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2518153 Search Results

Britney Spears, 2009 (photo)
Britney Spears, 2009 (photo)

EVC5950604: Britney Spears, 2009 (photo) / Bridgeman Images

ID: EVC5950604

Britney Spears, 2009 (photo)

Britt Ekland, 1982 (photo)
Britt Ekland, 1982 (photo)

EVC5950606: Britt Ekland, 1982 (photo) / Bridgeman Images

ID: EVC5950606

Britt Ekland, 1982 (photo)

Brooke Shields, 1978 (photo)
Brooke Shields, 1978 (photo)

EVC5950622: Brooke Shields, 1978 (photo) / Bridgeman Images

ID: EVC5950622

Brooke Shields, 1978 (photo)

New York City 1/25/2010, Sarah Jessica Parker, Pierce Brosnan On Movie Set I Dont Know How She Does it in Battery Park (Lower Manhattan) (photo)
New York City 1/25/2010, Sarah Jessica Parker, Pierce Brosnan On Movie Set I Dont Know How She Does it in Battery Park (Lower Manhattan) (photo)

EVC5950635: New York City 1/25/2010, Sarah Jessica Parker, Pierce Brosnan On Movie Set I Dont Know How She Does it in Battery Park (Lower Manhattan) (photo) / Bridgeman Images

ID: EVC5950635

New York City 1/25/2010, Sarah Jessica Parker, Pierce Brosnan On Movie Set I Dont Know How She Does it in Battery Park (Lower Manhattan) (photo)

Bruce Boxleitner Melissa Gilbert, 1993 (photo)
Bruce Boxleitner Melissa Gilbert, 1993 (photo)

EVC5950639: Bruce Boxleitner Melissa Gilbert, 1993 (photo) / Bridgeman Images

ID: EVC5950639

Bruce Boxleitner Melissa Gilbert, 1993 (photo)

‘Horse Picket of Royal Horse Artillery - Getting ready for Attack on Colesberg’, 1899 circa (b/w photo)
‘Horse Picket of Royal Horse Artillery - Getting ready for Attack on Colesberg’, 1899 circa (b/w photo)

NAM5920837: ‘Horse Picket of Royal Horse Artillery - Getting ready for Attack on Colesberg’, 1899 circa (b/w photo), Underwood & Underwood (c.1881-1940) / Bridgeman Images

ID: NAM5920837

‘Horse Picket of Royal Horse Artillery - Getting ready for Attack on Colesberg’, 1899 circa (b/w photo)

Underwood & Underwood (c.1881-1940)

‘The King of Brobdingnag, and Gulliver’ (aquatint, coloured)
‘The King of Brobdingnag, and Gulliver’ (aquatint, coloured)

NAM5930240: ‘The King of Brobdingnag, and Gulliver’ (aquatint, coloured), English School, (19th century) / Bridgeman Images

ID: NAM5930240

‘The King of Brobdingnag, and Gulliver’ (aquatint, coloured)

English School, (19th century)

Jar, second half of 4th century (unglazed stoneware)
Jar, second half of 4th century (unglazed stoneware)

FSG5930749: Jar, second half of 4th century (unglazed stoneware), Korean School, (4th century) / Bridgeman Images

ID: FSG5930749

Jar, second half of 4th century (unglazed stoneware)

Korean School, (4th century)

A l'Ombre de Jomyoji, 1994 (photogravure; ink on paper, )
A l'Ombre de Jomyoji, 1994 (photogravure; ink on paper, )

FSG5931179: A l'Ombre de Jomyoji, 1994 (photogravure; ink on paper, ), Cremieux, Edouard (1856-1944) / Bridgeman Images

ID: FSG5931179

A l'Ombre de Jomyoji, 1994 (photogravure; ink on paper, )

Cremieux, Edouard (1856-1944)

Sai-no-Ko, 1992 (photogravure, ink on paper)
Sai-no-Ko, 1992 (photogravure, ink on paper)

FSG5931180: Sai-no-Ko, 1992 (photogravure, ink on paper), Cremieux, Edouard (1856-1944) / Bridgeman Images

ID: FSG5931180

Sai-no-Ko, 1992 (photogravure, ink on paper)

Cremieux, Edouard (1856-1944)

Light Trail, 1994 (photogravure, ink on paper)
Light Trail, 1994 (photogravure, ink on paper)

FSG5931187: Light Trail, 1994 (photogravure, ink on paper), Cremieux, Edouard (1856-1944) / Bridgeman Images

