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2518063 Search Results

Faith, 1903 (oil on canvas)
Faith, 1903 (oil on canvas)

AEG122838: Faith, 1903 (oil on canvas), East, Alfred (1844-1913) / Bridgeman Images

ID: AEG122838

Faith, 1903 (oil on canvas)

East, Alfred (1844-1913)

Early Dawn on Monte Mottarone, Lake Maggiore, 1899-1900 (oil on canvas)
Early Dawn on Monte Mottarone, Lake Maggiore, 1899-1900 (oil on canvas)

AEG122844: Early Dawn on Monte Mottarone, Lake Maggiore, 1899-1900 (oil on canvas), East, Alfred (1844-1913) / Bridgeman Images

ID: AEG122844

Early Dawn on Monte Mottarone, Lake Maggiore, 1899-1900 (oil on canvas)

East, Alfred (1844-1913)

Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122931: Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122931

Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving)
Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving)

ABC122937: Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving), English School, (19th century) / Bridgeman Images

ID: ABC122937

Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving)

English School, (19th century)

Kurfurstendam, Berlin (oil on canvas)
Kurfurstendam, Berlin (oil on canvas)

LMG123004: Kurfurstendam, Berlin (oil on canvas), Bloch, Martin (1883-1954) / Bridgeman Images

ID: LMG123004

Kurfurstendam, Berlin (oil on canvas)

Bloch, Martin (1883-1954)

In the Barn, 1902 (oil on canvas)
In the Barn, 1902 (oil on canvas)

LMG123009: In the Barn, 1902 (oil on canvas), Clausen, George (1852-1944) / Bridgeman Images

ID: LMG123009

In the Barn, 1902 (oil on canvas)

Clausen, George (1852-1944)

The Pond, 1908 (oil on canvas)
The Pond, 1908 (oil on canvas)

LMG123028: The Pond, 1908 (oil on canvas), Lambert, George Washington (1873-1930) / Bridgeman Images

ID: LMG123028

The Pond, 1908 (oil on canvas)

Lambert, George Washington (1873-1930)

Faithful Servants (Marine) c.1928 (tempera on board)
Faithful Servants (Marine) c.1928 (tempera on board)

LMG123046: Faithful Servants (Marine) c.1928 (tempera on board), Wadsworth, Edward Alexander (1889-1949) / Bridgeman Images

ID: LMG123046

Faithful Servants (Marine) c.1928 (tempera on board)

Wadsworth, Edward Alexander (1889-1949)

Forest, 1937 (wood)
Forest, 1937 (wood)

LMG123056: Forest, 1937 (wood), Nash, Paul (1889-1946) / Bridgeman Images

ID: LMG123056

Forest, 1937 (wood)

Nash, Paul (1889-1946)

Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper)
Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper)

LMG123076: Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper), Wadsworth, Edward Alexander (1889-1949) / Bridgeman Images

ID: LMG123076

Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper)

Wadsworth, Edward Alexander (1889-1949)

Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas)
Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas)

LMG123082: Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas), Ibbetson, Julius Caesar (1759-1817) / Bridgeman Images

ID: LMG123082

Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas)

Ibbetson, Julius Caesar (1759-1817)

Omai a Native of Ulaietea, 1774 (engraving)
Omai a Native of Ulaietea, 1774 (engraving)

MGS149647: Omai a Native of Ulaietea, 1774 (engraving), Bartolozzi, Francesco (1727-1815) / Bridgeman Images

ID: MGS149647

Omai a Native of Ulaietea, 1774 (engraving)

Bartolozzi, Francesco (1727-1815)

Portrait Study, c. 1840 (pencil & chalk on paper)
Portrait Study, c. 1840 (pencil & chalk on paper)

MGS149648: Portrait Study, c. 1840 (pencil & chalk on paper), Fitch, Walter Hood (1817-92) / Bridgeman Images

ID: MGS149648

Portrait Study, c. 1840 (pencil & chalk on paper)

Fitch, Walter Hood (1817-92)

Caernarfon Castle, c.1842-52 (w/c on paper)
Caernarfon Castle, c.1842-52 (w/c on paper)

NWP149798: Caernarfon Castle, c.1842-52 (w/c on paper), Evans, William (of Bristol) (1809-58) / Bridgeman Images

ID: NWP149798

Caernarfon Castle, c.1842-52 (w/c on paper)

Evans, William (of Bristol) (1809-58)

Arawaka Indian-Demerara (w/c on paper)
Arawaka Indian-Demerara (w/c on paper)

MGS149814: Arawaka Indian-Demerara (w/c on paper), English School, (19th century) / Bridgeman Images

