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Inside a Parisian mansion, located 26 boulevard Malesherbes.
Inside a Parisian mansion, located 26 boulevard Malesherbes.

ETI4396799: Inside a Parisian mansion, located 26 boulevard Malesherbes. / Bridgeman Images

ID: ETI4396799

Inside a Parisian mansion, located 26 boulevard Malesherbes.

Representation of the churches of Saint Stephen and Notre Dame of Good Hope at the Siege of Dijon by the Swiss in 1513. Tapestry, Musee des beaux arts, Dijon, Cote d'Or, France.
Representation of the churches of Saint Stephen and Notre Dame of Good Hope at the Siege of Dijon by the Swiss in 1513. Tapestry, Musee des beaux arts, Dijon, Cote d'Or, France.

ETI4396832: Representation of the churches of Saint Stephen and Notre Dame of Good Hope at the Siege of Dijon by the Swiss in 1513. Tapestry, Musee des beaux arts, Dijon, Cote d'Or, France. / Bridgeman Images

ID: ETI4396832

Representation of the churches of Saint Stephen and Notre Dame of Good Hope at the Siege of Dijon by the Swiss in 1513. Tapestry, Musee des beaux arts, Dijon, Cote d'Or, France.

Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France.
Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France.

ETI4396845: Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France. / Bridgeman Images

ID: ETI4396845

Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France.

The ceiling painted by Hippolyte Berteaux, the official painter of the city of Nantes, was inaugurated in 1881. Hall of the Opera Graslin, Nantes, Loire Atlantique, France.
The ceiling painted by Hippolyte Berteaux, the official painter of the city of Nantes, was inaugurated in 1881. Hall of the Opera Graslin, Nantes, Loire Atlantique, France.

ETI4396865: The ceiling painted by Hippolyte Berteaux, the official painter of the city of Nantes, was inaugurated in 1881. Hall of the Opera Graslin, Nantes, Loire Atlantique, France. / Bridgeman Images

ID: ETI4396865

The ceiling painted by Hippolyte Berteaux, the official painter of the city of Nantes, was inaugurated in 1881. Hall of the Opera Graslin, Nantes, Loire Atlantique, France.

Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France.
Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France.

ETI4396891: Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France. / Bridgeman Images

ID: ETI4396891

Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France.

Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.
Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

ETI4396987: Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras. / Bridgeman Images

ID: ETI4396987

Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.
Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

ETI4396996: Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras. / Bridgeman Images

ID: ETI4396996

Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

Prince James, Duke of York (1633-1701) playing palm game, he later returned as James II of England (James II Stuart) - in “” the sports and pastimes of the people of England”” by Joseph Strutt, ed 1801
Prince James, Duke of York (1633-1701) playing palm game, he later returned as James II of England (James II Stuart) - in “” the sports and pastimes of the people of England”” by Joseph Strutt, ed 1801

LSE4401953: Prince James, Duke of York (1633-1701) playing palm game, he later returned as James II of England (James II Stuart) - in “” the sports and pastimes of the people of England”” by Joseph Strutt, ed 1801, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4401953

Prince James, Duke of York (1633-1701) playing palm game, he later returned as James II of England (James II Stuart) - in “” the sports and pastimes of the people of England”” by Joseph Strutt, ed 1801

Unknown Artist, (19th century)

Swiss peasant from the village of Montreux in the canton of Vaud - lithography, 1825.
Swiss peasant from the village of Montreux in the canton of Vaud - lithography, 1825.

LSE4401973: Swiss peasant from the village of Montreux in the canton of Vaud - lithography, 1825., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4401973

Swiss peasant from the village of Montreux in the canton of Vaud - lithography, 1825.

Unknown Artist, (19th century)

The Narhwal or Narval, a cetacean - in “” Histoire naturelle”” - engraving, n.d, 19th century.
The Narhwal or Narval, a cetacean - in “” Histoire naturelle”” - engraving, n.d, 19th century.

LSE4401989: The Narhwal or Narval, a cetacean - in “” Histoire naturelle”” - engraving, n.d, 19th century., French School, (19th century) / Bridgeman Images

ID: LSE4401989

The Narhwal or Narval, a cetacean - in “” Histoire naturelle”” - engraving, n.d, 19th century.

French School, (19th century)

Course in mathematics - engraving by Gaspar Schott (or Caspar Schotti), 1659.
Course in mathematics - engraving by Gaspar Schott (or Caspar Schotti), 1659.

