Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

5777238 Search Results

WOMEN,FEMMES,DONNE
WOMEN,FEMMES,DONNE

AOJ5900075: WOMEN,FEMMES,DONNE, Favero, Costanza / Bridgeman Images

THE BLACK CAT
THE BLACK CAT

AOJ5900081: THE BLACK CAT, Favero, Costanza / Bridgeman Images

YES WE LOVE
YES WE LOVE

AOJ5900983: YES WE LOVE, Favero, Costanza / Bridgeman Images

'Lord Overtoun, Chrome, Charity, Crystals and Cant', White slaves' series; no. 3, Printed by Labour Leader, 1899 (print)
'Lord Overtoun, Chrome, Charity, Crystals and Cant', White slaves' series; no. 3, Printed by Labour Leader, 1899 (print)

BL5901018: 'Lord Overtoun, Chrome, Charity, Crystals and Cant', White slaves' series; no. 3, Printed by Labour Leader, 1899 (print), English School, (19th century) / Bridgeman Images

MS Panj B 40, f.35r, illustration from the 'Biography of Guru Nanak', 1733 (vellum)
MS Panj B 40, f.35r, illustration from the 'Biography of Guru Nanak', 1733 (vellum)

BL5901276: MS Panj B 40, f.35r, illustration from the 'Biography of Guru Nanak', 1733 (vellum), Indian School, (18th century) / Bridgeman Images

MS Panj B 40, f.62r, illustration from the 'Biography of Guru Nanak', 1733 (vellum)
MS Panj B 40, f.62r, illustration from the 'Biography of Guru Nanak', 1733 (vellum)

BL5901288: MS Panj B 40, f.62r, illustration from the 'Biography of Guru Nanak', 1733 (vellum), Indian School, (18th century) / Bridgeman Images

MS Panj B 40, f.81v, illustration from the 'Biography of Guru Nanak', 1733 (vellum)
MS Panj B 40, f.81v, illustration from the 'Biography of Guru Nanak', 1733 (vellum)

BL5901290: MS Panj B 40, f.81v, illustration from the 'Biography of Guru Nanak', 1733 (vellum), Indian School, (18th century) / Bridgeman Images

MS Panj B 40, f.89v, illustration from the 'Biography of Guru Nanak', 1733 (vellum)
MS Panj B 40, f.89v, illustration from the 'Biography of Guru Nanak', 1733 (vellum)

BL5901291: MS Panj B 40, f.89v, illustration from the 'Biography of Guru Nanak', 1733 (vellum), Indian School, (18th century) / Bridgeman Images

Advertising Poster for Harper's New Monthly Magazine,  May 1896,  pub. 1896     (colour lithograph)
Advertising Poster for Harper's New Monthly Magazine,  May 1896,  pub. 1896     (colour lithograph)

STC5902938: Advertising Poster for Harper's New Monthly Magazine, May 1896, pub. 1896 (colour lithograph), Penfield, Edward (1866-1925) / Bridgeman Images

Le Bon Oncle. Costumes d'enfants  from La Gazette du Bon Ton, pub. 1914 (Pochoir Print)
Le Bon Oncle. Costumes d'enfants  from La Gazette du Bon Ton, pub. 1914 (Pochoir Print)

STC5902955: Le Bon Oncle. Costumes d'enfants from La Gazette du Bon Ton, pub. 1914 (Pochoir Print), Egli, Charles Emile called Carlegle (1877-1937) / Bridgeman Images

Garden Dream, 2019 (acrylic on canvas)
Garden Dream, 2019 (acrylic on canvas)

AOO5903214: Garden Dream, 2019 (acrylic on canvas), Alastra, Deborah Eve / Bridgeman Images

Midnight Garden, 2019 (digital)
Midnight Garden, 2019 (digital)

AJO5903267: Midnight Garden, 2019 (digital), Huntley, Claire / Bridgeman Images

Portlandia, 2018 (acrylic on canvas)
Portlandia, 2018 (acrylic on canvas)

AOO5903544: Portlandia, 2018 (acrylic on canvas), Alastra, Deborah Eve / Bridgeman Images

Southwestern Sky, 2015 (acrylic on canvas)
Southwestern Sky, 2015 (acrylic on canvas)

AOO5903556: Southwestern Sky, 2015 (acrylic on canvas), Alastra, Deborah Eve / Bridgeman Images

Street Corner Guanajuato, 1982 (oil on canvas)
Street Corner Guanajuato, 1982 (oil on canvas)

