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2517607 Search Results

Register for confirmation, 1846 (oil on canvas)
Register for confirmation, 1846 (oil on canvas)

OVR5906536: Register for confirmation, 1846 (oil on canvas), Tidemand, Adolph (1814-76) / Bridgeman Images

ID: OVR5906536

Register for confirmation, 1846 (oil on canvas)

Tidemand, Adolph (1814-76)

Little Synneave, 1875 (oil on canvas)
Little Synneave, 1875 (oil on canvas)

OVR5906537: Little Synneave, 1875 (oil on canvas), Tidemand, Adolph (1814-76) / Bridgeman Images

ID: OVR5906537

Little Synneave, 1875 (oil on canvas)

Tidemand, Adolph (1814-76)

Old woman reading (oil on panel)
Old woman reading (oil on panel)

OVR5906538: Old woman reading (oil on panel), Tidemand, Adolph (1814-76) / Bridgeman Images

ID: OVR5906538

Old woman reading (oil on panel)

Tidemand, Adolph (1814-76)

In the potato field, 1880s (oil on canvas)
In the potato field, 1880s (oil on canvas)

OVR5906540: In the potato field, 1880s (oil on canvas), Werenskiold, Erik Theodor (1855-1938) / Bridgeman Images

ID: OVR5906540

In the potato field, 1880s (oil on canvas)

Werenskiold, Erik Theodor (1855-1938)

A William and Mary needlework picture, c.1690 (linen & wool)
A William and Mary needlework picture, c.1690 (linen & wool)

CH5906543: A William and Mary needlework picture, c.1690 (linen & wool), Unknown Artist, (17th century) / Bridgeman Images

ID: CH5906543

A William and Mary needlework picture, c.1690 (linen & wool)

Unknown Artist, (17th century)

A large crewel panel (wool)
A large crewel panel (wool)

CH5906544: A large crewel panel (wool), Unknown artist, (18th century) / Bridgeman Images

ID: CH5906544

A large crewel panel (wool)

Unknown artist, (18th century)

A pair of crewel hangings (wool)
A pair of crewel hangings (wool)

CH5906545: A pair of crewel hangings (wool), Unknown artist, (18th century) / Bridgeman Images

ID: CH5906545

A pair of crewel hangings (wool)

Unknown artist, (18th century)

A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)
A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)

CH5902629: A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain), Chinese School, Qing Dynasty - Kangxi Period (1662–1722) / Bridgeman Images

ID: CH5902629

A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)

Chinese School, Qing Dynasty - Kangxi Period (1662–1722)

One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)
One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)

CH5902633: One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain), Chinese School, Qing Dynasty - Kangxi Period (1662–1722) / Bridgeman Images

ID: CH5902633

One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)

Chinese School, Qing Dynasty - Kangxi Period (1662–1722)

A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)
A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)

CH5902634: A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain), Chinese School, Qing Dynasty - Kangxi Period (1662–1722) / Bridgeman Images

ID: CH5902634

A pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain)

Chinese School, Qing Dynasty - Kangxi Period (1662–1722)

The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel)
The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel)

MSC5902772: The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel), Scottish School / Bridgeman Images

ID: MSC5902772

The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel)

Scottish School

The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel)
The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel)

MSC5902773: The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel), Scottish School / Bridgeman Images

ID: MSC5902773

The Monymusk Reliquary, c.8th century AD (bronze, silver, wood, copper alloy, glass, enamel)

Scottish School

Scabbard chape from St Ninian's Isle (silver & glass)
Scabbard chape from St Ninian's Isle (silver & glass)

MSC5902784: Scabbard chape from St Ninian's Isle (silver & glass), Pictish, (8th century) / Bridgeman Images

ID: MSC5902784

Scabbard chape from St Ninian's Isle (silver & glass)

Pictish, (8th century)

Settle, 1895 (wood, linen & lead)
Settle, 1895 (wood, linen & lead)

MSC5902791: Settle, 1895 (wood, linen & lead), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

ID: MSC5902791

Settle, 1895 (wood, linen & lead)

Mackintosh, Charles Rennie (1868-1928)

Mirror case (valve de miroir) (ivory)
Mirror case (valve de miroir) (ivory)

GLS5903255: Mirror case (valve de miroir) (ivory), French School, (14th century) / Bridgeman Images