ID: MGS149814

Arawaka Indian-Demerara (w/c on paper)

English School, (19th century)

The Church of the Scalzi, church built by Baldassare Longhena (1597-1682) facade by Giuseppe Sardi (c.1621-99) 1670-80 (photo)
The Church of the Scalzi, church built by Baldassare Longhena (1597-1682) facade by Giuseppe Sardi (c.1621-99) 1670-80 (photo)

SQ149937: The Church of the Scalzi, church built by Baldassare Longhena (1597-1682) facade by Giuseppe Sardi (c.1621-99) 1670-80 (photo), Longhena, Baldassare (1597-1682) / Bridgeman Images

ID: SQ149937

The Church of the Scalzi, church built by Baldassare Longhena (1597-1682) facade by Giuseppe Sardi (c.1621-99) 1670-80 (photo)

Longhena, Baldassare (1597-1682)

Canal facade of the church of Santa Maria Formosa, built in 1542 (photo)
Canal facade of the church of Santa Maria Formosa, built in 1542 (photo)

SQ149955: Canal facade of the church of Santa Maria Formosa, built in 1542 (photo), Italian School, (16th century) / Bridgeman Images

ID: SQ149955

Canal facade of the church of Santa Maria Formosa, built in 1542 (photo)

Italian School, (16th century)

The Loggia (photo)
The Loggia (photo)

SQ149969: The Loggia (photo), Italian School, (14th century) / Bridgeman Images

ID: SQ149969

The Loggia (photo)

Italian School, (14th century)

St. Jerome in the Wilderness, c.1510-15 (oil on panel)
St. Jerome in the Wilderness, c.1510-15 (oil on panel)

BWM150051: St. Jerome in the Wilderness, c.1510-15 (oil on panel), Solario, Andrea (c.1466-1524) / Bridgeman Images

ID: BWM150051

St. Jerome in the Wilderness, c.1510-15 (oil on panel)

Solario, Andrea (c.1466-1524)

Palazzo Grimani, begun 1557 (photo)
Palazzo Grimani, begun 1557 (photo)

SQ150204: Palazzo Grimani, begun 1557 (photo), Sanmichele, Michele (c.1484-1559) / Bridgeman Images

ID: SQ150204

Palazzo Grimani, begun 1557 (photo)

Sanmichele, Michele (c.1484-1559)

Portico detail from the church facade, built 1706-14 (photo)
Portico detail from the church facade, built 1706-14 (photo)

SQ150206: Portico detail from the church facade, built 1706-14 (photo), Tirali, Andrea (1657-1737) / Bridgeman Images

ID: SQ150206

Portico detail from the church facade, built 1706-14 (photo)

Tirali, Andrea (1657-1737)

Facade of Santa Maria Gloriosa dei Frari, begun c.1330, finished after 1443 (photo)
Facade of Santa Maria Gloriosa dei Frari, begun c.1330, finished after 1443 (photo)

SQ150208: Facade of Santa Maria Gloriosa dei Frari, begun c.1330, finished after 1443 (photo), Italian School / Bridgeman Images

ID: SQ150208

Facade of Santa Maria Gloriosa dei Frari, begun c.1330, finished after 1443 (photo)

Italian School

St. Christopher, the Christ-bearer, attributed to Bartolomeo Bon (1405-64) or Niccolo di Giovanni Fiorentino (marble) (detail)
St. Christopher, the Christ-bearer, attributed to Bartolomeo Bon (1405-64) or Niccolo di Giovanni Fiorentino (marble) (detail)

SQ150214: St. Christopher, the Christ-bearer, attributed to Bartolomeo Bon (1405-64) or Niccolo di Giovanni Fiorentino (marble) (detail), Italian School, (15th century) / Bridgeman Images

ID: SQ150214

St. Christopher, the Christ-bearer, attributed to Bartolomeo Bon (1405-64) or Niccolo di Giovanni Fiorentino (marble) (detail)

Italian School, (15th century)

Torre dell'Orologio (Clock Tower), tower built by Mauro Coducci (c.1440-1504) in 1496-99, wings attributed to Pietro Lombardo (c.1438-1515) 1506 (photo)
Torre dell'Orologio (Clock Tower), tower built by Mauro Coducci (c.1440-1504) in 1496-99, wings attributed to Pietro Lombardo (c.1438-1515) 1506 (photo)

SQ150224: Torre dell'Orologio (Clock Tower), tower built by Mauro Coducci (c.1440-1504) in 1496-99, wings attributed to Pietro Lombardo (c.1438-1515) 1506 (photo), Italian School, (15th century) / Bridgeman Images