LSE4401990: Course in mathematics - engraving by Gaspar Schott (or Caspar Schotti), 1659., Schott, Caspar (1608-1666) / Bridgeman Images

ID: LSE4401990

Course in mathematics - engraving by Gaspar Schott (or Caspar Schotti), 1659.

Schott, Caspar (1608-1666)

La maison de Marat, 18 rue de l'école de Médecine - engraving, 18th century.
La maison de Marat, 18 rue de l'école de Médecine - engraving, 18th century.

LSE4402064: La maison de Marat, 18 rue de l'école de Médecine - engraving, 18th century., French School, (18th century) / Bridgeman Images

ID: LSE4402064

La maison de Marat, 18 rue de l'école de Médecine - engraving, 18th century.

French School, (18th century)

French Revolution: portrait of Charlotte Corday, v.1793.
French Revolution: portrait of Charlotte Corday, v.1793.

LSE4402065: French Revolution: portrait of Charlotte Corday, v.1793., French School, (18th century) / Bridgeman Images

ID: LSE4402065

French Revolution: portrait of Charlotte Corday, v.1793.

French School, (18th century)

French Revolution: Georges Cadoudal (dit Larive, dit Masson), a French conspirator who was one of the leaders of the Chouans and who organized two plots against Bonaparte, it was executed on 25 June 1804 - engraving, coll. museum Dobrée, Nantes. ¿
French Revolution: Georges Cadoudal (dit Larive, dit Masson), a French conspirator who was one of the leaders of the Chouans and who organized two plots against Bonaparte, it was executed on 25 June 1804 - engraving, coll. museum Dobrée, Nantes. ¿

LSE4402069: French Revolution: Georges Cadoudal (dit Larive, dit Masson), a French conspirator who was one of the leaders of the Chouans and who organized two plots against Bonaparte, it was executed on 25 June 1804 - engraving, coll. museum Dobrée, Nantes. ¿, French School, (18th century) / Bridgeman Images

ID: LSE4402069

French Revolution: Georges Cadoudal (dit Larive, dit Masson), a French conspirator who was one of the leaders of the Chouans and who organized two plots against Bonaparte, it was executed on 25 June 1804 - engraving, coll. museum Dobrée, Nantes. ¿

French School, (18th century)

The new size: engraving on Necker's reform of 1788 - B.N.
The new size: engraving on Necker's reform of 1788 - B.N.

LSE4402072: The new size: engraving on Necker's reform of 1788 - B.N., French School, (18th century) / Bridgeman Images

ID: LSE4402072

The new size: engraving on Necker's reform of 1788 - B.N.

French School, (18th century)

Le cirque: femmes de la nobility dancing - in “” les filles du Palais royal””, frontispiece, volume II, ed. London, 1792.
Le cirque: femmes de la nobility dancing - in “” les filles du Palais royal””, frontispiece, volume II, ed. London, 1792.

LSE4402082: Le cirque: femmes de la nobility dancing - in “” les filles du Palais royal””, frontispiece, volume II, ed. London, 1792., French School, (18th century) / Bridgeman Images

ID: LSE4402082

Le cirque: femmes de la nobility dancing - in “” les filles du Palais royal””, frontispiece, volume II, ed. London, 1792.

French School, (18th century)

La colonnade - in “Les filles du Palais royal”, frontispiece, vol. III, ed. London, 1792.
La colonnade - in “Les filles du Palais royal”, frontispiece, vol. III, ed. London, 1792.

LSE4402088: La colonnade - in “Les filles du Palais royal”, frontispiece, vol. III, ed. London, 1792., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4402088

La colonnade - in “Les filles du Palais royal”, frontispiece, vol. III, ed. London, 1792.

Unknown artist, (18th century)

The gallery of monkeys from the garden of plants - engraving, 19th century.
The gallery of monkeys from the garden of plants - engraving, 19th century.

LSE4402202: The gallery of monkeys from the garden of plants - engraving, 19th century., French School, (19th century) / Bridgeman Images

ID: LSE4402202

The gallery of monkeys from the garden of plants - engraving, 19th century.

French School, (19th century)

Parc de la butte Chaumont - engraving, 19th century.
Parc de la butte Chaumont - engraving, 19th century.