ID: GLS5903255

Mirror case (valve de miroir) (ivory)

French School, (14th century)

A bronze group the the Rape of a Sabine, Florence, c.1587-98 (bronze)
A bronze group the the Rape of a Sabine, Florence, c.1587-98 (bronze)

CH5913304: A bronze group the the Rape of a Sabine, Florence, c.1587-98 (bronze), Giambologna (Giovanni da Bologna), (1529-1608) / Bridgeman Images

ID: CH5913304

A bronze group the the Rape of a Sabine, Florence, c.1587-98 (bronze)

Giambologna (Giovanni da Bologna), (1529-1608)

Chinese couple in a landscape ('The Uncomfortable Package') (sanguine & white chalk on paper)
Chinese couple in a landscape ('The Uncomfortable Package') (sanguine & white chalk on paper)

CH5913349: Chinese couple in a landscape ('The Uncomfortable Package') (sanguine & white chalk on paper), Boucher, Francois (1703-70) / Bridgeman Images

ID: CH5913349

Chinese couple in a landscape ('The Uncomfortable Package') (sanguine & white chalk on paper)

Boucher, Francois (1703-70)

La Chapelle Notre-Dame de Protection au Haut-de-Cagnes, 1905 (oil on canvas)
La Chapelle Notre-Dame de Protection au Haut-de-Cagnes, 1905 (oil on canvas)

CH5914191: La Chapelle Notre-Dame de Protection au Haut-de-Cagnes, 1905 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: CH5914191

La Chapelle Notre-Dame de Protection au Haut-de-Cagnes, 1905 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

La Chanteuse, 1897-99 (gilt bronze)
La Chanteuse, 1897-99 (gilt bronze)

LMG5903333: La Chanteuse, 1897-99 (gilt bronze), Charpentier, Alexandre (1856-1909) / Bridgeman Images

ID: LMG5903333

La Chanteuse, 1897-99 (gilt bronze)

Charpentier, Alexandre (1856-1909)

The 1851 Union Polka. Respectfully inscribed to the Mechanical Genius of All Nations by J.G Jones, Master of the Band 16th Queens Lancers, 1851 (coloured lithograph)
The 1851 Union Polka. Respectfully inscribed to the Mechanical Genius of All Nations by J.G Jones, Master of the Band 16th Queens Lancers, 1851 (coloured lithograph)

NCO5903986: The 1851 Union Polka. Respectfully inscribed to the Mechanical Genius of All Nations by J.G Jones, Master of the Band 16th Queens Lancers, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5903986

The 1851 Union Polka. Respectfully inscribed to the Mechanical Genius of All Nations by J.G Jones, Master of the Band 16th Queens Lancers, 1851 (coloured lithograph)

English School, (19th century)

Untitled (The Great Exhibition), 1851 (coloured lithograph)
Untitled (The Great Exhibition), 1851 (coloured lithograph)

NCO5903990: Untitled (The Great Exhibition), 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5903990

Untitled (The Great Exhibition), 1851 (coloured lithograph)

English School, (19th century)

The Meeting of the Nations. A song for the Great Exhibition of Industry, 1851 (coloured lithograph)
The Meeting of the Nations. A song for the Great Exhibition of Industry, 1851 (coloured lithograph)

NCO5903994: The Meeting of the Nations. A song for the Great Exhibition of Industry, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5903994

The Meeting of the Nations. A song for the Great Exhibition of Industry, 1851 (coloured lithograph)

English School, (19th century)

Great Exhibition, Chinese Section, 1851 (lithograph)
Great Exhibition, Chinese Section, 1851 (lithograph)

NCO5903995: Great Exhibition, Chinese Section, 1851 (lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5903995

Great Exhibition, Chinese Section, 1851 (lithograph)

English School, (19th century)

Building for the Great Exhibition in London, 1851 (coloured lithograph)
Building for the Great Exhibition in London, 1851 (coloured lithograph)

NCO5903997: Building for the Great Exhibition in London, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5903997

Building for the Great Exhibition in London, 1851 (coloured lithograph)

English School, (19th century)

The Great International Exhibition, as seen from the Horticultural Gardens, 1851 (coloured lithograph)
The Great International Exhibition, as seen from the Horticultural Gardens, 1851 (coloured lithograph)