ID: SQ150224

Torre dell'Orologio (Clock Tower), tower built by Mauro Coducci (c.1440-1504) in 1496-99, wings attributed to Pietro Lombardo (c.1438-1515) 1506 (photo)

Italian School, (15th century)

Detail from the gates, 1733-34 (bronze)
Detail from the gates, 1733-34 (bronze)

SQ150225: Detail from the gates, 1733-34 (bronze), Gai, Antonio (1686-1769) / Bridgeman Images

ID: SQ150225

Detail from the gates, 1733-34 (bronze)

Gai, Antonio (1686-1769)

Monument to Vittorio Emmanuele II (1820-78) 1887 (bronze)
Monument to Vittorio Emmanuele II (1820-78) 1887 (bronze)

SQ150229: Monument to Vittorio Emmanuele II (1820-78) 1887 (bronze), Ferrari, Ettore (1848-1929) / Bridgeman Images

ID: SQ150229

Monument to Vittorio Emmanuele II (1820-78) 1887 (bronze)

Ferrari, Ettore (1848-1929)

Statue of Carlo Goldoni (1707-93) 1883 (bronze)
Statue of Carlo Goldoni (1707-93) 1883 (bronze)

SQ150234: Statue of Carlo Goldoni (1707-93) 1883 (bronze), Dal Zotto, Antonio (1841-1918) / Bridgeman Images

ID: SQ150234

Statue of Carlo Goldoni (1707-93) 1883 (bronze)

Dal Zotto, Antonio (1841-1918)

Standing and recumbent Buddha, Gal Vihara (granite)
Standing and recumbent Buddha, Gal Vihara (granite)

JBG150713: Standing and recumbent Buddha, Gal Vihara (granite), Sri Lankan, (12th century) / Bridgeman Images

ID: JBG150713

Standing and recumbent Buddha, Gal Vihara (granite)

Sri Lankan, (12th century)

The Cloud Damsels, from the Rock Fortress (fresco) (detail)
The Cloud Damsels, from the Rock Fortress (fresco) (detail)

JBG150770: The Cloud Damsels, from the Rock Fortress (fresco) (detail), Sri Lankan School, (5th century) / Bridgeman Images

ID: JBG150770

The Cloud Damsels, from the Rock Fortress (fresco) (detail)

Sri Lankan School, (5th century)

The Cloud Damsels, from the Rock Fortress (fresco) (detail)
The Cloud Damsels, from the Rock Fortress (fresco) (detail)

JBG150772: The Cloud Damsels, from the Rock Fortress (fresco) (detail), Sri Lankan School, (5th century) / Bridgeman Images

ID: JBG150772

The Cloud Damsels, from the Rock Fortress (fresco) (detail)

Sri Lankan School, (5th century)

Samuel Smith and his Son William, c.1770 (oil on canvas)
Samuel Smith and his Son William, c.1770 (oil on canvas)

AGN150783: Samuel Smith and his Son William, c.1770 (oil on canvas), Chamberlin, Mason (1727-87) / Bridgeman Images

ID: AGN150783

Samuel Smith and his Son William, c.1770 (oil on canvas)

Chamberlin, Mason (1727-87)

The Cascades of Tivoli (black chalk on paper)
The Cascades of Tivoli (black chalk on paper)

AGN95215: The Cascades of Tivoli (black chalk on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: AGN95215

The Cascades of Tivoli (black chalk on paper)

Claude Lorrain (Claude Gellee) (1600-82)

Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving)
Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving)

ONH95278: Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving), Cary, John (c.1754-1835) (after) / Bridgeman Images

ID: ONH95278

Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving)

Cary, John (c.1754-1835) (after)

Portrait of Dr Thomas Simcox Lea, c.1828 (oil on canvas)
Portrait of Dr Thomas Simcox Lea, c.1828 (oil on canvas)

AGN95338: Portrait of Dr Thomas Simcox Lea, c.1828 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

ID: AGN95338

Portrait of Dr Thomas Simcox Lea, c.1828 (oil on canvas)

Constable, John (1776-1837)

A Suffolk Landscape (oil on canvas)
A Suffolk Landscape (oil on canvas)

AGN95344: A Suffolk Landscape (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

ID: AGN95344

A Suffolk Landscape (oil on canvas)

Constable, John (1776-1837)

The South Gate, Great Yarmouth, Norfolk (w/c on paper)
The South Gate, Great Yarmouth, Norfolk (w/c on paper)

AGN95353: The South Gate, Great Yarmouth, Norfolk (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: AGN95353

The South Gate, Great Yarmouth, Norfolk (w/c on paper)

Cotman, John Sell (1782-1842)


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