AOO5903710: Street Corner Guanajuato, 1982 (oil on canvas), Alastra, Deborah Eve / Bridgeman Images

Begonia; 2006 (watercolor)
Begonia; 2006 (watercolor)

AOO5903715: Begonia; 2006 (watercolor), Alastra, Deborah Eve / Bridgeman Images

Desert Bloom, 2007 (watercolor)
Desert Bloom, 2007 (watercolor)

AOO5903716: Desert Bloom, 2007 (watercolor), Alastra, Deborah Eve / Bridgeman Images

Illustration for 'Les Liaisons dangereuses' (engraving)
Illustration for 'Les Liaisons dangereuses' (engraving)

PCT4293088: Illustration for 'Les Liaisons dangereuses' (engraving) / Bridgeman Images

Serge Poliakoff (1900-1969): abstract composition (1966) - Musee des beaux arts de Carcassonne -
Serge Poliakoff (1900-1969): abstract composition (1966) - Musee des beaux arts de Carcassonne -

PCT4294703: Serge Poliakoff (1900-1969): abstract composition (1966) - Musee des beaux arts de Carcassonne -, Poliakoff, Serge (1906-69) / Bridgeman Images

Reclaim (advertisement) for Dentol toothpaste (French product) in the newspaper La Depeche du Midi during the War of 1914 - 1918 - The illustration is a Senegalese shooter explaining the contrast with a German soldier wearing a pointed helmet. He speaks in “” little negre”””: “” li white skin eat bread KK (poop), more teeth - Me, black skin, white teeth! “” - The image of those called the Negres was very used at the time. The most famous is the Senegalese gunner from Banania (see GU0012 and GU0013-
Reclaim (advertisement) for Dentol toothpaste (French product) in the newspaper La Depeche du Midi during the War of 1914 - 1918 - The illustration is a Senegalese shooter explaining the contrast with a German soldier wearing a pointed helmet. He speaks in “” little negre”””: “” li white skin eat bread KK (poop), more teeth - Me, black skin, white teeth! “” - The image of those called the Negres was very used at the time. The most famous is the Senegalese gunner from Banania (see GU0012 and GU0013-

PCT4290567: Reclaim (advertisement) for Dentol toothpaste (French product) in the newspaper La Depeche du Midi during the War of 1914 - 1918 - The illustration is a Senegalese shooter explaining the contrast with a German soldier wearing a pointed helmet. He speaks in “” little negre”””: “” li white skin eat bread KK (poop), more teeth - Me, black skin, white teeth! “” - The image of those called the Negres was very used at the time. The most famous is the Senegalese gunner from Banania (see GU0012 and GU0013- / Bridgeman Images

Illustration by Rene Vincent (1879-1936) of the book (1906-1907) by Frank-Nohain (Franc Nohain) dedicated to the clowns duo FooIT and Chocolat - Rafael Padilla (1866 or 1868-1917), nicknamed “Chocolate” (black clown) - “” the young negre, who was not afraid to blackening his complexion, committed to earn a living at the Bilbao mines. This comment, which may now seem racist, was intended at the benevolent times - minor, circus, racism, child labor, childhood-
Illustration by Rene Vincent (1879-1936) of the book (1906-1907) by Frank-Nohain (Franc Nohain) dedicated to the clowns duo FooIT and Chocolat - Rafael Padilla (1866 or 1868-1917), nicknamed “Chocolate” (black clown) - “” the young negre, who was not afraid to blackening his complexion, committed to earn a living at the Bilbao mines. This comment, which may now seem racist, was intended at the benevolent times - minor, circus, racism, child labor, childhood-

PCT4290724: Illustration by Rene Vincent (1879-1936) of the book (1906-1907) by Frank-Nohain (Franc Nohain) dedicated to the clowns duo FooIT and Chocolat - Rafael Padilla (1866 or 1868-1917), nicknamed “Chocolate” (black clown) - “” the young negre, who was not afraid to blackening his complexion, committed to earn a living at the Bilbao mines. This comment, which may now seem racist, was intended at the benevolent times - minor, circus, racism, child labor, childhood-, Vincent, Rene (1871-1936) / Bridgeman Images

Sleeping Hermaphrodite: marble sculpture, Roman art (marble)
Sleeping Hermaphrodite: marble sculpture, Roman art (marble)

PCT4293341: Sleeping Hermaphrodite: marble sculpture, Roman art (marble), Roman, (1st century BC) / Bridgeman Images

Roman art: architectural landscape with temple and sacred portal from Villa Papiri (fresco)
Roman art: architectural landscape with temple and sacred portal from Villa Papiri (fresco)