NCO5904000: The Great International Exhibition, as seen from the Horticultural Gardens, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5904000

The Great International Exhibition, as seen from the Horticultural Gardens, 1851 (coloured lithograph)

English School, (19th century)

The Building for the Great Exhibition, 1851 (coloured lithograph)
The Building for the Great Exhibition, 1851 (coloured lithograph)

NCO5904003: The Building for the Great Exhibition, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5904003

The Building for the Great Exhibition, 1851 (coloured lithograph)

English School, (19th century)

The Great Exhibition, 1851 (coloured lithograph)
The Great Exhibition, 1851 (coloured lithograph)

NCO5904004: The Great Exhibition, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5904004

The Great Exhibition, 1851 (coloured lithograph)

English School, (19th century)

From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 France, 1854 (coloured lithograph)
From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 France, 1854 (coloured lithograph)

NCO5904009: From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 France, 1854 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5904009

From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 France, 1854 (coloured lithograph)

English School, (19th century)

From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 India No. 6, 1854 (coloured lithograph)
From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 India No. 6, 1854 (coloured lithograph)

NCO5904010: From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 India No. 6, 1854 (coloured lithograph), English School, (19th century) / Bridgeman Images

ID: NCO5904010

From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 India No. 6, 1854 (coloured lithograph)

English School, (19th century)

L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas)
L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas)

CH5673167: L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas), Martino, Eduardo de (1838-1912) / Bridgeman Images

ID: CH5673167

L'Entente Cordiale: The Royal Yacht Victoria & Albert III reviewing the Anglo-French fleet in Cowes Road, 1905 (oil on canvas)

Martino, Eduardo de (1838-1912)

Detail from one of a pair of vases, c.1790 (jasper & ormolu)
Detail from one of a pair of vases, c.1790 (jasper & ormolu)

CH5674265: Detail from one of a pair of vases, c.1790 (jasper & ormolu), Russian School (18th century) / Bridgeman Images

ID: CH5674265

Detail from one of a pair of vases, c.1790 (jasper & ormolu)

Russian School (18th century)

The Wounded Achilles, 1825 (marble)
The Wounded Achilles, 1825 (marble)

CTS5920597: The Wounded Achilles, 1825 (marble), Albacini, Filippo (1777-1858) / Bridgeman Images

ID: CTS5920597

The Wounded Achilles, 1825 (marble)

Albacini, Filippo (1777-1858)

The Wounded Achilles, 1825 (marble)
The Wounded Achilles, 1825 (marble)

CTS5920605: The Wounded Achilles, 1825 (marble), Albacini, Filippo (1777-1858) / Bridgeman Images

ID: CTS5920605

The Wounded Achilles, 1825 (marble)

Albacini, Filippo (1777-1858)

A scouting party of 6th Dragoon Guards (Carabiniers) on a kopje, c. 1905 (sculpture, low relief)
A scouting party of 6th Dragoon Guards (Carabiniers) on a kopje, c. 1905 (sculpture, low relief)

NAM5920606: A scouting party of 6th Dragoon Guards (Carabiniers) on a kopje, c. 1905 (sculpture, low relief), Jones, Adrian (1845-1938) / Bridgeman Images

ID: NAM5920606

A scouting party of 6th Dragoon Guards (Carabiniers) on a kopje, c. 1905 (sculpture, low relief)

Jones, Adrian (1845-1938)

The Battle of Vittoria, 1813 (engraving, coloured)
The Battle of Vittoria, 1813 (engraving, coloured)

NAM5920621: The Battle of Vittoria, 1813 (engraving, coloured), Cruikshank, George (1792-1878) / Bridgeman Images

ID: NAM5920621

The Battle of Vittoria, 1813 (engraving, coloured)

Cruikshank, George (1792-1878)

General Officer’s sword used by Lieutenant-General Sir John Moore, 1809 circa (metal)
General Officer’s sword used by Lieutenant-General Sir John Moore, 1809 circa (metal)

NAM5920624: General Officer’s sword used by Lieutenant-General Sir John Moore, 1809 circa (metal), British School, (19th century) / Bridgeman Images

ID: NAM5920624

General Officer’s sword used by Lieutenant-General Sir John Moore, 1809 circa (metal)

British School, (19th century)


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