ID: FSG5931187

Light Trail, 1994 (photogravure, ink on paper)

Cremieux, Edouard (1856-1944)

Oze Mist, 1993 (photogravure, ink on paper)
Oze Mist, 1993 (photogravure, ink on paper)

FSG5931188: Oze Mist, 1993 (photogravure, ink on paper), Cremieux, Edouard (1856-1944) / Bridgeman Images

ID: FSG5931188

Oze Mist, 1993 (photogravure, ink on paper)

Cremieux, Edouard (1856-1944)

Infantry, West India Regiment, 1876 (watercolour over pencil)
Infantry, West India Regiment, 1876 (watercolour over pencil)

NAM5929691: Infantry, West India Regiment, 1876 (watercolour over pencil), Simkin, Richard (1840-1926) / Bridgeman Images

ID: NAM5929691

Infantry, West India Regiment, 1876 (watercolour over pencil)

Simkin, Richard (1840-1926)

Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]
Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]

COU5948314: Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313], Cano, Alonso (1601-67) (attr. to) / Bridgeman Images

ID: COU5948314

Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]

Cano, Alonso (1601-67) (attr. to)

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)
Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

COU5948319: Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch), Cajes, Patrizio (c.1540-1612) / Bridgeman Images

ID: COU5948319

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

Cajes, Patrizio (c.1540-1612)

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)
Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

COU5948323: Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines), March, Esteban (c.1590-d.c.1660) (circle of) / Bridgeman Images

ID: COU5948323

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

March, Esteban (c.1590-d.c.1660) (circle of)

Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)
Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)

COU5948331: Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper), Herrera Barnuevo, Sebastian de (1619-71) (attr.to) / Bridgeman Images

ID: COU5948331

Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)

Herrera Barnuevo, Sebastian de (1619-71) (attr.to)

Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)
Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)

COU5948342: Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support), Spanish School, (17th century) / Bridgeman Images

ID: COU5948342

Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)

Spanish School, (17th century)

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)
Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

COU5948343: Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper), Tovar, Alonso Miguel de (1678-1758) / Bridgeman Images

ID: COU5948343

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

Tovar, Alonso Miguel de (1678-1758)

Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper)
Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper)

COU5948353: Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper), Cano, Alonso (1601-67) (follower of) / Bridgeman Images

ID: COU5948353

Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper)

Cano, Alonso (1601-67) (follower of)

King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948364: King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948364

King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948367: Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948367

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)
View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

COU5948372: View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom), Bazzicaluva, Ercole Frigoni (1607-after c.1661) / Bridgeman Images

ID: COU5948372

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

Bazzicaluva, Ercole Frigoni (1607-after c.1661)

Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]
Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]

COU5948374: Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373], Vanderbank, John (1694-1739) / Bridgeman Images

ID: COU5948374

Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]

Vanderbank, John (1694-1739)

Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)
Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)

COU5948376: Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines), Brill or Bril, Paul (1554-1626) (circle of) / Bridgeman Images

ID: COU5948376

Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)

Brill or Bril, Paul (1554-1626) (circle of)

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)
Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

COU5948377: Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper), Clerck, Hendrik de (1570-1629) / Bridgeman Images

ID: COU5948377

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

Clerck, Hendrik de (1570-1629)

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]
Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

COU5948379: Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378], Poynter, Edward John (1836-1919) / Bridgeman Images

ID: COU5948379

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

Poynter, Edward John (1836-1919)

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)
Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

COU5948382: Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines), Valencia, Felipe Gómez de (c.1634-1679/94) / Bridgeman Images

ID: COU5948382

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

Valencia, Felipe Gómez de (c.1634-1679/94)

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)
Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

COU5948384: Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue), Keuninck, Kerstiaen de (c.1560-1633) / Bridgeman Images

ID: COU5948384

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

Keuninck, Kerstiaen de (c.1560-1633)

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)
Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

COU5948388: Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: COU5948388

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

Watts, George Frederic (1817-1904)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948395: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948395

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948398: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948398

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948399: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948399

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)
Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)

COU5948404: Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: COU5948404

Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)

Beardsley, Aubrey (1872-98)

Magnanimity, 17th century (red chalk on laid paper)
Magnanimity, 17th century (red chalk on laid paper)

COU5948412: Magnanimity, 17th century (red chalk on laid paper), Thornhill, James (1675-1734) / Bridgeman Images

ID: COU5948412

Magnanimity, 17th century (red chalk on laid paper)

Thornhill, James (1675-1734)

Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo)
Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo)

SZT5948599: Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo) / Bridgeman Images

ID: SZT5948599

Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo)


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