PCT4293634: Roman art: architectural landscape with temple and sacred portal from Villa Papiri (fresco), Gallo-Roman, (1st century AD) / Bridgeman Images

Polychrome floor mosaic representing the bust of Dionysus. Opus vermiculatum, Roman work of the 3rd century. Roman Art - Palazzo Massimo alle Terme (National Museum of Rome) -
Polychrome floor mosaic representing the bust of Dionysus. Opus vermiculatum, Roman work of the 3rd century. Roman Art - Palazzo Massimo alle Terme (National Museum of Rome) -

PCT4293256: Polychrome floor mosaic representing the bust of Dionysus. Opus vermiculatum, Roman work of the 3rd century. Roman Art - Palazzo Massimo alle Terme (National Museum of Rome) - / Bridgeman Images

East India Company Charter, London, 31 December 1600 (Ink on paper)
East India Company Charter, London, 31 December 1600 (Ink on paper)

BL5903748: East India Company Charter, London, 31 December 1600 (Ink on paper), English School, (17th century) / Bridgeman Images

East India Company Charter, London, 31 December 1600 (Ink on paper)
East India Company Charter, London, 31 December 1600 (Ink on paper)

BL5903756: East India Company Charter, London, 31 December 1600 (Ink on paper), English School, (17th century) / Bridgeman Images

East India Company Charter, London, 31 December 1600 (Ink on paper)
East India Company Charter, London, 31 December 1600 (Ink on paper)

BL5903769: East India Company Charter, London, 31 December 1600 (Ink on paper), English School, (17th century) / Bridgeman Images

From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854  India No. 7, 1854 (coloured lithograph)
From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854  India No. 7, 1854 (coloured lithograph)

NCO5903984: From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 India No. 7, 1854 (coloured lithograph), English School, (19th century) / Bridgeman Images

Crystal Palace, 1851 (coloured lithograph)
Crystal Palace, 1851 (coloured lithograph)

NCO5903988: Crystal Palace, 1851 (coloured lithograph), English School, (19th century) / Bridgeman Images

From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 Russia, 1854 (coloured lithograph)
From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 Russia, 1854 (coloured lithograph)

NCO5904008: From 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 Russia, 1854 (coloured lithograph), English School, (19th century) / Bridgeman Images

A Family of Tartars, c. 1885 (ink, w/c & gold on paper)
A Family of Tartars, c. 1885 (ink, w/c & gold on paper)

XCL5884511: A Family of Tartars, c. 1885 (ink, w/c & gold on paper), Indian School, (19th century) / Bridgeman Images

Tiger Hunt of Raja Ram Singh II, c.1830-40 (opaque watercolour, silver & gold on paper)
Tiger Hunt of Raja Ram Singh II, c.1830-40 (opaque watercolour, silver & gold on paper)

XCL5884514: Tiger Hunt of Raja Ram Singh II, c.1830-40 (opaque watercolour, silver & gold on paper), Indian School, (19th century) / Bridgeman Images

Portrait of Jean-Baptiste Lemoyne the Younger, 1772 (oil on canvas)
Portrait of Jean-Baptiste Lemoyne the Younger, 1772 (oil on canvas)

XCL5884573: Portrait of Jean-Baptiste Lemoyne the Younger, 1772 (oil on canvas), Vigee-Lebrun, Elisabeth Louise (1755-1842) / Bridgeman Images

Self-Portrait with Five Muses, c. 1880 (oil on paper mounted to board)
Self-Portrait with Five Muses, c. 1880 (oil on paper mounted to board)

XCL5884673: Self-Portrait with Five Muses, c. 1880 (oil on paper mounted to board), Church, Henry (1836-1908) / Bridgeman Images

Vatican: Galerie Nuovo Braccio, c.1860 (albumen print from a collodion negative)
Vatican: Galerie Nuovo Braccio, c.1860 (albumen print from a collodion negative)

XCL5884693: Vatican: Galerie Nuovo Braccio, c.1860 (albumen print from a collodion negative), Soulier, Charles (1830-1900) / Bridgeman Images

Barnaby Rudge Helping Lead the Gordon Riots, 1884 (w/c with traces of graphite on paper)
Barnaby Rudge Helping Lead the Gordon Riots, 1884 (w/c with traces of graphite on paper)

XCL5884737: Barnaby Rudge Helping Lead the Gordon Riots, 1884 (w/c with traces of graphite on paper), Green, Charles (1840-98) / Bridgeman Images


Back to top