformer (engraving)

LLE3656130: Martin Chemnitz, German Lutheran theologian and reformer (engraving), German School, (17th century) / Bridgeman Images

Ivan III, Grand Prince of Moscow (litho)
Ivan III, Grand Prince of Moscow (litho)

LLE3656139: Ivan III, Grand Prince of Moscow (litho), English School, (20th century) / Bridgeman Images


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