LSE4402204: Parc de la butte Chaumont - engraving, 19th century., French School, (19th century) / Bridgeman Images

ID: LSE4402204

Parc de la butte Chaumont - engraving, 19th century.

French School, (19th century)

Police officer photographer: he takes pictures of speeding cars - photography, circa 1910.
Police officer photographer: he takes pictures of speeding cars - photography, circa 1910.

LSE4402215: Police officer photographer: he takes pictures of speeding cars - photography, circa 1910., French Photographer, (20th century) / Bridgeman Images

ID: LSE4402215

Police officer photographer: he takes pictures of speeding cars - photography, circa 1910.

French Photographer, (20th century)

Interior of one of the offices of the Petite Poste de Paris organized in 1760 - engraving, Bibl. des Arts deco, 18th century.
Interior of one of the offices of the Petite Poste de Paris organized in 1760 - engraving, Bibl. des Arts deco, 18th century.

LSE4402222: Interior of one of the offices of the Petite Poste de Paris organized in 1760 - engraving, Bibl. des Arts deco, 18th century., French School, (18th century) / Bridgeman Images

ID: LSE4402222

Interior of one of the offices of the Petite Poste de Paris organized in 1760 - engraving, Bibl. des Arts deco, 18th century.

French School, (18th century)

War veterans press 1914-1918: amputee, hairy, gut, veteran, Meusian crutch, boar fighter, hairy republican, mutilated France, diary of mutilated reformed, hyphen - photograph, ca. 1920-1930, coll. Selva.
War veterans press 1914-1918: amputee, hairy, gut, veteran, Meusian crutch, boar fighter, hairy republican, mutilated France, diary of mutilated reformed, hyphen - photograph, ca. 1920-1930, coll. Selva.

LSE4402226: War veterans press 1914-1918: amputee, hairy, gut, veteran, Meusian crutch, boar fighter, hairy republican, mutilated France, diary of mutilated reformed, hyphen - photograph, ca. 1920-1930, coll. Selva., French School, (20th century) / Bridgeman Images

ID: LSE4402226

War veterans press 1914-1918: amputee, hairy, gut, veteran, Meusian crutch, boar fighter, hairy republican, mutilated France, diary of mutilated reformed, hyphen - photograph, ca. 1920-1930, coll. Selva.

French School, (20th century)

Funeral monument “” characterizing the genre of shadow architecture”” - E.L. Boullée.
Funeral monument “” characterizing the genre of shadow architecture”” - E.L. Boullée.

LSE4402821: Funeral monument “” characterizing the genre of shadow architecture”” - E.L. Boullée., Boullee, Etienne Louis (1728-99) / Bridgeman Images

ID: LSE4402821

Funeral monument “” characterizing the genre of shadow architecture”” - E.L. Boullée.

Boullee, Etienne Louis (1728-99)

Hanging garden of Babylon.
Hanging garden of Babylon.

LSE4402824: Hanging garden of Babylon., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4402824

Hanging garden of Babylon.

Unknown artist, (18th century)

Fulgence Bienvenue to his office, circa 1900
Fulgence Bienvenue to his office, circa 1900

LSE4402877: Fulgence Bienvenue to his office, circa 1900 / Bridgeman Images

ID: LSE4402877

Fulgence Bienvenue to his office, circa 1900

Marcel Herrand and Maria Casarès in “The Misunderstanding”” at the Mathurins Theatre.
Marcel Herrand and Maria Casarès in “The Misunderstanding”” at the Mathurins Theatre.

LSE4402899: Marcel Herrand and Maria Casarès in “The Misunderstanding”” at the Mathurins Theatre., French School, (20th century) / Bridgeman Images

ID: LSE4402899

Marcel Herrand and Maria Casarès in “The Misunderstanding”” at the Mathurins Theatre.

French School, (20th century)

Poster for the theatre piece
Poster for the theatre piece

LSE4402929: Poster for the theatre piece "Caligula" by Albert Camus, Paris, 1945 (poster), Viton, Marie (1893-1954) / Bridgeman Images

ID: LSE4402929

Poster for the theatre piece "Caligula" by Albert Camus, Paris, 1945 (poster)

Viton, Marie (1893-1954)

Samuel de Champlain (1570-1635), anonymous engraving.
Samuel de Champlain (1570-1635), anonymous engraving.

LSE4402950: Samuel de Champlain (1570-1635), anonymous engraving., French School, (17th century) / Bridgeman Images

ID: LSE4402950

Samuel de Champlain (1570-1635), anonymous engraving.

French School, (17th century)

Manufacture at the 18th century in Liancourt, the Duke of Rochefoucauld.
Manufacture at the 18th century in Liancourt, the Duke of Rochefoucauld.

LSE4402988: Manufacture at the 18th century in Liancourt, the Duke of Rochefoucauld., French School, (18th century) / Bridgeman Images

ID: LSE4402988

Manufacture at the 18th century in Liancourt, the Duke of Rochefoucauld.

French School, (18th century)

Manufacture, Duke de la Rochefoucauld in Liancourt; String Factory of Liancourt, Dept de l'Oise.
Manufacture, Duke de la Rochefoucauld in Liancourt; String Factory of Liancourt, Dept de l'Oise.

LSE4402994: Manufacture, Duke de la Rochefoucauld in Liancourt; String Factory of Liancourt, Dept de l'Oise., French School, (18th century) / Bridgeman Images

ID: LSE4402994

Manufacture, Duke de la Rochefoucauld in Liancourt; String Factory of Liancourt, Dept de l'Oise.

French School, (18th century)

Portrait of L. de la Rochefoucauld, Bishop of Saintes and deputy of the clergy of Saintes - Family Archives.
Portrait of L. de la Rochefoucauld, Bishop of Saintes and deputy of the clergy of Saintes - Family Archives.

LSE4403000: Portrait of L. de la Rochefoucauld, Bishop of Saintes and deputy of the clergy of Saintes - Family Archives., French School, (18th century) / Bridgeman Images

ID: LSE4403000

Portrait of L. de la Rochefoucauld, Bishop of Saintes and deputy of the clergy of Saintes - Family Archives.

French School, (18th century)

View of Liancourt, domain of the Duke of Rochefoucauld.
View of Liancourt, domain of the Duke of Rochefoucauld.

LSE4403003: View of Liancourt, domain of the Duke of Rochefoucauld., French School, (18th century) / Bridgeman Images

ID: LSE4403003

View of Liancourt, domain of the Duke of Rochefoucauld.

French School, (18th century)

Château de la Rochefoucauld in Liancourt; engraving by Louis Menier - Family Archives.
Château de la Rochefoucauld in Liancourt; engraving by Louis Menier - Family Archives.

LSE4403014: Château de la Rochefoucauld in Liancourt; engraving by Louis Menier - Family Archives., Meunier, Louis (17th century) / Bridgeman Images

ID: LSE4403014

Château de la Rochefoucauld in Liancourt; engraving by Louis Menier - Family Archives.

Meunier, Louis (17th century)

Cartoon on the stone covering of streets, MacAdam, Scottish engineer (1756-1838): “” M. Macadam ending by macadamizing the Milky Way””” - in “” Album Charivarique””, ill. de Cham, 1850.
Cartoon on the stone covering of streets, MacAdam, Scottish engineer (1756-1838): “” M. Macadam ending by macadamizing the Milky Way””” - in “” Album Charivarique””, ill. de Cham, 1850.

LSE4403029: Cartoon on the stone covering of streets, MacAdam, Scottish engineer (1756-1838): “” M. Macadam ending by macadamizing the Milky Way””” - in “” Album Charivarique””, ill. de Cham, 1850., Cham (Amedee Charles Henri de Noe) (1818-79) / Bridgeman Images

ID: LSE4403029

Cartoon on the stone covering of streets, MacAdam, Scottish engineer (1756-1838): “” M. Macadam ending by macadamizing the Milky Way””” - in “” Album Charivarique””, ill. de Cham, 1850.

Cham (Amedee Charles Henri de Noe) (1818-79)

Account book for the year 1789 of property of the Duke of Rochefoucauld Liancourt.
Account book for the year 1789 of property of the Duke of Rochefoucauld Liancourt.

LSE4403030: Account book for the year 1789 of property of the Duke of Rochefoucauld Liancourt., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4403030

Account book for the year 1789 of property of the Duke of Rochefoucauld Liancourt.

Unknown artist, (18th century)

Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault.
Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault.

LSE4403044: Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4403044

Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault.

Dore, Gustave (1832-83)


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